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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD0238 it is the complementary color #52FDC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD0238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD0238 shade: #B20233, #C31446, #D42659, #E5386C and #F64A7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD0238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD0238 shade: #AD0238, #9C0025, #8B0012, #7A0000 and #690000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD0238 shade: #AC0237, #AC020A and #AC0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD0238 shade: #AC0237, #AC0265, #AC0293, #9602AC and #6902AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD0238 shade matches the following richer shades: #AC0237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD0238 shade: #AC0237, #9E103D, #901E42, #822C47 and #743A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD0238 shade: #AC0292, #AC0265, #AC0238, #AC020A and #AC2702

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD0238 shade: #5A011D, #83012A, #AC0237, #D50245 and #FC0352

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD0238 shade: #AD0238, #AC9802 and #027CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD0238 shade: #AD0238, #38AC02 and #0238AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD0238 shade: #AD0238, #AC9802, #02AC76 and #0216AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD0238 shade: #AD0238, #8DAC02, #02AC76 and #2102AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 68 / 32

HEX #AD0238

RGB 173 2 56

HSL 341.05, 0.98%, 0.34%

LAB 36.39, 61.14, 20.81

 

Complementary color

CMYK 68 / 0 / 21 / 1

HEX #52FDC7

RGB 82 253 199

HSL 161.05, 0.98%, 0.66%

LAB 89.94, -55.94, 13.26

 

CMYK 0 / 99 / 71 / 30

HEX #B20233

RGB 178 2 51

HSL 343.3, 0.98%, 0.35%

LAB 37.39, 62.14, 25.49

 

CMYK 0 / 90 / 64 / 24

HEX #C31446

RGB 195 20 70

HSL 342.86, 0.81%, 0.42%

LAB 42.07, 65.12, 20.16

 

CMYK 0 / 82 / 58 / 17

HEX #D42659

RGB 212 38 89

HSL 342.41, 0.7%, 0.49%

LAB 47.11, 67.06, 15.67

 

CMYK 0 / 76 / 53 / 10

HEX #E5386C

RGB 229 56 108

HSL 341.97, 0.77%, 0.56%

LAB 52.47, 68.06, 12

 

CMYK 0 / 70 / 48 / 4

HEX #F64A7F

RGB 246 74 127

HSL 341.51, 0.91%, 0.63%

LAB 58.06, 68.41, 8.98

 

CMYK 0 / 99 / 68 / 32

HEX #AD0238

RGB 173 2 56

HSL 341.05, 0.98%, 0.34%

LAB 36.39, 61.14, 20.81

 

CMYK 0 / 100 / 76 / 39

HEX #9C0025

RGB 156 0 37

HSL 345.77, 1%, 0.31%

LAB 32.26, 56.31, 27.13

 

CMYK 0 / 100 / 87 / 45

HEX #8B0012

RGB 139 0 18

HSL 352.23, 1%, 0.27%

LAB 28.2, 51.33, 33.33

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 99 / 68 / 33

HEX #AC0237

RGB 172 2 55

HSL 341.29, 0.98%, 0.34%

LAB 36.16, 60.85, 21.11

 

CMYK 0 / 99 / 94 / 33

HEX #AC020A

RGB 172 2 10

HSL 357.18, 0.98%, 0.34%

LAB 35.67, 59.51, 45.95

 

CMYK 0 / 99 / 99 / 33

HEX #AC0202

RGB 172 2 2

HSL 0, 0.98%, 0.34%

LAB 35.63, 59.41, 49.12

 

CMYK 0 / 99 / 68 / 33

HEX #AC0237

RGB 172 2 55

HSL 341.29, 0.98%, 0.34%

LAB 36.16, 60.85, 21.11

 

CMYK 0 / 99 / 41 / 33

HEX #AC0265

RGB 172 2 101

HSL 325.06, 0.98%, 0.34%

LAB 37.4, 64.15, -6.85

 

CMYK 0 / 99 / 15 / 33

HEX #AC0293

RGB 172 2 147

HSL 308.82, 0.98%, 0.34%

LAB 39.45, 69.4, -32.39

 

CMYK 13 / 99 / 0 / 33

HEX #9602AC

RGB 150 2 172

HSL 292.24, 0.98%, 0.34%

LAB 36.94, 69.43, -51.73

 

CMYK 39 / 99 / 0 / 33

HEX #6902AC

RGB 105 2 172

HSL 276.35, 0.98%, 0.34%

LAB 29.48, 63.52, -64.22

 

CMYK 0 / 99 / 68 / 33

HEX #AC0237

RGB 172 2 55

HSL 341.29, 0.98%, 0.34%

LAB 36.16, 60.85, 21.11

 

CMYK 0 / 99 / 68 / 33

HEX #AC0237

RGB 172 2 55

HSL 341.29, 0.98%, 0.34%

LAB 36.16, 60.85, 21.11

 

CMYK 0 / 90 / 61 / 38

HEX #9E103D

RGB 158 16 61

HSL 340.99, 0.82%, 0.34%

LAB 33.93, 55.74, 13.73

 

CMYK 0 / 79 / 54 / 44

HEX #901E42

RGB 144 30 66

HSL 341.05, 0.66%, 0.34%

LAB 32.37, 48.78, 7.84

 

