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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD0F93 it is the complementary color #52F06C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD0F93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD0F93 shade: #B20F8E, #C321A1, #D433B4, #E545C7 and #F657DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD0F93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD0F93 shade: #AD0F93, #9C0080, #8B006D, #7A005A and #690047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD0F93 shade: #AE0F94, #AE0F69, #AE0F3E, #AE0F13 and #AE0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD0F93 shade: #AE0F94, #9D0FAE, #720FAE, #470FAE and #1D0FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD0F93 shade matches the following richer shades: #AE0F94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD0F93 shade: #AE0F94, #9E1E89, #8F2E7F, #803D75 and #714C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD0F93 shade: #710FAE, #9B0FAE, #AE0F96, #AE0F6C and #AE0F41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD0F93 shade: #620853, #880C73, #AE0F94, #D412B4 and #EC23CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD0F93 shade: #AD0F93, #AE470F and #0FAE86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD0F93 shade: #AD0F93, #96AE0F and #0F96AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD0F93 shade: #AD0F93, #AE470F, #0FAE27 and #0F76AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD0F93 shade: #AD0F93, #AE760F, #0FAE27 and #0F47AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 15 / 32

HEX #AD0F93

RGB 173 15 147

HSL 309.87, 0.84%, 0.37%

LAB 40.13, 68.12, -31.3

 

Complementary color

CMYK 66 / 0 / 55 / 6

HEX #52F06C

RGB 82 240 108

HSL 129.87, 0.84%, 0.63%

LAB 84.59, -67.34, 51.28

 

CMYK 0 / 92 / 20 / 30

HEX #B20F8E

RGB 178 15 142

HSL 313.25, 0.84%, 0.38%

LAB 40.83, 68.47, -27.08

 

CMYK 0 / 83 / 17 / 24

HEX #C321A1

RGB 195 33 161

HSL 312.59, 0.71%, 0.45%

LAB 45.99, 71.26, -30.26

 

CMYK 0 / 76 / 15 / 17

HEX #D433B4

RGB 212 51 180

HSL 311.93, 0.65%, 0.52%

LAB 51.45, 72.94, -32.73

 

CMYK 0 / 70 / 13 / 10

HEX #E545C7

RGB 229 69 199

HSL 311.25, 0.75%, 0.58%

LAB 57.11, 73.84, -34.67

 

CMYK 0 / 65 / 11 / 4

HEX #F657DA

RGB 246 87 218

HSL 310.57, 0.9%, 0.65%

LAB 62.9, 74.19, -36.21

 

CMYK 0 / 91 / 15 / 32

HEX #AD0F93

RGB 173 15 147

HSL 309.87, 0.84%, 0.37%

LAB 40.13, 68.12, -31.3

 

CMYK 0 / 100 / 18 / 39

HEX #9C0080

RGB 156 0 128

HSL 310.77, 1%, 0.31%

LAB 35.25, 64.1, -27.47

 

CMYK 0 / 100 / 22 / 45

HEX #8B006D

RGB 139 0 109

HSL 312.95, 1%, 0.27%

LAB 30.86, 58.29, -22.57

 

CMYK 0 / 100 / 26 / 52

HEX #7A005A

RGB 122 0 90

HSL 315.74, 1%, 0.24%

LAB 26.38, 52.36, -17.45

 

CMYK 0 / 100 / 32 / 59

HEX #690047

RGB 105 0 71

HSL 319.43, 1%, 0.21%

LAB 21.79, 46.31, -12.04

 

CMYK 0 / 91 / 15 / 32

HEX #AE0F94

RGB 174 15 148

HSL 309.81, 0.84%, 0.37%

LAB 40.37, 68.45, -31.51

 

CMYK 0 / 91 / 40 / 32

HEX #AE0F69

RGB 174 15 105

HSL 326.04, 0.84%, 0.37%

LAB 38.48, 63.43, -7.73

 

CMYK 0 / 91 / 64 / 32

HEX #AE0F3E

RGB 174 15 62

HSL 342.26, 0.84%, 0.37%

LAB 37.28, 60.1, 18.14

 

CMYK 0 / 91 / 89 / 32

HEX #AE0F13

RGB 174 15 19

HSL 358.49, 0.84%, 0.37%

LAB 36.72, 58.52, 43.03

 

CMYK 0 / 91 / 91 / 32

HEX #AE0F0F

RGB 174 15 15

HSL 0, 0.84%, 0.37%

LAB 36.7, 58.46, 44.82

 

CMYK 0 / 91 / 15 / 32

HEX #AE0F94

RGB 174 15 148

HSL 309.81, 0.84%, 0.37%

LAB 40.37, 68.45, -31.51

 

CMYK 10 / 91 / 0 / 32

HEX #9D0FAE

RGB 157 15 174

HSL 293.58, 0.84%, 0.37%

LAB 38.84, 69.29, -49.8

 

CMYK 34 / 91 / 0 / 32

HEX #720FAE

RGB 114 15 174

HSL 277.36, 0.84%, 0.37%

LAB 31.75, 62.87, -61.64

 

CMYK 59 / 91 / 0 / 32

HEX #470FAE

RGB 71 15 174

HSL 261.13, 0.84%, 0.37%

LAB 25.97, 58.3, -71.36

 

CMYK 83 / 91 / 0 / 32

HEX #1D0FAE

RGB 29 15 174

HSL 245.28, 0.84%, 0.37%

LAB 22.51, 55.99, -77.21

 

CMYK 0 / 91 / 15 / 32

HEX #AE0F94

RGB 174 15 148

HSL 309.81, 0.84%, 0.37%

LAB 40.37, 68.45, -31.51

 

CMYK 0 / 91 / 15 / 32

HEX #AE0F94

RGB 174 15 148

HSL 309.81, 0.84%, 0.37%

LAB 40.37, 68.45, -31.51

 

