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Color name
HEX #AD5475

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD5475 it is the complementary color #52AB8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD5475. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD5475 shade: #B25470, #C36683, #D47896, #E58AA9 and #F69CBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD5475. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD5475 shade: #AD5475, #9C4262, #8B304F, #7A1E3C and #690C29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD5475 shade: #AC5374, #AC535C and #AC5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD5475 shade: #AC5374, #AC538C, #AC53A4, #9C53AC and #8453AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD5475 shade matches the following richer shades: #AC5374, #C13E6F, #D52A69, #EA1564 and #FF005F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD5475 shade: #AC5374, #976879, #837C7F, #6E9184 and #5AA589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD5475 shade: #AC53A5, #AC538D, #AC5375, #AC535D and #AC6053

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD5475 shade: #74384E, #904561, #AC5374, #BA6F8A and #C78BA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD5475 shade: #AD5475, #AC9C53 and #5399AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD5475 shade: #AD5475, #75AC53 and #5375AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD5475 shade: #AD5475, #AC9C53, #53AC8A and #5363AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD5475 shade: #AD5475, #A2AC53, #53AC8A and #5D53AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 32 / 32

HEX #AD5475

RGB 173 84 117

HSL 337.75, 0.35%, 0.5%

LAB 47.64, 40.04, -1.6

 

Complementary color

CMYK 52 / 0 / 19 / 33

HEX #52AB8A

RGB 82 171 138

HSL 157.75, 0.35%, 0.5%

LAB 63.96, -34.76, 8.93

 

CMYK 0 / 53 / 37 / 30

HEX #B25470

RGB 178 84 112

HSL 342.13, 0.38%, 0.51%

LAB 48.23, 41.16, 2.38

 

CMYK 0 / 48 / 33 / 24

HEX #C36683

RGB 195 102 131

HSL 341.29, 0.44%, 0.58%

LAB 54.81, 40.27, 0.92

 

CMYK 0 / 43 / 29 / 17

HEX #D47896

RGB 212 120 150

HSL 340.43, 0.52%, 0.65%

LAB 61.34, 39.38, -0.32

 

CMYK 0 / 40 / 26 / 10

HEX #E58AA9

RGB 229 138 169

HSL 339.56, 0.64%, 0.72%

LAB 67.8, 38.52, -1.4

 

CMYK 0 / 37 / 24 / 4

HEX #F69CBC

RGB 246 156 188

HSL 338.67, 0.83%, 0.79%

LAB 74.19, 37.7, -2.36

 

CMYK 0 / 51 / 32 / 32

HEX #AD5475

RGB 173 84 117

HSL 337.75, 0.35%, 0.5%

LAB 47.64, 40.04, -1.6

 

CMYK 0 / 58 / 37 / 39

HEX #9C4262

RGB 156 66 98

HSL 338.67, 0.41%, 0.44%

LAB 40.97, 40.84, -0

 

CMYK 0 / 65 / 43 / 45

HEX #8B304F

RGB 139 48 79

HSL 339.56, 0.49%, 0.37%

LAB 34.33, 41.44, 2.03

 

CMYK 0 / 75 / 51 / 52

HEX #7A1E3C

RGB 122 30 60

HSL 340.43, 0.61%, 0.3%

LAB 27.82, 41.55, 4.78

 

CMYK 0 / 89 / 61 / 59

HEX #690C29

RGB 105 12 41

HSL 341.29, 0.79%, 0.23%

LAB 21.68, 40.57, 8.7

 

CMYK 0 / 52 / 33 / 33

HEX #AC5374

RGB 172 83 116

HSL 337.75, 0.35%, 0.5%

LAB 47.26, 40.07, -1.56

 

CMYK 0 / 52 / 47 / 33

HEX #AC535C

RGB 172 83 92

HSL 353.93, 0.35%, 0.5%

LAB 46.62, 37.27, 12.07

 

