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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACEF8C it is the complementary color #531073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACEF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACEF8C shade: #B1EF87, #C2FF9A, #D3FFAD, #E4FFC0 and #F5FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACEF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACEF8C shade: #ACEF8C, #9BDD79, #8ACB66, #79B953 and #68A740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACEF8C shade: #AAEF8A, #C6EF8A, #E1EF8A, #EFE18A and #EFC68A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACEF8C shade: #AAEF8A, #8FEF8A, #8AEFA0, #8AEFBB and #8AEFD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACEF8C shade matches the following richer shades: #AAEF8A and #A7F97F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACEF8C shade: #AAEF8A, #AEE495, #B2D99F, #B6CEAA and #BAC4B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACEF8C shade: #E1EF8A, #C6EF8A, #ABEF8A, #91EF8A and #8AEF9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACEF8C shade: #76E541, #90EA66, #AAEF8A, #C5F4AE and #DFF8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACEF8C shade: #ACEF8C, #8AEFE1 and #EF8AD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACEF8C shade: #ACEF8C, #8AABEF and #EF8AAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACEF8C shade: #ACEF8C, #8AEFE1, #CD8AEF and #EF8A97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACEF8C shade: #ACEF8C, #8ADEEF, #CD8AEF and #EF9B8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 41 / 6

HEX #ACEF8C

RGB 172 239 140

HSL 100.61, 0.76%, 0.74%

LAB 88.16, -38.42, 41.27

 

Complementary color

CMYK 28 / 86 / 0 / 55

HEX #531073

RGB 83 16 115

HSL 280.61, 0.76%, 0.26%

LAB 21.75, 45.32, -41.59

 

CMYK 26 / 0 / 44 / 6

HEX #B1EF87

RGB 177 239 135

HSL 95.77, 0.76%, 0.73%

LAB 88.37, -37.35, 44.03

 

CMYK 24 / 0 / 40 / 0

HEX #C2FF9A

RGB 194 255 154

HSL 96.24, 1%, 0.8%

LAB 94.02, -36.35, 42.19

 

CMYK 17 / 0 / 32 / 0

HEX #D3FFAD

RGB 211 255 173

HSL 92.2, 1%, 0.84%

LAB 95.32, -27.95, 34.71

 

CMYK 11 / 0 / 25 / 0

HEX #E4FFC0

RGB 228 255 192

HSL 85.71, 1%, 0.88%

LAB 96.75, -19.32, 27.28

 

CMYK 4 / 0 / 17 / 0

HEX #F5FFD3

RGB 245 255 211

HSL 73.64, 1%, 0.91%

LAB 98.29, -10.57, 19.95

 

CMYK 28 / 0 / 41 / 6

HEX #ACEF8C

RGB 172 239 140

HSL 100.61, 0.76%, 0.74%

LAB 88.16, -38.42, 41.27

 

CMYK 30 / 0 / 45 / 13

HEX #9BDD79

RGB 155 221 121

HSL 99.6, 0.6%, 0.67%

LAB 81.87, -38.55, 42.44

 

CMYK 32 / 0 / 50 / 20

HEX #8ACB66

RGB 138 203 102

HSL 98.61, 0.49%, 0.6%

LAB 75.5, -38.63, 43.62

 

CMYK 35 / 0 / 55 / 27

HEX #79B953

RGB 121 185 83

HSL 97.65, 0.42%, 0.53%

LAB 69.03, -38.66, 44.77

 

CMYK 38 / 0 / 62 / 35

HEX #68A740

RGB 104 167 64

HSL 96.7, 0.45%, 0.45%

LAB 62.47, -38.59, 45.82

 

CMYK 29 / 0 / 42 / 6

HEX #AAEF8A

RGB 170 239 138

HSL 100.99, 0.76%, 0.74%

LAB 88.02, -39.36, 42.06

 

CMYK 17 / 0 / 42 / 6

HEX #C6EF8A

RGB 198 239 138

HSL 84.36, 0.76%, 0.74%

LAB 89.66, -29.53, 44.47

 

