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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACF086 it is the complementary color #530F79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACF086. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACF086 shade: #B1F081, #C2FF94, #D3FFA7, #E4FFBA and #F5FFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACF086. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACF086 shade: #ACF086, #9BDE73, #8ACC60, #79BA4D and #68A83A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACF086 shade: #ABF084, #C8F084, #E5F084, #F0DE84 and #F0C184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACF086 shade: #ABF084, #8EF084, #84F098, #84F0B5 and #84F0D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACF086 shade matches the following richer shades: #ABF084 and #A8FB79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACF086 shade: #ABF084, #AEE590, #B1DA9B, #B4CEA6 and #B8C3B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACF086 shade: #E5F084, #C8F084, #ACF084, #8FF084 and #84F096

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACF086 shade: #79E73B, #92EB60, #ABF084, #C4F4A9 and #DDF9CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACF086 shade: #ACF086, #84F0DE and #F084D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACF086 shade: #ACF086, #84ACF0 and #F084AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACF086 shade: #ACF086, #84F0DE, #C884F0 and #F08496

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACF086 shade: #ACF086, #84E2F0, #C884F0 and #F09384

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 44 / 6

HEX #ACF086

RGB 172 240 134

HSL 98.49, 0.78%, 0.73%

LAB 88.36, -39.64, 44.45

 

Complementary color

CMYK 31 / 88 / 0 / 53

HEX #530F79

RGB 83 15 121

HSL 278.49, 0.78%, 0.27%

LAB 22.16, 46.96, -44.77

 

CMYK 26 / 0 / 46 / 6

HEX #B1F081

RGB 177 240 129

HSL 94.05, 0.79%, 0.72%

LAB 88.57, -38.52, 47.18

 

CMYK 24 / 0 / 42 / 0

HEX #C2FF94

RGB 194 255 148

HSL 94.21, 1%, 0.79%

LAB 93.94, -37.11, 45

 

CMYK 17 / 0 / 35 / 0

HEX #D3FFA7

RGB 211 255 167

HSL 90, 1%, 0.83%

LAB 95.23, -28.76, 37.57

 

CMYK 11 / 0 / 27 / 0

HEX #E4FFBA

RGB 228 255 186

HSL 83.48, 1%, 0.86%

LAB 96.64, -20.18, 30.16

 

CMYK 4 / 0 / 20 / 0

HEX #F5FFCD

RGB 245 255 205

HSL 72, 1%, 0.9%

LAB 98.17, -11.46, 22.84

 

CMYK 28 / 0 / 44 / 6

HEX #ACF086

RGB 172 240 134

HSL 98.49, 0.78%, 0.73%

LAB 88.36, -39.64, 44.45

 

CMYK 30 / 0 / 48 / 13

HEX #9BDE73

RGB 155 222 115

HSL 97.57, 0.62%, 0.66%

LAB 82.08, -39.72, 45.61

 

CMYK 32 / 0 / 53 / 20

HEX #8ACC60

RGB 138 204 96

HSL 96.67, 0.51%, 0.59%

LAB 75.72, -39.77, 46.76

 

CMYK 35 / 0 / 59 / 27

HEX #79BA4D

RGB 121 186 77

HSL 95.78, 0.44%, 0.52%

LAB 69.27, -39.73, 47.84

 

CMYK 38 / 0 / 65 / 34

HEX #68A83A

RGB 104 168 58

HSL 94.91, 0.49%, 0.44%

LAB 62.72, -39.58, 48.75

 

CMYK 29 / 0 / 45 / 6

HEX #ABF084

RGB 171 240 132

HSL 98.33, 0.78%, 0.73%

LAB 88.28, -40.22, 45.3

 

CMYK 17 / 0 / 45 / 6

HEX #C8F084

RGB 200 240 132

HSL 82.22, 0.78%, 0.73%

LAB 89.98, -29.95, 47.8

 