CMYK 0 / 52 / 52 / 33

HEX #AC5353

RGB 172 83 83

HSL 0, 0.35%, 0.5%

LAB 46.42, 36.39, 17.24

 

CMYK 0 / 52 / 33 / 33

HEX #AC5374

RGB 172 83 116

HSL 337.75, 0.35%, 0.5%

LAB 47.26, 40.07, -1.56

 

CMYK 0 / 52 / 19 / 33

HEX #AC538C

RGB 172 83 140

HSL 321.57, 0.35%, 0.5%

LAB 48.07, 43.51, -14.8

 

CMYK 0 / 52 / 5 / 33

HEX #AC53A4

RGB 172 83 164

HSL 305.39, 0.35%, 0.5%

LAB 49.05, 47.5, -27.55

 

CMYK 9 / 52 / 0 / 33

HEX #9C53AC

RGB 156 83 172

HSL 289.21, 0.35%, 0.5%

LAB 47.28, 44.37, -35.19

 

CMYK 23 / 52 / 0 / 33

HEX #8453AC

RGB 132 83 172

HSL 273.03, 0.35%, 0.5%

LAB 44.33, 37.61, -40.03

 

CMYK 0 / 52 / 33 / 33

HEX #AC5374

RGB 172 83 116

HSL 337.75, 0.35%, 0.5%

LAB 47.26, 40.07, -1.56

 

CMYK 0 / 68 / 42 / 24

HEX #C13E6F

RGB 193 62 111

HSL 337.56, 0.51%, 0.5%

LAB 46.88, 55.94, 1.33

 

CMYK 0 / 80 / 51 / 16

HEX #D52A69

RGB 213 42 105

HSL 337.89, 0.67%, 0.5%

LAB 48.03, 67.49, 7.14

 

CMYK 0 / 91 / 57 / 8

HEX #EA1564

RGB 234 21 100

HSL 337.75, 0.84%, 0.5%

LAB 50.63, 76.24, 14.44

 

CMYK 0 / 100 / 63 / 0

HEX #FF005F

RGB 255 0 95

HSL 337.65, 1%, 0.5%

LAB 54.12, 82.51, 22.9

 

CMYK 0 / 52 / 33 / 33

HEX #AC5374

RGB 172 83 116

HSL 337.75, 0.35%, 0.5%

LAB 47.26, 40.07, -1.56

 

CMYK 0 / 31 / 20 / 41

HEX #976879

RGB 151 104 121

HSL 338.3, 0.18%, 0.5%

LAB 49.33, 21.48, -1.85

 

CMYK 0 / 5 / 3 / 49

HEX #837C7F

RGB 131 124 127

HSL 334.29, 0.03%, 0.5%

LAB 52.7, 3.24, -0.69

 

CMYK 24 / 0 / 9 / 43

HEX #6E9184

RGB 110 145 132

HSL 157.71, 0.14%, 0.5%

LAB 57.3, -15.03, 2.93

 

CMYK 45 / 0 / 17 / 35

HEX #5AA589

RGB 90 165 137

HSL 157.6, 0.29%, 0.5%

LAB 62.41, -30.13, 7.32

 

CMYK 0 / 52 / 4 / 33

HEX #AC53A5

RGB 172 83 165

HSL 304.72, 0.35%, 0.5%

LAB 49.1, 47.67, -28.07

 

CMYK 0 / 52 / 18 / 33

HEX #AC538D

RGB 172 83 141

HSL 320.9, 0.35%, 0.5%

LAB 48.11, 43.66, -15.34

 

CMYK 0 / 52 / 32 / 33

HEX #AC5375

RGB 172 83 117

HSL 337.08, 0.35%, 0.5%

LAB 47.29, 40.2, -2.12

 

CMYK 0 / 52 / 46 / 33

HEX #AC535D

RGB 172 83 93

HSL 353.26, 0.35%, 0.5%

LAB 46.64, 37.37, 11.5

 

CMYK 0 / 44 / 52 / 33

HEX #AC6053

RGB 172 96 83

HSL 8.76, 0.35%, 0.5%

LAB 49.2, 29.42, 20.96

 

