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Color name
HEX #AD1563CE

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD1563CE it is the complementary color #52EA9CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #AD1563CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD1563CE shade: #B2155ECE, #C32771CE, #D43984CE, #E54B97CE and #F65DAACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #AD1563CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD1563CE shade: #AD1563CE, #9C0350CE, #8B003DCE, #7A002ACE and #690017CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD1563CE shade: #AC1563, #AC153A and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD1563CE shade: #AC1563, #AC158C, #A515AC, #7C15AC and #5315AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD1563CE shade matches the following richer shades: #AC1563 and #BC0663

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD1563CE shade: #AC1563, #9D2562, #8D3562, #7D4462 and #6E5461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD1563CE shade: #A515AC, #AC158C, #AC1563, #AC153B and #AC1815

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD1563CE shade: #630C39, #88114E, #AC1563, #D11A78 and #E52F8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD1563CE shade: #AD1563, #AC7D15 and #15A0AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD1563CE shade: #AD1563, #63AC15 and #1563AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD1563CE shade: #AD1563, #AC7D15, #15AC5E and #1545AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD1563CE shade: #AD1563, #ACAA15, #15AC5E and #1518AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 35 / 26

RGBA 173 21 99 0.81

HSLA 329.21, 0.78%, 0.38%, 0.81

LABA 38.41, 61.63, -4.04, 0.81

Complementary color

CMYK 53 / 0 / 27 / 7

RGBA 82 234 156 0.81

HSLA 149.21, 0.78%, 0.62%, 0.81

LABA 83.46, -57.48, 26.4, 0.81

Lighter colors

CMYK 0 / 71 / 38 / 24

RGBA 178 21 94 0.81

HSLA 332.1, 0.79%, 0.39%, 0.81

LABA 39.26, 62.4, 0.49, 0.81

CMYK 0 / 65 / 34 / 19

RGBA 195 39 113 0.81

HSLA 331.54, 0.67%, 0.46%, 0.81

LABA 44.58, 64.32, -3.22, 0.81

CMYK 0 / 59 / 31 / 14

RGBA 212 57 132 0.81

HSLA 330.97, 0.64%, 0.53%, 0.81

LABA 50.2, 65.28, -6.15, 0.81

CMYK 0 / 54 / 28 / 8

RGBA 229 75 151 0.81

HSLA 330.39, 0.75%, 0.6%, 0.81

LABA 56.01, 65.59, -8.49, 0.81

CMYK 0 / 50 / 25 / 3

RGBA 246 93 170 0.81

HSLA 329.8, 0.89%, 0.66%, 0.81

LABA 61.93, 65.48, -10.4, 0.81

Darker colors

CMYK 0 / 71 / 35 / 26

RGBA 173 21 99 0.81

HSLA 329.21, 0.78%, 0.38%, 0.81

LABA 38.41, 61.63, -4.04, 0.81

CMYK 0 / 79 / 39 / 31

RGBA 156 3 80 0.81

HSLA 329.8, 0.96%, 0.31%, 0.81

LABA 33.38, 58.51, 0.41, 0.81

CMYK 0 / 81 / 45 / 37

RGBA 139 0 61 0.81

HSLA 333.67, 1%, 0.27%, 0.81

LABA 28.97, 53.39, 6.23, 0.81

CMYK 0 / 81 / 53 / 42

RGBA 122 0 42 0.81

HSLA 339.34, 1%, 0.24%, 0.81

LABA 24.65, 47.87, 12.68, 0.81

CMYK 0 / 81 / 63 / 48

RGBA 105 0 23 0.81

HSLA 346.86, 1%, 0.21%, 0.81

LABA 20.3, 42.39, 19.53, 0.81

Warmer colors

CMYK 0 / 88 / 42 / 33

HSL 329.01, 0.78%, 0.38%

LAB 38.21, 61.39, -4.36

CMYK 0 / 88 / 66 / 33

HSL 345.3, 0.78%, 0.38%

LAB 37.14, 58.33, 20.44

CMYK 0 / 88 / 88 / 33

