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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD2273 it is the complementary color #52DD8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD2273. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD2273 shade: #B2226E, #C33481, #D44694, #E558A7 and #F66ABA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD2273. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD2273 shade: #AD2273, #9C1060, #8B004D, #7A003A and #690027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD2273 shade: #AF2374, #AF234E, #AF2329 and #AF2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD2273 shade: #AF2374, #AF239A, #9E23AF, #7823AF and #5223AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD2273 shade matches the following richer shades: #AF2374, #C01277 and #D0017A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD2273 shade: #AF2374, #9E3371, #8D446F, #7C556C and #6B6669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD2273 shade: #9E23AF, #AF239A, #AF2374, #AF234F and #AF232A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD2273 shade: #6A1546, #8C1C5D, #AF2374, #D1298B and #DB499E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD2273 shade: #AD2273, #AF7923 and #23ACAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD2273 shade: #AD2273, #74AF23 and #2374AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD2273 shade: #AD2273, #AF7923, #23AF5D and #2358AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD2273 shade: #AD2273, #AFA323, #23AF5D and #232EAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 34 / 32

HEX #AD2273

RGB 173 34 115

HSL 325.04, 0.67%, 0.41%

LAB 40.03, 60.3, -11.71

 

Complementary color

CMYK 63 / 0 / 37 / 13

HEX #52DD8C

RGB 82 221 140

HSL 145.04, 0.67%, 0.59%

LAB 79.27, -55.47, 28.96

 

CMYK 0 / 81 / 38 / 30

HEX #B2226E

RGB 178 34 110

HSL 328.33, 0.68%, 0.42%

LAB 40.79, 61.02, -7.34

 

CMYK 0 / 73 / 34 / 24

HEX #C33481

RGB 195 52 129

HSL 327.69, 0.58%, 0.48%

LAB 46.5, 62.08, -10.18

 

CMYK 0 / 67 / 30 / 17

HEX #D44694

RGB 212 70 148

HSL 327.04, 0.62%, 0.55%

LAB 52.42, 62.42, -12.4

 

CMYK 0 / 62 / 27 / 10

HEX #E558A7

RGB 229 88 167

HSL 326.38, 0.73%, 0.62%

LAB 58.44, 62.31, -14.18

 

CMYK 0 / 57 / 24 / 4

HEX #F66ABA

RGB 246 106 186

HSL 325.71, 0.89%, 0.69%

LAB 64.52, 61.93, -15.64

 

CMYK 0 / 80 / 34 / 32

HEX #AD2273

RGB 173 34 115

HSL 325.04, 0.67%, 0.41%

LAB 40.03, 60.3, -11.71

 

CMYK 0 / 90 / 38 / 39

HEX #9C1060

RGB 156 16 96

HSL 325.71, 0.81%, 0.34%

LAB 34.57, 58.16, -8.23

 

CMYK 0 / 100 / 45 / 45

HEX #8B004D

RGB 139 0 77

HSL 326.76, 1%, 0.27%

LAB 29.47, 54.73, -3.77

 

CMYK 0 / 100 / 52 / 52

HEX #7A003A

RGB 122 0 58

HSL 331.48, 1%, 0.24%

LAB 25.09, 49.02, 2.22

 

CMYK 0 / 100 / 63 / 59

HEX #690027

RGB 105 0 39

HSL 337.71, 1%, 0.21%

LAB 20.63, 43.28, 8.68

 

CMYK 0 / 80 / 34 / 31

HEX #AF2374

RGB 175 35 116

HSL 325.29, 0.67%, 0.41%

LAB 40.54, 60.64, -11.53

 

CMYK 0 / 80 / 55 / 31

HEX #AF234E

RGB 175 35 78

HSL 341.57, 0.67%, 0.41%

LAB 39.35, 57.08, 10.74

 

CMYK 0 / 80 / 77 / 31

HEX #AF2329

RGB 175 35 41

HSL 357.43, 0.67%, 0.41%

LAB 38.68, 55, 32.98

 

CMYK 0 / 80 / 80 / 31

HEX #AF2323

RGB 175 35 35

HSL 0, 0.67%, 0.41%

LAB 38.62, 54.79, 36.39

 

CMYK 0 / 80 / 34 / 31

HEX #AF2374

RGB 175 35 116

HSL 325.29, 0.67%, 0.41%

LAB 40.54, 60.64, -11.53

 

CMYK 0 / 80 / 12 / 31

HEX #AF239A

RGB 175 35 154

HSL 309, 0.67%, 0.41%

LAB 42.23, 65.53, -32.22

 

CMYK 10 / 80 / 0 / 31

HEX #9E23AF

RGB 158 35 175

HSL 292.71, 0.67%, 0.41%

LAB 40.52, 65.41, -47.69

 

CMYK 31 / 80 / 0 / 31

HEX #7823AF

RGB 120 35 175

HSL 276.43, 0.67%, 0.41%

LAB 34.58, 58.54, -57.58

 

CMYK 53 / 80 / 0 / 31

HEX #5223AF

RGB 82 35 175

HSL 260.14, 0.67%, 0.41%

LAB 29.64, 52.83, -65.86

 

CMYK 0 / 80 / 34 / 31

HEX #AF2374

RGB 175 35 116

HSL 325.29, 0.67%, 0.41%

LAB 40.54, 60.64, -11.53

 

CMYK 0 / 91 / 38 / 25

HEX #C01277

RGB 192 18 119

HSL 325.17, 0.83%, 0.41%

LAB 42.72, 68.47, -9.78

 

CMYK 0 / 100 / 41 / 18

HEX #D0017A

RGB 208 1 122

HSL 324.93, 0.99%, 0.41%

LAB 45.41, 73.97, -7.28

 

