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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD0AF1 it is the complementary color #52F50E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD0AF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD0AF1 shade: #B20AEC, #C31CFF, #D42EFF, #E540FF and #F652FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD0AF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD0AF1 shade: #AD0AF1, #9C00DE, #8B00CB, #7A00B8 and #6900A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD0AF1 shade: #AC0AF0, #EA0AF0, #F00AB8, #F00A7A and #F00A3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD0AF1 shade: #AC0AF0, #6E0AF0, #300AF0 and #0A0AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD0AF1 shade matches the following richer shades: #AC0AF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD0AF1 shade: #AC0AF0, #A41EDC, #9C32C7, #9347B3 and #8B5B9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD0AF1 shade: #300AF0, #6E0AF0, #AB0AF0, #E80AF0 and #F00ABA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD0AF1 shade: #7307A1, #9008C8, #AC0AF0, #BB2DF6 and #C855F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD0AF1 shade: #AD0AF1, #F00A21 and #0AF04F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD0AF1 shade: #AD0AF1, #F0AB0A and #0AF0AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD0AF1 shade: #AD0AF1, #F00A21, #4FF00A and #0AF0D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD0AF1 shade: #AD0AF1, #F0380A, #4FF00A and #0AC2F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 96 / 0 / 5

HEX #AD0AF1

RGB 173 10 241

HSL 282.34, 0.92%, 0.49%

LAB 46.25, 83.89, -76.43

 

Complementary color

CMYK 67 / 0 / 94 / 4

HEX #52F50E

RGB 82 245 14

HSL 102.34, 0.92%, 0.51%

LAB 85.57, -75.33, 80.68

 

CMYK 25 / 96 / 0 / 7

HEX #B20AEC

RGB 178 10 236

HSL 284.6, 0.92%, 0.48%

LAB 46.63, 83.62, -72.96

 

CMYK 24 / 89 / 0 / 0

HEX #C31CFF

RGB 195 28 255

HSL 284.14, 1%, 0.55%

LAB 51.44, 87, -75.66

 

CMYK 17 / 82 / 0 / 0

HEX #D42EFF

RGB 212 46 255

HSL 287.66, 1%, 0.59%

LAB 55.25, 85.97, -69.37

 

CMYK 10 / 75 / 0 / 0

HEX #E540FF

RGB 229 64 255

HSL 291.83, 1%, 0.63%

LAB 59.48, 84.13, -62.43

 

CMYK 4 / 68 / 0 / 0

HEX #F652FF

RGB 246 82 255

HSL 296.88, 1%, 0.66%

LAB 64.04, 81.71, -55

 

CMYK 28 / 96 / 0 / 5

HEX #AD0AF1

RGB 173 10 241

HSL 282.34, 0.92%, 0.49%

LAB 46.25, 83.89, -76.43

 

CMYK 30 / 100 / 0 / 13

HEX #9C00DE

RGB 156 0 222

HSL 282.16, 1%, 0.44%

LAB 41.75, 79.32, -73.1

 

CMYK 32 / 100 / 0 / 20

HEX #8B00CB

RGB 139 0 203

HSL 281.08, 1%, 0.4%

LAB 37.48, 73.78, -69.22

 

CMYK 34 / 100 / 0 / 28

HEX #7A00B8

RGB 122 0 184

HSL 279.78, 1%, 0.36%

LAB 33.13, 68.15, -65.29

 

CMYK 36 / 100 / 0 / 35

HEX #6900A5

RGB 105 0 165

HSL 278.18, 1%, 0.32%

LAB 28.69, 62.41, -61.28

 

CMYK 28 / 96 / 0 / 6

HEX #AC0AF0

RGB 172 10 240

HSL 282.26, 0.92%, 0.49%

LAB 46.01, 83.59, -76.26

 

CMYK 3 / 96 / 0 / 6

HEX #EA0AF0

RGB 234 10 240

HSL 298.43, 0.92%, 0.49%

LAB 56.09, 92.28, -59.46

 

CMYK 0 / 96 / 23 / 6

HEX #F00AB8

RGB 240 10 184

HSL 314.61, 0.92%, 0.49%

LAB 54.24, 86.05, -30.34

 

CMYK 0 / 96 / 49 / 6

HEX #F00A7A

RGB 240 10 122

HSL 330.78, 0.92%, 0.49%

LAB 52, 80.19, 3.15

 

CMYK 0 / 96 / 75 / 6

HEX #F00A3C

RGB 240 10 60

HSL 346.96, 0.92%, 0.49%

LAB 50.77, 76.83, 38.95

 

CMYK 28 / 96 / 0 / 6

HEX #AC0AF0

RGB 172 10 240

HSL 282.26, 0.92%, 0.49%

LAB 46.01, 83.59, -76.26

 

CMYK 54 / 96 / 0 / 6

HEX #6E0AF0

RGB 110 10 240

HSL 266.09, 0.92%, 0.49%

LAB 37.52, 77.53, -90.53

 

CMYK 80 / 96 / 0 / 6

HEX #300AF0

RGB 48 10 240

HSL 249.91, 0.92%, 0.49%

LAB 32.12, 74.62, -99.68

 

CMYK 96 / 96 / 0 / 6

HEX #0A0AF0

RGB 10 10 240

HSL 240, 0.92%, 0.49%

LAB 30.81, 74.07, -101.89

 

CMYK 28 / 96 / 0 / 6

HEX #AC0AF0

RGB 172 10 240

HSL 282.26, 0.92%, 0.49%

LAB 46.01, 83.59, -76.26

 

CMYK 28 / 96 / 0 / 6

HEX #AC0AF0

RGB 172 10 240

HSL 282.26, 0.92%, 0.49%

LAB 46.01, 83.59, -76.26

 

