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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD196E it is the complementary color #52E691. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD196E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD196E shade: #B21969, #C32B7C, #D43D8F, #E54FA2 and #F661B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD196E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD196E shade: #AD196E, #9C075B, #8B0048, #7A0035 and #690022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD196E shade: #AE186E, #AE1846, #AE181E and #AE1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD196E shade: #AE186E, #AE1896, #9D18AE, #7418AE and #4C18AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD196E shade matches the following richer shades: #AE186E and #BE0870

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD196E shade: #AE186E, #9D286C, #8D3969, #7D4967 and #6D5964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD196E shade: #9C18AE, #AE1897, #AE186F, #AE1848 and #AE1820

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD196E shade: #650E40, #891357, #AE186E, #D21E85 and #E23699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD196E shade: #AD196E, #AE7418 and #18ABAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD196E shade: #AD196E, #6FAE18 and #186FAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD196E shade: #AD196E, #AE7418, #18AE57 and #1852AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD196E shade: #AD196E, #AEA118, #18AE57 and #1825AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 36 / 32

HEX #AD196E

RGB 173 25 110

HSL 325.54, 0.75%, 0.39%

LAB 39.08, 61.93, -10.01

 

Complementary color

CMYK 64 / 0 / 37 / 10

HEX #52E691

RGB 82 230 145

HSL 145.54, 0.75%, 0.61%

LAB 82.07, -58.01, 30.15

 

CMYK 0 / 86 / 41 / 30

HEX #B21969

RGB 178 25 105

HSL 328.63, 0.75%, 0.4%

LAB 39.88, 62.63, -5.55

 

CMYK 0 / 78 / 36 / 24

HEX #C32B7C

RGB 195 43 124

HSL 328.03, 0.64%, 0.47%

LAB 45.34, 64.33, -8.87

 

CMYK 0 / 71 / 33 / 17

HEX #D43D8F

RGB 212 61 143

HSL 327.42, 0.64%, 0.54%

LAB 51.06, 65.12, -11.47

 

CMYK 0 / 66 / 29 / 10

HEX #E54FA2

RGB 229 79 162

HSL 326.8, 0.74%, 0.6%

LAB 56.94, 65.33, -13.54

 

CMYK 0 / 61 / 26 / 4

HEX #F661B5

RGB 246 97 181

HSL 326.17, 0.89%, 0.67%

LAB 62.91, 65.17, -15.23

 

CMYK 0 / 86 / 36 / 32

HEX #AD196E

RGB 173 25 110

HSL 325.54, 0.75%, 0.39%

LAB 39.08, 61.93, -10.01

 

CMYK 0 / 96 / 42 / 39

HEX #9C075B

RGB 156 7 91

HSL 326.17, 0.91%, 0.32%

LAB 33.93, 58.97, -5.95

 

CMYK 0 / 100 / 48 / 45

HEX #8B0048

RGB 139 0 72

HSL 328.92, 1%, 0.27%

LAB 29.3, 54.28, -0.68

 

CMYK 0 / 100 / 57 / 52

HEX #7A0035

RGB 122 0 53

HSL 333.93, 1%, 0.24%

LAB 24.94, 48.62, 5.45

 

CMYK 0 / 100 / 68 / 59

HEX #690022

RGB 105 0 34

HSL 340.57, 1%, 0.21%

LAB 20.51, 42.96, 12.07

 

CMYK 0 / 86 / 37 / 32

HEX #AE186E

RGB 174 24 110

HSL 325.6, 0.76%, 0.39%

LAB 39.2, 62.38, -9.8

 

CMYK 0 / 86 / 60 / 32

HEX #AE1846

RGB 174 24 70

HSL 341.6, 0.76%, 0.39%

LAB 38.01, 58.97, 13.98

 

CMYK 0 / 86 / 83 / 32

HEX #AE181E

RGB 174 24 30

HSL 357.6, 0.76%, 0.39%

LAB 37.38, 57.12, 37.9

 

CMYK 0 / 86 / 86 / 32

HEX #AE1818

RGB 174 24 24

HSL 0, 0.76%, 0.39%

LAB 37.33, 56.97, 41.06

 

CMYK 0 / 86 / 37 / 32

HEX #AE186E

RGB 174 24 110

HSL 325.6, 0.76%, 0.39%

LAB 39.2, 62.38, -9.8

 

CMYK 0 / 86 / 14 / 32

HEX #AE1896

RGB 174 24 150

HSL 309.6, 0.76%, 0.39%

LAB 40.98, 67.25, -31.77

 

CMYK 10 / 86 / 0 / 32

HEX #9D18AE

RGB 157 24 174

HSL 293.2, 0.76%, 0.39%

LAB 39.37, 67.72, -48.94

 

CMYK 33 / 86 / 0 / 32

HEX #7418AE

RGB 116 24 174

HSL 276.8, 0.76%, 0.39%

LAB 32.75, 61.09, -59.99

 

CMYK 56 / 86 / 0 / 32

HEX #4C18AE

RGB 76 24 174

HSL 260.8, 0.76%, 0.39%

LAB 27.42, 56.1, -68.94

 

CMYK 0 / 86 / 37 / 32

HEX #AE186E

RGB 174 24 110

HSL 325.6, 0.76%, 0.39%

LAB 39.2, 62.38, -9.8

 

CMYK 0 / 96 / 41 / 25

HEX #BE0870

RGB 190 8 112

HSL 325.71, 0.92%, 0.39%

LAB 41.67, 68.51, -7.02

 

CMYK 0 / 86 / 37 / 32

HEX #AE186E

RGB 174 24 110

HSL 325.6, 0.76%, 0.39%

LAB 39.2, 62.38, -9.8

 

