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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF3E5 it is the complementary color #530C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF3E5 shade: #B1F3E0, #C2FFF3, #D3FFFF, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF3E5 shade: #ACF3E5, #9BE1D2, #8ACFBF, #79BDAC and #68AB99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF3E5 shade: #AAF3E5, #AAF3D1, #AAF3BD, #ABF3AA and #BEF3AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF3E5 shade: #AAF3E5, #AAEEF3, #AADAF3, #AAC6F3 and #AAB3F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF3E5 shade matches the following richer shades: #AAF3E5 and #A2FBE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF3E5 shade: #AAF3E5, #B2EBE0, #BAE3DB, #C2DBD6 and #CAD4D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF3E5 shade: #AAF3BE, #AAF3D1, #AAF3E4, #AAEEF3 and #AADBF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF3E5 shade: #62E9CE, #86EED9, #AAF3E5, #CEF8F0 and #F2FDFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF3E5 shade: #ACF3E5, #AAAAF3 and #F3C7AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF3E5 shade: #ACF3E5, #E4AAF3 and #F3E4AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF3E5 shade: #ACF3E5, #AAAAF3, #F3AAB9 and #F3F3AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF3E5 shade: #ACF3E5, #C0AAF3, #F3AAB9 and #DDF3AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 6 / 5

HEX #ACF3E5

RGB 172 243 229

HSL 168.17, 0.75%, 0.81%

LAB 91.02, -24.87, -0.32

 

Complementary color

CMYK 0 / 86 / 69 / 67

HEX #530C1A

RGB 83 12 26

HSL 348.17, 0.75%, 0.19%

LAB 16.39, 32.64, 11.42

 

CMYK 27 / 0 / 8 / 5

HEX #B1F3E0

RGB 177 243 224

HSL 162.73, 0.73%, 0.82%

LAB 91.16, -24.47, 2.51

 

CMYK 24 / 0 / 5 / 0

HEX #C2FFF3

RGB 194 255 243

HSL 168.2, 1%, 0.88%

LAB 95.77, -21.42, -0.49

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 29 / 0 / 6 / 5

HEX #ACF3E5

RGB 172 243 229

HSL 168.17, 0.75%, 0.81%

LAB 91.02, -24.87, -0.32

 

CMYK 31 / 0 / 7 / 12

HEX #9BE1D2

RGB 155 225 210

HSL 167.14, 0.54%, 0.75%

LAB 84.73, -25.03, 0.34

 

CMYK 33 / 0 / 8 / 19

HEX #8ACFBF

RGB 138 207 191

HSL 166.09, 0.42%, 0.68%

LAB 78.34, -25.2, 1.04

 

CMYK 36 / 0 / 9 / 26

HEX #79BDAC

RGB 121 189 172

HSL 165, 0.34%, 0.61%

LAB 71.85, -25.38, 1.78

 

CMYK 39 / 0 / 11 / 33

HEX #68AB99

RGB 104 171 153

HSL 163.88, 0.29%, 0.54%

LAB 65.25, -25.57, 2.57

 

CMYK 30 / 0 / 6 / 5

HEX #AAF3E5

RGB 170 243 229

HSL 168.49, 0.75%, 0.81%

LAB 90.92, -25.43, -0.48

 

CMYK 30 / 0 / 14 / 5

HEX #AAF3D1

RGB 170 243 209

HSL 152.05, 0.75%, 0.81%

LAB 90.44, -29.54, 9.22

 

CMYK 30 / 0 / 22 / 5

HEX #AAF3BD

RGB 170 243 189

HSL 135.62, 0.75%, 0.81%

LAB 90.01, -33.29, 18.96

 

CMYK 30 / 0 / 30 / 5

HEX #ABF3AA

RGB 171 243 170

HSL 119.18, 0.75%, 0.81%

LAB 89.7, -36.19, 28.28

 

CMYK 22 / 0 / 30 / 5

HEX #BEF3AA

RGB 190 243 170

HSL 103.56, 0.75%, 0.81%

LAB 90.76, -29.96, 29.88

 

CMYK 30 / 0 / 6 / 5

HEX #AAF3E5

RGB 170 243 229

HSL 168.49, 0.75%, 0.81%

LAB 90.92, -25.43, -0.48

 

CMYK 30 / 2 / 0 / 5

HEX #AAEEF3

RGB 170 238 243

HSL 184.11, 0.75%, 0.81%

LAB 89.94, -19.91, -9.23

 

CMYK 30 / 10 / 0 / 5

HEX #AADAF3

RGB 170 218 243

HSL 200.55, 0.75%, 0.81%

LAB 84.57, -9.8, -17.27

 

CMYK 30 / 19 / 0 / 5

HEX #AAC6F3

RGB 170 198 243

HSL 216.99, 0.75%, 0.81%

LAB 79.27, 0.75, -25.29

 

CMYK 30 / 26 / 0 / 5

HEX #AAB3F3

RGB 170 179 243

HSL 232.6, 0.75%, 0.81%

LAB 74.35, 11.12, -32.84

 

CMYK 30 / 0 / 6 / 5

HEX #AAF3E5

RGB 170 243 229

HSL 168.49, 0.75%, 0.81%

LAB 90.92, -25.43, -0.48

 

CMYK 35 / 0 / 7 / 2

HEX #A2FBE9

RGB 162 251 233

HSL 167.87, 0.92%, 0.81%

LAB 92.82, -30.57, 0.17

 

CMYK 30 / 0 / 6 / 5

HEX #AAF3E5

RGB 170 243 229

HSL 168.49, 0.75%, 0.81%

LAB 90.92, -25.43, -0.48

 

