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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD429D it is the complementary color #52BD62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD429D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD429D shade: #B24298, #C354AB, #D466BE, #E578D1 and #F68AE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD429D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD429D shade: #AD429D, #9C308A, #8B1E77, #7A0C64 and #690051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD429D shade: #AE429E, #AE4281, #AE4263, #AE4246 and #AE4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD429D shade: #AE429E, #A142AE, #8442AE, #6742AE and #4A42AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD429D shade matches the following richer shades: #AE429E, #C12FAB, #D51BB9 and #E808C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD429D shade: #AE429E, #9A5590, #876982, #747C75 and #608F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD429D shade: #8342AE, #9F42AE, #AE429F, #AE4283 and #AE4266

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD429D shade: #722B67, #903783, #AE429E, #C059B1 and #CB77BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD429D shade: #AD429D, #AE6642 and #42AE91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD429D shade: #AD429D, #9FAE42 and #429FAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD429D shade: #AD429D, #AE6642, #42AE50 and #428AAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD429D shade: #AD429D, #AE8642, #42AE50 and #4269AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 9 / 32

HEX #AD429D

RGB 173 66 157

HSL 308.97, 0.45%, 0.47%

LAB 45.93, 54.57, -28.25

 

Complementary color

CMYK 57 / 0 / 48 / 26

HEX #52BD62

RGB 82 189 98

HSL 128.97, 0.45%, 0.53%

LAB 68.8, -50.02, 36.78

 

CMYK 0 / 63 / 15 / 30

HEX #B24298

RGB 178 66 152

HSL 313.93, 0.46%, 0.48%

LAB 46.48, 55.15, -24.34

 

CMYK 0 / 57 / 12 / 24

HEX #C354AB

RGB 195 84 171

HSL 312.97, 0.48%, 0.55%

LAB 52.82, 54.87, -25.55

 

CMYK 0 / 52 / 10 / 17

HEX #D466BE

RGB 212 102 190

HSL 312, 0.56%, 0.62%

LAB 59.18, 54.36, -26.52

 

CMYK 0 / 48 / 9 / 10

HEX #E578D1

RGB 229 120 209

HSL 311.01, 0.68%, 0.68%

LAB 65.51, 53.73, -27.31

 

CMYK 0 / 44 / 7 / 4

HEX #F68AE4

RGB 246 138 228

HSL 310, 0.86%, 0.75%

LAB 71.81, 53.04, -27.98

 

CMYK 0 / 62 / 9 / 32

HEX #AD429D

RGB 173 66 157

HSL 308.97, 0.45%, 0.47%

LAB 45.93, 54.57, -28.25

 

CMYK 0 / 69 / 12 / 39

HEX #9C308A

RGB 156 48 138

HSL 310, 0.53%, 0.4%

LAB 39.61, 54.47, -26.84

 

CMYK 0 / 78 / 14 / 45

HEX #8B1E77

RGB 139 30 119

HSL 311.01, 0.64%, 0.33%

LAB 33.46, 53.64, -24.88

 

CMYK 0 / 90 / 18 / 52

HEX #7A0C64

RGB 122 12 100

HSL 312, 0.82%, 0.26%

LAB 27.63, 51.53, -22.06

 

CMYK 0 / 100 / 23 / 59

HEX #690051

RGB 105 0 81

HSL 313.71, 1%, 0.21%

LAB 22.29, 47.59, -18.07

 

CMYK 0 / 62 / 9 / 32

HEX #AE429E

RGB 174 66 158

HSL 308.89, 0.45%, 0.47%

LAB 46.13, 55, -28.52

 

CMYK 0 / 62 / 26 / 32

HEX #AE4281

RGB 174 66 129

HSL 325, 0.45%, 0.47%

LAB 44.91, 50.66, -12.92

 

CMYK 0 / 62 / 43 / 32

HEX #AE4263

RGB 174 66 99

HSL 341.67, 0.45%, 0.47%

LAB 43.94, 47.03, 4.04

 

