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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD41BF it is the complementary color #52BE40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD41BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD41BF shade: #B241BA, #C353CD, #D465E0, #E577F3 and #F689FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD41BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD41BF shade: #AD41BF, #9C2FAC, #8B1D99, #7A0B86 and #690073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD41BF shade: #AD40BF, #BF40AF, #BF408D, #BF406A and #BF4048

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD41BF shade: #AD40BF, #8B40BF, #6840BF, #4640BF and #4040BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD41BF shade matches the following richer shades: #AD40BF, #BC2BD4, #CB16E9 and #D902FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD41BF shade: #AD40BF, #9E54AB, #906996, #817E81 and #72926D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD41BF shade: #6840BF, #8A40BF, #AC40BF, #BF40B0 and #BF408E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD41BF shade: #752B81, #9135A0, #AD40BF, #BA5FCA and #C87ED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD41BF shade: #AD41BF, #BF4640 and #40BF79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD41BF shade: #AD41BF, #BFAC40 and #40BFAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD41BF shade: #AD41BF, #BF4640, #53BF40 and #40B9BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD41BF shade: #AD41BF, #BF6C40, #53BF40 and #4093BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 66 / 0 / 25

HEX #AD41BF

RGB 173 65 191

HSL 291.43, 0.5%, 0.5%

LAB 47.53, 60.94, -45.75

 

Complementary color

CMYK 57 / 0 / 66 / 25

HEX #52BE40

RGB 82 190 64

HSL 111.43, 0.5%, 0.5%

LAB 68.74, -54.52, 52.48

 

CMYK 4 / 65 / 0 / 27

HEX #B241BA

RGB 178 65 186

HSL 296.03, 0.48%, 0.49%

LAB 48, 61.2, -42.05

 

CMYK 5 / 60 / 0 / 20

HEX #C353CD

RGB 195 83 205

HSL 295.08, 0.55%, 0.56%

LAB 54.23, 61.09, -42.98

 

CMYK 5 / 55 / 0 / 12

HEX #D465E0

RGB 212 101 224

HSL 294.15, 0.66%, 0.64%

LAB 60.5, 60.69, -43.68

 

CMYK 6 / 51 / 0 / 5

HEX #E577F3

RGB 229 119 243

HSL 293.23, 0.84%, 0.71%

LAB 66.77, 60.13, -44.23

 

CMYK 4 / 46 / 0 / 0

HEX #F689FF

RGB 246 137 255

HSL 295.42, 1%, 0.77%

LAB 72.7, 58.21, -41.36

 

CMYK 9 / 66 / 0 / 25

HEX #AD41BF

RGB 173 65 191

HSL 291.43, 0.5%, 0.5%

LAB 47.53, 60.94, -45.75

 

CMYK 9 / 73 / 0 / 33

HEX #9C2FAC

RGB 156 47 172

HSL 292.32, 0.57%, 0.43%

LAB 41.34, 60.63, -44.6

 

CMYK 9 / 81 / 0 / 40

HEX #8B1D99

RGB 139 29 153

HSL 293.23, 0.68%, 0.36%

LAB 35.34, 59.53, -42.95

 

CMYK 9 / 92 / 0 / 47

HEX #7A0B86

RGB 122 11 134

HSL 294.15, 0.85%, 0.28%

LAB 29.66, 57.12, -40.52

 

CMYK 9 / 100 / 0 / 55

HEX #690073

RGB 105 0 115

HSL 294.78, 1%, 0.23%

LAB 24.45, 52.86, -37.03

 

CMYK 9 / 66 / 0 / 25

HEX #AD40BF

RGB 173 64 191

HSL 291.5, 0.5%, 0.5%

LAB 47.38, 61.35, -45.98

 

CMYK 0 / 66 / 8 / 25

HEX #BF40AF

RGB 191 64 175

HSL 307.56, 0.5%, 0.5%

LAB 49.3, 62.92, -33.42

 

CMYK 0 / 66 / 26 / 25

HEX #BF408D

RGB 191 64 141

HSL 323.62, 0.5%, 0.5%

LAB 47.84, 58.04, -15.48

 

