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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF2AB it is the complementary color #530D54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF2AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF2AB shade: #B1F2A6, #C2FFB9, #D3FFCC, #E4FFDF and #F5FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF2AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF2AB shade: #ACF2AB, #9BE098, #8ACE85, #79BC72 and #68AA5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF2AB shade: #ACF2AB, #BFF2AB, #D2F2AB, #E5F2AB and #F2EBAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF2AB shade: #ACF2AB, #ABF2BD, #ABF2D0, #ABF2E3 and #ABEDF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF2AB shade matches the following richer shades: #ACF2AB and #A5FAA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF2AB shade: #ACF2AB, #B4EAB3, #BBE2BB, #C3DAC3 and #CBD3CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF2AB shade: #D2F2AB, #BFF2AB, #ACF2AB, #ABF2BD and #ABF2D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF2AB shade: #66E764, #89EC87, #ACF2AB, #CFF7CF and #F3FDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF2AB shade: #ACF2AB, #ABE5F2 and #F2ABC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF2AB shade: #ACF2AB, #ABACF2 and #F2ABAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF2AB shade: #ACF2AB, #ABE5F2, #F1ABF2 and #F2B8AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF2AB shade: #ACF2AB, #ABD0F2, #F1ABF2 and #F2CDAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

Complementary color

CMYK 1 / 85 / 0 / 67

HEX #530D54

RGB 83 13 84

HSL 299.15, 0.73%, 0.19%

LAB 19.09, 39.93, -25.46

 

CMYK 27 / 0 / 31 / 5

HEX #B1F2A6

RGB 177 242 166

HSL 111.32, 0.75%, 0.8%

LAB 89.68, -34.43, 30.33

 

CMYK 24 / 0 / 27 / 0

HEX #C2FFB9

RGB 194 255 185

HSL 112.29, 1%, 0.86%

LAB 94.52, -31.92, 27.43

 

CMYK 17 / 0 / 20 / 0

HEX #D3FFCC

RGB 211 255 204

HSL 111.76, 1%, 0.9%

LAB 95.88, -23.27, 19.82

 

CMYK 11 / 0 / 13 / 0

HEX #E4FFDF

RGB 228 255 223

HSL 110.63, 1%, 0.94%

LAB 97.37, -14.46, 12.35

 

CMYK 4 / 0 / 5 / 0

HEX #F5FFF2

RGB 245 255 242

HSL 106.15, 1%, 0.97%

LAB 98.96, -5.56, 5.06

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 31 / 0 / 32 / 12

HEX #9BE098

RGB 155 224 152

HSL 117.5, 0.54%, 0.74%

LAB 83.2, -35.49, 28.57

 

CMYK 33 / 0 / 35 / 19

HEX #8ACE85

RGB 138 206 133

HSL 115.89, 0.43%, 0.66%

LAB 76.82, -35.72, 29.69

 

CMYK 36 / 0 / 39 / 26

HEX #79BC72

RGB 121 188 114

HSL 114.32, 0.36%, 0.59%

LAB 70.35, -35.95, 30.88

 

CMYK 39 / 0 / 44 / 33

HEX #68AA5F

RGB 104 170 95

HSL 112.8, 0.31%, 0.52%

LAB 63.77, -36.15, 32.13

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 21 / 0 / 29 / 5

HEX #BFF2AB

RGB 191 242 171

HSL 103.1, 0.73%, 0.81%

LAB 90.56, -29, 29.12

 

CMYK 13 / 0 / 29 / 5

HEX #D2F2AB

RGB 210 242 171

HSL 87.04, 0.73%, 0.81%

LAB 91.75, -22.39, 30.93

 

CMYK 5 / 0 / 29 / 5

HEX #E5F2AB

RGB 229 242 171

HSL 70.99, 0.73%, 0.81%

LAB 93.06, -15.53, 32.91

 

CMYK 0 / 3 / 29 / 5

HEX #F2EBAB

RGB 242 235 171

HSL 54.08, 0.73%, 0.81%

LAB 92.24, -7.23, 31.98

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 29 / 0 / 22 / 5

HEX #ABF2BD

RGB 171 242 189

HSL 135.21, 0.73%, 0.81%

LAB 89.78, -32.52, 18.65

 

CMYK 29 / 0 / 14 / 5

HEX #ABF2D0

RGB 171 242 208

HSL 151.27, 0.73%, 0.81%

LAB 90.19, -28.96, 9.39

 

CMYK 29 / 0 / 6 / 5

HEX #ABF2E3

RGB 171 242 227

HSL 167.32, 0.73%, 0.81%

LAB 90.65, -25.09, 0.17

 

