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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACEEC3 it is the complementary color #53113C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACEEC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACEEC3 shade: #B1EEBE, #C2FFD1, #D3FFE4, #E4FFF7 and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACEEC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACEEC3 shade: #ACEEC3, #9BDCB0, #8ACA9D, #79B88A and #68A677

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACEEC3 shade: #AAEEC2, #AAEEB0, #B7EEAA, #C9EEAA and #DBEEAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACEEC3 shade: #AAEEC2, #AAEED4, #AAEEE6, #AAE3EE and #AAD1EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACEEC3 shade matches the following richer shades: #AAEEC2, #A2F6BF and #9AFEBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACEEC3 shade: #AAEEC2, #B3E5C4, #BBDDC7, #C3D5C9 and #CBCDCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACEEC3 shade: #B8EEAA, #AAEEAF, #AAEEC1, #AAEED3 and #AAEEE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACEEC3 shade: #66E090, #88E7A9, #AAEEC2, #CDF5DB and #EFFCF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACEEC3 shade: #ACEEC3, #AACAEE and #EEAAAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACEEC3 shade: #ACEEC3, #C1AAEE and #EEC1AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACEEC3 shade: #ACEEC3, #AACAEE, #EEAAD7 and #EECEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACEEC3 shade: #ACEEC3, #AAB6EE, #EEAAD7 and #EEE2AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 18 / 7

HEX #ACEEC3

RGB 172 238 195

HSL 140.91, 0.66%, 0.8%

LAB 88.86, -29.24, 14.25

 

Complementary color

CMYK 0 / 80 / 28 / 67

HEX #53113C

RGB 83 17 60

HSL 320.91, 0.66%, 0.2%

LAB 18.22, 34.51, -10.3

 

CMYK 26 / 0 / 20 / 7

HEX #B1EEBE

RGB 177 238 190

HSL 132.79, 0.64%, 0.81%

LAB 89.02, -28.59, 17.12

 

CMYK 24 / 0 / 18 / 0

HEX #C2FFD1

RGB 194 255 209

HSL 134.75, 1%, 0.88%

LAB 94.99, -27.91, 15.86

 

CMYK 17 / 0 / 11 / 0

HEX #D3FFE4

RGB 211 255 228

HSL 143.18, 1%, 0.91%

LAB 96.4, -19.12, 8.26

 

CMYK 11 / 0 / 3 / 0

HEX #E4FFF7

RGB 228 255 247

HSL 162.22, 1%, 0.95%

LAB 97.93, -10.2, 0.84

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 28 / 0 / 18 / 7

HEX #ACEEC3

RGB 172 238 195

HSL 140.91, 0.66%, 0.8%

LAB 88.86, -29.24, 14.25

 

CMYK 30 / 0 / 20 / 14

HEX #9BDCB0

RGB 155 220 176

HSL 139.38, 0.48%, 0.74%

LAB 82.53, -29.48, 15.15

 

CMYK 32 / 0 / 22 / 21

HEX #8ACA9D

RGB 138 202 157

HSL 137.81, 0.38%, 0.67%

LAB 76.12, -29.73, 16.09

 

CMYK 34 / 0 / 25 / 28

HEX #79B88A

RGB 121 184 138

HSL 136.19, 0.31%, 0.6%

LAB 69.6, -30, 17.1

 

CMYK 37 / 0 / 28 / 35

HEX #68A677

RGB 104 166 119

HSL 134.52, 0.26%, 0.53%

LAB 62.97, -30.27, 18.18

 

CMYK 29 / 0 / 18 / 7

HEX #AAEEC2

RGB 170 238 194

HSL 141.18, 0.67%, 0.8%

LAB 88.73, -30.04, 14.58

 

CMYK 29 / 0 / 26 / 7

HEX #AAEEB0

RGB 170 238 176

HSL 125.29, 0.67%, 0.8%

LAB 88.37, -33.23, 23.38

 

