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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF797 it is the complementary color #530868. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF797. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF797 shade: #B1F792, #C2FFA5, #D3FFB8, #E4FFCB and #F5FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF797. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF797 shade: #ACF797, #9BE584, #8AD371, #79C15E and #68AF4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF797 shade: #ACF797, #C6F797, #E0F797, #F7F497 and #F7DA97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF797 shade: #ACF797, #97F79C, #97F7B6, #97F7D0 and #97F7EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF797 shade matches the following richer shades: #ACF797

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF797 shade: #ACF797, #B1EEA0, #B6E5A9, #BBDCB2 and #C0D3BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF797 shade: #E1F797, #C7F797, #ADF797, #97F79A and #97F7B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF797 shade: #6FF14A, #8DF470, #ACF797, #CAFABD and #E9FDE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF797 shade: #ACF797, #97F7F4 and #F797D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF797 shade: #ACF797, #97ADF7 and #F797AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF797 shade: #ACF797, #97F7F4, #E197F7 and #F7979A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF797 shade: #ACF797, #97DDF7, #E197F7 and #F7B097

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

Complementary color

CMYK 20 / 92 / 0 / 59

HEX #530868

RGB 83 8 104

HSL 286.88, 0.86%, 0.22%

LAB 20.09, 45.19, -37.14

 

CMYK 28 / 0 / 41 / 3

HEX #B1F792

RGB 177 247 146

HSL 101.58, 0.86%, 0.77%

LAB 90.75, -39.54, 41.71

 

CMYK 24 / 0 / 35 / 0

HEX #C2FFA5

RGB 194 255 165

HSL 100.67, 1%, 0.82%

LAB 94.19, -34.88, 37

 

CMYK 17 / 0 / 28 / 0

HEX #D3FFB8

RGB 211 255 184

HSL 97.18, 1%, 0.86%

LAB 95.51, -26.38, 29.45

 

CMYK 11 / 0 / 20 / 0

HEX #E4FFCB

RGB 228 255 203

HSL 91.15, 1%, 0.9%

LAB 96.95, -17.68, 21.98

 

CMYK 4 / 0 / 13 / 0

HEX #F5FFDE

RGB 245 255 222

HSL 78.18, 1%, 0.94%

LAB 98.51, -8.87, 14.66

 

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

CMYK 32 / 0 / 42 / 10

HEX #9BE584

RGB 155 229 132

HSL 105.77, 0.65%, 0.71%

LAB 84.32, -40.68, 40.12

 

CMYK 35 / 0 / 46 / 17

HEX #8AD371

RGB 138 211 113

HSL 104.69, 0.53%, 0.64%

LAB 77.98, -40.82, 41.31

 

CMYK 37 / 0 / 51 / 24

HEX #79C15E

RGB 121 193 94

HSL 103.64, 0.44%, 0.56%

LAB 71.56, -40.92, 42.51

 

CMYK 41 / 0 / 57 / 31

HEX #68AF4B

RGB 104 175 75

HSL 102.6, 0.4%, 0.49%

LAB 65.05, -40.93, 43.68

 

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

CMYK 20 / 0 / 39 / 3

HEX #C6F797

RGB 198 247 151

HSL 90.63, 0.86%, 0.78%

LAB 92.03, -31.68, 41.14

 

CMYK 9 / 0 / 39 / 3

HEX #E0F797

RGB 224 247 151

HSL 74.38, 0.86%, 0.78%

LAB 93.71, -22.25, 43.64

 

CMYK 0 / 1 / 39 / 3

HEX #F7F497

RGB 247 244 151

HSL 58.13, 0.86%, 0.78%

LAB 94.62, -12.11, 45.13

 

CMYK 0 / 12 / 39 / 3

HEX #F7DA97

RGB 247 218 151

HSL 41.88, 0.86%, 0.78%

LAB 88.04, 0.95, 36.66

 

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

CMYK 39 / 0 / 37 / 3

HEX #97F79C

RGB 151 247 156

HSL 123.13, 0.86%, 0.78%

LAB 89.63, -46.29, 35.06

 

CMYK 39 / 0 / 26 / 3

HEX #97F7B6

RGB 151 247 182

HSL 139.38, 0.86%, 0.78%

LAB 90.08, -41.94, 22.52

 

CMYK 39 / 0 / 16 / 3

HEX #97F7D0

RGB 151 247 208

HSL 155.63, 0.86%, 0.78%

LAB 90.62, -36.93, 9.88

 

CMYK 39 / 0 / 5 / 3

HEX #97F7EA

RGB 151 247 234

HSL 171.88, 0.86%, 0.78%

LAB 91.25, -31.31, -2.7

 

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

CMYK 26 / 0 / 33 / 7

HEX #B1EEA0

RGB 177 238 160

HSL 106.92, 0.7%, 0.78%

LAB 88.46, -33.49, 31.74

 