CMYK 0 / 66 / 45 / 25

HEX #BF406A

RGB 191 64 106

HSL 340.16, 0.5%, 0.5%

LAB 46.69, 54.03, 4.07

 

CMYK 0 / 66 / 62 / 25

HEX #BF4048

RGB 191 64 72

HSL 356.22, 0.5%, 0.5%

LAB 45.92, 51.26, 23.78

 

CMYK 9 / 66 / 0 / 25

HEX #AD40BF

RGB 173 64 191

HSL 291.5, 0.5%, 0.5%

LAB 47.38, 61.35, -45.98

 

CMYK 27 / 66 / 0 / 25

HEX #8B40BF

RGB 139 64 191

HSL 275.43, 0.5%, 0.5%

LAB 42.64, 53.71, -53.84

 

CMYK 46 / 66 / 0 / 25

HEX #6840BF

RGB 104 64 191

HSL 258.9, 0.5%, 0.5%

LAB 38.5, 46.5, -60.74

 

CMYK 63 / 66 / 0 / 25

HEX #4640BF

RGB 70 64 191

HSL 242.83, 0.5%, 0.5%

LAB 35.46, 40.75, -65.83

 

CMYK 66 / 66 / 0 / 25

HEX #4040BF

RGB 64 64 191

HSL 240, 0.5%, 0.5%

LAB 35.04, 39.92, -66.54

 

CMYK 9 / 66 / 0 / 25

HEX #AD40BF

RGB 173 64 191

HSL 291.5, 0.5%, 0.5%

LAB 47.38, 61.35, -45.98

 

CMYK 11 / 80 / 0 / 17

HEX #BC2BD4

RGB 188 43 212

HSL 291.48, 0.66%, 0.5%

LAB 48.48, 75.22, -56.22

 

CMYK 13 / 91 / 0 / 9

HEX #CB16E9

RGB 203 22 233

HSL 291.47, 0.83%, 0.5%

LAB 50.87, 85.3, -64.2

 

CMYK 14 / 99 / 0 / 1

HEX #D902FD

RGB 217 2 253

HSL 291.39, 0.98%, 0.5%

LAB 53.91, 92.28, -70.39

 

CMYK 9 / 66 / 0 / 25

HEX #AD40BF

RGB 173 64 191

HSL 291.5, 0.5%, 0.5%

LAB 47.38, 61.35, -45.98

 

CMYK 8 / 51 / 0 / 33

HEX #9E54AB

RGB 158 84 171

HSL 291.03, 0.34%, 0.5%

LAB 47.69, 44.22, -33.94

 

CMYK 4 / 30 / 0 / 41

HEX #906996

RGB 144 105 150

HSL 292, 0.18%, 0.5%

LAB 49.78, 23.73, -18.46

 

CMYK 0 / 2 / 0 / 49

HEX #817E81

RGB 129 126 129

HSL 300, 0.01%, 0.5%

LAB 53.14, 1.72, -1.23

 

CMYK 22 / 0 / 25 / 43

HEX #72926D

RGB 114 146 109

HSL 111.89, 0.15%, 0.5%

LAB 57.31, -18.69, 16.05

 

CMYK 46 / 66 / 0 / 25

HEX #6840BF

RGB 104 64 191

HSL 258.9, 0.5%, 0.5%

LAB 38.5, 46.5, -60.74

 

CMYK 28 / 66 / 0 / 25

HEX #8A40BF

RGB 138 64 191

HSL 274.96, 0.5%, 0.5%

LAB 42.51, 53.49, -54.06

 

CMYK 10 / 66 / 0 / 25

HEX #AC40BF

RGB 172 64 191

HSL 291.02, 0.5%, 0.5%

LAB 47.23, 61.12, -46.22

 

CMYK 0 / 66 / 8 / 25

HEX #BF40B0

RGB 191 64 176

HSL 307.09, 0.5%, 0.5%

LAB 49.35, 63.08, -33.93

 

