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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD07B8 it is the complementary color #52F847. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD07B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD07B8 shade: #B207B3, #C319C6, #D42BD9, #E53DEC and #F64FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD07B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD07B8 shade: #AD07B8, #9C00A5, #8B0092, #7A007F and #69006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD07B8 shade: #AB07B6, #B60792, #B60762, #B60733 and #B60707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD07B8 shade: #AB07B6, #7C07B6, #4D07B6, #1D07B6 and #0707B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD07B8 shade matches the following richer shades: #AB07B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD07B8 shade: #AB07B6, #9E16A7, #902598, #833488 and #764479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD07B8 shade: #4D07B6, #7C07B6, #AA07B6, #B60793 and #B60764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD07B8 shade: #600466, #86058E, #AB07B6, #D108DE and #E919F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD07B8 shade: #AD07B8, #B61E07 and #07B664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD07B8 shade: #AD07B8, #B6AA07 and #07B6AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD07B8 shade: #AD07B8, #B61E07, #12B607 and #079FB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD07B8 shade: #AD07B8, #B65307, #12B607 and #076AB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 96 / 0 / 28

HEX #AD07B8

RGB 173 7 184

HSL 296.27, 0.93%, 0.37%

LAB 42, 74.43, -50.5

 

Complementary color

CMYK 67 / 0 / 71 / 3

HEX #52F847

RGB 82 248 71

HSL 116.27, 0.93%, 0.63%

LAB 86.69, -73.71, 68.65

 

CMYK 1 / 96 / 0 / 30

HEX #B207B3

RGB 178 7 179

HSL 299.65, 0.92%, 0.36%

LAB 42.57, 74.49, -46.58

 

CMYK 2 / 87 / 0 / 22

HEX #C319C6

RGB 195 25 198

HSL 298.96, 0.78%, 0.44%

LAB 47.46, 78.04, -49.71

 

CMYK 2 / 80 / 0 / 15

HEX #D42BD9

RGB 212 43 217

HSL 298.28, 0.7%, 0.51%

LAB 52.66, 80.43, -52.17

 

CMYK 3 / 74 / 0 / 7

HEX #E53DEC

RGB 229 61 236

HSL 297.6, 0.82%, 0.58%

LAB 58.09, 81.91, -54.08

 

CMYK 4 / 69 / 0 / 0

HEX #F64FFF

RGB 246 79 255

HSL 296.93, 1%, 0.65%

LAB 63.68, 82.73, -55.57

 

CMYK 6 / 96 / 0 / 28

HEX #AD07B8

RGB 173 7 184

HSL 296.27, 0.93%, 0.37%

LAB 42, 74.43, -50.5

 

CMYK 5 / 100 / 0 / 35

HEX #9C00A5

RGB 156 0 165

HSL 296.73, 1%, 0.32%

LAB 37.45, 69.46, -46.65

 

CMYK 5 / 100 / 0 / 43

HEX #8B0092

RGB 139 0 146

HSL 297.12, 1%, 0.29%

LAB 33.06, 63.67, -42.33

 

CMYK 4 / 100 / 0 / 50

HEX #7A007F

RGB 122 0 127

HSL 297.64, 1%, 0.25%

LAB 28.56, 57.75, -37.88

 

CMYK 3 / 100 / 0 / 58

HEX #69006C

RGB 105 0 108

HSL 298.33, 1%, 0.21%

LAB 23.95, 51.67, -33.31

 

CMYK 6 / 96 / 0 / 29

HEX #AB07B6

RGB 171 7 182

HSL 296.23, 0.93%, 0.37%

LAB 41.51, 73.8, -50.12

 

CMYK 0 / 96 / 20 / 29

HEX #B60792

RGB 182 7 146

HSL 312.34, 0.93%, 0.37%

LAB 41.49, 70.65, -28.44

 

CMYK 0 / 96 / 46 / 29

HEX #B60762

RGB 182 7 98

HSL 328.8, 0.93%, 0.37%

LAB 39.54, 65.57, -1.53

 

CMYK 0 / 96 / 72 / 29

HEX #B60733

RGB 182 7 51

HSL 344.91, 0.93%, 0.37%

LAB 38.44, 62.57, 26.96

 

CMYK 0 / 96 / 96 / 29

HEX #B60707

RGB 182 7 7

HSL 0, 0.93%, 0.37%

LAB 38.04, 61.47, 49.55

 

CMYK 6 / 96 / 0 / 29

HEX #AB07B6

RGB 171 7 182

HSL 296.23, 0.93%, 0.37%

LAB 41.51, 73.8, -50.12

 

CMYK 32 / 96 / 0 / 29

HEX #7C07B6

RGB 124 7 182

HSL 280.11, 0.93%, 0.37%

LAB 33.59, 67.02, -63.33

 

CMYK 58 / 96 / 0 / 29

HEX #4D07B6

RGB 77 7 182

HSL 264, 0.93%, 0.37%

LAB 27.04, 62.36, -74.36

 

CMYK 84 / 96 / 0 / 29

HEX #1D07B6

RGB 29 7 182

HSL 247.54, 0.93%, 0.37%

LAB 22.97, 60.16, -81.25

 

CMYK 96 / 96 / 0 / 29

HEX #0707B6

RGB 7 7 182

HSL 240, 0.93%, 0.37%

LAB 22.21, 59.82, -82.53

 

CMYK 6 / 96 / 0 / 29

HEX #AB07B6

RGB 171 7 182

HSL 296.23, 0.93%, 0.37%

LAB 41.51, 73.8, -50.12

 

CMYK 6 / 96 / 0 / 29

HEX #AB07B6

RGB 171 7 182

HSL 296.23, 0.93%, 0.37%

LAB 41.51, 73.8, -50.12

 

