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Color name
HEX #AD2A86

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD2A86 it is the complementary color #52D579. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD2A86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD2A86 shade: #B22A81, #C33C94, #D44EA7, #E560BA and #F672CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD2A86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD2A86 shade: #AD2A86, #9C1873, #8B0660, #7A004D and #69003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD2A86 shade: #AC2A86, #AC2A62, #AC2A3F and #AC2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD2A86 shade: #AC2A86, #AC2AA9, #8D2AAC, #6A2AAC and #462AAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD2A86 shade matches the following richer shades: #AC2A86, #BE188D and #CF0794

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD2A86 shade: #AC2A86, #9B3B7F, #8A4C78, #785E71 and #676F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD2A86 shade: #8C2AAC, #AC2AAA, #AC2A87, #AC2A65 and #AC2A42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD2A86 shade: #6A1A52, #8B226C, #AC2A86, #CD329F and #D553AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD2A86 shade: #AD2A86, #AC692A and #2AAC9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD2A86 shade: #AD2A86, #87AC2A and #2A87AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD2A86 shade: #AD2A86, #AC692A, #2AAC4F and #2A6DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD2A86 shade: #AD2A86, #AC902A, #2AAC4F and #2A46AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 23 / 32

HEX #AD2A86

RGB 173 42 134

HSL 317.86, 0.61%, 0.42%

LAB 41.63, 60.28, -21.02

 

Complementary color

CMYK 62 / 0 / 43 / 16

HEX #52D579

RGB 82 213 121

HSL 137.86, 0.61%, 0.58%

LAB 76.54, -55.7, 35.04

 

CMYK 0 / 76 / 28 / 30

HEX #B22A81

RGB 178 42 129

HSL 321.62, 0.62%, 0.43%

LAB 42.32, 60.89, -16.82

 

CMYK 0 / 69 / 24 / 24

HEX #C33C94

RGB 195 60 148

HSL 320.89, 0.53%, 0.5%

LAB 48.22, 61.57, -19.03

 

CMYK 0 / 63 / 21 / 17

HEX #D44EA7

RGB 212 78 167

HSL 320.15, 0.61%, 0.57%

LAB 54.28, 61.68, -20.76

 

CMYK 0 / 58 / 19 / 10

HEX #E560BA

RGB 229 96 186

HSL 319.4, 0.72%, 0.64%

LAB 60.4, 61.42, -22.14

 

CMYK 0 / 54 / 17 / 4

HEX #F672CD

RGB 246 114 205

HSL 318.64, 0.88%, 0.71%

LAB 66.55, 60.96, -23.28

 

CMYK 0 / 76 / 23 / 32

HEX #AD2A86

RGB 173 42 134

HSL 317.86, 0.61%, 0.42%

LAB 41.63, 60.28, -21.02

 

CMYK 0 / 85 / 26 / 39

HEX #9C1873

RGB 156 24 115

HSL 318.64, 0.73%, 0.35%

LAB 35.91, 58.71, -18.3

 

CMYK 0 / 96 / 31 / 45

HEX #8B0660

RGB 139 6 96

HSL 319.4, 0.92%, 0.28%

LAB 30.55, 55.78, -14.65

 

CMYK 0 / 100 / 37 / 52

HEX #7A004D

RGB 122 0 77

HSL 322.13, 1%, 0.24%

LAB 25.78, 50.84, -9.69

 

CMYK 0 / 100 / 45 / 59

HEX #69003A

RGB 105 0 58

HSL 326.86, 1%, 0.21%

LAB 21.24, 44.88, -3.87

 

CMYK 0 / 76 / 22 / 33

HEX #AC2A86

RGB 172 42 134

HSL 317.54, 0.61%, 0.42%

LAB 41.45, 60.04, -21.31

 

CMYK 0 / 76 / 43 / 33

HEX #AC2A62

RGB 172 42 98

HSL 334.15, 0.61%, 0.42%

LAB 40.1, 55.83, -0.96

 

