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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD15E0 it is the complementary color #52EA1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD15E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD15E0 shade: #B215DB, #C327EE, #D439FF, #E54BFF and #F65DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD15E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD15E0 shade: #AD15E0, #9C03CD, #8B00BA, #7A00A7 and #690094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD15E0 shade: #AD15E0, #E015DC, #E015A5, #E0156F and #E01538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD15E0 shade: #AD15E0, #7615E0, #3F15E0 and #1515E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD15E0 shade matches the following richer shades: #AD15E0 and #B701F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD15E0 shade: #AD15E0, #A329CC, #993CB8, #8F50A5 and #866491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD15E0 shade: #3D15E0, #7415E0, #AA15E0, #E015E0 and #E015AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD15E0 shade: #730E94, #9011BA, #AD15E0, #BD32EC and #C958EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD15E0 shade: #AD15E0, #E01522 and #15E059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD15E0 shade: #AD15E0, #E0AA15 and #15E0AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD15E0 shade: #AD15E0, #E01522, #4BE015 and #15E0D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD15E0 shade: #AD15E0, #E04415, #4BE015 and #15B1E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

Complementary color

CMYK 65 / 0 / 87 / 8

HEX #52EA1F

RGB 82 234 31

HSL 104.93, 0.83%, 0.52%

LAB 82.24, -71.49, 75.46

 

CMYK 19 / 90 / 0 / 14

HEX #B215DB

RGB 178 21 219

HSL 287.58, 0.83%, 0.47%

LAB 45.79, 79.35, -64.65

 

CMYK 18 / 84 / 0 / 7

HEX #C327EE

RGB 195 39 238

HSL 287.04, 0.85%, 0.54%

LAB 50.95, 81.89, -66.94

 

CMYK 17 / 78 / 0 / 0

HEX #D439FF

RGB 212 57 255

HSL 286.97, 1%, 0.61%

LAB 56.23, 83.1, -67.78

 

CMYK 10 / 71 / 0 / 0

HEX #E54BFF

RGB 229 75 255

HSL 291.33, 1%, 0.65%

LAB 60.7, 80.62, -60.46

 

CMYK 4 / 64 / 0 / 0

HEX #F65DFF

RGB 246 93 255

HSL 296.67, 1%, 0.68%

LAB 65.47, 77.69, -52.73

 

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

CMYK 24 / 99 / 0 / 20

HEX #9C03CD

RGB 156 3 205

HSL 285.45, 0.97%, 0.41%

LAB 40.48, 75.91, -65.38

 

CMYK 25 / 100 / 0 / 27

HEX #8B00BA

RGB 139 0 186

HSL 284.84, 1%, 0.36%

LAB 36.05, 70.6, -61.59

 

CMYK 27 / 100 / 0 / 35

HEX #7A00A7

RGB 122 0 167

HSL 283.83, 1%, 0.33%

LAB 31.64, 64.86, -57.56

 

CMYK 29 / 100 / 0 / 42

HEX #690094

RGB 105 0 148

HSL 282.57, 1%, 0.29%

LAB 27.13, 59, -53.45

 

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

CMYK 0 / 91 / 2 / 12

HEX #E015DC

RGB 224 21 220

HSL 301.18, 0.83%, 0.48%

LAB 53.55, 86.8, -52.34

 

CMYK 0 / 91 / 26 / 12

HEX #E015A5

RGB 224 21 165

HSL 317.44, 0.83%, 0.48%

LAB 50.8, 79.75, -24.75

 

CMYK 0 / 91 / 50 / 12

HEX #E0156F

RGB 224 21 111

HSL 333.4, 0.83%, 0.48%

LAB 48.92, 74.67, 5.01

 

CMYK 0 / 91 / 75 / 12

HEX #E01538

RGB 224 21 56

HSL 349.66, 0.83%, 0.48%

LAB 47.84, 71.65, 37.11

 

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

CMYK 47 / 91 / 0 / 12

HEX #7615E0

RGB 118 21 224

HSL 268.67, 0.83%, 0.48%

LAB 37.43, 72.91, -81.55

 

CMYK 72 / 91 / 0 / 12

HEX #3F15E0

RGB 63 21 224

HSL 252.41, 0.83%, 0.48%

LAB 31.75, 68.95, -91.13

 

CMYK 91 / 91 / 0 / 12

HEX #1515E0

RGB 21 21 224

HSL 240, 0.83%, 0.48%

LAB 29.61, 67.68, -94.76

 

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

CMYK 25 / 100 / 0 / 4

HEX #B701F4

RGB 183 1 244

HSL 284.94, 0.99%, 0.48%

LAB 47.78, 86.42, -75.56

 

