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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD578E it is the complementary color #52A871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD578E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD578E shade: #B25789, #C3699C, #D47BAF, #E58DC2 and #F69FD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD578E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD578E shade: #AD578E, #9C457B, #8B3368, #7A2155 and #690F42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD578E shade: #AD588E, #AD5877, #AD5860 and #AD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD578E shade: #AD588E, #AD58A5, #9D58AD, #8658AD and #7058AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD578E shade matches the following richer shades: #AD588E, #C14394, #D52F99, #E91B9F and #FD07A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD578E shade: #AD588E, #986C88, #848083, #70947D and #5CA877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD578E shade: #9D58AD, #AD58A5, #AD588F, #AD5878 and #AD5861

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD578E shade: #773B61, #934878, #AD588E, #BA73A1 and #C88FB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD578E shade: #AD578E, #AD8658 and #58ADA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD578E shade: #AD578E, #8FAD58 and #588FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD578E shade: #AD578E, #AD8658, #58AD75 and #587EAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD578E shade: #AD578E, #ADA058, #58AD75 and #5864AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 18 / 32

HEX #AD578E

RGB 173 87 142

HSL 321.63, 0.34%, 0.51%

LAB 49.07, 42.09, -14.46

 

Complementary color

CMYK 51 / 0 / 33 / 34

HEX #52A871

RGB 82 168 113

HSL 141.63, 0.34%, 0.49%

LAB 62.5, -38.69, 20.67

 

CMYK 0 / 51 / 23 / 30

HEX #B25789

RGB 178 87 137

HSL 327.03, 0.37%, 0.52%

LAB 49.6, 42.98, -10.61

 

CMYK 0 / 46 / 20 / 24

HEX #C3699C

RGB 195 105 156

HSL 326, 0.43%, 0.59%

LAB 56.19, 42.21, -11.66

 

CMYK 0 / 42 / 17 / 17

HEX #D47BAF

RGB 212 123 175

HSL 324.94, 0.51%, 0.66%

LAB 62.72, 41.42, -12.55

 

CMYK 0 / 38 / 15 / 10

HEX #E58DC2

RGB 229 141 194

HSL 323.86, 0.63%, 0.73%

LAB 69.19, 40.64, -13.34

 

CMYK 0 / 35 / 13 / 4

HEX #F69FD5

RGB 246 159 213

HSL 322.76, 0.83%, 0.79%

LAB 75.57, 39.89, -14.04

 

CMYK 0 / 50 / 18 / 32

HEX #AD578E

RGB 173 87 142

HSL 321.63, 0.34%, 0.51%

LAB 49.07, 42.09, -14.46

 

CMYK 0 / 56 / 21 / 39

HEX #9C457B

RGB 156 69 123

HSL 322.76, 0.39%, 0.44%

LAB 42.39, 42.78, -13.35

 

CMYK 0 / 63 / 25 / 45

HEX #8B3368

RGB 139 51 104

HSL 323.86, 0.46%, 0.37%

LAB 35.71, 43.25, -11.92

 

CMYK 0 / 73 / 30 / 52

HEX #7A2155

RGB 122 33 85

HSL 324.94, 0.57%, 0.3%

LAB 29.11, 43.24, -9.96

 

CMYK 0 / 86 / 37 / 59

HEX #690F42

RGB 105 15 66

HSL 326, 0.75%, 0.24%

LAB 22.79, 42.2, -7.09

 

CMYK 0 / 49 / 18 / 32

HEX #AD588E

RGB 173 88 142

HSL 321.88, 0.34%, 0.51%

LAB 49.27, 41.58, -14.16

 

CMYK 0 / 49 / 31 / 32

HEX #AD5877

RGB 173 88 119

HSL 338.12, 0.34%, 0.51%

LAB 48.51, 38.22, -1.53

 

CMYK 0 / 49 / 45 / 32

HEX #AD5860

RGB 173 88 96

HSL 354.35, 0.34%, 0.51%

LAB 47.89, 35.44, 11.45

 

