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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD03CC it is the complementary color #52FC33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD03CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD03CC shade: #B203C7, #C315DA, #D427ED, #E539FF and #F64BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD03CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD03CC shade: #AD03CC, #9C00B9, #8B00A6, #7A0093 and #690080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD03CC shade: #AF03CE, #CE03B7, #CE0380, #CE0349 and #CE0312

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD03CC shade: #AF03CE, #7803CE, #4103CE, #0B03CE and #0303CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD03CC shade matches the following richer shades: #AF03CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD03CC shade: #AF03CE, #A314BD, #9725AC, #8C369B and #80478A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD03CC shade: #4003CE, #7603CE, #AC03CE, #CE03BA and #CE0384

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD03CC shade: #6A027D, #8C03A5, #AF03CE, #D104F7 and #DB28FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD03CC shade: #AD03CC, #CE0A03 and #03CE5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD03CC shade: #AD03CC, #CEAC03 and #03CEAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD03CC shade: #AD03CC, #CE0A03, #25CE03 and #03C7CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD03CC shade: #AD03CC, #CE4703, #25CE03 and #038ACE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 99 / 0 / 20

HEX #AD03CC

RGB 173 3 204

HSL 290.75, 0.97%, 0.41%

LAB 43.23, 78.06, -60.21

 

Complementary color

CMYK 67 / 0 / 80 / 1

HEX #52FC33

RGB 82 252 51

HSL 110.75, 0.97%, 0.59%

LAB 87.8, -76.23, 75.87

 

CMYK 11 / 98 / 0 / 22

HEX #B203C7

RGB 178 3 199

HSL 293.57, 0.97%, 0.4%

LAB 43.73, 77.98, -56.44

 

CMYK 11 / 90 / 0 / 15

HEX #C315DA

RGB 195 21 218

HSL 292.99, 0.82%, 0.47%

LAB 48.51, 81.77, -59.54

 

CMYK 11 / 84 / 0 / 7

HEX #D427ED

RGB 212 39 237

HSL 292.42, 0.85%, 0.54%

LAB 53.56, 84.49, -62.04

 

CMYK 10 / 78 / 0 / 0

HEX #E539FF

RGB 229 57 255

HSL 292.12, 1%, 0.61%

LAB 58.79, 86.1, -63.52

 

CMYK 4 / 71 / 0 / 0

HEX #F64BFF

RGB 246 75 255

HSL 297, 1%, 0.65%

LAB 63.21, 84.05, -56.31

 

CMYK 15 / 99 / 0 / 20

HEX #AD03CC

RGB 173 3 204

HSL 290.75, 0.97%, 0.41%

LAB 43.23, 78.06, -60.21

 

CMYK 16 / 100 / 0 / 27

HEX #9C00B9

RGB 156 0 185

HSL 290.59, 1%, 0.36%

LAB 38.85, 72.74, -56.32

 

CMYK 16 / 100 / 0 / 35

HEX #8B00A6

RGB 139 0 166

HSL 290.24, 1%, 0.33%

LAB 34.48, 67.02, -52.2

 

CMYK 17 / 100 / 0 / 42

HEX #7A0093

RGB 122 0 147

HSL 289.8, 1%, 0.29%

LAB 30.02, 61.17, -48

 

CMYK 18 / 100 / 0 / 50

HEX #690080

RGB 105 0 128

HSL 289.22, 1%, 0.25%

LAB 25.45, 55.18, -43.71

 

CMYK 15 / 99 / 0 / 19

HEX #AF03CE

RGB 175 3 206

HSL 290.84, 0.97%, 0.41%

LAB 43.71, 78.68, -60.57

 

CMYK 0 / 99 / 11 / 19

HEX #CE03B7

RGB 206 3 183

HSL 306.8, 0.97%, 0.41%

LAB 47.76, 80.23, -40.37

 

CMYK 0 / 99 / 38 / 19

HEX #CE0380

RGB 206 3 128

HSL 323.05, 0.97%, 0.41%

LAB 45.28, 73.93, -11.2

 

CMYK 0 / 99 / 65 / 19

HEX #CE0349

RGB 206 3 73

HSL 339.31, 0.97%, 0.41%

LAB 43.75, 69.86, 20.91

 

CMYK 0 / 99 / 91 / 19

HEX #CE0312

RGB 206 3 18

HSL 355.57, 0.97%, 0.41%

LAB 43.11, 68.1, 51.18

 

CMYK 15 / 99 / 0 / 19

HEX #AF03CE

RGB 175 3 206

HSL 290.84, 0.97%, 0.41%

LAB 43.71, 78.68, -60.57

 

CMYK 42 / 99 / 0 / 19

HEX #7803CE

RGB 120 3 206

HSL 274.58, 0.97%, 0.41%

LAB 35.03, 71.97, -75.1

 

CMYK 68 / 99 / 0 / 19

HEX #4103CE

RGB 65 3 206

HSL 258.33, 0.97%, 0.41%

LAB 28.5, 68.12, -86.13

 

CMYK 95 / 99 / 0 / 19

HEX #0B03CE

RGB 11 3 206

HSL 242.36, 0.97%, 0.41%

LAB 25.54, 66.88, -91.14

 

CMYK 99 / 99 / 0 / 19

HEX #0303CE

RGB 3 3 206

HSL 240, 0.97%, 0.41%

LAB 25.38, 66.83, -91.4

 

CMYK 15 / 99 / 0 / 19

HEX #AF03CE

RGB 175 3 206

HSL 290.84, 0.97%, 0.41%

LAB 43.71, 78.68, -60.57

 

CMYK 15 / 99 / 0 / 19

HEX #AF03CE

RGB 175 3 206

HSL 290.84, 0.97%, 0.41%

LAB 43.71, 78.68, -60.57

 

