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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD3996 it is the complementary color #52C669. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD3996. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD3996 shade: #B23991, #C34BA4, #D45DB7, #E56FCA and #F681DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD3996. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD3996 shade: #AD3996, #9C2783, #8B1570, #7A035D and #69004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD3996 shade: #AC3995, #AC3976, #AC3957 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD3996 shade: #AC3995, #A439AC, #8539AC, #6639AC and #4739AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD3996 shade matches the following richer shades: #AC3995, #BF27A1, #D114AC and #E402B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD3996 shade: #AC3995, #9A4C8A, #875F7F, #747174 and #628469

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD3996 shade: #8439AC, #A339AC, #AC3997, #AC3978 and #AC395A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD3996 shade: #6E2560, #8D2F7B, #AC3995, #C34CAB and #CE6BBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD3996 shade: #AD3996, #AC6539 and #39AC93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD3996 shade: #AD3996, #97AC39 and #3997AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD3996 shade: #AD3996, #AC6539, #39AC4E and #3980AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD3996 shade: #AD3996, #AC8839, #39AC4E and #395EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 13 / 32

HEX #AD3996

RGB 173 57 150

HSL 311.9, 0.5%, 0.45%

LAB 44.25, 57.21, -26.67

 

Complementary color

CMYK 59 / 0 / 47 / 22

HEX #52C669

RGB 82 198 105

HSL 131.9, 0.5%, 0.55%

LAB 71.69, -52.48, 36.9

 

CMYK 0 / 68 / 19 / 30

HEX #B23991

RGB 178 57 145

HSL 316.36, 0.51%, 0.46%

LAB 44.85, 57.79, -22.66

 

CMYK 0 / 62 / 16 / 24

HEX #C34BA4

RGB 195 75 164

HSL 315.5, 0.5%, 0.53%

LAB 51.05, 57.8, -24.18

 

CMYK 0 / 56 / 14 / 17

HEX #D45DB7

RGB 212 93 183

HSL 314.62, 0.58%, 0.6%

LAB 57.31, 57.48, -25.37

 

CMYK 0 / 52 / 12 / 10

HEX #E56FCA

RGB 229 111 202

HSL 313.73, 0.69%, 0.67%

LAB 63.58, 56.95, -26.34

 

CMYK 0 / 48 / 10 / 4

HEX #F681DD

RGB 246 129 221

HSL 312.82, 0.87%, 0.74%

LAB 69.83, 56.32, -27.15

 

CMYK 0 / 67 / 13 / 32

HEX #AD3996

RGB 173 57 150

HSL 311.9, 0.5%, 0.45%

LAB 44.25, 57.21, -26.67

 

CMYK 0 / 75 / 16 / 39

HEX #9C2783

RGB 156 39 131

HSL 312.82, 0.6%, 0.38%

LAB 38.12, 56.64, -24.85

 

CMYK 0 / 85 / 19 / 45

HEX #8B1570

RGB 139 21 112

HSL 313.73, 0.74%, 0.31%

LAB 32.25, 55.09, -22.33

 

CMYK 0 / 98 / 24 / 52

HEX #7A035D

RGB 122 3 93

HSL 314.62, 0.95%, 0.25%

LAB 26.71, 52.2, -18.91

 

CMYK 0 / 100 / 30 / 59

HEX #69004A

RGB 105 0 74

HSL 317.71, 1%, 0.21%

LAB 21.94, 46.68, -13.87

 

CMYK 0 / 67 / 13 / 33

HEX #AC3995

RGB 172 57 149

HSL 312, 0.5%, 0.45%

LAB 44.04, 56.8, -26.41

 

CMYK 0 / 67 / 31 / 33

HEX #AC3976

RGB 172 57 118

HSL 328.17, 0.5%, 0.45%

LAB 42.77, 52.49, -9.45

 

CMYK 0 / 67 / 49 / 33

HEX #AC3957

RGB 172 57 87

HSL 344.35, 0.5%, 0.45%

LAB 41.82, 49.14, 8.44

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 67 / 13 / 33

HEX #AC3995

RGB 172 57 149

HSL 312, 0.5%, 0.45%

LAB 44.04, 56.8, -26.41

 

CMYK 5 / 67 / 0 / 33

HEX #A439AC

RGB 164 57 172

HSL 295.83, 0.5%, 0.45%

LAB 43.94, 58.62, -40.39

 

CMYK 23 / 67 / 0 / 33

HEX #8539AC

RGB 133 57 172

HSL 279.65, 0.5%, 0.45%

LAB 39.4, 51.42, -47.91

 

CMYK 41 / 67 / 0 / 33

HEX #6639AC

RGB 102 57 172

HSL 263.48, 0.5%, 0.45%

LAB 35.46, 44.68, -54.47

 

CMYK 59 / 67 / 0 / 33

HEX #4739AC

RGB 71 57 172

HSL 247.3, 0.5%, 0.45%

LAB 32.36, 38.92, -59.65

 

CMYK 0 / 67 / 13 / 33

HEX #AC3995

RGB 172 57 149

HSL 312, 0.5%, 0.45%

LAB 44.04, 56.8, -26.41

 

CMYK 0 / 80 / 16 / 25

HEX #BF27A1

RGB 191 39 161

HSL 311.84, 0.66%, 0.45%

LAB 45.77, 68.97, -30.66

 

CMYK 0 / 90 / 18 / 18

HEX #D114AC

RGB 209 20 172

HSL 311.75, 0.83%, 0.45%

LAB 48.3, 77.74, -33

 

CMYK 0 / 99 / 20 / 11

HEX #E402B7

RGB 228 2 183

HSL 311.95, 0.98%, 0.45%

LAB 51.79, 84.26, -33.75

 