CMYK 0 / 49 / 49 / 32

HEX #AD5858

RGB 173 88 88

HSL 0, 0.34%, 0.51%

LAB 47.71, 34.62, 16.01

 

CMYK 0 / 49 / 18 / 32

HEX #AD588E

RGB 173 88 142

HSL 321.88, 0.34%, 0.51%

LAB 49.27, 41.58, -14.16

 

CMYK 0 / 49 / 5 / 32

HEX #AD58A5

RGB 173 88 165

HSL 305.65, 0.34%, 0.51%

LAB 50.19, 45.45, -26.36

 

CMYK 9 / 49 / 0 / 32

HEX #9D58AD

RGB 157 88 173

HSL 288.71, 0.34%, 0.51%

LAB 48.47, 42.22, -33.9

 

CMYK 23 / 49 / 0 / 32

HEX #8658AD

RGB 134 88 173

HSL 272.47, 0.34%, 0.51%

LAB 45.72, 35.57, -38.41

 

CMYK 35 / 49 / 0 / 32

HEX #7058AD

RGB 112 88 173

HSL 256.94, 0.34%, 0.51%

LAB 43.42, 29.48, -42.2

 

CMYK 0 / 49 / 18 / 32

HEX #AD588E

RGB 173 88 142

HSL 321.88, 0.34%, 0.51%

LAB 49.27, 41.58, -14.16

 

CMYK 0 / 65 / 23 / 24

HEX #C14394

RGB 193 67 148

HSL 321.43, 0.5%, 0.51%

LAB 48.87, 58.32, -18.07

 

CMYK 0 / 78 / 28 / 16

HEX #D52F99

RGB 213 47 153

HSL 321.69, 0.66%, 0.51%

LAB 50.07, 70.86, -18.92

 

CMYK 0 / 88 / 32 / 9

HEX #E91B9F

RGB 233 27 159

HSL 321.55, 0.82%, 0.51%

LAB 52.52, 80.14, -18.42

 

CMYK 0 / 97 / 35 / 1

HEX #FD07A4

RGB 253 7 164

HSL 321.71, 0.98%, 0.51%

LAB 55.8, 86.7, -16.03

 

CMYK 0 / 49 / 18 / 32

HEX #AD588E

RGB 173 88 142

HSL 321.88, 0.34%, 0.51%

LAB 49.27, 41.58, -14.16

 

CMYK 0 / 29 / 11 / 40

HEX #986C88

RGB 152 108 136

HSL 321.82, 0.18%, 0.51%

LAB 50.89, 22.13, -8.42

 

CMYK 0 / 3 / 1 / 48

HEX #848083

RGB 132 128 131

HSL 315, 0.02%, 0.51%

LAB 54.01, 2.09, -1.09

 

CMYK 24 / 0 / 16 / 42

HEX #70947D

RGB 112 148 125

HSL 141.67, 0.14%, 0.51%

LAB 58.14, -17.41, 8.13

 

CMYK 45 / 0 / 29 / 34

HEX #5CA877

RGB 92 168 119

HSL 141.32, 0.3%, 0.51%

LAB 63.02, -34.8, 18.16

 

CMYK 9 / 49 / 0 / 32

HEX #9D58AD

RGB 157 88 173

HSL 288.71, 0.34%, 0.51%

LAB 48.47, 42.22, -33.9

 

CMYK 0 / 49 / 5 / 32

HEX #AD58A5

RGB 173 88 165

HSL 305.65, 0.34%, 0.51%

LAB 50.19, 45.45, -26.36

 

CMYK 0 / 49 / 17 / 32

HEX #AD588F

RGB 173 88 143

HSL 321.18, 0.34%, 0.51%

LAB 49.31, 41.74, -14.7

 

CMYK 0 / 49 / 31 / 32

HEX #AD5878

RGB 173 88 120

HSL 337.41, 0.34%, 0.51%

LAB 48.54, 38.36, -2.08

 

