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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD578C it is the complementary color #52A873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD578C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD578C shade: #B25787, #C3699A, #D47BAD, #E58DC0 and #F69FD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD578C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD578C shade: #AD578C, #9C4579, #8B3366, #7A2153 and #690F40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD578C shade: #AD588C, #AD5875, #AD585E and #AD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD578C shade: #AD588C, #AD58A3, #9F58AD, #8858AD and #7158AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD578C shade matches the following richer shades: #AD588C, #C14391, #D52F95, #E91B9A and #FD079F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD578C shade: #AD588C, #986C87, #848083, #70947E and #5CA879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD578C shade: #A058AD, #AD58A3, #AD588C, #AD5875 and #AD585F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD578C shade: #773B60, #934876, #AD588C, #BA739F and #C88FB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD578C shade: #AD578C, #AD8958 and #58ADAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD578C shade: #AD578C, #8CAD58 and #588CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD578C shade: #AD578C, #AD8958, #58AD78 and #587BAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD578C shade: #AD578C, #ADA358, #58AD78 and #5861AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 19 / 32

HEX #AD578C

RGB 173 87 140

HSL 323.02, 0.34%, 0.51%

LAB 49, 41.78, -13.38

 

Complementary color

CMYK 51 / 0 / 32 / 34

HEX #52A873

RGB 82 168 115

HSL 143.02, 0.34%, 0.49%

LAB 62.54, -38.3, 19.63

 

CMYK 0 / 51 / 24 / 30

HEX #B25787

RGB 178 87 135

HSL 328.35, 0.37%, 0.52%

LAB 49.53, 42.69, -9.52

 

CMYK 0 / 46 / 21 / 24

HEX #C3699A

RGB 195 105 154

HSL 327.33, 0.43%, 0.59%

LAB 56.13, 41.91, -10.6

 

CMYK 0 / 42 / 18 / 17

HEX #D47BAD

RGB 212 123 173

HSL 326.29, 0.51%, 0.66%

LAB 62.66, 41.11, -11.51

 

CMYK 0 / 38 / 16 / 10

HEX #E58DC0

RGB 229 141 192

HSL 325.23, 0.63%, 0.73%

LAB 69.12, 40.33, -12.32

 

CMYK 0 / 35 / 14 / 4

HEX #F69FD3

RGB 246 159 211

HSL 324.14, 0.83%, 0.79%

LAB 75.51, 39.58, -13.04

 

CMYK 0 / 50 / 19 / 32

HEX #AD578C

RGB 173 87 140

HSL 323.02, 0.34%, 0.51%

LAB 49, 41.78, -13.38

 

CMYK 0 / 56 / 22 / 39

HEX #9C4579

RGB 156 69 121

HSL 324.14, 0.39%, 0.44%

LAB 42.31, 42.47, -12.24

 

CMYK 0 / 63 / 27 / 45

HEX #8B3366

RGB 139 51 102

HSL 325.23, 0.46%, 0.37%

LAB 35.63, 42.96, -10.77

 

CMYK 0 / 73 / 32 / 52

HEX #7A2153

RGB 122 33 83

HSL 326.29, 0.57%, 0.3%

LAB 29.03, 42.97, -8.76

 

CMYK 0 / 86 / 39 / 59

HEX #690F40

RGB 105 15 64

HSL 327.33, 0.75%, 0.24%

LAB 22.71, 41.96, -5.84

 

CMYK 0 / 49 / 19 / 32

HEX #AD588C

RGB 173 88 140

HSL 323.29, 0.34%, 0.51%

LAB 49.2, 41.26, -13.08

 

CMYK 0 / 49 / 32 / 32

HEX #AD5875

RGB 173 88 117

HSL 339.53, 0.34%, 0.51%

LAB 48.45, 37.96, -0.41

 

CMYK 0 / 49 / 46 / 32

HEX #AD585E

RGB 173 88 94

HSL 355.76, 0.34%, 0.51%

LAB 47.84, 35.23, 12.59

 