CMYK 0 / 80 / 34 / 31

HEX #AF2374

RGB 175 35 116

HSL 325.29, 0.67%, 0.41%

LAB 40.54, 60.64, -11.53

 

CMYK 0 / 68 / 28 / 38

HEX #9E3371

RGB 158 51 113

HSL 325.23, 0.51%, 0.41%

LAB 39.29, 50.21, -11.84

 

CMYK 0 / 52 / 21 / 45

HEX #8D446F

RGB 141 68 111

HSL 324.66, 0.35%, 0.41%

LAB 39.49, 36.45, -10.55

 

CMYK 0 / 31 / 13 / 51

HEX #7C556C

RGB 124 85 108

HSL 324.62, 0.19%, 0.41%

LAB 41, 20.04, -6.66

 

CMYK 0 / 5 / 2 / 58

HEX #6B6669

RGB 107 102 105

HSL 324, 0.02%, 0.41%

LAB 43.72, 2.57, -0.99

 

CMYK 10 / 80 / 0 / 31

HEX #9E23AF

RGB 158 35 175

HSL 292.71, 0.67%, 0.41%

LAB 40.52, 65.41, -47.69

 

CMYK 0 / 80 / 12 / 31

HEX #AF239A

RGB 175 35 154

HSL 309, 0.67%, 0.41%

LAB 42.23, 65.53, -32.22

 

CMYK 0 / 80 / 34 / 31

HEX #AF2374

RGB 175 35 116

HSL 325.29, 0.67%, 0.41%

LAB 40.54, 60.64, -11.53

 

CMYK 0 / 80 / 55 / 31

HEX #AF234F

RGB 175 35 79

HSL 341.14, 0.67%, 0.41%

LAB 39.38, 57.16, 10.14

 

CMYK 0 / 80 / 76 / 31

HEX #AF232A

RGB 175 35 42

HSL 357, 0.67%, 0.41%

LAB 38.7, 55.04, 32.4

 

CMYK 0 / 80 / 34 / 58

HEX #6A1546

RGB 106 21 70

HSL 325.41, 0.67%, 0.25%

LAB 23.81, 41.1, -8.26

 

CMYK 0 / 80 / 34 / 45

HEX #8C1C5D

RGB 140 28 93

HSL 325.18, 0.67%, 0.33%

LAB 32.25, 51, -10.1

 

CMYK 0 / 80 / 34 / 31

HEX #AF2374

RGB 175 35 116

HSL 325.29, 0.67%, 0.41%

LAB 40.54, 60.64, -11.53

 

CMYK 0 / 80 / 33 / 18

HEX #D1298B

RGB 209 41 139

HSL 325, 0.67%, 0.49%

LAB 48.27, 69.91, -13.33

 

CMYK 0 / 67 / 28 / 14

HEX #DB499E

RGB 219 73 158

HSL 325.07, 0.67%, 0.57%

LAB 54.34, 64.41, -15.29

 

CMYK 0 / 80 / 34 / 32

HEX #AD2273

RGB 173 34 115

HSL 325.04, 0.67%, 0.41%

LAB 40.03, 60.3, -11.71

 

CMYK 0 / 31 / 80 / 31

HEX #AF7923

RGB 175 121 35

HSL 36.86, 0.67%, 0.41%

LAB 54.98, 13.64, 52.2

 

CMYK 80 / 2 / 0 / 31

HEX #23ACAF

RGB 35 172 175

HSL 181.29, 0.67%, 0.41%

LAB 64.13, -32.97, -11.59

 

CMYK 0 / 80 / 34 / 32

HEX #AD2273

RGB 173 34 115

HSL 325.04, 0.67%, 0.41%

LAB 40.03, 60.3, -11.71

 

CMYK 34 / 0 / 80 / 31

HEX #74AF23

RGB 116 175 35

HSL 85.29, 0.67%, 0.41%

LAB 65.35, -39.83, 59.97

 

CMYK 80 / 34 / 0 / 31

HEX #2374AF

RGB 35 116 175

HSL 205.29, 0.67%, 0.41%

LAB 46.9, -2.88, -38.13

 

CMYK 0 / 80 / 34 / 32

HEX #AD2273

RGB 173 34 115

HSL 325.04, 0.67%, 0.41%

LAB 40.03, 60.3, -11.71

 

CMYK 0 / 31 / 80 / 31

HEX #AF7923

RGB 175 121 35

HSL 36.86, 0.67%, 0.41%

LAB 54.98, 13.64, 52.2

 

CMYK 80 / 0 / 47 / 31

HEX #23AF5D

RGB 35 175 93

HSL 144.86, 0.67%, 0.41%

LAB 63.18, -54.18, 31.99

 

CMYK 80 / 50 / 0 / 31

HEX #2358AF

RGB 35 88 175

HSL 217.29, 0.67%, 0.41%

LAB 38.61, 14.91, -51.37

 

CMYK 0 / 80 / 34 / 32

HEX #AD2273

RGB 173 34 115

HSL 325.04, 0.67%, 0.41%

LAB 40.03, 60.3, -11.71

 

CMYK 0 / 7 / 80 / 31

HEX #AFA323

RGB 175 163 35

HSL 54.86, 0.67%, 0.41%

LAB 66.08, -9.33, 62.21

 

CMYK 80 / 0 / 47 / 31

HEX #23AF5D

RGB 35 175 93

HSL 144.86, 0.67%, 0.41%

LAB 63.18, -54.18, 31.99

 

CMYK 80 / 74 / 0 / 31

HEX #232EAF

RGB 35 46 175

HSL 235.29, 0.67%, 0.41%

LAB 27.86, 42.23, -68.92

 

Description

Color code: HEX #AD2273 | qconv.com Color code: HEX #AD2273 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 34 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 34 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 34 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 34% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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