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

CMYK 20 / 80 / 0 / 20

HEX #A329CC

RGB 163 41 204

HSL 284.91, 0.67%, 0.48%

LAB 43.85, 69.9, -59.28

 

CMYK 17 / 67 / 0 / 28

HEX #993CB8

RGB 153 60 184

HSL 285, 0.51%, 0.48%

LAB 43.46, 57.12, -48.33

 

CMYK 13 / 52 / 0 / 35

HEX #8F50A5

RGB 143 80 165

HSL 284.47, 0.35%, 0.48%

LAB 44.65, 40.79, -35.31

 

CMYK 8 / 31 / 0 / 43

HEX #866491

RGB 134 100 145

HSL 285.33, 0.18%, 0.48%

LAB 47.27, 22.17, -19.43

 

CMYK 73 / 91 / 0 / 12

HEX #3D15E0

RGB 61 21 224

HSL 251.82, 0.83%, 0.48%

LAB 31.6, 68.85, -91.38

 

CMYK 48 / 91 / 0 / 12

HEX #7415E0

RGB 116 21 224

HSL 268.08, 0.83%, 0.48%

LAB 37.17, 72.72, -81.98

 

CMYK 24 / 91 / 0 / 12

HEX #AA15E0

RGB 170 21 224

HSL 284.04, 0.83%, 0.48%

LAB 44.89, 79.1, -69.03

 

CMYK 0 / 91 / 0 / 12

HEX #E015E0

RGB 224 21 224

HSL 300, 0.83%, 0.48%

LAB 53.78, 87.38, -54.24

 

CMYK 0 / 91 / 24 / 12

HEX #E015AA

RGB 224 21 170

HSL 315.96, 0.83%, 0.48%

LAB 51.02, 80.32, -27.37

 

CMYK 22 / 91 / 0 / 42

HEX #730E94

RGB 115 14 148

HSL 285.22, 0.83%, 0.32%

LAB 29.66, 57.97, -49.27

 

CMYK 23 / 91 / 0 / 27

HEX #9011BA

RGB 144 17 186

HSL 285.09, 0.83%, 0.4%

LAB 37.62, 69.06, -59

 

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

CMYK 20 / 79 / 0 / 7

HEX #BD32EC

RGB 189 50 236

HSL 284.84, 0.83%, 0.56%

LAB 50.87, 77.73, -65.99

 

CMYK 16 / 63 / 0 / 6

HEX #C958EF

RGB 201 88 239

HSL 284.9, 0.83%, 0.64%

LAB 57.68, 66.7, -56.63

 

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

CMYK 0 / 91 / 85 / 12

HEX #E01522

RGB 224 21 34

HSL 356.16, 0.83%, 0.48%

LAB 47.62, 71.04, 48.96

 

CMYK 91 / 0 / 60 / 12

HEX #15E059

RGB 21 224 89

HSL 140.1, 0.83%, 0.48%

LAB 78.57, -71.94, 52.49

 

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

CMYK 0 / 24 / 91 / 12

HEX #E0AA15

RGB 224 170 21

HSL 44.04, 0.83%, 0.48%

LAB 72.66, 8.26, 72.96

 

CMYK 91 / 0 / 24 / 12

HEX #15E0AA

RGB 21 224 170

HSL 164.04, 0.83%, 0.48%

LAB 79.83, -57.34, 13.95

 

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

CMYK 0 / 91 / 85 / 12

HEX #E01522

RGB 224 21 34

HSL 356.16, 0.83%, 0.48%

LAB 47.62, 71.04, 48.96

 

CMYK 67 / 0 / 91 / 12

HEX #4BE015

RGB 75 224 21

HSL 104.04, 0.83%, 0.48%

LAB 78.96, -70.05, 74.3

 

CMYK 91 / 0 / 6 / 12

HEX #15E0D2

RGB 21 224 210

HSL 175.86, 0.83%, 0.48%

LAB 80.81, -47.01, -5.83

 

CMYK 23 / 91 / 0 / 12

HEX #AD15E0

RGB 173 21 224

HSL 284.93, 0.83%, 0.48%

LAB 45.36, 79.52, -68.24

 

CMYK 0 / 70 / 91 / 12

HEX #E04415

RGB 224 68 21

HSL 13.89, 0.83%, 0.48%

LAB 51.88, 58.64, 57.71

 

CMYK 67 / 0 / 91 / 12

HEX #4BE015

RGB 75 224 21

HSL 104.04, 0.83%, 0.48%

LAB 78.96, -70.05, 74.3

 

CMYK 91 / 21 / 0 / 12

HEX #15B1E0

RGB 21 177 224

HSL 193.89, 0.83%, 0.48%

LAB 67.27, -20.43, -33.93

 

Description

Color code: HEX #AD15E0 | qconv.com Color code: HEX #AD15E0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 21 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 21 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 91 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 91% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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