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Color name
HEX #AD5102

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD5102 it is the complementary color #52AEFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD5102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD5102 shade: #B25100, #C36310, #D47523, #E58736 and #F69949

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD5102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD5102 shade: #AD5102, #9C3F00, #8B2D00, #7A1B00 and #690900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD5102 shade: #AC5002, #AC2202 and #AC0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD5102 shade: #AC5002, #AC7E02, #ABAC02, #7EAC02 and #50AC02

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD5102 shade matches the following richer shades: #AC5002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD5102 shade: #AC5002, #9E5110, #90521E, #82532C and #74553A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD5102 shade: #AC0210, #AC2102, #AC4E02, #AC7C02 and #ACA902

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD5102 shade: #5A2A01, #833D01, #AC5002, #D56302 and #FC7603

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD5102 shade: #AD5102, #3DAC02 and #0A02AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD5102 shade: #AD5102, #02AC4E and #4E02AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD5102 shade: #AD5102, #3DAC02, #025FAC and #7002AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD5102 shade: #AD5102, #0AAC02, #025FAC and #A302AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 99 / 32

HEX #AD5102

RGB 173 81 2

HSL 27.72, 0.98%, 0.34%

LAB 45.32, 34, 54.36

 

Complementary color

CMYK 68 / 31 / 0 / 1

HEX #52AEFD

RGB 82 174 253

HSL 207.72, 0.98%, 0.66%

LAB 68.87, -2.88, -47.16

 

CMYK 0 / 54 / 100 / 30

HEX #B25100

RGB 178 81 0

HSL 27.3, 1%, 0.35%

LAB 46.11, 36, 55.76

 

CMYK 0 / 49 / 92 / 24

HEX #C36310

RGB 195 99 16

HSL 27.82, 0.85%, 0.41%

LAB 52.47, 33.81, 57.42

 

CMYK 0 / 45 / 83 / 17

HEX #D47523

RGB 212 117 35

HSL 27.8, 0.72%, 0.48%

LAB 58.83, 31.77, 57.45

 

CMYK 0 / 41 / 76 / 10

HEX #E58736

RGB 229 135 54

HSL 27.77, 0.77%, 0.55%

LAB 65.16, 29.92, 56.5

 

CMYK 0 / 38 / 70 / 4

HEX #F69949

RGB 246 153 73

HSL 27.75, 0.91%, 0.63%

LAB 71.46, 28.26, 55.14

 

CMYK 0 / 53 / 99 / 32

HEX #AD5102

RGB 173 81 2

HSL 27.72, 0.98%, 0.34%

LAB 45.32, 34, 54.36

 

CMYK 0 / 60 / 100 / 39

HEX #9C3F00

RGB 156 63 0

HSL 24.23, 1%, 0.31%

LAB 38.94, 36.3, 49.79

 

CMYK 0 / 68 / 100 / 45

HEX #8B2D00

RGB 139 45 0

HSL 19.42, 1%, 0.27%

LAB 32.63, 38.32, 44.65

 

CMYK 0 / 78 / 100 / 52

HEX #7A1B00

RGB 122 27 0

HSL 13.28, 1%, 0.24%

LAB 26.51, 39.64, 38.47

 

CMYK 0 / 91 / 100 / 59

HEX #690900

RGB 105 9 0

HSL 5.14, 1%, 0.21%

LAB 20.82, 39.52, 31.54

 

CMYK 0 / 53 / 99 / 33

HEX #AC5002

RGB 172 80 2

HSL 27.53, 0.98%, 0.34%

LAB 44.96, 34.11, 54.06

 

CMYK 0 / 80 / 99 / 33

HEX #AC2202

RGB 172 34 2

HSL 11.29, 0.98%, 0.34%

LAB 37.7, 53.52, 50.08

 

CMYK 0 / 99 / 99 / 33

HEX #AC0202

RGB 172 2 2

HSL 0, 0.98%, 0.34%

LAB 35.63, 59.41, 49.12

 

CMYK 0 / 53 / 99 / 33

HEX #AC5002

RGB 172 80 2

HSL 27.53, 0.98%, 0.34%

LAB 44.96, 34.11, 54.06

 

CMYK 0 / 27 / 99 / 33

HEX #AC7E02

RGB 172 126 2

HSL 43.76, 0.98%, 0.34%

LAB 55.78, 8.74, 61.15

 

CMYK 1 / 0 / 99 / 33

HEX #ABAC02

RGB 171 172 2

HSL 60.35, 0.98%, 0.34%

LAB 68.14, -16.46, 69.99

 

CMYK 27 / 0 / 99 / 33

HEX #7EAC02

RGB 126 172 2

HSL 76.24, 0.98%, 0.34%

LAB 64.92, -35.56, 66.13

 

CMYK 53 / 0 / 99 / 33

HEX #50AC02

RGB 80 172 2

HSL 92.47, 0.98%, 0.34%

LAB 62.69, -51.66, 63.43

 

CMYK 0 / 53 / 99 / 33

HEX #AC5002

RGB 172 80 2

HSL 27.53, 0.98%, 0.34%

LAB 44.96, 34.11, 54.06

 

CMYK 0 / 53 / 99 / 33

HEX #AC5002

RGB 172 80 2

HSL 27.53, 0.98%, 0.34%

LAB 44.96, 34.11, 54.06

 

CMYK 0 / 49 / 90 / 38

HEX #9E5110

RGB 158 81 16

HSL 27.46, 0.82%, 0.34%

LAB 43.05, 27.94, 47.89

 