CMYK 6 / 0 / 42 / 6

HEX #E1EF8A

RGB 225 239 138

HSL 68.32, 0.76%, 0.74%

LAB 91.49, -19.45, 47.17

 

CMYK 0 / 6 / 42 / 6

HEX #EFE18A

RGB 239 225 138

HSL 51.68, 0.76%, 0.74%

LAB 88.94, -7.1, 44.19

 

CMYK 0 / 17 / 42 / 6

HEX #EFC68A

RGB 239 198 138

HSL 35.64, 0.76%, 0.74%

LAB 82.15, 6.76, 35.49

 

CMYK 29 / 0 / 42 / 6

HEX #AAEF8A

RGB 170 239 138

HSL 100.99, 0.76%, 0.74%

LAB 88.02, -39.36, 42.06

 

CMYK 40 / 0 / 42 / 6

HEX #8FEF8A

RGB 143 239 138

HSL 117.03, 0.76%, 0.74%

LAB 86.71, -47.92, 40.11

 

CMYK 42 / 0 / 33 / 6

HEX #8AEFA0

RGB 138 239 160

HSL 133.07, 0.76%, 0.74%

LAB 86.84, -45.94, 29.23

 

CMYK 42 / 0 / 22 / 6

HEX #8AEFBB

RGB 138 239 187

HSL 149.11, 0.76%, 0.74%

LAB 87.35, -41, 16.05

 

CMYK 42 / 0 / 10 / 6

HEX #8AEFD6

RGB 138 239 214

HSL 165.15, 0.76%, 0.74%

LAB 87.96, -35.33, 2.86

 

CMYK 29 / 0 / 42 / 6

HEX #AAEF8A

RGB 170 239 138

HSL 100.99, 0.76%, 0.74%

LAB 88.02, -39.36, 42.06

 

CMYK 33 / 0 / 49 / 2

HEX #A7F97F

RGB 167 249 127

HSL 100.33, 0.91%, 0.74%

LAB 90.55, -46.07, 50.45

 

CMYK 29 / 0 / 42 / 6

HEX #AAEF8A

RGB 170 239 138

HSL 100.99, 0.76%, 0.74%

LAB 88.02, -39.36, 42.06

 

CMYK 24 / 0 / 35 / 11

HEX #AEE495

RGB 174 228 149

HSL 101.01, 0.59%, 0.74%

LAB 85.33, -31.47, 33.12

 

CMYK 18 / 0 / 27 / 15

HEX #B2D99F

RGB 178 217 159

HSL 100.34, 0.43%, 0.74%

LAB 82.7, -23.33, 24.48

 

CMYK 12 / 0 / 17 / 19

HEX #B6CEAA

RGB 182 206 170

HSL 100, 0.27%, 0.74%

LAB 80.17, -14.67, 15.24

 

CMYK 5 / 0 / 8 / 23

HEX #BAC4B5

RGB 186 196 181

HSL 100, 0.11%, 0.74%

LAB 78.03, -6.2, 6.34

 

CMYK 6 / 0 / 42 / 6

HEX #E1EF8A

RGB 225 239 138

HSL 68.32, 0.76%, 0.74%

LAB 91.49, -19.45, 47.17

 

CMYK 17 / 0 / 42 / 6

HEX #C6EF8A

RGB 198 239 138

HSL 84.36, 0.76%, 0.74%

LAB 89.66, -29.53, 44.47

 

CMYK 28 / 0 / 42 / 6

HEX #ABEF8A

RGB 171 239 138

HSL 100.4, 0.76%, 0.74%

LAB 88.08, -39.02, 42.14

 

CMYK 39 / 0 / 42 / 6

HEX #91EF8A

RGB 145 239 138

HSL 115.84, 0.76%, 0.74%

LAB 86.79, -47.32, 40.24

 

CMYK 42 / 0 / 34 / 6

HEX #8AEF9E

RGB 138 239 158

HSL 131.88, 0.76%, 0.74%

LAB 86.8, -46.28, 30.2

 

