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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD03DF it is the complementary color #52FC20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD03DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD03DF shade: #B203DA, #C315ED, #D427FF, #E539FF and #F64BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD03DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD03DF shade: #AD03DF, #9C00CC, #8B00B9, #7A00A6 and #690093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD03DF shade: #AC03DD, #DD03D4, #DD0399, #DD035E and #DD0324

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD03DF shade: #AC03DD, #7103DD, #3603DD and #0303DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD03DF shade matches the following richer shades: #AC03DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD03DF shade: #AC03DD, #A216CB, #9828B9, #8E3AA7 and #844C94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD03DF shade: #3603DD, #7003DD, #AA03DD, #DD03D6 and #DD039C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD03DF shade: #6C028C, #8C03B4, #AC03DD, #C50EFB and #CF37FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD03DF shade: #AD03DF, #DD030B and #03DD53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD03DF shade: #AD03DF, #DDAA03 and #03DDAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD03DF shade: #AD03DF, #DD030B, #36DD03 and #03DDD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD03DF shade: #AD03DF, #DD3D03, #36DD03 and #03A3DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 99 / 0 / 13

HEX #AD03DF

RGB 173 3 223

HSL 286.36, 0.97%, 0.44%

LAB 44.63, 81.31, -68.87

 

Complementary color

CMYK 67 / 0 / 87 / 1

HEX #52FC20

RGB 82 252 32

HSL 106.36, 0.97%, 0.56%

LAB 87.74, -77.03, 80.02

 

CMYK 18 / 99 / 0 / 15

HEX #B203DA

RGB 178 3 218

HSL 288.84, 0.97%, 0.43%

LAB 45.07, 81.12, -65.25

 

CMYK 18 / 91 / 0 / 7

HEX #C315ED

RGB 195 21 237

HSL 288.33, 0.86%, 0.51%

LAB 49.8, 84.91, -68.24

 

CMYK 17 / 85 / 0 / 0

HEX #D427FF

RGB 212 39 255

HSL 288.06, 1%, 0.58%

LAB 54.73, 87.49, -70.21

 

CMYK 10 / 78 / 0 / 0

HEX #E539FF

RGB 229 57 255

HSL 292.12, 1%, 0.61%

LAB 58.79, 86.1, -63.52

 

CMYK 4 / 71 / 0 / 0

HEX #F64BFF

RGB 246 75 255

HSL 297, 1%, 0.65%

LAB 63.21, 84.05, -56.31

 

CMYK 22 / 99 / 0 / 13

HEX #AD03DF

RGB 173 3 223

HSL 286.36, 0.97%, 0.44%

LAB 44.63, 81.31, -68.87

 

CMYK 24 / 100 / 0 / 20

HEX #9C00CC

RGB 156 0 204

HSL 285.88, 1%, 0.4%

LAB 40.29, 76.05, -65.1

 

CMYK 25 / 100 / 0 / 27

HEX #8B00B9

RGB 139 0 185

HSL 285.08, 1%, 0.36%

LAB 35.97, 70.41, -61.13

 

CMYK 27 / 100 / 0 / 35

HEX #7A00A6

RGB 122 0 166

HSL 284.1, 1%, 0.33%

LAB 31.56, 64.67, -57.09

 

CMYK 29 / 100 / 0 / 42

HEX #690093

RGB 105 0 147

HSL 282.86, 1%, 0.29%

LAB 27.05, 58.8, -52.98

 

CMYK 22 / 99 / 0 / 13

HEX #AC03DD

RGB 172 3 221

HSL 286.51, 0.97%, 0.44%

LAB 44.31, 80.83, -68.24

 

CMYK 0 / 99 / 4 / 13

HEX #DD03D4

RGB 221 3 212

HSL 302.48, 0.97%, 0.44%

LAB 52.05, 86.71, -50.19

 

CMYK 0 / 99 / 31 / 13

HEX #DD0399

RGB 221 3 153

HSL 318.72, 0.97%, 0.44%

LAB 49.18, 79.49, -20.16

 

CMYK 0 / 99 / 57 / 13

HEX #DD035E

RGB 221 3 94

HSL 334.95, 0.97%, 0.44%

LAB 47.29, 74.55, 13.12

 

CMYK 0 / 99 / 84 / 13

HEX #DD0324

RGB 221 3 36

HSL 350.92, 0.97%, 0.44%

LAB 46.4, 72.12, 46.62

 

CMYK 22 / 99 / 0 / 13

HEX #AC03DD

RGB 172 3 221

HSL 286.51, 0.97%, 0.44%

LAB 44.31, 80.83, -68.24

 

CMYK 49 / 99 / 0 / 13

HEX #7103DD

RGB 113 3 221

HSL 270.28, 0.97%, 0.44%

LAB 35.59, 74.5, -82.89

 

CMYK 76 / 99 / 0 / 13

HEX #3603DD

RGB 54 3 221

HSL 254.04, 0.97%, 0.44%

LAB 29.59, 71.31, -93.03

 

CMYK 99 / 99 / 0 / 13

HEX #0303DD

RGB 3 3 221

HSL 240, 0.97%, 0.44%

LAB 27.59, 70.54, -96.42

 

CMYK 22 / 99 / 0 / 13

HEX #AC03DD

RGB 172 3 221

HSL 286.51, 0.97%, 0.44%

LAB 44.31, 80.83, -68.24

 

CMYK 22 / 99 / 0 / 13

HEX #AC03DD

RGB 172 3 221

HSL 286.51, 0.97%, 0.44%

LAB 44.31, 80.83, -68.24

 

