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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD23FE it is the complementary color #52DC01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD23FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD23FE shade: #B223F9, #C335FF, #D447FF, #E559FF and #F66BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD23FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD23FE shade: #AD23FE, #9C11EB, #8B00D8, #7A00C5 and #6900B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD23FE shade: #AE25FE, #E825FE, #FE25D9, #FE259F and #FE2564

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD23FE shade: #AE25FE, #7325FE, #3925FE and #2525FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD23FE shade matches the following richer shades: #AE25FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD23FE shade: #AE25FE, #A937EC, #A448DA, #A05AC9 and #9B6CB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD23FE shade: #3725FE, #7125FE, #AB25FE, #E525FE and #FE25DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD23FE shade: #8301CF, #9D01F8, #AE25FE, #BD4EFE and #CC77FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD23FE shade: #AD23FE, #FE254D and #25FE54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD23FE shade: #AD23FE, #FEAB25 and #25FEAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD23FE shade: #AD23FE, #FE254D, #78FE25 and #25FED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD23FE shade: #AD23FE, #FE3E25, #78FE25 and #25E5FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 86 / 0 / 0

HEX #AD23FE

RGB 173 35 254

HSL 277.81, 0.99%, 0.57%

LAB 48.56, 82.55, -79.94

 

Complementary color

CMYK 63 / 0 / 100 / 14

HEX #52DC01

RGB 82 220 1

HSL 97.81, 0.99%, 0.43%

LAB 77.86, -67.68, 75.62

 

CMYK 29 / 86 / 0 / 2

HEX #B223F9

RGB 178 35 249

HSL 280.09, 0.95%, 0.56%

LAB 48.89, 82.26, -76.58

 

CMYK 24 / 79 / 0 / 0

HEX #C335FF

RGB 195 53 255

HSL 282.18, 1%, 0.6%

LAB 53.35, 81.4, -72.56

 

CMYK 17 / 72 / 0 / 0

HEX #D447FF

RGB 212 71 255

HSL 285.98, 1%, 0.64%

LAB 57.77, 78.67, -65.29

 

CMYK 10 / 65 / 0 / 0

HEX #E559FF

RGB 229 89 255

HSL 290.6, 1%, 0.67%

LAB 62.53, 75.47, -57.55

 

CMYK 4 / 58 / 0 / 0

HEX #F66BFF

RGB 246 107 255

HSL 296.35, 1%, 0.71%

LAB 67.52, 72.01, -49.48

 

CMYK 32 / 86 / 0 / 0

HEX #AD23FE

RGB 173 35 254

HSL 277.81, 0.99%, 0.57%

LAB 48.56, 82.55, -79.94

 

CMYK 34 / 93 / 0 / 8

HEX #9C11EB

RGB 156 17 235

HSL 278.26, 0.87%, 0.49%

LAB 43.46, 79.96, -77.71

 

CMYK 36 / 100 / 0 / 15

HEX #8B00D8

RGB 139 0 216

HSL 278.61, 1%, 0.42%

LAB 38.63, 76.28, -74.87

 

CMYK 38 / 100 / 0 / 23

HEX #7A00C5

RGB 122 0 197

HSL 277.16, 1%, 0.39%

LAB 34.33, 70.74, -70.99

 

CMYK 41 / 100 / 0 / 30

HEX #6900B2

RGB 105 0 178

HSL 275.39, 1%, 0.35%

LAB 29.95, 65.1, -67.03

 

CMYK 31 / 85 / 0 / 0

HEX #AE25FE

RGB 174 37 254

HSL 277.88, 0.99%, 0.57%

LAB 48.86, 82.23, -79.45

 

CMYK 9 / 85 / 0 / 0

HEX #E825FE

RGB 232 37 254

HSL 293.92, 0.99%, 0.57%

LAB 57.69, 90.87, -64.72

 

CMYK 0 / 85 / 15 / 0

HEX #FE25D9

RGB 254 37 217

HSL 310.23, 0.99%, 0.57%

LAB 59.35, 89.5, -41.12

 

CMYK 0 / 85 / 37 / 0

HEX #FE259F

RGB 254 37 159

HSL 326.27, 0.99%, 0.57%

LAB 56.98, 83.05, -11.3

 

CMYK 0 / 85 / 61 / 0

HEX #FE2564

RGB 254 37 100

HSL 342.58, 0.99%, 0.57%

LAB 55.39, 78.57, 21.56

 

CMYK 31 / 85 / 0 / 0

HEX #AE25FE

RGB 174 37 254

HSL 277.88, 0.99%, 0.57%

LAB 48.86, 82.23, -79.45

 

CMYK 55 / 85 / 0 / 0

HEX #7325FE

RGB 115 37 254

HSL 261.57, 0.99%, 0.57%

LAB 41.41, 75.52, -91.96

 

CMYK 78 / 85 / 0 / 0

HEX #3925FE

RGB 57 37 254

HSL 245.53, 0.99%, 0.57%

LAB 36.65, 71.64, -100.01

 

CMYK 85 / 85 / 0 / 0

HEX #2525FE

RGB 37 37 254

HSL 240, 0.99%, 0.57%

LAB 35.74, 70.95, -101.55

 

CMYK 31 / 85 / 0 / 0

HEX #AE25FE

RGB 174 37 254

HSL 277.88, 0.99%, 0.57%

LAB 48.86, 82.23, -79.45

 

CMYK 31 / 85 / 0 / 0

HEX #AE25FE

RGB 174 37 254

HSL 277.88, 0.99%, 0.57%

LAB 48.86, 82.23, -79.45

 