CMYK 29 / 2 / 0 / 5

HEX #ABEDF2

RGB 171 237 242

HSL 184.23, 0.73%, 0.81%

LAB 89.69, -19.37, -9.07

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 34 / 0 / 35 / 2

HEX #A5FAA3

RGB 165 250 163

HSL 118.62, 0.9%, 0.81%

LAB 91.24, -42.3, 33.82

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 23 / 0 / 24 / 8

HEX #B4EAB3

RGB 180 234 179

HSL 118.91, 0.57%, 0.81%

LAB 87.87, -27.62, 21.24

 

CMYK 17 / 0 / 17 / 11

HEX #BBE2BB

RGB 187 226 187

HSL 120, 0.4%, 0.81%

LAB 86.28, -20.05, 14.91

 

CMYK 11 / 0 / 11 / 15

HEX #C3DAC3

RGB 195 218 195

HSL 120, 0.24%, 0.81%

LAB 84.84, -11.94, 8.73

 

CMYK 4 / 0 / 4 / 17

HEX #CBD3CB

RGB 203 211 203

HSL 120, 0.08%, 0.81%

LAB 83.76, -4.18, 3

 

CMYK 13 / 0 / 29 / 5

HEX #D2F2AB

RGB 210 242 171

HSL 87.04, 0.73%, 0.81%

LAB 91.75, -22.39, 30.93

 

CMYK 21 / 0 / 29 / 5

HEX #BFF2AB

RGB 191 242 171

HSL 103.1, 0.73%, 0.81%

LAB 90.56, -29, 29.12

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 29 / 0 / 22 / 5

HEX #ABF2BD

RGB 171 242 189

HSL 135.21, 0.73%, 0.81%

LAB 89.78, -32.52, 18.65

 

CMYK 29 / 0 / 14 / 5

HEX #ABF2D0

RGB 171 242 208

HSL 151.27, 0.73%, 0.81%

LAB 90.19, -28.96, 9.39

 

CMYK 56 / 0 / 57 / 9

HEX #66E764

RGB 102 231 100

HSL 119.08, 0.73%, 0.65%

LAB 82.32, -60.86, 52.35

 

CMYK 42 / 0 / 43 / 7

HEX #89EC87

RGB 137 236 135

HSL 118.81, 0.73%, 0.73%

LAB 85.53, -48.86, 40.03

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 16 / 0 / 16 / 3

HEX #CFF7CF

RGB 207 247 207

HSL 120, 0.71%, 0.89%

LAB 93.58, -20.23, 15.01

 

CMYK 4 / 0 / 4 / 1

HEX #F3FDF3

RGB 243 253 243

HSL 120, 0.71%, 0.97%

LAB 98.34, -5.05, 3.63

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 29 / 5 / 0 / 5

HEX #ABE5F2

RGB 171 229 242

HSL 190.99, 0.73%, 0.81%

LAB 87.54, -15.37, -12.28

 

CMYK 0 / 29 / 17 / 5

HEX #F2ABC9

RGB 242 171 201

HSL 334.65, 0.73%, 0.81%

LAB 77.41, 30.35, -4.79

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 29 / 29 / 0 / 5

HEX #ABACF2

RGB 171 172 242

HSL 239.15, 0.73%, 0.81%

LAB 72.61, 15.05, -34.99

 

CMYK 0 / 29 / 29 / 5

HEX #F2ABAC

RGB 242 171 172

HSL 359.15, 0.73%, 0.81%

LAB 76.67, 26.19, 9.94

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 29 / 5 / 0 / 5

HEX #ABE5F2

RGB 171 229 242

HSL 190.99, 0.73%, 0.81%

LAB 87.54, -15.37, -12.28

 

CMYK 0 / 29 / 0 / 5

HEX #F1ABF2

RGB 241 171 242

HSL 299.15, 0.73%, 0.81%

LAB 78.6, 36.93, -25.25

 

CMYK 0 / 24 / 29 / 5

HEX #F2B8AB

RGB 242 184 171

HSL 10.99, 0.73%, 0.81%

LAB 79.67, 19.17, 14.73

 

CMYK 29 / 0 / 29 / 5

HEX #ACF2AB

RGB 172 242 171

HSL 119.15, 0.73%, 0.81%

LAB 89.49, -35.26, 27.49

 

CMYK 29 / 14 / 0 / 5

HEX #ABD0F2

RGB 171 208 242

HSL 208.73, 0.73%, 0.81%

LAB 81.94, -4.53, -20.7

 

CMYK 0 / 29 / 0 / 5

HEX #F1ABF2

RGB 241 171 242

HSL 299.15, 0.73%, 0.81%

LAB 78.6, 36.93, -25.25

 

CMYK 0 / 15 / 29 / 5

HEX #F2CDAB

RGB 242 205 171

HSL 28.73, 0.73%, 0.81%

LAB 84.73, 8.13, 21.78

 

Description

Color code: HEX #ACF2AB | qconv.com Color code: HEX #ACF2AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 242 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 242 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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