CMYK 20 / 89 / 0 / 20

HEX #A216CB

RGB 162 22 203

HSL 286.41, 0.8%, 0.44%

LAB 42.1, 73.99, -61.53

 

CMYK 18 / 78 / 0 / 27

HEX #9828B9

RGB 152 40 185

HSL 286.34, 0.64%, 0.44%

LAB 40.73, 64.62, -53.31

 

CMYK 15 / 65 / 0 / 35

HEX #8E3AA7

RGB 142 58 167

HSL 286.24, 0.48%, 0.44%

LAB 40.52, 52, -43.06

 

CMYK 11 / 49 / 0 / 42

HEX #844C94

RGB 132 76 148

HSL 286.67, 0.32%, 0.44%

LAB 41.55, 36.08, -30.12

 

CMYK 76 / 99 / 0 / 13

HEX #3603DD

RGB 54 3 221

HSL 254.04, 0.97%, 0.44%

LAB 29.59, 71.31, -93.03

 

CMYK 49 / 99 / 0 / 13

HEX #7003DD

RGB 112 3 221

HSL 270, 0.97%, 0.44%

LAB 35.46, 74.42, -83.11

 

CMYK 23 / 99 / 0 / 13

HEX #AA03DD

RGB 170 3 221

HSL 285.96, 0.97%, 0.44%

LAB 43.99, 80.57, -68.78

 

CMYK 0 / 99 / 3 / 13

HEX #DD03D6

RGB 221 3 214

HSL 301.93, 0.97%, 0.44%

LAB 52.17, 86.99, -51.15

 

CMYK 0 / 99 / 29 / 13

HEX #DD039C

RGB 221 3 156

HSL 317.89, 0.97%, 0.44%

LAB 49.3, 79.81, -21.77

 

CMYK 23 / 99 / 0 / 45

HEX #6C028C

RGB 108 2 140

HSL 286.09, 0.97%, 0.28%

LAB 27.09, 57.49, -48.54

 

CMYK 22 / 98 / 0 / 29

HEX #8C03B4

RGB 140 3 180

HSL 286.44, 0.97%, 0.36%

LAB 35.86, 69.26, -58.34

 

CMYK 22 / 99 / 0 / 13

HEX #AC03DD

RGB 172 3 221

HSL 286.51, 0.97%, 0.44%

LAB 44.31, 80.83, -68.24

 

CMYK 22 / 94 / 0 / 2

HEX #C50EFB

RGB 197 14 251

HSL 286.33, 0.97%, 0.52%

LAB 50.86, 88.35, -74.36

 

CMYK 18 / 78 / 0 / 1

HEX #CF37FC

RGB 207 55 252

HSL 286.29, 0.97%, 0.6%

LAB 55.1, 82.28, -67.98

 

CMYK 22 / 99 / 0 / 13

HEX #AD03DF

RGB 173 3 223

HSL 286.36, 0.97%, 0.44%

LAB 44.63, 81.31, -68.87

 

CMYK 0 / 99 / 95 / 13

HEX #DD030B

RGB 221 3 11

HSL 357.8, 0.97%, 0.44%

LAB 46.26, 71.74, 57.12

 

CMYK 99 / 0 / 62 / 13

HEX #03DD53

RGB 3 221 83

HSL 142.02, 0.97%, 0.44%

LAB 77.49, -72.47, 53.84

 

CMYK 22 / 99 / 0 / 13

HEX #AD03DF

RGB 173 3 223

HSL 286.36, 0.97%, 0.44%

LAB 44.63, 81.31, -68.87

 

CMYK 0 / 23 / 99 / 13

HEX #DDAA03

RGB 221 170 3

HSL 45.96, 0.97%, 0.44%

LAB 72.31, 6.74, 75.02

 

CMYK 99 / 0 / 23 / 13

HEX #03DDAA

RGB 3 221 170

HSL 165.96, 0.97%, 0.44%

LAB 78.83, -56.8, 12.53

 

CMYK 22 / 99 / 0 / 13

HEX #AD03DF

RGB 173 3 223

HSL 286.36, 0.97%, 0.44%

LAB 44.63, 81.31, -68.87

 

CMYK 0 / 99 / 95 / 13

HEX #DD030B

RGB 221 3 11

HSL 357.8, 0.97%, 0.44%

LAB 46.26, 71.74, 57.12

 

CMYK 76 / 0 / 99 / 13

HEX #36DD03

RGB 54 221 3

HSL 105.96, 0.97%, 0.44%

LAB 77.58, -73.09, 74.95

 

CMYK 99 / 0 / 3 / 13

HEX #03DDD6

RGB 3 221 214

HSL 178.07, 0.97%, 0.44%

LAB 79.95, -45.12, -9.25

 

CMYK 22 / 99 / 0 / 13

HEX #AD03DF

RGB 173 3 223

HSL 286.36, 0.97%, 0.44%

LAB 44.63, 81.31, -68.87

 

CMYK 0 / 72 / 99 / 13

HEX #DD3D03

RGB 221 61 3

HSL 15.96, 0.97%, 0.44%

LAB 50.35, 60.02, 61.3

 

CMYK 76 / 0 / 99 / 13

HEX #36DD03

RGB 54 221 3

HSL 105.96, 0.97%, 0.44%

LAB 77.58, -73.09, 74.95

 

CMYK 99 / 26 / 0 / 13

HEX #03A3DD

RGB 3 163 221

HSL 195.96, 0.97%, 0.44%

LAB 62.87, -14.62, -39.13

 

Description

Color code: HEX #AD03DF | qconv.com Color code: HEX #AD03DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 3 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 3 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 99 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 99% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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