CMYK 5 / 87 / 0 / 35

HEX #9E16A7

RGB 158 22 167

HSL 296.28, 0.77%, 0.37%

LAB 38.96, 67.12, -45.42

 

CMYK 5 / 76 / 0 / 40

HEX #902598

RGB 144 37 152

HSL 295.83, 0.61%, 0.37%

LAB 36.97, 57.93, -39.69

 

CMYK 4 / 62 / 0 / 47

HEX #833488

RGB 131 52 136

HSL 296.43, 0.45%, 0.37%

LAB 36.1, 45.84, -31.41

 

CMYK 2 / 44 / 0 / 53

HEX #764479

RGB 118 68 121

HSL 296.6, 0.28%, 0.37%

LAB 36.68, 30.48, -21.35

 

CMYK 58 / 96 / 0 / 29

HEX #4D07B6

RGB 77 7 182

HSL 264, 0.93%, 0.37%

LAB 27.04, 62.36, -74.36

 

CMYK 32 / 96 / 0 / 29

HEX #7C07B6

RGB 124 7 182

HSL 280.11, 0.93%, 0.37%

LAB 33.59, 67.02, -63.33

 

CMYK 7 / 96 / 0 / 29

HEX #AA07B6

RGB 170 7 182

HSL 295.89, 0.93%, 0.37%

LAB 41.34, 73.64, -50.41

 

CMYK 0 / 96 / 19 / 29

HEX #B60793

RGB 182 7 147

HSL 312, 0.93%, 0.37%

LAB 41.54, 70.78, -28.97

 

CMYK 0 / 96 / 45 / 29

HEX #B60764

RGB 182 7 100

HSL 328.11, 0.93%, 0.37%

LAB 39.61, 65.75, -2.71

 

CMYK 6 / 96 / 0 / 60

HEX #600466

RGB 96 4 102

HSL 296.33, 0.92%, 0.21%

LAB 22.06, 48.14, -32.53

 

CMYK 6 / 96 / 0 / 44

HEX #86058E

RGB 134 5 142

HSL 296.5, 0.93%, 0.29%

LAB 32.1, 61.47, -41.45

 

CMYK 6 / 96 / 0 / 29

HEX #AB07B6

RGB 171 7 182

HSL 296.23, 0.93%, 0.37%

LAB 41.51, 73.8, -50.12

 

CMYK 6 / 96 / 0 / 13

HEX #D108DE

RGB 209 8 222

HSL 296.36, 0.93%, 0.45%

LAB 50.69, 85.88, -58.2

 

CMYK 6 / 90 / 0 / 3

HEX #E919F7

RGB 233 25 247

HSL 296.22, 0.93%, 0.53%

LAB 56.82, 91.75, -62.22

 

CMYK 6 / 96 / 0 / 28

HEX #AD07B8

RGB 173 7 184

HSL 296.27, 0.93%, 0.37%

LAB 42, 74.43, -50.5

 

CMYK 0 / 84 / 96 / 29

HEX #B61E07

RGB 182 30 7

HSL 7.89, 0.93%, 0.37%

LAB 39.39, 57.61, 50.27

 

CMYK 96 / 0 / 45 / 29

HEX #07B664

RGB 7 182 100

HSL 151.89, 0.93%, 0.37%

LAB 65.3, -57.47, 31.03

 

CMYK 6 / 96 / 0 / 28

HEX #AD07B8

RGB 173 7 184

HSL 296.27, 0.93%, 0.37%

LAB 42, 74.43, -50.5

 

CMYK 0 / 7 / 96 / 29

HEX #B6AA07

RGB 182 170 7

HSL 55.89, 0.93%, 0.37%

LAB 68.54, -10.49, 70.09

 

CMYK 96 / 0 / 7 / 29

HEX #07B6AA

RGB 7 182 170

HSL 175.89, 0.93%, 0.37%

LAB 66.83, -40.67, -4.82

 

CMYK 6 / 96 / 0 / 28

HEX #AD07B8

RGB 173 7 184

HSL 296.27, 0.93%, 0.37%

LAB 42, 74.43, -50.5

 

CMYK 0 / 84 / 96 / 29

HEX #B61E07

RGB 182 30 7

HSL 7.89, 0.93%, 0.37%

LAB 39.39, 57.61, 50.27

 

CMYK 90 / 0 / 96 / 29

HEX #12B607

RGB 18 182 7

HSL 116.23, 0.93%, 0.37%

LAB 64.64, -65.8, 63.83

 

CMYK 96 / 13 / 0 / 29

HEX #079FB6

RGB 7 159 182

HSL 187.89, 0.93%, 0.37%

LAB 60.09, -26.03, -21.66

 

CMYK 6 / 96 / 0 / 28

HEX #AD07B8

RGB 173 7 184

HSL 296.27, 0.93%, 0.37%

LAB 42, 74.43, -50.5

 

CMYK 0 / 54 / 96 / 29

HEX #B65307

RGB 182 83 7

HSL 26.06, 0.93%, 0.37%

LAB 47.17, 36.68, 54.97

 

CMYK 90 / 0 / 96 / 29

HEX #12B607

RGB 18 182 7

HSL 116.23, 0.93%, 0.37%

LAB 64.64, -65.8, 63.83

 

CMYK 96 / 42 / 0 / 29

HEX #076AB6

RGB 7 106 182

HSL 206.06, 0.93%, 0.37%

LAB 43.84, 4.11, -47.09

 

Description

Color code: HEX #AD07B8 | qconv.com Color code: HEX #AD07B8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 7 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 7 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 96 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 96% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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