CMYK 0 / 43 / 79 / 44

HEX #90521E

RGB 144 82 30

HSL 27.37, 0.66%, 0.34%

LAB 41.31, 21.7, 39.93

 

CMYK 0 / 36 / 66 / 49

HEX #82532C

RGB 130 83 44

HSL 27.21, 0.49%, 0.34%

LAB 39.77, 15.58, 30.48

 

CMYK 0 / 27 / 50 / 55

HEX #74553A

RGB 116 85 58

HSL 27.93, 0.33%, 0.34%

LAB 38.75, 9.24, 20.73

 

CMYK 0 / 99 / 91 / 33

HEX #AC0210

RGB 172 2 16

HSL 355.06, 0.98%, 0.34%

LAB 35.7, 59.59, 43.47

 

CMYK 0 / 81 / 99 / 33

HEX #AC2102

RGB 172 33 2

HSL 10.94, 0.98%, 0.34%

LAB 37.59, 53.8, 50.04

 

CMYK 0 / 55 / 99 / 33

HEX #AC4E02

RGB 172 78 2

HSL 26.82, 0.98%, 0.34%

LAB 44.55, 35.14, 53.81

 

CMYK 0 / 28 / 99 / 33

HEX #AC7C02

RGB 172 124 2

HSL 43.06, 0.98%, 0.34%

LAB 55.27, 9.85, 60.79

 

CMYK 0 / 2 / 99 / 33

HEX #ACA902

RGB 172 169 2

HSL 58.94, 0.98%, 0.34%

LAB 67.39, -14.48, 69.47

 

CMYK 0 / 53 / 99 / 65

HEX #5A2A01

RGB 90 42 1

HSL 27.64, 0.98%, 0.18%

LAB 23.11, 19.4, 32.66

 

CMYK 0 / 53 / 99 / 49

HEX #833D01

RGB 131 61 1

HSL 27.69, 0.98%, 0.26%

LAB 34.32, 27, 44.56

 

CMYK 0 / 53 / 99 / 33

HEX #AC5002

RGB 172 80 2

HSL 27.53, 0.98%, 0.34%

LAB 44.96, 34.11, 54.06

 

CMYK 0 / 54 / 99 / 16

HEX #D56302

RGB 213 99 2

HSL 27.58, 0.98%, 0.42%

LAB 55.15, 40.85, 63.43

 

CMYK 0 / 53 / 99 / 1

HEX #FC7603

RGB 252 118 3

HSL 27.71, 0.98%, 0.5%

LAB 64.69, 46.57, 71.95

 

CMYK 0 / 53 / 99 / 32

HEX #AD5102

RGB 173 81 2

HSL 27.72, 0.98%, 0.34%

LAB 45.32, 34, 54.36

 

CMYK 65 / 0 / 99 / 33

HEX #3DAC02

RGB 61 172 2

HSL 99.18, 0.98%, 0.34%

LAB 62.08, -56.59, 62.7

 

CMYK 94 / 99 / 0 / 33

HEX #0A02AC

RGB 10 2 172

HSL 242.82, 0.98%, 0.34%

LAB 20.39, 58.5, -79.57

 

CMYK 0 / 53 / 99 / 32

HEX #AD5102

RGB 173 81 2

HSL 27.72, 0.98%, 0.34%

LAB 45.32, 34, 54.36

 

CMYK 99 / 0 / 55 / 33

HEX #02AC4E

RGB 2 172 78

HSL 146.82, 0.98%, 0.34%

LAB 61.71, -58.02, 37.67

 

CMYK 55 / 99 / 0 / 33

HEX #4E02AC

RGB 78 2 172

HSL 266.82, 0.98%, 0.34%

LAB 25.69, 61.06, -70.6

 

CMYK 0 / 53 / 99 / 32

HEX #AD5102

RGB 173 81 2

HSL 27.72, 0.98%, 0.34%

LAB 45.32, 34, 54.36

 

CMYK 65 / 0 / 99 / 33

HEX #3DAC02

RGB 61 172 2

HSL 99.18, 0.98%, 0.34%

LAB 62.08, -56.59, 62.7

 

CMYK 99 / 45 / 0 / 33

HEX #025FAC

RGB 2 95 172

HSL 207.18, 0.98%, 0.34%

LAB 39.88, 6.91, -47.59

 

CMYK 35 / 99 / 0 / 33

HEX #7002AC

RGB 112 2 172

HSL 278.82, 0.98%, 0.34%

LAB 30.56, 64.31, -62.4

 

CMYK 0 / 53 / 99 / 32

HEX #AD5102

RGB 173 81 2

HSL 27.72, 0.98%, 0.34%

LAB 45.32, 34, 54.36

 

CMYK 94 / 0 / 99 / 33

HEX #0AAC02

RGB 10 172 2

HSL 117.18, 0.98%, 0.34%

LAB 61.28, -63.59, 61.72

 

CMYK 99 / 45 / 0 / 33

HEX #025FAC

RGB 2 95 172

HSL 207.18, 0.98%, 0.34%

LAB 39.88, 6.91, -47.59

 

CMYK 5 / 99 / 0 / 33

HEX #A302AC

RGB 163 2 172

HSL 296.82, 0.98%, 0.34%

LAB 39.26, 71.46, -47.88

 

Description

Color code: HEX #AD5102 | qconv.com Color code: HEX #AD5102 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 81 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 81 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 99 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 99% 32% C M Y K

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Provide designers and agencies with accurate color values.

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