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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACEE2D it is the complementary color #5311D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACEE2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACEE2D shade: #B1EE28, #C2FF3B, #D3FF4E, #E4FF61 and #F5FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACEE2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACEE2D shade: #ACEE2D, #9BDC1A, #8ACA07, #79B800 and #68A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACEE2D shade: #ABEE2B, #E0EE2B, #EEC72B, #EE932B and #EE5E2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACEE2D shade: #ABEE2B, #76EE2B, #42EE2B, #2BEE48 and #2BEE7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACEE2D shade matches the following richer shades: #ABEE2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACEE2D shade: #ABEE2B, #A5DB3D, #9FC950, #99B662 and #94A475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACEE2D shade: #EEC72B, #E1EE2B, #ADEE2B, #79EE2B and #45EE2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACEE2D shade: #7EB70F, #98DD12, #ABEE2B, #BAF151 and #C9F477

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACEE2D shade: #ACEE2D, #2BEE93 and #E12BEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACEE2D shade: #ACEE2D, #2BADEE and #EE2BAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACEE2D shade: #ACEE2D, #2BEE93, #6C2BEE and #EE2B86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACEE2D shade: #ACEE2D, #2BEECD, #6C2BEE and #EE2B4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 81 / 7

HEX #ACEE2D

RGB 172 238 45

HSL 80.52, 0.85%, 0.55%

LAB 87.05, -45.84, 77.99

 

Complementary color

CMYK 60 / 92 / 0 / 18

HEX #5311D2

RGB 83 17 210

HSL 260.52, 0.85%, 0.45%

LAB 31.56, 67.58, -83.31

 

CMYK 26 / 0 / 83 / 7

HEX #B1EE28

RGB 177 238 40

HSL 78.48, 0.85%, 0.55%

LAB 87.31, -44.16, 79.5

 

CMYK 24 / 0 / 77 / 0

HEX #C2FF3B

RGB 194 255 59

HSL 78.67, 1%, 0.62%

LAB 93.15, -44.43, 80.24

 

CMYK 17 / 0 / 69 / 0

HEX #D3FF4E

RGB 211 255 78

HSL 74.92, 1%, 0.65%

LAB 94.28, -37.09, 75.66

 

CMYK 11 / 0 / 62 / 0

HEX #E4FF61

RGB 228 255 97

HSL 70.25, 1%, 0.69%

LAB 95.53, -29.38, 70.18

 

CMYK 4 / 0 / 55 / 0

HEX #F5FF74

RGB 245 255 116

HSL 64.32, 1%, 0.73%

LAB 96.9, -21.4, 64.1

 

CMYK 28 / 0 / 81 / 7

HEX #ACEE2D

RGB 172 238 45

HSL 80.52, 0.85%, 0.55%

LAB 87.05, -45.84, 77.99

 

CMYK 30 / 0 / 88 / 14

HEX #9BDC1A

RGB 155 220 26

HSL 80.1, 0.79%, 0.48%

LAB 80.87, -45.04, 76.34

 

CMYK 32 / 0 / 97 / 21

HEX #8ACA07

RGB 138 202 7

HSL 79.69, 0.93%, 0.41%

LAB 74.61, -44.03, 73.4

 

CMYK 34 / 0 / 100 / 28

HEX #79B800

RGB 121 184 0

HSL 80.54, 1%, 0.36%

LAB 68.27, -42.78, 68.85

 

CMYK 37 / 0 / 100 / 35

HEX #68A600

RGB 104 166 0

HSL 82.41, 1%, 0.33%

LAB 61.84, -41.4, 63.49

 

CMYK 28 / 0 / 82 / 7

HEX #ABEE2B

RGB 171 238 43

HSL 80.62, 0.85%, 0.55%

LAB 86.99, -46.28, 78.4

 

CMYK 6 / 0 / 82 / 7

HEX #E0EE2B

RGB 224 238 43

HSL 64.31, 0.85%, 0.55%

LAB 90.4, -25.57, 82.68

 

CMYK 0 / 16 / 82 / 7

HEX #EEC72B

RGB 238 199 43

HSL 48, 0.85%, 0.55%

LAB 81.4, -0.37, 75.48

 