CMYK 0 / 49 / 44 / 32

HEX #AD5861

RGB 173 88 97

HSL 353.65, 0.34%, 0.51%

LAB 47.91, 35.55, 10.88

 

CMYK 0 / 50 / 18 / 53

HEX #773B61

RGB 119 59 97

HSL 322, 0.34%, 0.35%

LAB 33.8, 31.41, -10.66

 

CMYK 0 / 51 / 18 / 42

HEX #934878

RGB 147 72 120

HSL 321.6, 0.34%, 0.43%

LAB 41.52, 37.8, -12.95

 

CMYK 0 / 49 / 18 / 32

HEX #AD588E

RGB 173 88 142

HSL 321.88, 0.34%, 0.51%

LAB 49.27, 41.58, -14.16

 

CMYK 0 / 38 / 13 / 27

HEX #BA73A1

RGB 186 115 161

HSL 321.13, 0.34%, 0.59%

LAB 57.34, 34.63, -12.95

 

CMYK 0 / 29 / 11 / 22

HEX #C88FB3

RGB 200 143 179

HSL 322.11, 0.34%, 0.67%

LAB 65.89, 27.2, -10.22

 

CMYK 0 / 50 / 18 / 32

HEX #AD578E

RGB 173 87 142

HSL 321.63, 0.34%, 0.51%

LAB 49.07, 42.09, -14.46

 

CMYK 0 / 23 / 49 / 32

HEX #AD8658

RGB 173 134 88

HSL 32.47, 0.34%, 0.51%

LAB 58.64, 9.06, 30.4

 

CMYK 49 / 0 / 3 / 32

HEX #58ADA8

RGB 88 173 168

HSL 176.47, 0.34%, 0.51%

LAB 65.58, -26.93, -5.37

 

CMYK 0 / 50 / 18 / 32

HEX #AD578E

RGB 173 87 142

HSL 321.63, 0.34%, 0.51%

LAB 49.07, 42.09, -14.46

 

CMYK 17 / 0 / 49 / 32

HEX #8FAD58

RGB 143 173 88

HSL 81.18, 0.34%, 0.51%

LAB 66.85, -24.28, 40.04

 

CMYK 49 / 17 / 0 / 32

HEX #588FAD

RGB 88 143 173

HSL 201.18, 0.34%, 0.51%

LAB 56.82, -9.74, -21.39

 

CMYK 0 / 50 / 18 / 32

HEX #AD578E

RGB 173 87 142

HSL 321.63, 0.34%, 0.51%

LAB 49.07, 42.09, -14.46

 

CMYK 0 / 23 / 49 / 32

HEX #AD8658

RGB 173 134 88

HSL 32.47, 0.34%, 0.51%

LAB 58.64, 9.06, 30.4

 

CMYK 49 / 0 / 32 / 32

HEX #58AD75

RGB 88 173 117

HSL 140.47, 0.34%, 0.51%

LAB 64.36, -38.55, 21.05

 

CMYK 49 / 27 / 0 / 32

HEX #587EAD

RGB 88 126 173

HSL 213.18, 0.34%, 0.51%

LAB 51.85, 0.03, -29.06

 

CMYK 0 / 50 / 18 / 32

HEX #AD578E

RGB 173 87 142

HSL 321.63, 0.34%, 0.51%

LAB 49.07, 42.09, -14.46

 

CMYK 0 / 8 / 49 / 32

HEX #ADA058

RGB 173 160 88

HSL 50.82, 0.34%, 0.51%

LAB 65.54, -5.2, 38.99

 

CMYK 49 / 0 / 32 / 32

HEX #58AD75

RGB 88 173 117

HSL 140.47, 0.34%, 0.51%

LAB 64.36, -38.55, 21.05

 

CMYK 49 / 42 / 0 / 32

HEX #5864AD

RGB 88 100 173

HSL 231.53, 0.34%, 0.51%

LAB 44.53, 15.9, -40.57

 

Description

Color code: HEX #AD578E | qconv.com Color code: HEX #AD578E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 87 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 87 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 18 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 18% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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