CMYK 0 / 49 / 49 / 32

HEX #AD5858

RGB 173 88 88

HSL 0, 0.34%, 0.51%

LAB 47.71, 34.62, 16.01

 

CMYK 0 / 49 / 19 / 32

HEX #AD588C

RGB 173 88 140

HSL 323.29, 0.34%, 0.51%

LAB 49.2, 41.26, -13.08

 

CMYK 0 / 49 / 6 / 32

HEX #AD58A3

RGB 173 88 163

HSL 307.06, 0.34%, 0.51%

LAB 50.11, 45.09, -25.31

 

CMYK 8 / 49 / 0 / 32

HEX #9F58AD

RGB 159 88 173

HSL 290.12, 0.34%, 0.51%

LAB 48.72, 42.8, -33.48

 

CMYK 21 / 49 / 0 / 32

HEX #8858AD

RGB 136 88 173

HSL 273.88, 0.34%, 0.51%

LAB 45.95, 36.14, -38.03

 

CMYK 35 / 49 / 0 / 32

HEX #7158AD

RGB 113 88 173

HSL 257.65, 0.34%, 0.51%

LAB 43.52, 29.75, -42.04

 

CMYK 0 / 49 / 19 / 32

HEX #AD588C

RGB 173 88 140

HSL 323.29, 0.34%, 0.51%

LAB 49.2, 41.26, -13.08

 

CMYK 0 / 65 / 25 / 24

HEX #C14391

RGB 193 67 145

HSL 322.86, 0.5%, 0.51%

LAB 48.76, 57.92, -16.46

 

CMYK 0 / 78 / 30 / 16

HEX #D52F95

RGB 213 47 149

HSL 323.13, 0.66%, 0.51%

LAB 49.92, 70.4, -16.77

 

CMYK 0 / 88 / 34 / 9

HEX #E91B9A

RGB 233 27 154

HSL 323.01, 0.82%, 0.51%

LAB 52.33, 79.63, -15.74

 

CMYK 0 / 97 / 37 / 1

HEX #FD079F

RGB 253 7 159

HSL 322.93, 0.98%, 0.51%

LAB 55.62, 86.23, -13.35

 

CMYK 0 / 49 / 19 / 32

HEX #AD588C

RGB 173 88 140

HSL 323.29, 0.34%, 0.51%

LAB 49.2, 41.26, -13.08

 

CMYK 0 / 29 / 11 / 40

HEX #986C87

RGB 152 108 135

HSL 323.18, 0.18%, 0.51%

LAB 50.86, 21.95, -7.87

 

CMYK 0 / 3 / 1 / 48

HEX #848083

RGB 132 128 131

HSL 315, 0.02%, 0.51%

LAB 54.01, 2.09, -1.09

 

CMYK 24 / 0 / 15 / 42

HEX #70947E

RGB 112 148 126

HSL 143.33, 0.14%, 0.51%

LAB 58.16, -17.21, 7.6

 

CMYK 45 / 0 / 28 / 34

HEX #5CA879

RGB 92 168 121

HSL 142.89, 0.3%, 0.51%

LAB 63.06, -34.41, 17.12

 

CMYK 8 / 49 / 0 / 32

HEX #A058AD

RGB 160 88 173

HSL 290.82, 0.34%, 0.51%

LAB 48.85, 43.09, -33.27

 

CMYK 0 / 49 / 6 / 32

HEX #AD58A3

RGB 173 88 163

HSL 307.06, 0.34%, 0.51%

LAB 50.11, 45.09, -25.31

 

CMYK 0 / 49 / 19 / 32

HEX #AD588C

RGB 173 88 140

HSL 323.29, 0.34%, 0.51%

LAB 49.2, 41.26, -13.08

 

CMYK 0 / 49 / 32 / 32

HEX #AD5875

RGB 173 88 117

HSL 339.53, 0.34%, 0.51%

LAB 48.45, 37.96, -0.41

 