CMYK 28 / 77 / 0 / 7

HEX #A937EC

RGB 169 55 236

HSL 277.79, 0.83%, 0.57%

LAB 48.54, 72.76, -69.9

 

CMYK 25 / 67 / 0 / 15

HEX #A448DA

RGB 164 72 218

HSL 277.81, 0.66%, 0.57%

LAB 48.99, 61.35, -59

 

CMYK 20 / 55 / 0 / 21

HEX #A05AC9

RGB 160 90 201

HSL 277.84, 0.51%, 0.57%

LAB 50.69, 47.97, -46.59

 

CMYK 15 / 41 / 0 / 28

HEX #9B6CB7

RGB 155 108 183

HSL 277.6, 0.34%, 0.57%

LAB 53.07, 32.68, -32.52

 

CMYK 78 / 85 / 0 / 0

HEX #3725FE

RGB 55 37 254

HSL 244.98, 0.99%, 0.57%

LAB 36.54, 71.56, -100.19

 

CMYK 56 / 85 / 0 / 0

HEX #7125FE

RGB 113 37 254

HSL 261.01, 0.99%, 0.57%

LAB 41.2, 75.34, -92.32

 

CMYK 33 / 85 / 0 / 0

HEX #AB25FE

RGB 171 37 254

HSL 277.05, 0.99%, 0.57%

LAB 48.43, 81.83, -80.16

 

CMYK 10 / 85 / 0 / 0

HEX #E525FE

RGB 229 37 254

HSL 293.09, 0.99%, 0.57%

LAB 57.21, 90.38, -65.52

 

CMYK 0 / 85 / 13 / 0

HEX #FE25DD

RGB 254 37 221

HSL 309.12, 0.99%, 0.57%

LAB 59.54, 90.01, -43.08

 

CMYK 37 / 100 / 0 / 19

HEX #8301CF

RGB 131 1 207

HSL 277.86, 0.99%, 0.41%

LAB 36.65, 73.55, -72.96

 

CMYK 37 / 100 / 0 / 3

HEX #9D01F8

RGB 157 1 248

HSL 277.89, 0.99%, 0.49%

LAB 44.19, 84.23, -83.84

 

CMYK 31 / 85 / 0 / 0

HEX #AE25FE

RGB 174 37 254

HSL 277.88, 0.99%, 0.57%

LAB 48.86, 82.23, -79.45

 

CMYK 26 / 69 / 0 / 0

HEX #BD4EFE

RGB 189 78 254

HSL 277.84, 0.99%, 0.65%

LAB 55.51, 71.41, -68.56

 

CMYK 20 / 53 / 0 / 0

HEX #CC77FE

RGB 204 119 254

HSL 277.78, 0.99%, 0.73%

LAB 64.31, 55.8, -54.35

 

CMYK 32 / 86 / 0 / 0

HEX #AD23FE

RGB 173 35 254

HSL 277.81, 0.99%, 0.57%

LAB 48.56, 82.55, -79.94

 

CMYK 0 / 85 / 70 / 0

HEX #FE254D

RGB 254 37 77

HSL 348.94, 0.99%, 0.57%

LAB 55, 77.43, 34.69

 

CMYK 85 / 0 / 67 / 0

HEX #25FE54

RGB 37 254 84

HSL 133, 0.99%, 0.57%

LAB 87.93, -80.26, 64.98

 

CMYK 32 / 86 / 0 / 0

HEX #AD23FE

RGB 173 35 254

HSL 277.81, 0.99%, 0.57%

LAB 48.56, 82.55, -79.94

 

CMYK 0 / 33 / 85 / 0

HEX #FEAB25

RGB 254 171 37

HSL 37.05, 0.99%, 0.57%

LAB 76.27, 20.87, 73.53

 

CMYK 85 / 0 / 33 / 0

HEX #25FEAB

RGB 37 254 171

HSL 157.05, 0.99%, 0.57%

LAB 89.03, -67.21, 26.21

 

CMYK 32 / 86 / 0 / 0

HEX #AD23FE

RGB 173 35 254

HSL 277.81, 0.99%, 0.57%

LAB 48.56, 82.55, -79.94

 

CMYK 0 / 85 / 70 / 0

HEX #FE254D

RGB 254 37 77

HSL 348.94, 0.99%, 0.57%

LAB 55, 77.43, 34.69

 

CMYK 53 / 0 / 85 / 0

HEX #78FE25

RGB 120 254 37

HSL 97.05, 0.99%, 0.57%

LAB 89.4, -68.92, 80.93

 

CMYK 85 / 0 / 16 / 0

HEX #25FED6

RGB 37 254 214

HSL 168.94, 0.99%, 0.57%

LAB 89.92, -57.44, 5.39

 

CMYK 32 / 86 / 0 / 0

HEX #AD23FE

RGB 173 35 254

HSL 277.81, 0.99%, 0.57%

LAB 48.56, 82.55, -79.94

 

CMYK 0 / 76 / 85 / 0

HEX #FE3E25

RGB 254 62 37

HSL 6.91, 0.99%, 0.57%

LAB 56.73, 70.13, 57.58

 

CMYK 53 / 0 / 85 / 0

HEX #78FE25

RGB 120 254 37

HSL 97.05, 0.99%, 0.57%

LAB 89.4, -68.92, 80.93

 

CMYK 85 / 10 / 0 / 0

HEX #25E5FE

RGB 37 229 254

HSL 186.91, 0.99%, 0.57%

LAB 83.75, -35.49, -24.71

 

Description

Color code: HEX #AD23FE | qconv.com Color code: HEX #AD23FE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 35 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 35 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 86 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 86% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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