CMYK 0 / 52 / 33 / 55

HEX #74384E

RGB 116 56 78

HSL 338, 0.35%, 0.34%

LAB 32.01, 29.02, -1.16

 

CMYK 0 / 52 / 33 / 44

HEX #904561

RGB 144 69 97

HSL 337.6, 0.35%, 0.42%

LAB 39.66, 34.93, -1.52

 

CMYK 0 / 52 / 33 / 33

HEX #AC5374

RGB 172 83 116

HSL 337.75, 0.35%, 0.5%

LAB 47.26, 40.07, -1.56

 

CMYK 0 / 40 / 26 / 27

HEX #BA6F8A

RGB 186 111 138

HSL 338.4, 0.35%, 0.58%

LAB 55.73, 33.22, -1.98

 

CMYK 0 / 30 / 19 / 22

HEX #C78BA1

RGB 199 139 161

HSL 338, 0.35%, 0.66%

LAB 64.31, 26.09, -2.42

 

CMYK 0 / 51 / 32 / 32

HEX #AD5475

RGB 173 84 117

HSL 337.75, 0.35%, 0.5%

LAB 47.64, 40.04, -1.6

 

CMYK 0 / 9 / 52 / 33

HEX #AC9C53

RGB 172 156 83

HSL 49.21, 0.35%, 0.5%

LAB 64.3, -3.95, 40.01

 

CMYK 52 / 11 / 0 / 33

HEX #5399AC

RGB 83 153 172

HSL 192.81, 0.35%, 0.5%

LAB 59.53, -16.67, -16.72

 

CMYK 0 / 51 / 32 / 32

HEX #AD5475

RGB 173 84 117

HSL 337.75, 0.35%, 0.5%

LAB 47.64, 40.04, -1.6

 

CMYK 32 / 0 / 52 / 33

HEX #75AC53

RGB 117 172 83

HSL 97.08, 0.35%, 0.5%

LAB 64.89, -34.19, 39.78

 

CMYK 52 / 32 / 0 / 33

HEX #5375AC

RGB 83 117 172

HSL 217.08, 0.35%, 0.5%

LAB 48.93, 3.88, -33.05

 

CMYK 0 / 51 / 32 / 32

HEX #AD5475

RGB 173 84 117

HSL 337.75, 0.35%, 0.5%

LAB 47.64, 40.04, -1.6

 

CMYK 0 / 9 / 52 / 33

HEX #AC9C53

RGB 172 156 83

HSL 49.21, 0.35%, 0.5%

LAB 64.3, -3.95, 40.01

 

CMYK 52 / 0 / 20 / 33

HEX #53AC8A

RGB 83 172 138

HSL 157.08, 0.35%, 0.5%

LAB 64.31, -34.99, 9.42

 

CMYK 52 / 42 / 0 / 33

HEX #5363AC

RGB 83 99 172

HSL 229.21, 0.35%, 0.5%

LAB 43.86, 15.01, -41.06

 

CMYK 0 / 51 / 32 / 32

HEX #AD5475

RGB 173 84 117

HSL 337.75, 0.35%, 0.5%

LAB 47.64, 40.04, -1.6

 

CMYK 6 / 0 / 52 / 33

HEX #A2AC53

RGB 162 172 83

HSL 66.74, 0.35%, 0.5%

LAB 67.88, -16.59, 44.07

 

CMYK 52 / 0 / 20 / 33

HEX #53AC8A

RGB 83 172 138

HSL 157.08, 0.35%, 0.5%

LAB 64.31, -34.99, 9.42

 

CMYK 46 / 52 / 0 / 33

HEX #5D53AC

RGB 93 83 172

HSL 246.74, 0.35%, 0.5%

LAB 40.4, 27.43, -46.54

 

Description

Color code: HEX #AD5475 | qconv.com Color code: HEX #AD5475 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 84 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 84 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 32 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 32% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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