CMYK 0 / 66 / 26 / 25

HEX #BF408E

RGB 191 64 142

HSL 323.15, 0.5%, 0.5%

LAB 47.87, 58.17, -16.03

 

CMYK 9 / 67 / 0 / 49

HEX #752B81

RGB 117 43 129

HSL 291.63, 0.5%, 0.34%

LAB 32.02, 44.97, -33.66

 

CMYK 9 / 67 / 0 / 37

HEX #9135A0

RGB 145 53 160

HSL 291.59, 0.5%, 0.42%

LAB 39.76, 53.54, -40.07

 

CMYK 9 / 66 / 0 / 25

HEX #AD40BF

RGB 173 64 191

HSL 291.5, 0.5%, 0.5%

LAB 47.38, 61.35, -45.98

 

CMYK 8 / 53 / 0 / 21

HEX #BA5FCA

RGB 186 95 202

HSL 291.03, 0.5%, 0.58%

LAB 54.96, 52.54, -40.21

 

CMYK 6 / 41 / 0 / 17

HEX #C87ED4

RGB 200 126 212

HSL 291.63, 0.5%, 0.66%

LAB 63.31, 42.49, -32.68

 

CMYK 9 / 66 / 0 / 25

HEX #AD41BF

RGB 173 65 191

HSL 291.43, 0.5%, 0.5%

LAB 47.53, 60.94, -45.75

 

CMYK 0 / 63 / 66 / 25

HEX #BF4640

RGB 191 70 64

HSL 2.83, 0.5%, 0.5%

LAB 46.75, 48.19, 29.58

 

CMYK 66 / 0 / 37 / 25

HEX #40BF79

RGB 64 191 121

HSL 146.93, 0.5%, 0.5%

LAB 69.28, -50.69, 25.41

 

CMYK 9 / 66 / 0 / 25

HEX #AD41BF

RGB 173 65 191

HSL 291.43, 0.5%, 0.5%

LAB 47.53, 60.94, -45.75

 

CMYK 0 / 10 / 66 / 25

HEX #BFAC40

RGB 191 172 64

HSL 51.02, 0.5%, 0.5%

LAB 70.14, -5.68, 55.95

 

CMYK 66 / 0 / 10 / 25

HEX #40BFAC

RGB 64 191 172

HSL 171.02, 0.5%, 0.5%

LAB 70.41, -38.99, -0.57

 

CMYK 9 / 66 / 0 / 25

HEX #AD41BF

RGB 173 65 191

HSL 291.43, 0.5%, 0.5%

LAB 47.53, 60.94, -45.75

 

CMYK 0 / 63 / 66 / 25

HEX #BF4640

RGB 191 70 64

HSL 2.83, 0.5%, 0.5%

LAB 46.75, 48.19, 29.58

 

CMYK 57 / 0 / 66 / 25

HEX #53BF40

RGB 83 191 64

HSL 111.02, 0.5%, 0.5%

LAB 69.09, -54.64, 52.86

 

CMYK 66 / 3 / 0 / 25

HEX #40B9BF

RGB 64 185 191

HSL 182.83, 0.5%, 0.5%

LAB 69.15, -30.92, -12.86

 

CMYK 9 / 66 / 0 / 25

HEX #AD41BF

RGB 173 65 191

HSL 291.43, 0.5%, 0.5%

LAB 47.53, 60.94, -45.75

 

CMYK 0 / 43 / 66 / 25

HEX #BF6C40

RGB 191 108 64

HSL 20.79, 0.5%, 0.5%

LAB 54.21, 29.17, 38.46

 

CMYK 57 / 0 / 66 / 25

HEX #53BF40

RGB 83 191 64

HSL 111.02, 0.5%, 0.5%

LAB 69.09, -54.64, 52.86

 

CMYK 66 / 23 / 0 / 25

HEX #4093BF

RGB 64 147 191

HSL 200.79, 0.5%, 0.5%

LAB 57.77, -11.2, -30.23

 

Description

Color code: HEX #AD41BF | qconv.com Color code: HEX #AD41BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 65 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 65 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 66 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 66% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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