CMYK 0 / 76 / 63 / 33

HEX #AC2A3F

RGB 172 42 63

HSL 350.31, 0.61%, 0.42%

LAB 39.22, 53, 19.96

 

CMYK 0 / 76 / 76 / 33

HEX #AC2A2A

RGB 172 42 42

HSL 0, 0.61%, 0.42%

LAB 38.89, 51.92, 32.45

 

CMYK 0 / 76 / 22 / 33

HEX #AC2A86

RGB 172 42 134

HSL 317.54, 0.61%, 0.42%

LAB 41.45, 60.04, -21.31

 

CMYK 0 / 76 / 2 / 33

HEX #AC2AA9

RGB 172 42 169

HSL 301.38, 0.61%, 0.42%

LAB 43.2, 65.2, -39.71

 

CMYK 18 / 76 / 0 / 33

HEX #8D2AAC

RGB 141 42 172

HSL 285.69, 0.61%, 0.42%

LAB 38.37, 59.32, -49.5

 

CMYK 38 / 76 / 0 / 33

HEX #6A2AAC

RGB 106 42 172

HSL 269.54, 0.61%, 0.42%

LAB 33.35, 52.72, -57.88

 

CMYK 59 / 76 / 0 / 33

HEX #462AAC

RGB 70 42 172

HSL 252.92, 0.61%, 0.42%

LAB 29.25, 47.13, -64.75

 

CMYK 0 / 76 / 22 / 33

HEX #AC2A86

RGB 172 42 134

HSL 317.54, 0.61%, 0.42%

LAB 41.45, 60.04, -21.31

 

CMYK 0 / 87 / 26 / 25

HEX #BE188D

RGB 190 24 141

HSL 317.71, 0.78%, 0.42%

LAB 43.54, 69.46, -22.09

 

CMYK 0 / 97 / 29 / 19

HEX #CF0794

RGB 207 7 148

HSL 317.7, 0.93%, 0.42%

LAB 46.39, 75.84, -21.67

 

CMYK 0 / 76 / 22 / 33

HEX #AC2A86

RGB 172 42 134

HSL 317.54, 0.61%, 0.42%

LAB 41.45, 60.04, -21.31

 

CMYK 0 / 62 / 18 / 39

HEX #9B3B7F

RGB 155 59 127

HSL 317.5, 0.45%, 0.42%

LAB 40.62, 47.85, -18.53

 

CMYK 0 / 45 / 13 / 46

HEX #8A4C78

RGB 138 76 120

HSL 317.42, 0.29%, 0.42%

LAB 41.1, 32.55, -13.71

 

CMYK 0 / 22 / 6 / 53

HEX #785E71

RGB 120 94 113

HSL 316.15, 0.12%, 0.42%

LAB 43.05, 14.04, -6.71

 

CMYK 7 / 0 / 5 / 56

HEX #676F69

RGB 103 111 105

HSL 135, 0.04%, 0.42%

LAB 46.01, -4.29, 2.29

 

CMYK 19 / 76 / 0 / 33

HEX #8C2AAC

RGB 140 42 172

HSL 285.23, 0.61%, 0.42%

LAB 38.22, 59.12, -49.76

 

CMYK 0 / 76 / 1 / 33

HEX #AC2AAA

RGB 172 42 170

HSL 300.92, 0.61%, 0.42%

LAB 43.25, 65.36, -40.21

 

CMYK 0 / 76 / 22 / 33

HEX #AC2A87

RGB 172 42 135

HSL 317.08, 0.61%, 0.42%

LAB 41.49, 60.17, -21.85

 

CMYK 0 / 76 / 41 / 33

HEX #AC2A65

RGB 172 42 101

HSL 332.77, 0.61%, 0.42%

LAB 40.19, 56.13, -2.7

 

CMYK 0 / 76 / 62 / 33

HEX #AC2A42

RGB 172 42 66

HSL 348.92, 0.61%, 0.42%

LAB 39.28, 53.19, 18.15

 