CMYK 0 / 81 / 13 / 38

HEX #9E1E89

RGB 158 30 137

HSL 309.84, 0.68%, 0.37%

LAB 37.85, 60.66, -28.96

 

CMYK 0 / 68 / 11 / 44

HEX #8F2E7F

RGB 143 46 127

HSL 309.9, 0.51%, 0.37%

LAB 36.6, 50.11, -24.91

 

CMYK 0 / 52 / 9 / 50

HEX #803D75

RGB 128 61 117

HSL 309.85, 0.35%, 0.37%

LAB 36.39, 36.87, -19.2

 

CMYK 0 / 33 / 5 / 56

HEX #714C6B

RGB 113 76 107

HSL 309.73, 0.2%, 0.37%

LAB 37.37, 21.11, -11.62

 

CMYK 35 / 91 / 0 / 32

HEX #710FAE

RGB 113 15 174

HSL 276.98, 0.84%, 0.37%

LAB 31.6, 62.74, -61.9

 

CMYK 11 / 91 / 0 / 32

HEX #9B0FAE

RGB 155 15 174

HSL 292.83, 0.84%, 0.37%

LAB 38.49, 68.96, -50.38

 

CMYK 0 / 91 / 14 / 32

HEX #AE0F96

RGB 174 15 150

HSL 309.06, 0.84%, 0.37%

LAB 40.48, 68.72, -32.57

 

CMYK 0 / 91 / 38 / 32

HEX #AE0F6C

RGB 174 15 108

HSL 324.91, 0.84%, 0.37%

LAB 38.59, 63.73, -9.46

 

CMYK 0 / 91 / 63 / 32

HEX #AE0F41

RGB 174 15 65

HSL 341.13, 0.84%, 0.37%

LAB 37.34, 60.28, 16.29

 

CMYK 0 / 92 / 15 / 62

HEX #620853

RGB 98 8 83

HSL 310, 0.85%, 0.21%

LAB 21.56, 44.49, -20.67

 

CMYK 0 / 91 / 15 / 47

HEX #880C73

RGB 136 12 115

HSL 310.16, 0.84%, 0.29%

LAB 31.2, 56.67, -25.93

 

CMYK 0 / 91 / 15 / 32

HEX #AE0F94

RGB 174 15 148

HSL 309.81, 0.84%, 0.37%

LAB 40.37, 68.45, -31.51

 

CMYK 0 / 92 / 15 / 17

HEX #D412B4

RGB 212 18 180

HSL 309.9, 0.84%, 0.45%

LAB 49.16, 79.57, -36.32

 

CMYK 0 / 85 / 14 / 7

HEX #EC23CB

RGB 236 35 203

HSL 309.85, 0.84%, 0.53%

LAB 55.43, 84.61, -39.52

 

CMYK 0 / 91 / 15 / 32

HEX #AD0F93

RGB 173 15 147

HSL 309.87, 0.84%, 0.37%

LAB 40.13, 68.12, -31.3

 

CMYK 0 / 59 / 91 / 32

HEX #AE470F

RGB 174 71 15

HSL 21.13, 0.84%, 0.37%

LAB 43.57, 39.63, 49.74

 

CMYK 91 / 0 / 23 / 32

HEX #0FAE86

RGB 15 174 134

HSL 164.91, 0.84%, 0.37%

LAB 63.42, -46.75, 10.18

 

CMYK 0 / 91 / 15 / 32

HEX #AD0F93

RGB 173 15 147

HSL 309.87, 0.84%, 0.37%

LAB 40.13, 68.12, -31.3

 

CMYK 14 / 0 / 91 / 32

HEX #96AE0F

RGB 150 174 15

HSL 69.06, 0.84%, 0.37%

LAB 67.12, -26.38, 66.83

 

CMYK 91 / 14 / 0 / 32

HEX #0F96AE

RGB 15 150 174

HSL 189.06, 0.84%, 0.37%

LAB 57.05, -23.82, -21.78

 

CMYK 0 / 91 / 15 / 32

HEX #AD0F93

RGB 173 15 147

HSL 309.87, 0.84%, 0.37%

LAB 40.13, 68.12, -31.3

 

CMYK 0 / 59 / 91 / 32

HEX #AE470F

RGB 174 71 15

HSL 21.13, 0.84%, 0.37%

LAB 43.57, 39.63, 49.74

 

CMYK 91 / 0 / 78 / 32

HEX #0FAE27

RGB 15 174 39

HSL 129.06, 0.84%, 0.37%

LAB 62.1, -62.3, 54.6

 

CMYK 91 / 32 / 0 / 32

HEX #0F76AE

RGB 15 118 174

HSL 201.13, 0.84%, 0.37%

LAB 47.12, -6.06, -37.21

 

CMYK 0 / 91 / 15 / 32

HEX #AD0F93

RGB 173 15 147

HSL 309.87, 0.84%, 0.37%

LAB 40.13, 68.12, -31.3

 

CMYK 0 / 32 / 91 / 32

HEX #AE760F

RGB 174 118 15

HSL 38.87, 0.84%, 0.37%

LAB 54.02, 14.32, 57.55

 

CMYK 91 / 0 / 78 / 32

HEX #0FAE27

RGB 15 174 39

HSL 129.06, 0.84%, 0.37%

LAB 62.1, -62.3, 54.6

 

CMYK 91 / 59 / 0 / 32

HEX #0F47AE

RGB 15 71 174

HSL 218.87, 0.84%, 0.37%

LAB 33.27, 24.37, -59.46

 

Description

Color code: HEX #AD0F93 | qconv.com Color code: HEX #AD0F93 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 15 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 15 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 15 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 15% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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