CMYK 5 / 0 / 45 / 6

HEX #E5F084

RGB 229 240 132

HSL 66.11, 0.78%, 0.73%

LAB 91.97, -19, 50.7

 

CMYK 0 / 8 / 45 / 6

HEX #F0DE84

RGB 240 222 132

HSL 50, 0.78%, 0.73%

LAB 88.18, -5.78, 46.2

 

CMYK 0 / 20 / 45 / 6

HEX #F0C184

RGB 240 193 132

HSL 33.89, 0.78%, 0.73%

LAB 80.92, 9.16, 37.01

 

CMYK 29 / 0 / 45 / 6

HEX #ABF084

RGB 171 240 132

HSL 98.33, 0.78%, 0.73%

LAB 88.28, -40.22, 45.3

 

CMYK 41 / 0 / 45 / 6

HEX #8EF084

RGB 142 240 132

HSL 114.44, 0.78%, 0.73%

LAB 86.87, -49.47, 43.23

 

CMYK 45 / 0 / 37 / 6

HEX #84F098

RGB 132 240 152

HSL 131.11, 0.78%, 0.73%

LAB 86.75, -49.34, 33.11

 

CMYK 45 / 0 / 25 / 6

HEX #84F0B5

RGB 132 240 181

HSL 147.22, 0.78%, 0.73%

LAB 87.27, -44.17, 19.01

 

CMYK 45 / 0 / 13 / 6

HEX #84F0D2

RGB 132 240 210

HSL 163.33, 0.78%, 0.73%

LAB 87.91, -38.14, 4.84

 

CMYK 29 / 0 / 45 / 6

HEX #ABF084

RGB 171 240 132

HSL 98.33, 0.78%, 0.73%

LAB 88.28, -40.22, 45.3

 

CMYK 33 / 0 / 52 / 2

HEX #A8FB79

RGB 168 251 121

HSL 98.31, 0.94%, 0.73%

LAB 91.1, -47.27, 53.89

 

CMYK 29 / 0 / 45 / 6

HEX #ABF084

RGB 171 240 132

HSL 98.33, 0.78%, 0.73%

LAB 88.28, -40.22, 45.3

 

CMYK 24 / 0 / 37 / 10

HEX #AEE590

RGB 174 229 144

HSL 98.82, 0.62%, 0.73%

LAB 85.53, -32.64, 35.91

 

CMYK 19 / 0 / 29 / 15

HEX #B1DA9B

RGB 177 218 155

HSL 99.05, 0.46%, 0.73%

LAB 82.84, -24.78, 26.74

 

CMYK 13 / 0 / 19 / 19

HEX #B4CEA6

RGB 180 206 166

HSL 99, 0.29%, 0.73%

LAB 79.95, -16.04, 17.03

 

CMYK 6 / 0 / 9 / 24

HEX #B8C3B1

RGB 184 195 177

HSL 96.67, 0.13%, 0.73%

LAB 77.52, -7.09, 7.74

 

CMYK 5 / 0 / 45 / 6

HEX #E5F084

RGB 229 240 132

HSL 66.11, 0.78%, 0.73%

LAB 91.97, -19, 50.7

 

CMYK 17 / 0 / 45 / 6

HEX #C8F084

RGB 200 240 132

HSL 82.22, 0.78%, 0.73%

LAB 89.98, -29.95, 47.8

 

CMYK 28 / 0 / 45 / 6

HEX #ACF084

RGB 172 240 132

HSL 97.78, 0.78%, 0.73%

LAB 88.33, -39.88, 45.38

 

CMYK 40 / 0 / 45 / 6

HEX #8FF084

RGB 143 240 132

HSL 113.89, 0.78%, 0.73%

LAB 86.91, -49.17, 43.3

 

CMYK 45 / 0 / 38 / 6

HEX #84F096

RGB 132 240 150

HSL 130, 0.78%, 0.73%

LAB 86.72, -49.66, 34.07

 