CMYK 0 / 75 / 23 / 58

HEX #6A1A52

RGB 106 26 82

HSL 318, 0.61%, 0.26%

LAB 24.99, 40.94, -14.54

 

CMYK 0 / 76 / 22 / 45

HEX #8B226C

RGB 139 34 108

HSL 317.71, 0.61%, 0.34%

LAB 33.38, 50.73, -18.02

 

CMYK 0 / 76 / 22 / 33

HEX #AC2A86

RGB 172 42 134

HSL 317.54, 0.61%, 0.42%

LAB 41.45, 60.04, -21.31

 

CMYK 0 / 76 / 22 / 20

HEX #CD329F

RGB 205 50 159

HSL 317.81, 0.61%, 0.5%

LAB 49.21, 68.84, -23.94

 

CMYK 0 / 61 / 18 / 16

HEX #D553AF

RGB 213 83 175

HSL 317.54, 0.61%, 0.58%

LAB 55.51, 60.98, -23.51

 

CMYK 0 / 76 / 23 / 32

HEX #AD2A86

RGB 173 42 134

HSL 317.86, 0.61%, 0.42%

LAB 41.63, 60.28, -21.02

 

CMYK 0 / 39 / 76 / 33

HEX #AC692A

RGB 172 105 42

HSL 29.08, 0.61%, 0.42%

LAB 50.74, 21.57, 45

 

CMYK 76 / 0 / 9 / 33

HEX #2AAC9D

RGB 42 172 157

HSL 173.08, 0.61%, 0.42%

LAB 63.7, -37.5, -2.17

 

CMYK 0 / 76 / 23 / 32

HEX #AD2A86

RGB 173 42 134

HSL 317.86, 0.61%, 0.42%

LAB 41.63, 60.28, -21.02

 

CMYK 22 / 0 / 76 / 33

HEX #87AC2A

RGB 135 172 42

HSL 77.08, 0.61%, 0.42%

LAB 65.61, -30.72, 58.41

 

CMYK 76 / 22 / 0 / 33

HEX #2A87AC

RGB 42 135 172

HSL 197.08, 0.61%, 0.42%

LAB 52.73, -14.17, -27.26

 

CMYK 0 / 76 / 23 / 32

HEX #AD2A86

RGB 173 42 134

HSL 317.86, 0.61%, 0.42%

LAB 41.63, 60.28, -21.02

 

CMYK 0 / 39 / 76 / 33

HEX #AC692A

RGB 172 105 42

HSL 29.08, 0.61%, 0.42%

LAB 50.74, 21.57, 45

 

CMYK 76 / 0 / 54 / 33

HEX #2AAC4F

RGB 42 172 79

HSL 137.08, 0.61%, 0.42%

LAB 62.14, -54.43, 37.79

 

CMYK 76 / 37 / 0 / 33

HEX #2A6DAC

RGB 42 109 172

HSL 209.08, 0.61%, 0.42%

LAB 44.81, 1.11, -39.67

 

CMYK 0 / 76 / 23 / 32

HEX #AD2A86

RGB 173 42 134

HSL 317.86, 0.61%, 0.42%

LAB 41.63, 60.28, -21.02

 

CMYK 0 / 16 / 76 / 33

HEX #AC902A

RGB 172 144 42

HSL 47.08, 0.61%, 0.42%

LAB 60.68, -0.2, 54.76

 

CMYK 76 / 0 / 54 / 33

HEX #2AAC4F

RGB 42 172 79

HSL 137.08, 0.61%, 0.42%

LAB 62.14, -54.43, 37.79

 

CMYK 76 / 59 / 0 / 33

HEX #2A46AC

RGB 42 70 172

HSL 227.08, 0.61%, 0.42%

LAB 33.67, 26.51, -57.58

 

Description

Color code: HEX #AD2A86 | qconv.com Color code: HEX #AD2A86 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 42 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 42 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 23 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 23% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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