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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD4FDA it is the complementary color #52B025. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD4FDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD4FDA shade: #B24FD5, #C361E8, #D473FB, #E585FF and #F697FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD4FDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD4FDA shade: #AD4FDA, #9C3DC7, #8B2BB4, #7A19A1 and #69078E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD4FDA shade: #AC4EDA, #D24EDA, #DA4EBB, #DA4E96 and #DA4E70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD4FDA shade: #AC4EDA, #874EDA, #614EDA and #4E4EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD4FDA shade matches the following richer shades: #AC4EDA, #B33DEB and #B92CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD4FDA shade: #AC4EDA, #A660C8, #A071B7, #9A82A6 and #949494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD4FDA shade: #614EDA, #864EDA, #AB4EDA, #D04EDA and #DA4EBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD4FDA shade: #8325B0, #9C2DD2, #AC4EDA, #BC70E1 and #CC92E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD4FDA shade: #AD4FDA, #DA4E61 and #4EDA73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD4FDA shade: #AD4FDA, #DAAB4E and #4EDAAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD4FDA shade: #AD4FDA, #DA4E61, #7DDA4E and #4EDAC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD4FDA shade: #AD4FDA, #DA654E, #7DDA4E and #4EC2DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 64 / 0 / 15

HEX #AD4FDA

RGB 173 79 218

HSL 280.58, 0.65%, 0.58%

LAB 51.31, 60.16, -55.22

 

Complementary color

CMYK 53 / 0 / 79 / 31

HEX #52B025

RGB 82 176 37

HSL 100.58, 0.65%, 0.42%

LAB 64.14, -51.36, 57.69

 

CMYK 16 / 63 / 0 / 16

HEX #B24FD5

RGB 178 79 213

HSL 284.33, 0.61%, 0.57%

LAB 51.68, 60.29, -51.74

 

CMYK 16 / 58 / 0 / 9

HEX #C361E8

RGB 195 97 232

HSL 283.56, 0.75%, 0.65%

LAB 58.02, 59.82, -52.24

 

CMYK 16 / 54 / 0 / 2

HEX #D473FB

RGB 212 115 251

HSL 282.79, 0.94%, 0.72%

LAB 64.34, 59.19, -52.6

 

CMYK 10 / 48 / 0 / 0

HEX #E585FF

RGB 229 133 255

HSL 287.21, 1%, 0.76%

LAB 69.93, 55.52, -45.83

 

CMYK 4 / 41 / 0 / 0

HEX #F697FF

RGB 246 151 255

HSL 294.81, 1%, 0.8%

LAB 75.42, 51.22, -37.12

 

CMYK 21 / 64 / 0 / 15

HEX #AD4FDA

RGB 173 79 218

HSL 280.58, 0.65%, 0.58%

LAB 51.31, 60.16, -55.22

 

CMYK 22 / 69 / 0 / 22

HEX #9C3DC7

RGB 156 61 199

HSL 281.3, 0.55%, 0.51%

LAB 44.98, 60.42, -54.6

 

CMYK 23 / 76 / 0 / 29

HEX #8B2BB4

RGB 139 43 180

HSL 282.04, 0.61%, 0.44%

LAB 38.75, 60.17, -53.66

 

CMYK 24 / 84 / 0 / 37

HEX #7A19A1

RGB 122 25 161

HSL 282.79, 0.73%, 0.36%

LAB 32.71, 59.06, -52.18

 

CMYK 26 / 95 / 0 / 44

HEX #69078E

RGB 105 7 142

HSL 283.56, 0.91%, 0.29%

LAB 27.04, 56.54, -49.89

 

CMYK 21 / 64 / 0 / 15

HEX #AC4EDA

RGB 172 78 218

HSL 280.29, 0.65%, 0.58%

LAB 51.01, 60.4, -55.7

 

CMYK 4 / 64 / 0 / 15

HEX #D24EDA

RGB 210 78 218

HSL 296.57, 0.65%, 0.58%

LAB 56.3, 69.07, -46.96

 

