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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACEECE it is the complementary color #531131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACEECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACEECE shade: #B1EEC9, #C2FFDC, #D3FFEF, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACEECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACEECE shade: #ACEECE, #9BDCBB, #8ACAA8, #79B895 and #68A682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACEECE shade: #AAEECD, #AAEEBB, #ACEEAA, #BEEEAA and #D0EEAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACEECE shade: #AAEECD, #AAEEDF, #AAEAEE, #AAD8EE and #AAC6EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACEECE shade matches the following richer shades: #AAEECD, #A2F6CD and #9AFECE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACEECE shade: #AAEECD, #B3E5CD, #BBDDCD, #C3D5CC and #CBCDCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACEECE shade: #ADEEAA, #AAEEBA, #AAEECC, #AAEEDE and #AAEBEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACEECE shade: #66E0A5, #88E7B9, #AAEECD, #CDF5E1 and #EFFCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACEECE shade: #ACEECE, #AABFEE and #EEB1AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACEECE shade: #ACEECE, #CCAAEE and #EECCAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACEECE shade: #ACEECE, #AABFEE, #EEAACC and #EED9AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACEECE shade: #ACEECE, #AAAAEE, #EEAACC and #EEEEAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 13 / 7

HEX #ACEECE

RGB 172 238 206

HSL 150.91, 0.66%, 0.8%

LAB 89.1, -27.15, 8.88

 

Complementary color

CMYK 0 / 80 / 41 / 67

HEX #531131

RGB 83 17 49

HSL 330.91, 0.66%, 0.2%

LAB 17.74, 33.02, -3.24

 

CMYK 26 / 0 / 16 / 7

HEX #B1EEC9

RGB 177 238 201

HSL 143.61, 0.64%, 0.81%

LAB 89.26, -26.58, 11.74

 

CMYK 24 / 0 / 14 / 0

HEX #C2FFDC

RGB 194 255 220

HSL 145.57, 1%, 0.88%

LAB 95.23, -25.91, 10.56

 

CMYK 17 / 0 / 6 / 0

HEX #D3FFEF

RGB 211 255 239

HSL 158.18, 1%, 0.91%

LAB 96.66, -17.06, 2.98

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 28 / 0 / 13 / 7

HEX #ACEECE

RGB 172 238 206

HSL 150.91, 0.66%, 0.8%

LAB 89.1, -27.15, 8.88

 

CMYK 30 / 0 / 15 / 14

HEX #9BDCBB

RGB 155 220 187

HSL 149.54, 0.48%, 0.74%

LAB 82.78, -27.37, 9.69

 

CMYK 32 / 0 / 17 / 21

HEX #8ACAA8

RGB 138 202 168

HSL 148.13, 0.38%, 0.67%

LAB 76.36, -27.6, 10.54

 

CMYK 34 / 0 / 19 / 28

HEX #79B895

RGB 121 184 149

HSL 146.67, 0.31%, 0.6%

LAB 69.84, -27.85, 11.45

 

CMYK 37 / 0 / 22 / 35

HEX #68A682

RGB 104 166 130

HSL 145.16, 0.26%, 0.53%

LAB 63.2, -28.12, 12.42

 

CMYK 29 / 0 / 14 / 7

HEX #AAEECD

RGB 170 238 205

HSL 150.88, 0.67%, 0.8%

LAB 88.97, -27.95, 9.2

 

CMYK 29 / 0 / 21 / 7

HEX #AAEEBB

RGB 170 238 187

HSL 135, 0.67%, 0.8%

LAB 88.58, -31.32, 18

 

CMYK 28 / 0 / 29 / 7

HEX #ACEEAA

RGB 172 238 170

HSL 118.24, 0.67%, 0.8%

LAB 88.36, -33.58, 26.47

 

