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Color name
HEX #AD1567

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD1567 it is the complementary color #52EA98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD1567. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD1567 shade: #B21562, #C32775, #D43988, #E54B9B and #F65DAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD1567. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD1567 shade: #AD1567, #9C0354, #8B0041, #7A002E and #69001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD1567 shade: #AC1567, #AC153E and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD1567 shade: #AC1567, #AC1590, #A115AC, #7815AC and #4F15AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD1567 shade matches the following richer shades: #AC1567 and #BC0668

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD1567 shade: #AC1567, #9D2566, #8D3564, #7D4463 and #6E5462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD1567 shade: #A015AC, #AC1591, #AC1568, #AC1540 and #AC1518

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD1567 shade: #630C3B, #881151, #AC1567, #D11A7D and #E52F91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD1567 shade: #AD1567, #AC7815 and #15A5AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD1567 shade: #AD1567, #68AC15 and #1568AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD1567 shade: #AD1567, #AC7815, #15AC59 and #154AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD1567 shade: #AD1567, #ACA515, #15AC59 and #151DAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 40 / 32

HEX #AD1567

RGB 173 21 103

HSL 327.63, 0.78%, 0.38%

LAB 38.55, 62.01, -6.38

 

Complementary color

CMYK 65 / 0 / 35 / 8

HEX #52EA98

RGB 82 234 152

HSL 147.63, 0.78%, 0.62%

LAB 83.39, -58.24, 28.35

 

CMYK 0 / 88 / 45 / 30

HEX #B21562

RGB 178 21 98

HSL 330.57, 0.79%, 0.39%

LAB 39.38, 62.75, -1.87

 

CMYK 0 / 80 / 40 / 24

HEX #C32775

RGB 195 39 117

HSL 330, 0.67%, 0.46%

LAB 44.71, 64.71, -5.5

 

CMYK 0 / 73 / 36 / 17

HEX #D43988

RGB 212 57 136

HSL 329.42, 0.64%, 0.53%

LAB 50.34, 65.7, -8.36

 

CMYK 0 / 67 / 32 / 10

HEX #E54B9B

RGB 229 75 155

HSL 328.83, 0.75%, 0.6%

LAB 56.14, 66.04, -10.64

 

CMYK 0 / 62 / 29 / 4

HEX #F65DAE

RGB 246 93 174

HSL 328.24, 0.89%, 0.66%

LAB 62.06, 65.96, -12.5

 

CMYK 0 / 88 / 40 / 32

HEX #AD1567

RGB 173 21 103

HSL 327.63, 0.78%, 0.38%

LAB 38.55, 62.01, -6.38

 

CMYK 0 / 98 / 46 / 39

HEX #9C0354

RGB 156 3 84

HSL 328.24, 0.96%, 0.31%

LAB 33.51, 58.86, -2.02

 

CMYK 0 / 100 / 53 / 45

HEX #8B0041

RGB 139 0 65

HSL 331.94, 1%, 0.27%

LAB 29.08, 53.7, 3.7

 

CMYK 0 / 100 / 62 / 52

HEX #7A002E

RGB 122 0 46

HSL 337.38, 1%, 0.24%

LAB 24.75, 48.12, 10.04

 

CMYK 0 / 100 / 74 / 59

HEX #69001B

RGB 105 0 27

HSL 344.57, 1%, 0.21%

LAB 20.37, 42.57, 16.83

 

CMYK 0 / 88 / 40 / 33

HEX #AC1567

RGB 172 21 103

HSL 327.42, 0.78%, 0.38%

LAB 38.35, 61.78, -6.7

 

CMYK 0 / 88 / 64 / 33

HEX #AC153E

RGB 172 21 62

HSL 343.71, 0.78%, 0.38%

LAB 37.22, 58.55, 17.98

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 88 / 40 / 33

HEX #AC1567

RGB 172 21 103

HSL 327.42, 0.78%, 0.38%

LAB 38.35, 61.78, -6.7

 

CMYK 0 / 88 / 16 / 33

HEX #AC1590

RGB 172 21 144

HSL 311.13, 0.78%, 0.38%

LAB 40.12, 66.58, -29.51

 

CMYK 6 / 88 / 0 / 33

HEX #A115AC

RGB 161 21 172

HSL 295.63, 0.78%, 0.38%

LAB 39.73, 68.67, -47.13

 

CMYK 30 / 88 / 0 / 33

HEX #7815AC

RGB 120 21 172

HSL 279.34, 0.78%, 0.38%

LAB 32.94, 62, -58.46

 

CMYK 54 / 88 / 0 / 33

HEX #4F15AC

RGB 79 21 172

HSL 263.05, 0.78%, 0.38%

LAB 27.23, 56.86, -68.04

 

CMYK 0 / 88 / 40 / 33

HEX #AC1567

RGB 172 21 103

HSL 327.42, 0.78%, 0.38%

LAB 38.35, 61.78, -6.7

 

CMYK 0 / 97 / 45 / 26

HEX #BC0668

RGB 188 6 104

HSL 327.69, 0.94%, 0.38%

LAB 40.93, 67.55, -3.15

 

CMYK 0 / 88 / 40 / 33

HEX #AC1567

RGB 172 21 103

HSL 327.42, 0.78%, 0.38%

LAB 38.35, 61.78, -6.7

 

CMYK 0 / 76 / 35 / 38

HEX #9D2566

RGB 157 37 102

HSL 327.5, 0.62%, 0.38%

LAB 36.84, 53.77, -8.63

 