CMYK 14 / 89 / 0 / 26

HEX #A314BD

RGB 163 20 189

HSL 290.77, 0.81%, 0.41%

LAB 41.15, 72.03, -54.89

 

CMYK 12 / 78 / 0 / 33

HEX #9725AC

RGB 151 37 172

HSL 290.67, 0.65%, 0.41%

LAB 39.38, 62.94, -47.79

 

CMYK 10 / 65 / 0 / 39

HEX #8C369B

RGB 140 54 155

HSL 291.09, 0.48%, 0.41%

LAB 38.86, 50.92, -38.52

 

CMYK 7 / 49 / 0 / 46

HEX #80478A

RGB 128 71 138

HSL 291.04, 0.32%, 0.41%

LAB 39.46, 35.52, -27.37

 

CMYK 69 / 99 / 0 / 19

HEX #4003CE

RGB 64 3 206

HSL 258.03, 0.97%, 0.41%

LAB 28.41, 68.08, -86.28

 

CMYK 43 / 99 / 0 / 19

HEX #7603CE

RGB 118 3 206

HSL 273.99, 0.97%, 0.41%

LAB 34.75, 71.78, -75.58

 

CMYK 17 / 99 / 0 / 19

HEX #AC03CE

RGB 172 3 206

HSL 289.95, 0.97%, 0.41%

LAB 43.2, 78.26, -61.42

 

CMYK 0 / 99 / 10 / 19

HEX #CE03BA

RGB 206 3 186

HSL 305.91, 0.97%, 0.41%

LAB 47.92, 80.63, -41.87

 

CMYK 0 / 99 / 36 / 19

HEX #CE0384

RGB 206 3 132

HSL 321.87, 0.97%, 0.41%

LAB 45.43, 74.31, -13.42

 

CMYK 15 / 98 / 0 / 51

HEX #6A027D

RGB 106 2 125

HSL 290.73, 0.97%, 0.25%

LAB 25.53, 54.4, -41.67

 

CMYK 15 / 98 / 0 / 35

HEX #8C03A5

RGB 140 3 165

HSL 290.74, 0.96%, 0.33%

LAB 34.72, 66.6, -51.21

 

CMYK 15 / 99 / 0 / 19

HEX #AF03CE

RGB 175 3 206

HSL 290.84, 0.97%, 0.41%

LAB 43.71, 78.68, -60.57

 

CMYK 15 / 98 / 0 / 3

HEX #D104F7

RGB 209 4 247

HSL 290.62, 0.97%, 0.49%

LAB 52.24, 90.08, -69.8

 

CMYK 13 / 84 / 0 / 1

HEX #DB28FC

RGB 219 40 252

HSL 290.66, 0.97%, 0.57%

LAB 55.69, 87.89, -66.93

 

CMYK 15 / 99 / 0 / 20

HEX #AD03CC

RGB 173 3 204

HSL 290.75, 0.97%, 0.41%

LAB 43.23, 78.06, -60.21

 

CMYK 0 / 95 / 99 / 19

HEX #CE0A03

RGB 206 10 3

HSL 2.07, 0.97%, 0.41%

LAB 43.28, 67.3, 56.33

 

CMYK 99 / 0 / 56 / 19

HEX #03CE5B

RGB 3 206 91

HSL 146.01, 0.97%, 0.41%

LAB 72.84, -66.9, 44.84

 

CMYK 15 / 99 / 0 / 20

HEX #AD03CC

RGB 173 3 204

HSL 290.75, 0.97%, 0.41%

LAB 43.23, 78.06, -60.21

 

CMYK 0 / 17 / 99 / 19

HEX #CEAC03

RGB 206 172 3

HSL 49.95, 0.97%, 0.41%

LAB 71.31, -0.93, 73.6

 

CMYK 99 / 0 / 17 / 19

HEX #03CEAC

RGB 3 206 172

HSL 169.95, 0.97%, 0.41%

LAB 74.28, -50.39, 4.97

 

CMYK 15 / 99 / 0 / 20

HEX #AD03CC

RGB 173 3 204

HSL 290.75, 0.97%, 0.41%

LAB 43.23, 78.06, -60.21

 

CMYK 0 / 95 / 99 / 19

HEX #CE0A03

RGB 206 10 3

HSL 2.07, 0.97%, 0.41%

LAB 43.28, 67.3, 56.33

 

CMYK 82 / 0 / 99 / 19

HEX #25CE03

RGB 37 206 3

HSL 109.95, 0.97%, 0.41%

LAB 72.59, -70.95, 70.83

 

CMYK 99 / 3 / 0 / 19

HEX #03C7CE

RGB 3 199 206

HSL 182.07, 0.97%, 0.41%

LAB 73.1, -37.68, -15.18

 

CMYK 15 / 99 / 0 / 20

HEX #AD03CC

RGB 173 3 204

HSL 290.75, 0.97%, 0.41%

LAB 43.23, 78.06, -60.21

 

CMYK 0 / 66 / 99 / 19

HEX #CE4703

RGB 206 71 3

HSL 20.1, 0.97%, 0.41%

LAB 49.05, 51.2, 59.13

 

CMYK 82 / 0 / 99 / 19

HEX #25CE03

RGB 37 206 3

HSL 109.95, 0.97%, 0.41%

LAB 72.59, -70.95, 70.83

 

CMYK 99 / 33 / 0 / 19

HEX #038ACE

RGB 3 138 206

HSL 200.1, 0.97%, 0.41%

LAB 54.71, -6.09, -43.58

 

Description

Color code: HEX #AD03CC | qconv.com Color code: HEX #AD03CC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 3 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 3 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 99 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 99% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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