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

Colder colors

CMYK 0 / 88 / 42 / 33

HSL 329.01, 0.78%, 0.38%

LAB 38.21, 61.39, -4.36

CMYK 0 / 88 / 19 / 33

HSL 312.72, 0.78%, 0.38%

LAB 39.92, 66.05, -27.37

CMYK 4 / 88 / 0 / 33

HSL 297.22, 0.78%, 0.38%

LAB 40.43, 69.37, -45.97

CMYK 28 / 88 / 0 / 33

HSL 280.93, 0.78%, 0.38%

LAB 33.56, 62.6, -57.42

CMYK 52 / 88 / 0 / 33

HSL 264.64, 0.78%, 0.38%

LAB 27.72, 57.28, -67.22

Richer colors

CMYK 0 / 88 / 42 / 33

HSL 329.01, 0.78%, 0.38%

LAB 38.21, 61.39, -4.36

CMYK 0 / 97 / 47 / 26

HSL 329.34, 0.94%, 0.38%

LAB 40.77, 67.13, -0.22

Paler colors

CMYK 0 / 88 / 42 / 33

HSL 329.01, 0.78%, 0.38%

LAB 38.21, 61.39, -4.36

CMYK 0 / 76 / 38 / 38

HSL 329.5, 0.62%, 0.38%

LAB 36.69, 53.32, -6.3

CMYK 0 / 62 / 30 / 45

HSL 329.32, 0.45%, 0.38%

LAB 36.16, 42.11, -7.4

CMYK 0 / 46 / 22 / 51

HSL 328.42, 0.3%, 0.38%

LAB 36.7, 28.67, -6.84

CMYK 0 / 24 / 12 / 57

HSL 330, 0.13%, 0.38%

LAB 38.76, 13.11, -3.36

Analogue colors

CMYK 4 / 88 / 0 / 33

HSL 297.22, 0.78%, 0.38%

LAB 40.43, 69.37, -45.97

CMYK 0 / 88 / 19 / 33

HSL 312.72, 0.78%, 0.38%

LAB 39.92, 66.05, -27.37

CMYK 0 / 88 / 42 / 33

HSL 329.01, 0.78%, 0.38%

LAB 38.21, 61.39, -4.36

CMYK 0 / 88 / 66 / 33

HSL 344.9, 0.78%, 0.38%

LAB 37.16, 58.38, 19.83

CMYK 0 / 86 / 88 / 33

HSL 1.19, 0.78%, 0.38%

LAB 36.89, 56.34, 42.02

Monochromatic colors

CMYK 0 / 88 / 42 / 61

HSL 328.97, 0.78%, 0.22%

LAB 20.87, 40.34, -3.87

CMYK 0 / 88 / 43 / 47

HSL 329.24, 0.78%, 0.3%

LAB 29.87, 51.19, -3.91

CMYK 0 / 88 / 42 / 33

HSL 329.01, 0.78%, 0.38%

LAB 38.21, 61.39, -4.36

CMYK 0 / 88 / 43 / 18

HSL 329.18, 0.78%, 0.46%

LAB 46.51, 71.19, -4.39

CMYK 0 / 79 / 38 / 10

HSL 329.01, 0.78%, 0.54%

LAB 52.52, 73.42, -7.77

Partial complementary colors

CMYK 0 / 88 / 43 / 32

HSL 329.21, 0.78%, 0.38%

LAB 38.41, 61.63, -4.04

CMYK 0 / 27 / 88 / 33

HSL 41.32, 0.78%, 0.38%

LAB 55.58, 9.62, 57.18

CMYK 88 / 7 / 0 / 33

HSL 184.77, 0.78%, 0.38%

LAB 60.14, -29.19, -15.93

Triadic colors

CMYK 0 / 88 / 43 / 32

HSL 329.21, 0.78%, 0.38%

LAB 38.41, 61.63, -4.04

CMYK 42 / 0 / 88 / 33

HSL 89.01, 0.78%, 0.38%

LAB 63.52, -45.19, 61.54

CMYK 88 / 42 / 0 / 33

HSL 209.01, 0.78%, 0.38%

LAB 41.31, 5.3, -45.27

Rectangular (tetradic) colors

CMYK 0 / 88 / 43 / 32

HSL 329.21, 0.78%, 0.38%

LAB 38.41, 61.63, -4.04

CMYK 0 / 27 / 88 / 33

HSL 41.32, 0.78%, 0.38%

LAB 55.58, 9.62, 57.18

CMYK 88 / 0 / 45 / 33

HSL 149.01, 0.78%, 0.38%

LAB 62.06, -54.3, 30

CMYK 88 / 60 / 0 / 33

HSL 220.93, 0.78%, 0.38%

LAB 32.69, 25.26, -59.22

Square colors

CMYK 0 / 88 / 43 / 32

HSL 329.21, 0.78%, 0.38%

LAB 38.41, 61.63, -4.04

CMYK 0 / 1 / 88 / 33

HSL 59.21, 0.78%, 0.38%

LAB 67.71, -14.7, 66.96

CMYK 88 / 0 / 45 / 33

HSL 149.01, 0.78%, 0.38%

LAB 62.06, -54.3, 30

CMYK 88 / 86 / 0 / 33

HSL 238.81, 0.78%, 0.38%

LAB 22.97, 51.9, -75.25

Description

Color code: HEX #AD1563CE | qconv.com

Color code: HEX #AD1563CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 21 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 35 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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