CMYK 0 / 62 / 60 / 32

HEX #AE4246

RGB 174 66 70

HSL 357.78, 0.45%, 0.47%

LAB 43.27, 44.44, 20.98

 

CMYK 0 / 62 / 62 / 32

HEX #AE4242

RGB 174 66 66

HSL 0, 0.45%, 0.47%

LAB 43.19, 44.15, 23.32

 

CMYK 0 / 62 / 9 / 32

HEX #AE429E

RGB 174 66 158

HSL 308.89, 0.45%, 0.47%

LAB 46.13, 55, -28.52

 

CMYK 7 / 62 / 0 / 32

HEX #A142AE

RGB 161 66 174

HSL 292.78, 0.45%, 0.47%

LAB 44.98, 54.42, -39.95

 

CMYK 24 / 62 / 0 / 32

HEX #8442AE

RGB 132 66 174

HSL 276.67, 0.45%, 0.47%

LAB 40.99, 47.24, -46.55

 

CMYK 41 / 62 / 0 / 32

HEX #6742AE

RGB 103 66 174

HSL 260.56, 0.45%, 0.47%

LAB 37.55, 40.48, -52.27

 

CMYK 57 / 62 / 0 / 32

HEX #4A42AE

RGB 74 66 174

HSL 244.44, 0.45%, 0.47%

LAB 34.82, 34.63, -56.82

 

CMYK 0 / 62 / 9 / 32

HEX #AE429E

RGB 174 66 158

HSL 308.89, 0.45%, 0.47%

LAB 46.13, 55, -28.52

 

CMYK 0 / 76 / 11 / 24

HEX #C12FAB

RGB 193 47 171

HSL 309.04, 0.61%, 0.47%

LAB 47.38, 68.6, -34.06

 

CMYK 0 / 87 / 13 / 16

HEX #D51BB9

RGB 213 27 185

HSL 309.03, 0.78%, 0.47%

LAB 50.02, 79.17, -37.89

 

CMYK 0 / 97 / 15 / 9

HEX #E808C6

RGB 232 8 198

HSL 309.11, 0.93%, 0.47%

LAB 53.39, 86.39, -39.89

 

CMYK 0 / 62 / 9 / 32

HEX #AE429E

RGB 174 66 158

HSL 308.89, 0.45%, 0.47%

LAB 46.13, 55, -28.52

 

CMYK 0 / 45 / 6 / 40

HEX #9A5590

RGB 154 85 144

HSL 308.7, 0.29%, 0.47%

LAB 46.15, 37.27, -20.35

 

CMYK 0 / 22 / 4 / 47

HEX #876982

RGB 135 105 130

HSL 310, 0.13%, 0.47%

LAB 48.09, 16.47, -9.24

 

CMYK 6 / 0 / 6 / 51

HEX #747C75

RGB 116 124 117

HSL 127.5, 0.03%, 0.47%

LAB 51.17, -4.41, 2.79

 

CMYK 33 / 0 / 28 / 44

HEX #608F67

RGB 96 143 103

HSL 128.94, 0.2%, 0.47%

LAB 55.19, -24.6, 16.34

 

CMYK 25 / 62 / 0 / 32

HEX #8342AE

RGB 131 66 174

HSL 276.11, 0.45%, 0.47%

LAB 40.86, 47, -46.76

 

CMYK 9 / 62 / 0 / 32

HEX #9F42AE

RGB 159 66 174

HSL 291.67, 0.45%, 0.47%

LAB 44.69, 53.92, -40.42

 

CMYK 0 / 62 / 9 / 32

HEX #AE429F

RGB 174 66 159

HSL 308.33, 0.45%, 0.47%

LAB 46.17, 55.17, -29.05

 

CMYK 0 / 62 / 25 / 32

HEX #AE4283

RGB 174 66 131

HSL 323.89, 0.45%, 0.47%

LAB 44.99, 50.94, -14.03

 

