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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD2850CE it is the complementary color #52D7AFCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD2850CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD2850CE shade: #B2284BCE, #C33A5ECE, #D44C71CE, #E55E84CE and #F67097CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD2850CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD2850CE shade: #AD2850CE, #9C163DCE, #8B042ACE, #7A0017CE and #690004CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD2850CE shade: #AE2951, #AE292D and #AE2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD2850CE shade: #AE2951, #AE2974, #AE2998, #9F29AE and #7B29AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD2850CE shade matches the following richer shades: #AE2951, #BF174A and #D00643

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD2850CE shade: #AE2951, #9C3A58, #8B4B5E, #7A5D65 and #686E6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD2850CE shade: #AE299A, #AE2976, #AE2953, #AE292F and #AE4529

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD2850CE shade: #6B1932, #8C2141, #AE2951, #CF3160 and #D6527A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD2850CE shade: #AD2850, #AE9E29 and #2988AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD2850CE shade: #AD2850, #53AE29 and #2953AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD2850CE shade: #AD2850, #AE9E29, #29AE83 and #2938AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD2850CE shade: #AD2850, #95AE29, #29AE83 and #4129AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 44 / 26

HEX #AD2850CE

RGBA 173 40 80 0.81

HSLA 341.95, 0.62%, 0.42%, 0.81

LABA 39.55, 55.16, 9.68, 0.81

 

Complementary color

CMYK 50 / 0 / 15 / 13

HEX #52D7AFCE

RGBA 82 215 175 0.81

HSLA 161.95, 0.62%, 0.58%, 0.81

LABA 78.16, -45.73, 9.08, 0.81

 

CMYK 0 / 63 / 47 / 24

HEX #B2284BCE

RGBA 178 40 75 0.81

HSLA 344.78, 0.63%, 0.43%, 0.81

LABA 40.39, 56.23, 14.17, 0.81

 

CMYK 0 / 57 / 42 / 19

HEX #C33A5ECE

RGBA 195 58 94 0.81

HSLA 344.23, 0.54%, 0.5%, 0.81

LABA 46.23, 56.52, 10.88, 0.81

 

CMYK 0 / 52 / 38 / 14

HEX #D44C71CE

RGBA 212 76 113 0.81

HSLA 343.68, 0.61%, 0.56%, 0.81

LABA 52.24, 56.28, 8.24, 0.81

 

CMYK 0 / 48 / 34 / 8

HEX #E55E84CE

RGBA 229 94 132 0.81

HSLA 343.11, 0.72%, 0.63%, 0.81

LABA 58.35, 55.72, 6.08, 0.81

 

CMYK 0 / 44 / 31 / 3

HEX #F67097CE

RGBA 246 112 151 0.81

HSLA 342.54, 0.88%, 0.7%, 0.81

LABA 64.5, 55, 4.27, 0.81

 

CMYK 0 / 62 / 44 / 26

HEX #AD2850CE

RGBA 173 40 80 0.81

HSLA 341.95, 0.62%, 0.42%, 0.81

LABA 39.55, 55.16, 9.68, 0.81

 

CMYK 0 / 70 / 49 / 31

HEX #9C163DCE

RGBA 156 22 61 0.81

HSLA 342.54, 0.75%, 0.35%, 0.81

LABA 33.94, 53.98, 13.67, 0.81

 

CMYK 0 / 79 / 57 / 37

HEX #8B042ACE

RGBA 139 4 42 0.81

HSLA 343.11, 0.94%, 0.28%, 0.81

LABA 28.75, 51.56, 18.74, 0.81

 

CMYK 0 / 81 / 66 / 42

HEX #7A0017CE

RGBA 122 0 23 0.81

HSLA 348.69, 1%, 0.24%, 0.81

LABA 24.32, 46.97, 25.13, 0.81

 

CMYK 0 / 81 / 78 / 48

HEX #690004CE

RGBA 105 0 4 0.81

HSLA 357.71, 1%, 0.21%, 0.81

LABA 20.09, 41.82, 29.09, 0.81

 