CMYK 0 / 49 / 45 / 32

HEX #AD585F

RGB 173 88 95

HSL 355.06, 0.34%, 0.51%

LAB 47.87, 35.33, 12.02

 

CMYK 0 / 50 / 19 / 53

HEX #773B60

RGB 119 59 96

HSL 323, 0.34%, 0.35%

LAB 33.76, 31.24, -10.08

 

CMYK 0 / 51 / 20 / 42

HEX #934876

RGB 147 72 118

HSL 323.2, 0.34%, 0.43%

LAB 41.45, 37.48, -11.84

 

CMYK 0 / 49 / 19 / 32

HEX #AD588C

RGB 173 88 140

HSL 323.29, 0.34%, 0.51%

LAB 49.2, 41.26, -13.08

 

CMYK 0 / 38 / 15 / 27

HEX #BA739F

RGB 186 115 159

HSL 322.82, 0.34%, 0.59%

LAB 57.27, 34.3, -11.89

 

CMYK 0 / 29 / 11 / 22

HEX #C88FB2

RGB 200 143 178

HSL 323.16, 0.34%, 0.67%

LAB 65.86, 27.03, -9.7

 

CMYK 0 / 50 / 19 / 32

HEX #AD578C

RGB 173 87 140

HSL 323.02, 0.34%, 0.51%

LAB 49, 41.78, -13.38

 

CMYK 0 / 21 / 49 / 32

HEX #AD8958

RGB 173 137 88

HSL 34.59, 0.34%, 0.51%

LAB 59.42, 7.39, 31.38

 

CMYK 49 / 0 / 1 / 32

HEX #58ADAB

RGB 88 173 171

HSL 178.59, 0.34%, 0.51%

LAB 65.67, -26.14, -6.91

 

CMYK 0 / 50 / 19 / 32

HEX #AD578C

RGB 173 87 140

HSL 323.02, 0.34%, 0.51%

LAB 49, 41.78, -13.38

 

CMYK 19 / 0 / 49 / 32

HEX #8CAD58

RGB 140 173 88

HSL 83.29, 0.34%, 0.51%

LAB 66.65, -25.46, 39.75

 

CMYK 49 / 19 / 0 / 32

HEX #588CAD

RGB 88 140 173

HSL 203.29, 0.34%, 0.51%

LAB 55.94, -8.06, -22.75

 

CMYK 0 / 50 / 19 / 32

HEX #AD578C

RGB 173 87 140

HSL 323.02, 0.34%, 0.51%

LAB 49, 41.78, -13.38

 

CMYK 0 / 21 / 49 / 32

HEX #AD8958

RGB 173 137 88

HSL 34.59, 0.34%, 0.51%

LAB 59.42, 7.39, 31.38

 

CMYK 49 / 0 / 31 / 32

HEX #58AD78

RGB 88 173 120

HSL 142.59, 0.34%, 0.51%

LAB 64.42, -37.97, 19.5

 

CMYK 49 / 29 / 0 / 32

HEX #587BAD

RGB 88 123 173

HSL 215.29, 0.34%, 0.51%

LAB 50.99, 1.81, -30.4

 

CMYK 0 / 50 / 19 / 32

HEX #AD578C

RGB 173 87 140

HSL 323.02, 0.34%, 0.51%

LAB 49, 41.78, -13.38

 

CMYK 0 / 6 / 49 / 32

HEX #ADA358

RGB 173 163 88

HSL 52.94, 0.34%, 0.51%

LAB 66.35, -6.8, 39.98

 

CMYK 49 / 0 / 31 / 32

HEX #58AD78

RGB 88 173 120

HSL 142.59, 0.34%, 0.51%

LAB 64.42, -37.97, 19.5

 

CMYK 49 / 44 / 0 / 32

HEX #5861AD

RGB 88 97 173

HSL 233.65, 0.34%, 0.51%

LAB 43.71, 17.78, -41.86

 

Description

Color code: HEX #AD578C | qconv.com Color code: HEX #AD578C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 87 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 87 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 19 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 19% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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