CMYK 0 / 62 / 41 / 32

HEX #AE4266

RGB 174 66 102

HSL 340, 0.45%, 0.47%

LAB 44.02, 47.35, 2.31

 

CMYK 0 / 62 / 10 / 55

HEX #722B67

RGB 114 43 103

HSL 309.3, 0.45%, 0.31%

LAB 30.12, 39.22, -20.22

 

CMYK 0 / 62 / 9 / 44

HEX #903783

RGB 144 55 131

HSL 308.76, 0.45%, 0.39%

LAB 38.38, 47.14, -24.61

 

CMYK 0 / 62 / 9 / 32

HEX #AE429E

RGB 174 66 158

HSL 308.89, 0.45%, 0.47%

LAB 46.13, 55, -28.52

 

CMYK 0 / 54 / 8 / 25

HEX #C059B1

RGB 192 89 177

HSL 308.74, 0.45%, 0.55%

LAB 53.52, 52.64, -28

 

CMYK 0 / 41 / 6 / 20

HEX #CB77BF

RGB 203 119 191

HSL 308.57, 0.45%, 0.63%

LAB 61.35, 43.23, -23.83

 

CMYK 0 / 62 / 9 / 32

HEX #AD429D

RGB 173 66 157

HSL 308.97, 0.45%, 0.47%

LAB 45.93, 54.57, -28.25

 

CMYK 0 / 41 / 62 / 32

HEX #AE6642

RGB 174 102 66

HSL 20, 0.45%, 0.47%

LAB 50.56, 25.52, 32.49

 

CMYK 62 / 0 / 17 / 32

HEX #42AE91

RGB 66 174 145

HSL 163.89, 0.45%, 0.47%

LAB 64.54, -37.9, 5.81

 

CMYK 0 / 62 / 9 / 32

HEX #AD429D

RGB 173 66 157

HSL 308.97, 0.45%, 0.47%

LAB 45.93, 54.57, -28.25

 

CMYK 9 / 0 / 62 / 32

HEX #9FAE42

RGB 159 174 66

HSL 68.33, 0.45%, 0.47%

LAB 68.05, -20.27, 52.06

 

CMYK 62 / 9 / 0 / 32

HEX #429FAE

RGB 66 159 174

HSL 188.33, 0.45%, 0.47%

LAB 60.79, -22.68, -15.99

 

CMYK 0 / 62 / 9 / 32

HEX #AD429D

RGB 173 66 157

HSL 308.97, 0.45%, 0.47%

LAB 45.93, 54.57, -28.25

 

CMYK 0 / 41 / 62 / 32

HEX #AE6642

RGB 174 102 66

HSL 20, 0.45%, 0.47%

LAB 50.56, 25.52, 32.49

 

CMYK 62 / 0 / 54 / 32

HEX #42AE50

RGB 66 174 80

HSL 127.78, 0.45%, 0.47%

LAB 63.35, -50.55, 38.9

 

CMYK 62 / 21 / 0 / 32

HEX #428AAE

RGB 66 138 174

HSL 200, 0.45%, 0.47%

LAB 54.44, -11.39, -25.7

 

CMYK 0 / 62 / 9 / 32

HEX #AD429D

RGB 173 66 157

HSL 308.97, 0.45%, 0.47%

LAB 45.93, 54.57, -28.25

 

CMYK 0 / 23 / 62 / 32

HEX #AE8642

RGB 174 134 66

HSL 37.78, 0.45%, 0.47%

LAB 58.45, 7.61, 41.78

 

CMYK 62 / 0 / 54 / 32

HEX #42AE50

RGB 66 174 80

HSL 127.78, 0.45%, 0.47%

LAB 63.35, -50.55, 38.9

 

CMYK 62 / 40 / 0 / 32

HEX #4269AE

RGB 66 105 174

HSL 218.33, 0.45%, 0.47%

LAB 44.68, 8.26, -40.98

 

Description

Color code: HEX #AD429D | qconv.com Color code: HEX #AD429D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 66 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 66 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 9 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 9% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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