CMYK 25 / 86 / 0 / 14

HEX #A41EDC

RGB 164 30 220

HSL 282.32, 0.76%, 0.49%

LAB 44.22, 75.86, -67.88

 

CMYK 22 / 75 / 0 / 22

HEX #9C32C7

RGB 156 50 199

HSL 282.68, 0.6%, 0.49%

LAB 43.47, 64.72, -57.05

 

CMYK 18 / 60 / 0 / 30

HEX #9347B3

RGB 147 71 179

HSL 282.22, 0.43%, 0.49%

LAB 44.18, 49.54, -44.28

 

CMYK 13 / 43 / 0 / 38

HEX #8B5B9F

RGB 139 91 159

HSL 282.35, 0.27%, 0.49%

LAB 46.28, 32.13, -29.24

 

CMYK 80 / 96 / 0 / 6

HEX #300AF0

RGB 48 10 240

HSL 249.91, 0.92%, 0.49%

LAB 32.12, 74.62, -99.68

 

CMYK 54 / 96 / 0 / 6

HEX #6E0AF0

RGB 110 10 240

HSL 266.09, 0.92%, 0.49%

LAB 37.52, 77.53, -90.53

 

CMYK 29 / 96 / 0 / 6

HEX #AB0AF0

RGB 171 10 240

HSL 282, 0.92%, 0.49%

LAB 45.86, 83.47, -76.51

 

CMYK 3 / 96 / 0 / 6

HEX #E80AF0

RGB 232 10 240

HSL 297.91, 0.92%, 0.49%

LAB 55.75, 91.97, -60.03

 

CMYK 0 / 96 / 23 / 6

HEX #F00ABA

RGB 240 10 186

HSL 314.09, 0.92%, 0.49%

LAB 54.33, 86.28, -31.37

 

CMYK 29 / 96 / 0 / 37

HEX #7307A1

RGB 115 7 161

HSL 282.08, 0.92%, 0.33%

LAB 30.33, 61.7, -56.12

 

CMYK 28 / 96 / 0 / 22

HEX #9008C8

RGB 144 8 200

HSL 282.5, 0.92%, 0.41%

LAB 38.33, 72.89, -66.06

 

CMYK 28 / 96 / 0 / 6

HEX #AC0AF0

RGB 172 10 240

HSL 282.26, 0.92%, 0.49%

LAB 46.01, 83.59, -76.26

 

CMYK 24 / 82 / 0 / 4

HEX #BB2DF6

RGB 187 45 246

HSL 282.39, 0.92%, 0.57%

LAB 50.8, 80.63, -71.74

 

CMYK 19 / 66 / 0 / 3

HEX #C855F8

RGB 200 85 248

HSL 282.33, 0.92%, 0.65%

LAB 57.61, 69.53, -61.76

 

CMYK 28 / 96 / 0 / 5

HEX #AD0AF1

RGB 173 10 241

HSL 282.34, 0.92%, 0.49%

LAB 46.25, 83.89, -76.43

 

CMYK 0 / 96 / 86 / 6

HEX #F00A21

RGB 240 10 33

HSL 354, 0.92%, 0.49%

LAB 50.51, 76.13, 53.19

 

CMYK 96 / 0 / 67 / 6

HEX #0AF04F

RGB 10 240 79

HSL 138, 0.92%, 0.49%

LAB 83.42, -78.17, 62

 

CMYK 28 / 96 / 0 / 5

HEX #AD0AF1

RGB 173 10 241

HSL 282.34, 0.92%, 0.49%

LAB 46.25, 83.89, -76.43

 

CMYK 0 / 29 / 96 / 6

HEX #F0AB0A

RGB 240 171 10

HSL 42, 0.92%, 0.49%

LAB 74.62, 14.51, 76.79

 

CMYK 96 / 0 / 29 / 6

HEX #0AF0AB

RGB 10 240 171

HSL 162, 0.92%, 0.49%

LAB 84.65, -63.45, 20.17

 

CMYK 28 / 96 / 0 / 5

HEX #AD0AF1

RGB 173 10 241

HSL 282.34, 0.92%, 0.49%

LAB 46.25, 83.89, -76.43

 

CMYK 0 / 96 / 86 / 6

HEX #F00A21

RGB 240 10 33

HSL 354, 0.92%, 0.49%

LAB 50.51, 76.13, 53.19

 

CMYK 67 / 0 / 96 / 6

HEX #4FF00A

RGB 79 240 10

HSL 102, 0.92%, 0.49%

LAB 83.97, -74.44, 79.7

 

CMYK 96 / 0 / 10 / 6

HEX #0AF0D9

RGB 10 240 217

HSL 174, 0.92%, 0.49%

LAB 85.7, -52.14, -2.33

 

CMYK 28 / 96 / 0 / 5

HEX #AD0AF1

RGB 173 10 241

HSL 282.34, 0.92%, 0.49%

LAB 46.25, 83.89, -76.43

 

CMYK 0 / 77 / 96 / 6

HEX #F0380A

RGB 240 56 10

HSL 12, 0.92%, 0.49%

LAB 53.36, 67.45, 63.18

 

CMYK 67 / 0 / 96 / 6

HEX #4FF00A

RGB 79 240 10

HSL 102, 0.92%, 0.49%

LAB 83.97, -74.44, 79.7

 

CMYK 96 / 19 / 0 / 6

HEX #0AC2F0

RGB 10 194 240

HSL 192, 0.92%, 0.49%

LAB 72.85, -24.11, -33.99

 

Description

Color code: HEX #AD0AF1 | qconv.com Color code: HEX #AD0AF1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 10 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 10 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 96 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 96% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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