CMYK 0 / 76 / 53 / 32

HEX #AE2951

RGB 174 41 81

HSL 341.95, 0.62%, 0.42%

LAB 39.88, 55.21, 9.54

 

CMYK 0 / 76 / 74 / 32

HEX #AE292D

RGB 174 41 45

HSL 358.2, 0.62%, 0.42%

LAB 39.2, 53, 31.12

 

CMYK 0 / 76 / 76 / 32

HEX #AE2929

RGB 174 41 41

HSL 0, 0.62%, 0.42%

LAB 39.15, 52.84, 33.43

 

CMYK 0 / 76 / 53 / 32

HEX #AE2951

RGB 174 41 81

HSL 341.95, 0.62%, 0.42%

LAB 39.88, 55.21, 9.54

 

CMYK 0 / 76 / 33 / 32

HEX #AE2974

RGB 174 41 116

HSL 326.17, 0.62%, 0.42%

LAB 40.97, 58.62, -10.89

 

CMYK 0 / 76 / 13 / 32

HEX #AE2998

RGB 174 41 152

HSL 309.92, 0.62%, 0.42%

LAB 42.54, 63.34, -30.54

 

CMYK 9 / 76 / 0 / 32

HEX #9F29AE

RGB 159 41 174

HSL 293.23, 0.62%, 0.42%

LAB 41.24, 63.65, -45.93

 

CMYK 29 / 76 / 0 / 32

HEX #7B29AE

RGB 123 41 174

HSL 276.99, 0.62%, 0.42%

LAB 35.7, 56.65, -55.14

 

CMYK 0 / 76 / 53 / 32

HEX #AE2951

RGB 174 41 81

HSL 341.95, 0.62%, 0.42%

LAB 39.88, 55.21, 9.54

 

CMYK 0 / 88 / 61 / 25

HEX #BF174A

RGB 191 23 74

HSL 341.79, 0.79%, 0.42%

LAB 41.51, 63.83, 16.74

 

CMYK 0 / 97 / 68 / 18

HEX #D00643

RGB 208 6 67

HSL 341.88, 0.94%, 0.42%

LAB 44.15, 69.76, 25.25

 

CMYK 0 / 76 / 53 / 32

HEX #AE2951

RGB 174 41 81

HSL 341.95, 0.62%, 0.42%

LAB 39.88, 55.21, 9.54

 

CMYK 0 / 63 / 44 / 39

HEX #9C3A58

RGB 156 58 88

HSL 341.63, 0.46%, 0.42%

LAB 39.24, 43.53, 3.75

 

CMYK 0 / 46 / 32 / 45

HEX #8B4B5E

RGB 139 75 94

HSL 342.19, 0.3%, 0.42%

LAB 40.13, 29.36, 0.95

 

CMYK 0 / 24 / 17 / 52

HEX #7A5D65

RGB 122 93 101

HSL 343.45, 0.13%, 0.42%

LAB 42.62, 13.19, 0.01

 

CMYK 5 / 0 / 2 / 57

HEX #686E6C

RGB 104 110 108

HSL 160, 0.03%, 0.42%

LAB 45.88, -2.7, 0.32

 

CMYK 0 / 76 / 11 / 32

HEX #AE299A

RGB 174 41 154

HSL 309.02, 0.62%, 0.42%

LAB 42.64, 63.63, -31.59

 

CMYK 0 / 76 / 32 / 32

HEX #AE2976

RGB 174 41 118

HSL 325.26, 0.62%, 0.42%

LAB 41.04, 58.86, -12.02

 

CMYK 0 / 76 / 52 / 32

HEX #AE2953

RGB 174 41 83

HSL 341.05, 0.62%, 0.42%

LAB 39.93, 55.37, 8.34

 

CMYK 0 / 76 / 73 / 32

HEX #AE292F

RGB 174 41 47

HSL 357.29, 0.62%, 0.42%

LAB 39.22, 53.09, 29.95

 