CMYK 20 / 0 / 29 / 7

HEX #BEEEAA

RGB 190 238 170

HSL 102.35, 0.67%, 0.8%

LAB 89.39, -27.6, 28.04

 

CMYK 13 / 0 / 29 / 7

HEX #D0EEAA

RGB 208 238 170

HSL 86.47, 0.67%, 0.8%

LAB 90.53, -21.31, 29.77

 

CMYK 29 / 0 / 14 / 7

HEX #AAEECD

RGB 170 238 205

HSL 150.88, 0.67%, 0.8%

LAB 88.97, -27.95, 9.2

 

CMYK 29 / 0 / 6 / 7

HEX #AAEEDF

RGB 170 238 223

HSL 166.76, 0.67%, 0.8%

LAB 89.4, -24.29, 0.43

 

CMYK 29 / 2 / 0 / 7

HEX #AAEAEE

RGB 170 234 238

HSL 183.53, 0.67%, 0.8%

LAB 88.72, -19.06, -8.43

 

CMYK 29 / 9 / 0 / 7

HEX #AAD8EE

RGB 170 216 238

HSL 199.41, 0.67%, 0.8%

LAB 83.88, -9.93, -15.65

 

CMYK 29 / 17 / 0 / 7

HEX #AAC6EE

RGB 170 198 238

HSL 215.29, 0.67%, 0.8%

LAB 79.1, -0.45, -22.87

 

CMYK 29 / 0 / 14 / 7

HEX #AAEECD

RGB 170 238 205

HSL 150.88, 0.67%, 0.8%

LAB 88.97, -27.95, 9.2

 

CMYK 34 / 0 / 17 / 4

HEX #A2F6CD

RGB 162 246 205

HSL 150.71, 0.82%, 0.8%

LAB 90.78, -34.04, 11.73

 

CMYK 39 / 0 / 19 / 0

HEX #9AFECE

RGB 154 254 206

HSL 151.2, 0.98%, 0.8%

LAB 92.67, -39.69, 13.84

 

CMYK 29 / 0 / 14 / 7

HEX #AAEECD

RGB 170 238 205

HSL 150.88, 0.67%, 0.8%

LAB 88.97, -27.95, 9.2

 

CMYK 22 / 0 / 10 / 10

HEX #B3E5CD

RGB 179 229 205

HSL 151.2, 0.49%, 0.8%

LAB 87.01, -20.82, 6.45

 

CMYK 15 / 0 / 7 / 13

HEX #BBDDCD

RGB 187 221 205

HSL 151.76, 0.33%, 0.8%

LAB 85.34, -14.28, 4.11

 

CMYK 8 / 0 / 4 / 16

HEX #C3D5CC

RGB 195 213 204

HSL 150, 0.18%, 0.8%

LAB 83.73, -7.74, 2.37

 

CMYK 1 / 0 / 0 / 20

HEX #CBCDCC

RGB 203 205 204

HSL 150, 0.02%, 0.8%

LAB 82.23, -0.86, 0.25

 

CMYK 27 / 0 / 29 / 7

HEX #ADEEAA

RGB 173 238 170

HSL 117.35, 0.67%, 0.8%

LAB 88.42, -33.26, 26.55

 

CMYK 29 / 0 / 22 / 7

HEX #AAEEBA

RGB 170 238 186

HSL 134.12, 0.67%, 0.8%

LAB 88.56, -31.5, 18.49

 

CMYK 29 / 0 / 14 / 7

HEX #AAEECC

RGB 170 238 204

HSL 150, 0.67%, 0.8%

LAB 88.95, -28.14, 9.69

 

CMYK 29 / 0 / 7 / 7

HEX #AAEEDE

RGB 170 238 222

HSL 165.88, 0.67%, 0.8%

LAB 89.38, -24.5, 0.92

 

CMYK 29 / 1 / 0 / 7

HEX #AAEBEE

RGB 170 235 238

HSL 182.65, 0.67%, 0.8%

LAB 88.99, -19.55, -8.03

 