CMYK 21 / 0 / 26 / 10

HEX #B6E5A9

RGB 182 229 169

HSL 107, 0.54%, 0.78%

LAB 86.43, -26.18, 24.44

 

CMYK 15 / 0 / 19 / 14

HEX #BBDCB2

RGB 187 220 178

HSL 107.14, 0.38%, 0.78%

LAB 84.47, -18.61, 17.08

 

CMYK 9 / 0 / 11 / 17

HEX #C0D3BB

RGB 192 211 187

HSL 107.5, 0.21%, 0.78%

LAB 82.58, -10.81, 9.72

 

CMYK 9 / 0 / 39 / 3

HEX #E1F797

RGB 225 247 151

HSL 73.75, 0.86%, 0.78%

LAB 93.78, -21.88, 43.74

 

CMYK 19 / 0 / 39 / 3

HEX #C7F797

RGB 199 247 151

HSL 90, 0.86%, 0.78%

LAB 92.09, -31.33, 41.23

 

CMYK 30 / 0 / 39 / 3

HEX #ADF797

RGB 173 247 151

HSL 106.25, 0.86%, 0.78%

LAB 90.62, -40.18, 39.03

 

CMYK 39 / 0 / 38 / 3

HEX #97F79A

RGB 151 247 154

HSL 121.88, 0.86%, 0.78%

LAB 89.6, -46.59, 36.01

 

CMYK 39 / 0 / 27 / 3

HEX #97F7B4

RGB 151 247 180

HSL 138.13, 0.86%, 0.78%

LAB 90.04, -42.3, 23.49

 

CMYK 54 / 0 / 69 / 5

HEX #6FF14A

RGB 111 241 74

HSL 106.71, 0.86%, 0.62%

LAB 85.4, -64.72, 66.49

 

CMYK 42 / 0 / 54 / 4

HEX #8DF470

RGB 141 244 112

HSL 106.82, 0.86%, 0.7%

LAB 87.74, -53.87, 53.69

 

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

CMYK 19 / 0 / 24 / 2

HEX #CAFABD

RGB 202 250 189

HSL 107.21, 0.86%, 0.86%

LAB 93.71, -26.3, 24.37

 

CMYK 8 / 0 / 10 / 1

HEX #E9FDE3

RGB 233 253 227

HSL 106.15, 0.87%, 0.94%

LAB 97.28, -11.13, 10.22

 

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

CMYK 39 / 0 / 1 / 3

HEX #97F7F4

RGB 151 247 244

HSL 178.13, 0.86%, 0.78%

LAB 91.52, -29, -7.51

 

CMYK 0 / 39 / 14 / 3

HEX #F797D4

RGB 247 151 212

HSL 321.88, 0.86%, 0.78%

LAB 73.97, 44.2, -15.88

 

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

CMYK 39 / 30 / 0 / 3

HEX #97ADF7

RGB 151 173 247

HSL 226.25, 0.86%, 0.78%

LAB 71.68, 10.31, -39.26

 

CMYK 0 / 39 / 30 / 3

HEX #F797AD

RGB 247 151 173

HSL 346.25, 0.86%, 0.78%

LAB 72.84, 38.63, 3.98

 

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

CMYK 39 / 0 / 1 / 3

HEX #97F7F4

RGB 151 247 244

HSL 178.13, 0.86%, 0.78%

LAB 91.52, -29, -7.51

 

CMYK 9 / 39 / 0 / 3

HEX #E197F7

RGB 225 151 247

HSL 286.25, 0.86%, 0.78%

LAB 72.8, 43.55, -37.03

 

CMYK 0 / 39 / 38 / 3

HEX #F7979A

RGB 247 151 154

HSL 358.13, 0.86%, 0.78%

LAB 72.39, 36.32, 13.84

 

CMYK 30 / 0 / 39 / 3

HEX #ACF797

RGB 172 247 151

HSL 106.88, 0.86%, 0.78%

LAB 90.56, -40.51, 38.96

 

CMYK 39 / 11 / 0 / 3

HEX #97DDF7

RGB 151 221 247

HSL 196.25, 0.86%, 0.78%

LAB 84.49, -15.45, -19.6

 

CMYK 9 / 39 / 0 / 3

HEX #E197F7

RGB 225 151 247

HSL 286.25, 0.86%, 0.78%

LAB 72.8, 43.55, -37.03

 

CMYK 0 / 29 / 39 / 3

HEX #F7B097

RGB 247 176 151

HSL 15.63, 0.86%, 0.78%

LAB 77.91, 22.86, 23.13

 

Description

Color code: HEX #ACF797 | qconv.com Color code: HEX #ACF797 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 247 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 247 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 39 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 39% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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