CMYK 24 / 0 / 5 / 8

HEX #B2EBE0

RGB 178 235 224

HSL 168.42, 0.59%, 0.81%

LAB 89.05, -20.27, -0.56

 

CMYK 18 / 0 / 4 / 11

HEX #BAE3DB

RGB 186 227 219

HSL 168.29, 0.42%, 0.81%

LAB 87.24, -14.87, -0.53

 

CMYK 11 / 0 / 2 / 14

HEX #C2DBD6

RGB 194 219 214

HSL 168, 0.26%, 0.81%

LAB 85.5, -9.25, -0.37

 

CMYK 5 / 0 / 1 / 17

HEX #CAD4D2

RGB 202 212 210

HSL 168, 0.1%, 0.81%

LAB 84.12, -3.75, -0.19

 

CMYK 30 / 0 / 22 / 5

HEX #AAF3BE

RGB 170 243 190

HSL 136.44, 0.75%, 0.81%

LAB 90.03, -33.11, 18.47

 

CMYK 30 / 0 / 14 / 5

HEX #AAF3D1

RGB 170 243 209

HSL 152.05, 0.75%, 0.81%

LAB 90.44, -29.54, 9.22

 

CMYK 30 / 0 / 6 / 5

HEX #AAF3E4

RGB 170 243 228

HSL 167.67, 0.75%, 0.81%

LAB 90.89, -25.65, -0

 

CMYK 30 / 2 / 0 / 5

HEX #AAEEF3

RGB 170 238 243

HSL 184.11, 0.75%, 0.81%

LAB 89.94, -19.91, -9.23

 

CMYK 30 / 10 / 0 / 5

HEX #AADBF3

RGB 170 219 243

HSL 199.73, 0.75%, 0.81%

LAB 84.83, -10.32, -16.86

 

CMYK 58 / 0 / 12 / 9

HEX #62E9CE

RGB 98 233 206

HSL 168, 0.75%, 0.65%

LAB 84.65, -43.24, 2.07

 

CMYK 44 / 0 / 9 / 7

HEX #86EED9

RGB 134 238 217

HSL 167.88, 0.75%, 0.73%

LAB 87.6, -35.17, 0.73

 

CMYK 30 / 0 / 6 / 5

HEX #AAF3E5

RGB 170 243 229

HSL 168.49, 0.75%, 0.81%

LAB 90.92, -25.43, -0.48

 

CMYK 17 / 0 / 3 / 3

HEX #CEF8F0

RGB 206 248 240

HSL 168.57, 0.75%, 0.89%

LAB 94.55, -14.97, -0.65

 

CMYK 4 / 0 / 1 / 1

HEX #F2FDFB

RGB 242 253 251

HSL 169.09, 0.73%, 0.97%

LAB 98.47, -3.95, -0.31

 

CMYK 29 / 0 / 6 / 5

HEX #ACF3E5

RGB 172 243 229

HSL 168.17, 0.75%, 0.81%

LAB 91.02, -24.87, -0.32

 

CMYK 30 / 30 / 0 / 5

HEX #AAAAF3

RGB 170 170 243

HSL 240, 0.75%, 0.81%

LAB 72.07, 16.13, -36.37

 

CMYK 0 / 18 / 30 / 5

HEX #F3C7AA

RGB 243 199 170

HSL 23.84, 0.75%, 0.81%

LAB 83.34, 11.52, 20.4

 

CMYK 29 / 0 / 6 / 5

HEX #ACF3E5

RGB 172 243 229

HSL 168.17, 0.75%, 0.81%

LAB 91.02, -24.87, -0.32

 

CMYK 6 / 30 / 0 / 5

HEX #E4AAF3

RGB 228 170 243

HSL 287.67, 0.75%, 0.81%

LAB 77.11, 33.57, -28.19

 

CMYK 0 / 6 / 30 / 5

HEX #F3E4AA

RGB 243 228 170

HSL 47.67, 0.75%, 0.81%

LAB 90.53, -3.45, 30.21

 

CMYK 29 / 0 / 6 / 5

HEX #ACF3E5

RGB 172 243 229

HSL 168.17, 0.75%, 0.81%

LAB 91.02, -24.87, -0.32

 

CMYK 30 / 30 / 0 / 5

HEX #AAAAF3

RGB 170 170 243

HSL 240, 0.75%, 0.81%

LAB 72.07, 16.13, -36.37

 

CMYK 0 / 30 / 24 / 5

HEX #F3AAB9

RGB 243 170 185

HSL 347.67, 0.75%, 0.81%

LAB 76.86, 28.86, 3.15

 

CMYK 0 / 0 / 30 / 5

HEX #F3F3AA

RGB 243 243 170

HSL 60, 0.75%, 0.81%

LAB 94.34, -10.96, 35.3

 

CMYK 29 / 0 / 6 / 5

HEX #ACF3E5

RGB 172 243 229

HSL 168.17, 0.75%, 0.81%

LAB 91.02, -24.87, -0.32

 

CMYK 21 / 30 / 0 / 5

HEX #C0AAF3

RGB 192 170 243

HSL 258.08, 0.75%, 0.81%

LAB 73.82, 22.54, -33.52

 

CMYK 0 / 30 / 24 / 5

HEX #F3AAB9

RGB 243 170 185

HSL 347.67, 0.75%, 0.81%

LAB 76.86, 28.86, 3.15

 

CMYK 9 / 0 / 30 / 5

HEX #DDF3AA

RGB 221 243 170

HSL 78.08, 0.75%, 0.81%

LAB 92.74, -19.06, 32.89

 

Description

Color code: HEX #ACF3E5 | qconv.com Color code: HEX #ACF3E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 243 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 243 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 6 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 6% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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