CMYK 0 / 66 / 45 / 49

HEX #822C47

RGB 130 44 71

HSL 341.16, 0.49%, 0.34%

LAB 31.81, 39.37, 3.4

 

CMYK 0 / 50 / 34 / 55

HEX #743A4C

RGB 116 58 76

HSL 341.38, 0.33%, 0.34%

LAB 32.39, 27.61, 0.69

 

CMYK 0 / 99 / 15 / 33

HEX #AC0292

RGB 172 2 146

HSL 309.18, 0.98%, 0.34%

LAB 39.39, 69.26, -31.87

 

CMYK 0 / 99 / 41 / 33

HEX #AC0265

RGB 172 2 101

HSL 325.06, 0.98%, 0.34%

LAB 37.4, 64.15, -6.85

 

CMYK 0 / 99 / 67 / 33

HEX #AC0238

RGB 172 2 56

HSL 340.94, 0.98%, 0.34%

LAB 36.18, 60.9, 20.49

 

CMYK 0 / 99 / 94 / 33

HEX #AC020A

RGB 172 2 10

HSL 357.18, 0.98%, 0.34%

LAB 35.67, 59.51, 45.95

 

CMYK 0 / 77 / 99 / 33

HEX #AC2702

RGB 172 39 2

HSL 13.06, 0.98%, 0.34%

LAB 38.25, 51.98, 50.35

 

CMYK 0 / 99 / 68 / 65

HEX #5A011D

RGB 90 1 29

HSL 341.12, 0.98%, 0.18%

LAB 16.91, 38.33, 10.24

 

CMYK 0 / 99 / 68 / 49

HEX #83012A

RGB 131 1 42

HSL 341.08, 0.98%, 0.26%

LAB 26.78, 49.99, 15.85

 

CMYK 0 / 99 / 68 / 33

HEX #AC0237

RGB 172 2 55

HSL 341.29, 0.98%, 0.34%

LAB 36.16, 60.85, 21.11

 

CMYK 0 / 99 / 68 / 16

HEX #D50245

RGB 213 2 69

HSL 340.95, 0.98%, 0.42%

LAB 45.11, 71.41, 25.44

 

CMYK 0 / 99 / 67 / 1

HEX #FC0352

RGB 252 3 82

HSL 340.96, 0.98%, 0.5%

LAB 53.35, 81, 29.61

 

CMYK 0 / 99 / 68 / 32

HEX #AD0238

RGB 173 2 56

HSL 341.05, 0.98%, 0.34%

LAB 36.39, 61.14, 20.81

 

CMYK 0 / 12 / 99 / 33

HEX #AC9802

RGB 172 152 2

HSL 52.94, 0.98%, 0.34%

LAB 62.7, -5.55, 66.05

 

CMYK 99 / 28 / 0 / 33

HEX #027CAC

RGB 2 124 172

HSL 196.94, 0.98%, 0.34%

LAB 48.77, -10.91, -33.47

 

CMYK 0 / 99 / 68 / 32

HEX #AD0238

RGB 173 2 56

HSL 341.05, 0.98%, 0.34%

LAB 36.39, 61.14, 20.81

 

CMYK 67 / 0 / 99 / 33

HEX #38AC02

RGB 56 172 2

HSL 100.94, 0.98%, 0.34%

LAB 61.96, -57.69, 62.54

 

CMYK 99 / 67 / 0 / 33

HEX #0238AC

RGB 2 56 172

HSL 220.94, 0.98%, 0.34%

LAB 28.95, 33.16, -65.36

 

CMYK 0 / 99 / 68 / 32

HEX #AD0238

RGB 173 2 56

HSL 341.05, 0.98%, 0.34%

LAB 36.39, 61.14, 20.81

 

CMYK 0 / 12 / 99 / 33

HEX #AC9802

RGB 172 152 2

HSL 52.94, 0.98%, 0.34%

LAB 62.7, -5.55, 66.05

 

CMYK 99 / 0 / 31 / 33

HEX #02AC76

RGB 2 172 118

HSL 160.94, 0.98%, 0.34%

LAB 62.36, -50.38, 17.5

 

CMYK 99 / 87 / 0 / 33

HEX #0216AC

RGB 2 22 172

HSL 232.94, 0.98%, 0.34%

LAB 22.18, 52.33, -76.58

 

CMYK 0 / 99 / 68 / 32

HEX #AD0238

RGB 173 2 56

HSL 341.05, 0.98%, 0.34%

LAB 36.39, 61.14, 20.81

 

CMYK 18 / 0 / 99 / 33

HEX #8DAC02

RGB 141 172 2

HSL 70.94, 0.98%, 0.34%

LAB 65.88, -29.42, 67.29

 

CMYK 99 / 0 / 31 / 33

HEX #02AC76

RGB 2 172 118

HSL 160.94, 0.98%, 0.34%

LAB 62.36, -50.38, 17.5

 

CMYK 81 / 99 / 0 / 33

HEX #2102AC

RGB 33 2 172

HSL 250.94, 0.98%, 0.34%

LAB 21.38, 58.88, -77.89

 

Description

Color code: HEX #AD0238 | qconv.com Color code: HEX #AD0238 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 2 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 2 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 68% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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