CMYK 0 / 75 / 31 / 38

HEX #9D286C

RGB 157 40 108

HSL 325.13, 0.59%, 0.39%

LAB 37.42, 53.47, -11.54

 

CMYK 0 / 60 / 26 / 45

HEX #8D3969

RGB 141 57 105

HSL 325.71, 0.42%, 0.39%

LAB 37.13, 41.17, -10.36

 

CMYK 0 / 42 / 18 / 51

HEX #7D4967

RGB 125 73 103

HSL 325.38, 0.26%, 0.39%

LAB 38.03, 26.62, -7.99

 

CMYK 0 / 18 / 8 / 57

HEX #6D5964

RGB 109 89 100

HSL 327, 0.1%, 0.39%

LAB 40.11, 10.23, -3.23

 

CMYK 10 / 86 / 0 / 32

HEX #9C18AE

RGB 156 24 174

HSL 292.8, 0.76%, 0.39%

LAB 39.2, 67.54, -49.23

 

CMYK 0 / 86 / 13 / 32

HEX #AE1897

RGB 174 24 151

HSL 309.2, 0.76%, 0.39%

LAB 41.03, 67.39, -32.3

 

CMYK 0 / 86 / 36 / 32

HEX #AE186F

RGB 174 24 111

HSL 325.2, 0.76%, 0.39%

LAB 39.24, 62.48, -10.37

 

CMYK 0 / 86 / 59 / 32

HEX #AE1848

RGB 174 24 72

HSL 340.8, 0.76%, 0.39%

LAB 38.06, 59.1, 12.76

 

CMYK 0 / 86 / 82 / 32

HEX #AE1820

RGB 174 24 32

HSL 356.8, 0.76%, 0.39%

LAB 37.4, 57.18, 36.8

 

CMYK 0 / 86 / 37 / 60

HEX #650E40

RGB 101 14 64

HSL 325.52, 0.76%, 0.23%

LAB 21.77, 41.15, -7.34

 

CMYK 0 / 86 / 36 / 46

HEX #891357

RGB 137 19 87

HSL 325.42, 0.76%, 0.31%

LAB 30.57, 51.95, -8.78

 

CMYK 0 / 86 / 37 / 32

HEX #AE186E

RGB 174 24 110

HSL 325.6, 0.76%, 0.39%

LAB 39.2, 62.38, -9.8

 

CMYK 0 / 86 / 37 / 18

HEX #D21E85

RGB 210 30 133

HSL 325.67, 0.75%, 0.47%

LAB 47.4, 71.93, -10.99

 

CMYK 0 / 76 / 32 / 11

HEX #E23699

RGB 226 54 153

HSL 325.47, 0.75%, 0.55%

LAB 53.07, 72.04, -14.15

 

CMYK 0 / 86 / 36 / 32

HEX #AD196E

RGB 173 25 110

HSL 325.54, 0.75%, 0.39%

LAB 39.08, 61.93, -10.01

 

CMYK 0 / 33 / 86 / 32

HEX #AE7418

RGB 174 116 24

HSL 36.8, 0.76%, 0.39%

LAB 53.55, 15.65, 54.75

 

CMYK 86 / 2 / 0 / 32

HEX #18ABAE

RGB 24 171 174

HSL 181.2, 0.76%, 0.39%

LAB 63.65, -33.66, -11.76

 

CMYK 0 / 86 / 36 / 32

HEX #AD196E

RGB 173 25 110

HSL 325.54, 0.75%, 0.39%

LAB 39.08, 61.93, -10.01

 

CMYK 36 / 0 / 86 / 32

HEX #6FAE18

RGB 111 174 24

HSL 85.2, 0.76%, 0.39%

LAB 64.74, -41.68, 62.18

 

CMYK 86 / 36 / 0 / 32

HEX #186FAE

RGB 24 111 174

HSL 205.2, 0.76%, 0.39%

LAB 45.11, -1.23, -40.4

 

CMYK 0 / 86 / 36 / 32

HEX #AD196E

RGB 173 25 110

HSL 325.54, 0.75%, 0.39%

LAB 39.08, 61.93, -10.01

 

CMYK 0 / 33 / 86 / 32

HEX #AE7418

RGB 174 116 24

HSL 36.8, 0.76%, 0.39%

LAB 53.55, 15.65, 54.75

 

CMYK 86 / 0 / 50 / 32

HEX #18AE57

RGB 24 174 87

HSL 145.2, 0.76%, 0.39%

LAB 62.64, -55.96, 34.34

 

CMYK 86 / 53 / 0 / 32

HEX #1852AE

RGB 24 82 174

HSL 216.8, 0.76%, 0.39%

LAB 36.53, 17.5, -54.16

 

CMYK 0 / 86 / 36 / 32

HEX #AD196E

RGB 173 25 110

HSL 325.54, 0.75%, 0.39%

LAB 39.08, 61.93, -10.01

 

CMYK 0 / 7 / 86 / 32

HEX #AEA118

RGB 174 161 24

HSL 54.8, 0.76%, 0.39%

LAB 65.4, -9.05, 64.52

 

CMYK 86 / 0 / 50 / 32

HEX #18AE57

RGB 24 174 87

HSL 145.2, 0.76%, 0.39%

LAB 62.64, -55.96, 34.34

 

CMYK 86 / 79 / 0 / 32

HEX #1825AE

RGB 24 37 174

HSL 234.8, 0.76%, 0.39%

LAB 25.48, 46.34, -72.28

 

Description

Color code: HEX #AD196E | qconv.com Color code: HEX #AD196E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 25 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 25 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 36 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 36% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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