CMYK 23 / 0 / 29 / 7

HEX #B7EEAA

RGB 183 238 170

HSL 108.53, 0.67%, 0.8%

LAB 88.98, -29.96, 27.41

 

CMYK 16 / 0 / 29 / 7

HEX #C9EEAA

RGB 201 238 170

HSL 92.65, 0.67%, 0.8%

LAB 90.08, -23.79, 29.08

 

CMYK 8 / 0 / 29 / 7

HEX #DBEEAA

RGB 219 238 170

HSL 76.76, 0.67%, 0.8%

LAB 91.28, -17.35, 30.91

 

CMYK 29 / 0 / 18 / 7

HEX #AAEEC2

RGB 170 238 194

HSL 141.18, 0.67%, 0.8%

LAB 88.73, -30.04, 14.58

 

CMYK 29 / 0 / 11 / 7

HEX #AAEED4

RGB 170 238 212

HSL 157.06, 0.67%, 0.8%

LAB 89.13, -26.56, 5.78

 

CMYK 29 / 0 / 3 / 7

HEX #AAEEE6

RGB 170 238 230

HSL 172.94, 0.67%, 0.8%

LAB 89.58, -22.79, -2.96

 

CMYK 29 / 5 / 0 / 7

HEX #AAE3EE

RGB 170 227 238

HSL 189.71, 0.67%, 0.8%

LAB 86.83, -15.55, -11.24

 

CMYK 29 / 12 / 0 / 7

HEX #AAD1EE

RGB 170 209 238

HSL 205.59, 0.67%, 0.8%

LAB 82.01, -6.29, -18.46

 

CMYK 29 / 0 / 18 / 7

HEX #AAEEC2

RGB 170 238 194

HSL 141.18, 0.67%, 0.8%

LAB 88.73, -30.04, 14.58

 

CMYK 34 / 0 / 22 / 4

HEX #A2F6BF

RGB 162 246 191

HSL 140.71, 0.82%, 0.8%

LAB 90.48, -36.7, 18.54

 

CMYK 39 / 0 / 26 / 0

HEX #9AFEBD

RGB 154 254 189

HSL 141, 0.98%, 0.8%

LAB 92.32, -42.92, 22.06

 

CMYK 29 / 0 / 18 / 7

HEX #AAEEC2

RGB 170 238 194

HSL 141.18, 0.67%, 0.8%

LAB 88.73, -30.04, 14.58

 

CMYK 22 / 0 / 14 / 10

HEX #B3E5C4

RGB 179 229 196

HSL 140.4, 0.49%, 0.8%

LAB 86.8, -22.53, 10.88

 

CMYK 15 / 0 / 10 / 13

HEX #BBDDC7

RGB 187 221 199

HSL 141.18, 0.33%, 0.8%

LAB 85.2, -15.41, 7.07

 

CMYK 8 / 0 / 6 / 16

HEX #C3D5C9

RGB 195 213 201

HSL 140, 0.18%, 0.8%

LAB 83.66, -8.3, 3.85

 

CMYK 1 / 0 / 0 / 20

HEX #CBCDCC

RGB 203 205 204

HSL 150, 0.02%, 0.8%

LAB 82.23, -0.86, 0.25

 

CMYK 23 / 0 / 29 / 7

HEX #B8EEAA

RGB 184 238 170

HSL 107.65, 0.67%, 0.8%

LAB 89.04, -29.63, 27.5

 

CMYK 29 / 0 / 26 / 7

HEX #AAEEAF

RGB 170 238 175

HSL 124.41, 0.67%, 0.8%

LAB 88.35, -33.4, 23.87

 

CMYK 29 / 0 / 19 / 7

HEX #AAEEC1

RGB 170 238 193

HSL 140.29, 0.67%, 0.8%

LAB 88.71, -30.23, 15.07

 

CMYK 29 / 0 / 11 / 7

HEX #AAEED3

RGB 170 238 211

HSL 156.18, 0.67%, 0.8%

LAB 89.11, -26.76, 6.27

 

CMYK 29 / 0 / 4 / 7

HEX #AAEEE5

RGB 170 238 229

HSL 172.06, 0.67%, 0.8%

LAB 89.56, -23.01, -2.48

 