CMYK 0 / 62 / 29 / 45

HEX #8D3564

RGB 141 53 100

HSL 327.95, 0.45%, 0.38%

LAB 36.23, 42.38, -8.56

 

CMYK 0 / 46 / 21 / 51

HEX #7D4463

RGB 125 68 99

HSL 327.37, 0.3%, 0.38%

LAB 36.73, 28.83, -7.42

 

CMYK 0 / 24 / 11 / 57

HEX #6E5462

RGB 110 84 98

HSL 327.69, 0.13%, 0.38%

LAB 38.79, 13.3, -3.93

 

CMYK 7 / 88 / 0 / 33

HEX #A015AC

RGB 160 21 172

HSL 295.23, 0.78%, 0.38%

LAB 39.56, 68.49, -47.42

 

CMYK 0 / 88 / 16 / 33

HEX #AC1591

RGB 172 21 145

HSL 310.73, 0.78%, 0.38%

LAB 40.17, 66.71, -30.04

 

CMYK 0 / 88 / 40 / 33

HEX #AC1568

RGB 172 21 104

HSL 327.02, 0.78%, 0.38%

LAB 38.39, 61.87, -7.28

 

CMYK 0 / 88 / 63 / 33

HEX #AC1540

RGB 172 21 64

HSL 342.91, 0.78%, 0.38%

LAB 37.26, 58.67, 16.75

 

CMYK 0 / 88 / 86 / 33

HEX #AC1518

RGB 172 21 24

HSL 358.81, 0.78%, 0.38%

LAB 36.69, 57.03, 40.34

 

CMYK 0 / 88 / 40 / 61

HEX #630C3B

RGB 99 12 59

HSL 327.59, 0.78%, 0.22%

LAB 20.95, 40.56, -5.15

 

CMYK 0 / 88 / 40 / 47

HEX #881151

RGB 136 17 81

HSL 327.73, 0.78%, 0.3%

LAB 29.98, 51.5, -5.73

 

CMYK 0 / 88 / 40 / 33

HEX #AC1567

RGB 172 21 103

HSL 327.42, 0.78%, 0.38%

LAB 38.35, 61.78, -6.7

 

CMYK 0 / 88 / 40 / 18

HEX #D11A7D

RGB 209 26 125

HSL 327.54, 0.78%, 0.46%

LAB 46.68, 71.65, -7.21

 

CMYK 0 / 79 / 37 / 10

HEX #E52F91

RGB 229 47 145

HSL 327.69, 0.78%, 0.54%

LAB 52.66, 73.82, -9.95

 

CMYK 0 / 88 / 40 / 32

HEX #AD1567

RGB 173 21 103

HSL 327.63, 0.78%, 0.38%

LAB 38.55, 62.01, -6.38

 

CMYK 0 / 30 / 88 / 33

HEX #AC7815

RGB 172 120 21

HSL 39.34, 0.78%, 0.38%

LAB 54.3, 12.42, 56.15

 

CMYK 88 / 4 / 0 / 33

HEX #15A5AC

RGB 21 165 172

HSL 182.78, 0.78%, 0.38%

LAB 61.7, -31.62, -13.58

 

CMYK 0 / 88 / 40 / 32

HEX #AD1567

RGB 173 21 103

HSL 327.63, 0.78%, 0.38%

LAB 38.55, 62.01, -6.38

 

CMYK 40 / 0 / 88 / 33

HEX #68AC15

RGB 104 172 21

HSL 87.02, 0.78%, 0.38%

LAB 63.76, -43.45, 61.84

 

CMYK 88 / 40 / 0 / 33

HEX #1568AC

RGB 21 104 172

HSL 207.02, 0.78%, 0.38%

LAB 42.82, 2.12, -42.86

 

CMYK 0 / 88 / 40 / 32

HEX #AD1567

RGB 173 21 103

HSL 327.63, 0.78%, 0.38%

LAB 38.55, 62.01, -6.38

 

CMYK 0 / 30 / 88 / 33

HEX #AC7815

RGB 172 120 21

HSL 39.34, 0.78%, 0.38%

LAB 54.3, 12.42, 56.15

 

CMYK 88 / 0 / 48 / 33

HEX #15AC59

RGB 21 172 89

HSL 147.02, 0.78%, 0.38%

LAB 61.99, -55.18, 32.5

 

CMYK 88 / 57 / 0 / 33

HEX #154AAC

RGB 21 74 172

HSL 218.94, 0.78%, 0.38%

LAB 34.06, 21.88, -56.99

 

CMYK 0 / 88 / 40 / 32

HEX #AD1567

RGB 173 21 103

HSL 327.63, 0.78%, 0.38%

LAB 38.55, 62.01, -6.38

 

CMYK 0 / 4 / 88 / 33

HEX #ACA515

RGB 172 165 21

HSL 57.22, 0.78%, 0.38%

LAB 66.32, -12.11, 65.84

 

CMYK 88 / 0 / 48 / 33

HEX #15AC59

RGB 21 172 89

HSL 147.02, 0.78%, 0.38%

LAB 61.99, -55.18, 32.5

 

CMYK 88 / 83 / 0 / 33

HEX #151DAC

RGB 21 29 172

HSL 236.82, 0.78%, 0.38%

LAB 23.73, 49.65, -73.99

 

Description

Color code: HEX #AD1567 | qconv.com Color code: HEX #AD1567 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 21 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 21 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 40 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 40% 32% C M Y K

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Provide designers and agencies with accurate color values.

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