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Color name
HEX #AD217F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD217F it is the complementary color #52DE80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD217F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD217F shade: #B2217A, #C3338D, #D445A0, #E557B3 and #F669C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD217F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD217F shade: #AD217F, #9C0F6C, #8B0059, #7A0046 and #690033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD217F shade: #AB217E, #AB2158, #AB2133 and #AB2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD217F shade: #AB217E, #AB21A3, #8E21AB, #6921AB and #4321AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD217F shade matches the following richer shades: #AB217E and #BC1083

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD217F shade: #AB217E, #9B3178, #8A4272, #7A526D and #696367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD217F shade: #8D21AB, #AB21A4, #AB217F, #AB215A and #AB2135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD217F shade: #66134B, #891A64, #AB217E, #CE2797 and #DB43A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD217F shade: #AD217F, #AB6821 and #21ABA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD217F shade: #AD217F, #7FAB21 and #217FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD217F shade: #AD217F, #AB6821, #21AB4D and #2164AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD217F shade: #AD217F, #AB9221, #21AB4D and #213AAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 27 / 32

HEX #AD217F

RGB 173 33 127

HSL 319.71, 0.68%, 0.4%

LAB 40.42, 61.98, -18.58

 

Complementary color

CMYK 63 / 0 / 42 / 13

HEX #52DE80

RGB 82 222 128

HSL 139.71, 0.68%, 0.6%

LAB 79.38, -57.95, 35.2

 

CMYK 0 / 81 / 31 / 30

HEX #B2217A

RGB 178 33 122

HSL 323.17, 0.69%, 0.41%

LAB 41.15, 62.59, -14.28

 

CMYK 0 / 74 / 28 / 24

HEX #C3338D

RGB 195 51 141

HSL 322.5, 0.59%, 0.48%

LAB 46.83, 63.82, -16.95

 

CMYK 0 / 67 / 25 / 17

HEX #D445A0

RGB 212 69 160

HSL 321.82, 0.62%, 0.55%

LAB 52.72, 64.29, -19.03

 

CMYK 0 / 62 / 22 / 10

HEX #E557B3

RGB 229 87 179

HSL 321.13, 0.73%, 0.62%

LAB 58.72, 64.29, -20.69

 

CMYK 0 / 57 / 20 / 4

HEX #F669C6

RGB 246 105 198

HSL 320.43, 0.89%, 0.69%

LAB 64.78, 63.99, -22.04

 

CMYK 0 / 81 / 27 / 32

HEX #AD217F

RGB 173 33 127

HSL 319.71, 0.68%, 0.4%

LAB 40.42, 61.98, -18.58

 

CMYK 0 / 90 / 31 / 39

HEX #9C0F6C

RGB 156 15 108

HSL 320.43, 0.82%, 0.34%

LAB 34.99, 59.64, -15.27

 

CMYK 0 / 100 / 36 / 45

HEX #8B0059

RGB 139 0 89

HSL 321.58, 1%, 0.27%

LAB 29.94, 55.93, -11.01

 

CMYK 0 / 100 / 43 / 52

HEX #7A0046

RGB 122 0 70

HSL 325.57, 1%, 0.24%

LAB 25.5, 50.11, -5.38

 

CMYK 0 / 100 / 51 / 59

HEX #690033

RGB 105 0 51

HSL 330.86, 1%, 0.21%

LAB 20.99, 44.23, 0.68

 

CMYK 0 / 81 / 26 / 33

HEX #AB217E

RGB 171 33 126

HSL 319.57, 0.68%, 0.4%

LAB 40, 61.38, -18.63

 

CMYK 0 / 81 / 49 / 33

HEX #AB2158

RGB 171 33 88

HSL 336.09, 0.68%, 0.4%

LAB 38.64, 57.35, 3.24

 

CMYK 0 / 81 / 70 / 33

HEX #AB2133

RGB 171 33 51

HSL 352.17, 0.68%, 0.4%

LAB 37.81, 54.83, 25.67

 

CMYK 0 / 81 / 81 / 33

HEX #AB2121

RGB 171 33 33

HSL 0, 0.68%, 0.4%

LAB 37.58, 54.1, 36.21

 

CMYK 0 / 81 / 26 / 33

HEX #AB217E

RGB 171 33 126

HSL 319.57, 0.68%, 0.4%

LAB 40, 61.38, -18.63

 

CMYK 0 / 81 / 5 / 33

HEX #AB21A3

RGB 171 33 163

HSL 303.48, 0.68%, 0.4%

LAB 41.83, 66.54, -38.31

 

CMYK 17 / 81 / 0 / 33

HEX #8E21AB

RGB 142 33 171

HSL 287.39, 0.68%, 0.4%

LAB 37.44, 62.25, -50.39

 

CMYK 39 / 81 / 0 / 33

HEX #6921AB

RGB 105 33 171

HSL 271.3, 0.68%, 0.4%

LAB 31.88, 55.92, -59.68

 

CMYK 61 / 81 / 0 / 33

HEX #4321AB

RGB 67 33 171

HSL 254.78, 0.68%, 0.4%

LAB 27.36, 50.8, -67.28

 

CMYK 0 / 81 / 26 / 33

HEX #AB217E

RGB 171 33 126

HSL 319.57, 0.68%, 0.4%

LAB 40, 61.38, -18.63

 

CMYK 0 / 91 / 30 / 26

HEX #BC1083

RGB 188 16 131

HSL 319.88, 0.84%, 0.4%

LAB 42.31, 69.12, -17.89

 

CMYK 0 / 81 / 26 / 33

HEX #AB217E

RGB 171 33 126

HSL 319.57, 0.68%, 0.4%

LAB 40, 61.38, -18.63

 