CMYK 0 / 60 / 76 / 32

HEX #AE4529

RGB 174 69 41

HSL 12.63, 0.62%, 0.42%

LAB 43.38, 41.36, 37.99

 

CMYK 0 / 77 / 53 / 58

HEX #6B1932

RGB 107 25 50

HSL 341.71, 0.62%, 0.26%

LAB 23.84, 37.72, 5.52

 

CMYK 0 / 76 / 54 / 45

HEX #8C2141

RGB 140 33 65

HSL 342.06, 0.62%, 0.34%

LAB 31.91, 46.49, 7.73

 

CMYK 0 / 76 / 53 / 32

HEX #AE2951

RGB 174 41 81

HSL 341.95, 0.62%, 0.42%

LAB 39.88, 55.21, 9.54

 

CMYK 0 / 76 / 54 / 19

HEX #CF3160

RGB 207 49 96

HSL 342.15, 0.62%, 0.5%

LAB 47.37, 63.22, 11.58

 

CMYK 0 / 62 / 43 / 16

HEX #D6527A

RGB 214 82 122

HSL 341.82, 0.62%, 0.58%

LAB 53.75, 55.22, 5.06

 

CMYK 0 / 77 / 54 / 32

HEX #AD2850

RGB 173 40 80

HSL 341.95, 0.62%, 0.42%

LAB 39.55, 55.16, 9.68

 

CMYK 0 / 9 / 76 / 32

HEX #AE9E29

RGB 174 158 41

HSL 52.78, 0.62%, 0.42%

LAB 64.65, -6.9, 58.94

 

CMYK 76 / 22 / 0 / 32

HEX #2988AE

RGB 41 136 174

HSL 197.14, 0.62%, 0.42%

LAB 53.1, -14.16, -27.84

 

CMYK 0 / 77 / 54 / 32

HEX #AD2850

RGB 173 40 80

HSL 341.95, 0.62%, 0.42%

LAB 39.55, 55.16, 9.68

 

CMYK 52 / 0 / 76 / 32

HEX #53AE29

RGB 83 174 41

HSL 101.05, 0.62%, 0.42%

LAB 63.57, -50.07, 55.86

 

CMYK 76 / 52 / 0 / 32

HEX #2953AE

RGB 41 83 174

HSL 221.05, 0.62%, 0.42%

LAB 37.32, 18.51, -52.84

 

CMYK 0 / 77 / 54 / 32

HEX #AD2850

RGB 173 40 80

HSL 341.95, 0.62%, 0.42%

LAB 39.55, 55.16, 9.68

 

CMYK 0 / 9 / 76 / 32

HEX #AE9E29

RGB 174 158 41

HSL 52.78, 0.62%, 0.42%

LAB 64.65, -6.9, 58.94

 

CMYK 76 / 0 / 25 / 32

HEX #29AE83

RGB 41 174 131

HSL 160.6, 0.62%, 0.42%

LAB 63.66, -45.23, 12.22

 

CMYK 76 / 68 / 0 / 32

HEX #2938AE

RGB 41 56 174

HSL 233.23, 0.62%, 0.42%

LAB 30.29, 36.26, -64.31

 

CMYK 0 / 77 / 54 / 32

HEX #AD2850

RGB 173 40 80

HSL 341.95, 0.62%, 0.42%

LAB 39.55, 55.16, 9.68

 

CMYK 14 / 0 / 76 / 32

HEX #95AE29

RGB 149 174 41

HSL 71.28, 0.62%, 0.42%

LAB 67.14, -25.96, 60.53

 

CMYK 76 / 0 / 25 / 32

HEX #29AE83

RGB 41 174 131

HSL 160.6, 0.62%, 0.42%

LAB 63.66, -45.23, 12.22

 

CMYK 63 / 76 / 0 / 32

HEX #4129AE

RGB 65 41 174

HSL 250.83, 0.62%, 0.42%

LAB 28.81, 47.61, -66.69

 

Description

Color code: HEX #AD2850CE | qconv.com Color code: HEX #AD2850CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 40 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 40 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 44 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 44% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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