CMYK 48 / 0 / 74 / 9

HEX #79E73B

RGB 121 231 59

HSL 98.37, 0.78%, 0.57%

LAB 82.66, -59.37, 69.04

 

CMYK 38 / 0 / 59 / 8

HEX #92EB60

RGB 146 235 96

HSL 98.42, 0.78%, 0.65%

LAB 85.19, -50.32, 57.86

 

CMYK 29 / 0 / 45 / 6

HEX #ABF084

RGB 171 240 132

HSL 98.33, 0.78%, 0.73%

LAB 88.28, -40.22, 45.3

 

CMYK 20 / 0 / 31 / 4

HEX #C4F4A9

RGB 196 244 169

HSL 98.4, 0.77%, 0.81%

LAB 91.37, -28.53, 31.27

 

CMYK 11 / 0 / 17 / 2

HEX #DDF9CE

RGB 221 249 206

HSL 99.07, 0.78%, 0.89%

LAB 94.98, -16.68, 17.63

 

CMYK 28 / 0 / 44 / 6

HEX #ACF086

RGB 172 240 134

HSL 98.49, 0.78%, 0.73%

LAB 88.36, -39.64, 44.45

 

CMYK 45 / 0 / 8 / 6

HEX #84F0DE

RGB 132 240 222

HSL 170, 0.78%, 0.73%

LAB 88.21, -35.42, -1

 

CMYK 0 / 45 / 10 / 6

HEX #F084D7

RGB 240 132 215

HSL 313.89, 0.78%, 0.73%

LAB 69.42, 52.09, -24.53

 

CMYK 28 / 0 / 44 / 6

HEX #ACF086

RGB 172 240 134

HSL 98.49, 0.78%, 0.73%

LAB 88.36, -39.64, 44.45

 

CMYK 45 / 28 / 0 / 6

HEX #84ACF0

RGB 132 172 240

HSL 217.78, 0.78%, 0.73%

LAB 69.97, 4.14, -38.21

 

CMYK 0 / 45 / 28 / 6

HEX #F084AC

RGB 240 132 172

HSL 337.78, 0.78%, 0.73%

LAB 68.03, 45.8, -2.59

 

CMYK 28 / 0 / 44 / 6

HEX #ACF086

RGB 172 240 134

HSL 98.49, 0.78%, 0.73%

LAB 88.36, -39.64, 44.45

 

CMYK 45 / 0 / 8 / 6

HEX #84F0DE

RGB 132 240 222

HSL 170, 0.78%, 0.73%

LAB 88.21, -35.42, -1

 

CMYK 17 / 45 / 0 / 6

HEX #C884F0

RGB 200 132 240

HSL 277.78, 0.78%, 0.73%

LAB 65.81, 45, -44.32

 

CMYK 0 / 45 / 38 / 6

HEX #F08496

RGB 240 132 150

HSL 350, 0.78%, 0.73%

LAB 67.45, 43.1, 8.97

 

CMYK 28 / 0 / 44 / 6

HEX #ACF086

RGB 172 240 134

HSL 98.49, 0.78%, 0.73%

LAB 88.36, -39.64, 44.45

 

CMYK 45 / 6 / 0 / 6

HEX #84E2F0

RGB 132 226 240

HSL 187.78, 0.78%, 0.73%

LAB 84.79, -24.34, -15.54

 

CMYK 17 / 45 / 0 / 6

HEX #C884F0

RGB 200 132 240

HSL 277.78, 0.78%, 0.73%

LAB 65.81, 45, -44.32

 

CMYK 0 / 39 / 45 / 6

HEX #F09384

RGB 240 147 132

HSL 8.33, 0.78%, 0.73%

LAB 70.22, 33.43, 22.86

 

Description

Color code: HEX #ACF086 | qconv.com Color code: HEX #ACF086 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 240 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 240 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 44 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 44% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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