CMYK 54 / 0 / 26 / 12

HEX #66E0A5

RGB 102 224 165

HSL 150.98, 0.66%, 0.64%

LAB 81.21, -47.7, 18.73

 

CMYK 41 / 0 / 20 / 9

HEX #88E7B9

RGB 136 231 185

HSL 150.95, 0.66%, 0.72%

LAB 84.94, -38.34, 13.68

 

CMYK 29 / 0 / 14 / 7

HEX #AAEECD

RGB 170 238 205

HSL 150.88, 0.67%, 0.8%

LAB 88.97, -27.95, 9.2

 

CMYK 16 / 0 / 8 / 4

HEX #CDF5E1

RGB 205 245 225

HSL 150, 0.67%, 0.88%

LAB 93.33, -16.68, 5.34

 

CMYK 5 / 0 / 3 / 1

HEX #EFFCF5

RGB 239 252 245

HSL 147.69, 0.68%, 0.96%

LAB 97.86, -5.51, 1.86

 

CMYK 28 / 0 / 13 / 7

HEX #ACEECE

RGB 172 238 206

HSL 150.91, 0.66%, 0.8%

LAB 89.1, -27.15, 8.88

 

CMYK 29 / 20 / 0 / 7

HEX #AABFEE

RGB 170 191 238

HSL 221.47, 0.67%, 0.8%

LAB 77.27, 3.32, -25.67

 

CMYK 0 / 26 / 29 / 7

HEX #EEB1AA

RGB 238 177 170

HSL 6.18, 0.67%, 0.8%

LAB 77.59, 21.26, 12.28

 

CMYK 28 / 0 / 13 / 7

HEX #ACEECE

RGB 172 238 206

HSL 150.91, 0.66%, 0.8%

LAB 89.1, -27.15, 8.88

 

CMYK 14 / 29 / 0 / 7

HEX #CCAAEE

RGB 204 170 238

HSL 270, 0.67%, 0.8%

LAB 74.67, 25.09, -29.41

 

CMYK 0 / 14 / 29 / 7

HEX #EECCAA

RGB 238 204 170

HSL 30, 0.67%, 0.8%

LAB 84.1, 7.01, 21.38

 

CMYK 28 / 0 / 13 / 7

HEX #ACEECE

RGB 172 238 206

HSL 150.91, 0.66%, 0.8%

LAB 89.1, -27.15, 8.88

 

CMYK 29 / 20 / 0 / 7

HEX #AABFEE

RGB 170 191 238

HSL 221.47, 0.67%, 0.8%

LAB 77.27, 3.32, -25.67

 

CMYK 0 / 29 / 14 / 7

HEX #EEAACC

RGB 238 170 204

HSL 330, 0.67%, 0.8%

LAB 76.85, 29.96, -7.3

 

CMYK 0 / 9 / 29 / 7

HEX #EED9AA

RGB 238 217 170

HSL 41.47, 0.67%, 0.8%

LAB 87.34, 0.28, 25.82

 

CMYK 28 / 0 / 13 / 7

HEX #ACEECE

RGB 172 238 206

HSL 150.91, 0.66%, 0.8%

LAB 89.1, -27.15, 8.88

 

CMYK 29 / 29 / 0 / 7

HEX #AAAAEE

RGB 170 170 238

HSL 240, 0.67%, 0.8%

LAB 71.87, 14.9, -33.97

 

CMYK 0 / 29 / 14 / 7

HEX #EEAACC

RGB 238 170 204

HSL 330, 0.67%, 0.8%

LAB 76.85, 29.96, -7.3

 

CMYK 0 / 0 / 29 / 7

HEX #EEEEAA

RGB 238 238 170

HSL 60, 0.67%, 0.8%

LAB 92.68, -10.35, 33.02

 

Description

Color code: HEX #ACEECE | qconv.com Color code: HEX #ACEECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 238 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 238 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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