CMYK 48 / 0 / 72 / 10

HEX #76E541

RGB 118 229 65

HSL 100.61, 0.76%, 0.58%

LAB 81.99, -59.11, 66.31

 

CMYK 38 / 0 / 56 / 8

HEX #90EA66

RGB 144 234 102

HSL 100.91, 0.76%, 0.66%

LAB 84.86, -49.95, 54.83

 

CMYK 29 / 0 / 42 / 6

HEX #AAEF8A

RGB 170 239 138

HSL 100.99, 0.76%, 0.74%

LAB 88.02, -39.36, 42.06

 

CMYK 19 / 0 / 29 / 4

HEX #C5F4AE

RGB 197 244 174

HSL 100.29, 0.76%, 0.82%

LAB 91.52, -27.45, 28.95

 

CMYK 10 / 0 / 15 / 3

HEX #DFF8D2

RGB 223 248 210

HSL 99.47, 0.73%, 0.9%

LAB 94.94, -14.86, 15.54

 

CMYK 28 / 0 / 41 / 6

HEX #ACEF8C

RGB 172 239 140

HSL 100.61, 0.76%, 0.74%

LAB 88.16, -38.42, 41.27

 

CMYK 42 / 0 / 6 / 6

HEX #8AEFE1

RGB 138 239 225

HSL 171.68, 0.76%, 0.74%

LAB 88.24, -32.82, -2.49

 

CMYK 0 / 42 / 11 / 6

HEX #EF8AD4

RGB 239 138 212

HSL 316.04, 0.76%, 0.74%

LAB 70.37, 48.29, -21.43

 

CMYK 28 / 0 / 41 / 6

HEX #ACEF8C

RGB 172 239 140

HSL 100.61, 0.76%, 0.74%

LAB 88.16, -38.42, 41.27

 

CMYK 42 / 28 / 0 / 6

HEX #8AABEF

RGB 138 171 239

HSL 220.4, 0.76%, 0.74%

LAB 70.01, 5.91, -37.57

 

CMYK 0 / 42 / 28 / 6

HEX #EF8AAB

RGB 239 138 171

HSL 340.4, 0.76%, 0.74%

LAB 69.09, 42.27, -0.49

 

CMYK 28 / 0 / 41 / 6

HEX #ACEF8C

RGB 172 239 140

HSL 100.61, 0.76%, 0.74%

LAB 88.16, -38.42, 41.27

 

CMYK 42 / 0 / 6 / 6

HEX #8AEFE1

RGB 138 239 225

HSL 171.68, 0.76%, 0.74%

LAB 88.24, -32.82, -2.49

 

CMYK 14 / 42 / 0 / 6

HEX #CD8AEF

RGB 205 138 239

HSL 279.8, 0.76%, 0.74%

LAB 67.57, 43.01, -40.97

 

CMYK 0 / 42 / 37 / 6

HEX #EF8A97

RGB 239 138 151

HSL 352.28, 0.76%, 0.74%

LAB 68.58, 39.79, 9.99

 

CMYK 28 / 0 / 41 / 6

HEX #ACEF8C

RGB 172 239 140

HSL 100.61, 0.76%, 0.74%

LAB 88.16, -38.42, 41.27

 

CMYK 42 / 7 / 0 / 6

HEX #8ADEEF

RGB 138 222 239

HSL 190.1, 0.76%, 0.74%

LAB 83.9, -21.2, -16.31

 

CMYK 14 / 42 / 0 / 6

HEX #CD8AEF

RGB 205 138 239

HSL 279.8, 0.76%, 0.74%

LAB 67.57, 43.01, -40.97

 

CMYK 0 / 35 / 42 / 6

HEX #EF9B8A

RGB 239 155 138

HSL 10.1, 0.76%, 0.74%

LAB 71.98, 29.47, 21.94

 

Description

Color code: HEX #ACEF8C | qconv.com Color code: HEX #ACEF8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 239 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 239 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 41 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 41% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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