CMYK 0 / 64 / 14 / 15

HEX #DA4EBB

RGB 218 78 187

HSL 313.29, 0.65%, 0.58%

LAB 56.03, 66.11, -29.59

 

CMYK 0 / 64 / 31 / 15

HEX #DA4E96

RGB 218 78 150

HSL 329.14, 0.65%, 0.58%

LAB 54.61, 61.19, -10.18

 

CMYK 0 / 64 / 49 / 15

HEX #DA4E70

RGB 218 78 112

HSL 345.43, 0.65%, 0.58%

LAB 53.52, 57.23, 10.78

 

CMYK 21 / 64 / 0 / 15

HEX #AC4EDA

RGB 172 78 218

HSL 280.29, 0.65%, 0.58%

LAB 51.01, 60.4, -55.7

 

CMYK 38 / 64 / 0 / 15

HEX #874EDA

RGB 135 78 218

HSL 264.43, 0.65%, 0.58%

LAB 46.53, 52.42, -63.16

 

CMYK 56 / 64 / 0 / 15

HEX #614EDA

RGB 97 78 218

HSL 248.14, 0.65%, 0.58%

LAB 42.84, 45.29, -69.32

 

CMYK 64 / 64 / 0 / 15

HEX #4E4EDA

RGB 78 78 218

HSL 240, 0.65%, 0.58%

LAB 41.42, 42.37, -71.69

 

CMYK 21 / 64 / 0 / 15

HEX #AC4EDA

RGB 172 78 218

HSL 280.29, 0.65%, 0.58%

LAB 51.01, 60.4, -55.7

 

CMYK 24 / 74 / 0 / 8

HEX #B33DEB

RGB 179 61 235

HSL 280.69, 0.81%, 0.58%

LAB 50.59, 72.21, -65.95

 

CMYK 27 / 83 / 0 / 1

HEX #B92CFC

RGB 185 44 252

HSL 280.67, 0.97%, 0.58%

LAB 50.86, 81.71, -75.01

 

CMYK 21 / 64 / 0 / 15

HEX #AC4EDA

RGB 172 78 218

HSL 280.29, 0.65%, 0.58%

LAB 51.01, 60.4, -55.7

 

CMYK 17 / 52 / 0 / 22

HEX #A660C8

RGB 166 96 200

HSL 280.38, 0.49%, 0.58%

LAB 52.56, 46.19, -43.02

 

CMYK 13 / 38 / 0 / 28

HEX #A071B7

RGB 160 113 183

HSL 280.29, 0.33%, 0.58%

LAB 54.76, 31.39, -29.84

 

CMYK 7 / 22 / 0 / 35

HEX #9A82A6

RGB 154 130 166

HSL 280, 0.17%, 0.58%

LAB 57.64, 16.02, -15.7

 

CMYK 0 / 0 / 0 / 42

HEX #949494

RGB 148 148 148

HSL 0, 0%, 0.58%

LAB 61.32, 0, -0.01

 

CMYK 56 / 64 / 0 / 15

HEX #614EDA

RGB 97 78 218

HSL 248.14, 0.65%, 0.58%

LAB 42.84, 45.29, -69.32

 

CMYK 39 / 64 / 0 / 15

HEX #864EDA

RGB 134 78 218

HSL 264, 0.65%, 0.58%

LAB 46.42, 52.22, -63.34

 

CMYK 22 / 64 / 0 / 15

HEX #AB4EDA

RGB 171 78 218

HSL 279.86, 0.65%, 0.58%

LAB 50.88, 60.17, -55.92

 

CMYK 5 / 64 / 0 / 15

HEX #D04EDA

RGB 208 78 218

HSL 295.71, 0.65%, 0.58%

LAB 56.01, 68.61, -47.44

 

CMYK 0 / 64 / 13 / 15

HEX #DA4EBE

RGB 218 78 190

HSL 312, 0.65%, 0.58%

LAB 56.16, 66.55, -31.12

 