CMYK 0 / 67 / 13 / 33

HEX #AC3995

RGB 172 57 149

HSL 312, 0.5%, 0.45%

LAB 44.04, 56.8, -26.41

 

CMYK 0 / 51 / 10 / 40

HEX #9A4C8A

RGB 154 76 138

HSL 312.31, 0.34%, 0.45%

LAB 44.05, 41, -19.97

 

CMYK 0 / 30 / 6 / 47

HEX #875F7F

RGB 135 95 127

HSL 312, 0.17%, 0.45%

LAB 45.45, 21.8, -11.41

 

CMYK 0 / 3 / 0 / 55

HEX #747174

RGB 116 113 116

HSL 300, 0.01%, 0.45%

LAB 47.99, 1.76, -1.25

 

CMYK 26 / 0 / 20 / 48

HEX #628469

RGB 98 132 105

HSL 132.35, 0.15%, 0.45%

LAB 51.97, -17.84, 10.75

 

CMYK 23 / 67 / 0 / 33

HEX #8439AC

RGB 132 57 172

HSL 279.13, 0.5%, 0.45%

LAB 39.26, 51.19, -48.14

 

CMYK 5 / 67 / 0 / 33

HEX #A339AC

RGB 163 57 172

HSL 295.3, 0.5%, 0.45%

LAB 43.79, 58.39, -40.64

 

CMYK 0 / 67 / 12 / 33

HEX #AC3997

RGB 172 57 151

HSL 310.96, 0.5%, 0.45%

LAB 44.13, 57.1, -27.47

 

CMYK 0 / 67 / 30 / 33

HEX #AC3978

RGB 172 57 120

HSL 327.13, 0.5%, 0.45%

LAB 42.84, 52.74, -10.58

 

CMYK 0 / 67 / 48 / 33

HEX #AC395A

RGB 172 57 90

HSL 342.78, 0.5%, 0.45%

LAB 41.9, 49.42, 6.67

 

CMYK 0 / 66 / 13 / 57

HEX #6E2560

RGB 110 37 96

HSL 311.51, 0.5%, 0.29%

LAB 28.07, 39.65, -18.94

 

CMYK 0 / 67 / 13 / 45

HEX #8D2F7B

RGB 141 47 123

HSL 311.49, 0.5%, 0.37%

LAB 36.23, 48.51, -23.03

 

CMYK 0 / 67 / 13 / 33

HEX #AC3995

RGB 172 57 149

HSL 312, 0.5%, 0.45%

LAB 44.04, 56.8, -26.41

 

CMYK 0 / 61 / 12 / 24

HEX #C34CAB

RGB 195 76 171

HSL 312.1, 0.5%, 0.53%

LAB 51.51, 58.44, -27.58

 

CMYK 0 / 48 / 10 / 19

HEX #CE6BBA

RGB 206 107 186

HSL 312.12, 0.5%, 0.61%

LAB 59.14, 49.47, -24.35

 

CMYK 0 / 67 / 13 / 32

HEX #AD3996

RGB 173 57 150

HSL 311.9, 0.5%, 0.45%

LAB 44.25, 57.21, -26.67

 

CMYK 0 / 41 / 67 / 33

HEX #AC6539

RGB 172 101 57

HSL 22.96, 0.5%, 0.45%

LAB 49.95, 24.62, 36.61

 

CMYK 67 / 0 / 15 / 33

HEX #39AC93

RGB 57 172 147

HSL 166.96, 0.5%, 0.45%

LAB 63.74, -38.08, 3.51

 

CMYK 0 / 67 / 13 / 32

HEX #AD3996

RGB 173 57 150

HSL 311.9, 0.5%, 0.45%

LAB 44.25, 57.21, -26.67

 

CMYK 12 / 0 / 67 / 33

HEX #97AC39

RGB 151 172 57

HSL 70.96, 0.5%, 0.45%

LAB 66.81, -23.24, 54.37

 

CMYK 67 / 12 / 0 / 33

HEX #3997AC

RGB 57 151 172

HSL 190.96, 0.5%, 0.45%

LAB 58.02, -20.67, -19.09

 

CMYK 0 / 67 / 13 / 32

HEX #AD3996

RGB 173 57 150

HSL 311.9, 0.5%, 0.45%

LAB 44.25, 57.21, -26.67

 

CMYK 0 / 41 / 67 / 33

HEX #AC6539

RGB 172 101 57

HSL 22.96, 0.5%, 0.45%

LAB 49.95, 24.62, 36.61

 

CMYK 67 / 0 / 55 / 33

HEX #39AC4E

RGB 57 172 78

HSL 130.96, 0.5%, 0.45%

LAB 62.44, -51.98, 38.73

 

CMYK 67 / 26 / 0 / 33

HEX #3980AC

RGB 57 128 172

HSL 202.96, 0.5%, 0.45%

LAB 51.02, -7.99, -29.88

 

CMYK 0 / 67 / 13 / 32

HEX #AD3996

RGB 173 57 150

HSL 311.9, 0.5%, 0.45%

LAB 44.25, 57.21, -26.67

 

CMYK 0 / 21 / 67 / 33

HEX #AC8839

RGB 172 136 57

HSL 41.22, 0.5%, 0.45%

LAB 58.67, 5.01, 46.33

 

CMYK 67 / 0 / 55 / 33

HEX #39AC4E

RGB 57 172 78

HSL 130.96, 0.5%, 0.45%

LAB 62.44, -51.98, 38.73

 

CMYK 67 / 45 / 0 / 33

HEX #395EAC

RGB 57 94 172

HSL 220.7, 0.5%, 0.45%

LAB 40.98, 12.9, -45.74

 

Description

Color code: HEX #AD3996 | qconv.com Color code: HEX #AD3996 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 57 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 57 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 13 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 13% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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