CMYK 0 / 68 / 23 / 39

HEX #9B3178

RGB 155 49 120

HSL 319.81, 0.52%, 0.4%

LAB 38.76, 51.12, -17.05

 

CMYK 0 / 52 / 17 / 46

HEX #8A4272

RGB 138 66 114

HSL 320, 0.35%, 0.4%

LAB 38.75, 36.98, -13.58

 

CMYK 0 / 33 / 11 / 52

HEX #7A526D

RGB 122 82 109

HSL 319.5, 0.2%, 0.4%

LAB 40.04, 21.26, -8.73

 

CMYK 0 / 6 / 2 / 59

HEX #696367

RGB 105 99 103

HSL 320, 0.03%, 0.4%

LAB 42.62, 3.18, -1.42

 

CMYK 18 / 81 / 0 / 33

HEX #8D21AB

RGB 141 33 171

HSL 286.96, 0.68%, 0.4%

LAB 37.28, 62.07, -50.66

 

CMYK 0 / 81 / 4 / 33

HEX #AB21A4

RGB 171 33 164

HSL 303.04, 0.68%, 0.4%

LAB 41.89, 66.7, -38.82

 

CMYK 0 / 81 / 26 / 33

HEX #AB217F

RGB 171 33 127

HSL 319.13, 0.68%, 0.4%

LAB 40.04, 61.51, -19.18

 

CMYK 0 / 81 / 47 / 33

HEX #AB215A

RGB 171 33 90

HSL 335.22, 0.68%, 0.4%

LAB 38.7, 57.53, 2.05

 

CMYK 0 / 81 / 69 / 33

HEX #AB2135

RGB 171 33 53

HSL 351.3, 0.68%, 0.4%

LAB 37.85, 54.93, 24.46

 

CMYK 0 / 81 / 26 / 60

HEX #66134B

RGB 102 19 75

HSL 319.52, 0.69%, 0.24%

LAB 22.99, 41.33, -12.97

 

CMYK 0 / 81 / 27 / 46

HEX #891A64

RGB 137 26 100

HSL 320, 0.68%, 0.32%

LAB 31.76, 51.68, -15.43

 

CMYK 0 / 81 / 26 / 33

HEX #AB217E

RGB 171 33 126

HSL 319.57, 0.68%, 0.4%

LAB 40, 61.38, -18.63

 

CMYK 0 / 81 / 27 / 19

HEX #CE2797

RGB 206 39 151

HSL 319.76, 0.68%, 0.48%

LAB 48.02, 71.05, -20.98

 

CMYK 0 / 69 / 23 / 14

HEX #DB43A9

RGB 219 67 169

HSL 319.74, 0.68%, 0.56%

LAB 53.96, 68.01, -22.31

 

CMYK 0 / 81 / 27 / 32

HEX #AD217F

RGB 173 33 127

HSL 319.71, 0.68%, 0.4%

LAB 40.42, 61.98, -18.58

 

CMYK 0 / 39 / 81 / 33

HEX #AB6821

RGB 171 104 33

HSL 30.87, 0.68%, 0.4%

LAB 50.3, 21.32, 48.48

 

CMYK 81 / 0 / 6 / 33

HEX #21ABA0

RGB 33 171 160

HSL 175.22, 0.68%, 0.4%

LAB 63.33, -37.13, -4.4

 

CMYK 0 / 81 / 27 / 32

HEX #AD217F

RGB 173 33 127

HSL 319.71, 0.68%, 0.4%

LAB 40.42, 61.98, -18.58

 

CMYK 26 / 0 / 81 / 33

HEX #7FAB21

RGB 127 171 33

HSL 79.13, 0.68%, 0.4%

LAB 64.76, -33.89, 60.25

 

CMYK 81 / 26 / 0 / 33

HEX #217FAB

RGB 33 127 171

HSL 199.13, 0.68%, 0.4%

LAB 50.03, -11.04, -30.89

 

CMYK 0 / 81 / 27 / 32

HEX #AD217F

RGB 173 33 127

HSL 319.71, 0.68%, 0.4%

LAB 40.42, 61.98, -18.58

 

CMYK 0 / 39 / 81 / 33

HEX #AB6821

RGB 171 104 33

HSL 30.87, 0.68%, 0.4%

LAB 50.3, 21.32, 48.48

 

CMYK 81 / 0 / 55 / 33

HEX #21AB4D

RGB 33 171 77

HSL 139.13, 0.68%, 0.4%

LAB 61.64, -55.57, 38.14

 

CMYK 81 / 42 / 0 / 33

HEX #2164AB

RGB 33 100 171

HSL 210.87, 0.68%, 0.4%

LAB 41.81, 5.32, -43.87

 

CMYK 0 / 81 / 27 / 32

HEX #AD217F

RGB 173 33 127

HSL 319.71, 0.68%, 0.4%

LAB 40.42, 61.98, -18.58

 

CMYK 0 / 15 / 81 / 33

HEX #AB9221

RGB 171 146 33

HSL 49.13, 0.68%, 0.4%

LAB 61.07, -2.1, 58.24

 

CMYK 81 / 0 / 55 / 33

HEX #21AB4D

RGB 33 171 77

HSL 139.13, 0.68%, 0.4%

LAB 61.64, -55.57, 38.14

 

CMYK 81 / 66 / 0 / 33

HEX #213AAB

RGB 33 58 171

HSL 229.13, 0.68%, 0.4%

LAB 30.13, 33.12, -62.79

 

Description

Color code: HEX #AD217F | qconv.com Color code: HEX #AD217F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 33 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 33 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 27 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 27% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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