CMYK 26 / 79 / 0 / 31

HEX #8325B0

RGB 131 37 176

HSL 280.58, 0.65%, 0.42%

LAB 36.52, 59.98, -54.94

 

CMYK 26 / 79 / 0 / 18

HEX #9C2DD2

RGB 156 45 210

HSL 280.36, 0.65%, 0.5%

LAB 43.65, 68.63, -63.11

 

CMYK 21 / 64 / 0 / 15

HEX #AC4EDA

RGB 172 78 218

HSL 280.29, 0.65%, 0.58%

LAB 51.01, 60.4, -55.7

 

CMYK 16 / 50 / 0 / 12

HEX #BC70E1

RGB 188 112 225

HSL 280.35, 0.65%, 0.66%

LAB 59.63, 49.08, -45.81

 

CMYK 12 / 37 / 0 / 9

HEX #CC92E8

RGB 204 146 232

HSL 280.47, 0.65%, 0.74%

LAB 68.91, 36.95, -35.04

 

CMYK 21 / 64 / 0 / 15

HEX #AD4FDA

RGB 173 79 218

HSL 280.58, 0.65%, 0.58%

LAB 51.31, 60.16, -55.22

 

CMYK 0 / 64 / 56 / 15

HEX #DA4E61

RGB 218 78 97

HSL 351.86, 0.65%, 0.58%

LAB 53.19, 56.01, 19.26

 

CMYK 64 / 0 / 47 / 15

HEX #4EDA73

RGB 78 218 115

HSL 135.86, 0.65%, 0.58%

LAB 77.88, -59.33, 39.71

 

CMYK 21 / 64 / 0 / 15

HEX #AD4FDA

RGB 173 79 218

HSL 280.58, 0.65%, 0.58%

LAB 51.31, 60.16, -55.22

 

CMYK 0 / 22 / 64 / 15

HEX #DAAB4E

RGB 218 171 78

HSL 39.86, 0.65%, 0.58%

LAB 72.62, 7.31, 53.18

 

CMYK 64 / 0 / 22 / 15

HEX #4EDAAB

RGB 78 218 171

HSL 159.86, 0.65%, 0.58%

LAB 78.87, -48.62, 12.19

 

CMYK 21 / 64 / 0 / 15

HEX #AD4FDA

RGB 173 79 218

HSL 280.58, 0.65%, 0.58%

LAB 51.31, 60.16, -55.22

 

CMYK 0 / 64 / 56 / 15

HEX #DA4E61

RGB 218 78 97

HSL 351.86, 0.65%, 0.58%

LAB 53.19, 56.01, 19.26

 

CMYK 43 / 0 / 64 / 15

HEX #7DDA4E

RGB 125 218 78

HSL 99.86, 0.65%, 0.58%

LAB 79.07, -51.74, 58.39

 

CMYK 64 / 0 / 9 / 15

HEX #4EDAC7

RGB 78 218 199

HSL 171.86, 0.65%, 0.58%

LAB 79.55, -41.83, -1.73

 

CMYK 21 / 64 / 0 / 15

HEX #AD4FDA

RGB 173 79 218

HSL 280.58, 0.65%, 0.58%

LAB 51.31, 60.16, -55.22

 

CMYK 0 / 54 / 64 / 15

HEX #DA654E

RGB 218 101 78

HSL 9.86, 0.65%, 0.58%

LAB 56.84, 44.2, 34.92

 

CMYK 43 / 0 / 64 / 15

HEX #7DDA4E

RGB 125 218 78

HSL 99.86, 0.65%, 0.58%

LAB 79.07, -51.74, 58.39

 

CMYK 64 / 11 / 0 / 15

HEX #4EC2DA

RGB 78 194 218

HSL 190.29, 0.65%, 0.58%

LAB 73.07, -25.22, -21.66

 

Description

Color code: HEX #AD4FDA | qconv.com Color code: HEX #AD4FDA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 79 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 79 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 64 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 64% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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