CMYK 54 / 0 / 36 / 12

HEX #66E090

RGB 102 224 144

HSL 140.66, 0.66%, 0.64%

LAB 80.82, -51.7, 29.09

 

CMYK 41 / 0 / 27 / 9

HEX #88E7A9

RGB 136 231 169

HSL 140.84, 0.66%, 0.72%

LAB 84.61, -41.42, 21.56

 

CMYK 29 / 0 / 18 / 7

HEX #AAEEC2

RGB 170 238 194

HSL 141.18, 0.67%, 0.8%

LAB 88.73, -30.04, 14.58

 

CMYK 16 / 0 / 11 / 4

HEX #CDF5DB

RGB 205 245 219

HSL 141, 0.67%, 0.88%

LAB 93.19, -17.79, 8.24

 

CMYK 5 / 0 / 4 / 1

HEX #EFFCF3

RGB 239 252 243

HSL 138.46, 0.68%, 0.96%

LAB 97.81, -5.86, 2.82

 

CMYK 28 / 0 / 18 / 7

HEX #ACEEC3

RGB 172 238 195

HSL 140.91, 0.66%, 0.8%

LAB 88.86, -29.24, 14.25

 

CMYK 29 / 15 / 0 / 7

HEX #AACAEE

RGB 170 202 238

HSL 211.76, 0.67%, 0.8%

LAB 80.16, -2.59, -21.27

 

CMYK 0 / 29 / 26 / 7

HEX #EEAAAF

RGB 238 170 175

HSL 355.59, 0.67%, 0.8%

LAB 76.08, 25.66, 7.41

 

CMYK 28 / 0 / 18 / 7

HEX #ACEEC3

RGB 172 238 195

HSL 140.91, 0.66%, 0.8%

LAB 88.86, -29.24, 14.25

 

CMYK 19 / 29 / 0 / 7

HEX #C1AAEE

RGB 193 170 238

HSL 260.29, 0.67%, 0.8%

LAB 73.71, 21.72, -30.97

 

CMYK 0 / 19 / 29 / 7

HEX #EEC1AA

RGB 238 193 170

HSL 20.29, 0.67%, 0.8%

LAB 81.41, 12.78, 17.65

 

CMYK 28 / 0 / 18 / 7

HEX #ACEEC3

RGB 172 238 195

HSL 140.91, 0.66%, 0.8%

LAB 88.86, -29.24, 14.25

 

CMYK 29 / 15 / 0 / 7

HEX #AACAEE

RGB 170 202 238

HSL 211.76, 0.67%, 0.8%

LAB 80.16, -2.59, -21.27

 

CMYK 0 / 29 / 10 / 7

HEX #EEAAD7

RGB 238 170 215

HSL 320.29, 0.67%, 0.8%

LAB 77.18, 31.76, -12.8

 

CMYK 0 / 13 / 29 / 7

HEX #EECEAA

RGB 238 206 170

HSL 31.76, 0.67%, 0.8%

LAB 84.6, 5.97, 22.06

 

CMYK 28 / 0 / 18 / 7

HEX #ACEEC3

RGB 172 238 195

HSL 140.91, 0.66%, 0.8%

LAB 88.86, -29.24, 14.25

 

CMYK 29 / 24 / 0 / 7

HEX #AAB6EE

RGB 170 182 238

HSL 229.41, 0.67%, 0.8%

LAB 74.94, 8.24, -29.24

 

CMYK 0 / 29 / 10 / 7

HEX #EEAAD7

RGB 238 170 215

HSL 320.29, 0.67%, 0.8%

LAB 77.18, 31.76, -12.8

 

CMYK 0 / 5 / 29 / 7

HEX #EEE2AA

RGB 238 226 170

HSL 49.41, 0.67%, 0.8%

LAB 89.61, -4.32, 28.91

 

Description

Color code: HEX #ACEEC3 | qconv.com Color code: HEX #ACEEC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 238 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 238 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 18 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 18% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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