CMYK 0 / 38 / 82 / 7

HEX #EE932B

RGB 238 147 43

HSL 32, 0.85%, 0.55%

LAB 68.91, 26.94, 64.69

 

CMYK 0 / 61 / 82 / 7

HEX #EE5E2B

RGB 238 94 43

HSL 15.69, 0.85%, 0.55%

LAB 58.37, 53.17, 55.3

 

CMYK 28 / 0 / 82 / 7

HEX #ABEE2B

RGB 171 238 43

HSL 80.62, 0.85%, 0.55%

LAB 86.99, -46.28, 78.4

 

CMYK 50 / 0 / 82 / 7

HEX #76EE2B

RGB 118 238 43

HSL 96.92, 0.85%, 0.55%

LAB 84.57, -63.62, 75.33

 

CMYK 72 / 0 / 82 / 7

HEX #42EE2B

RGB 66 238 43

HSL 112.92, 0.85%, 0.55%

LAB 83.17, -75.12, 73.54

 

CMYK 82 / 0 / 70 / 7

HEX #2BEE48

RGB 43 238 72

HSL 128.92, 0.85%, 0.55%

LAB 82.98, -76.15, 64.25

 

CMYK 82 / 0 / 47 / 7

HEX #2BEE7D

RGB 43 238 125

HSL 145.23, 0.85%, 0.55%

LAB 83.52, -69.65, 41.83

 

CMYK 28 / 0 / 82 / 7

HEX #ABEE2B

RGB 171 238 43

HSL 80.62, 0.85%, 0.55%

LAB 86.99, -46.28, 78.4

 

CMYK 28 / 0 / 82 / 7

HEX #ABEE2B

RGB 171 238 43

HSL 80.62, 0.85%, 0.55%

LAB 86.99, -46.28, 78.4

 

CMYK 25 / 0 / 72 / 14

HEX #A5DB3D

RGB 165 219 61

HSL 80.51, 0.69%, 0.55%

LAB 81.29, -39.46, 67.76

 

CMYK 21 / 0 / 60 / 21

HEX #9FC950

RGB 159 201 80

HSL 80.83, 0.53%, 0.55%

LAB 75.9, -32.25, 54.57

 

CMYK 16 / 0 / 46 / 29

HEX #99B662

RGB 153 182 98

HSL 80.71, 0.37%, 0.55%

LAB 70.25, -23.69, 39.35

 

CMYK 10 / 0 / 29 / 36

HEX #94A475

RGB 148 164 117

HSL 80.43, 0.21%, 0.55%

LAB 65.07, -13.99, 22.58

 

CMYK 0 / 16 / 82 / 7

HEX #EEC72B

RGB 238 199 43

HSL 48, 0.85%, 0.55%

LAB 81.4, -0.37, 75.48

 

CMYK 5 / 0 / 82 / 7

HEX #E1EE2B

RGB 225 238 43

HSL 64, 0.85%, 0.55%

LAB 90.47, -25.16, 82.77

 

CMYK 27 / 0 / 82 / 7

HEX #ADEE2B

RGB 173 238 43

HSL 80, 0.85%, 0.55%

LAB 87.1, -45.54, 78.54

 

CMYK 49 / 0 / 82 / 7

HEX #79EE2B

RGB 121 238 43

HSL 96, 0.85%, 0.55%

LAB 84.68, -62.77, 75.47

 

CMYK 71 / 0 / 82 / 7

HEX #45EE2B

RGB 69 238 43

HSL 112, 0.85%, 0.55%

LAB 83.23, -74.63, 73.61

 

CMYK 31 / 0 / 92 / 28

HEX #7EB70F

RGB 126 183 15

HSL 80.36, 0.85%, 0.39%

LAB 68.27, -40.22, 67.12

 

CMYK 31 / 0 / 92 / 13

HEX #98DD12

RGB 152 221 18

HSL 80.39, 0.85%, 0.47%

LAB 80.98, -46.74, 77.58

 

CMYK 28 / 0 / 82 / 7

HEX #ABEE2B

RGB 171 238 43

HSL 80.62, 0.85%, 0.55%

LAB 86.99, -46.28, 78.4

 

CMYK 23 / 0 / 66 / 5

HEX #BAF151

RGB 186 241 81

HSL 80.63, 0.85%, 0.63%

LAB 88.9, -40.1, 68.6

 

CMYK 18 / 0 / 51 / 4

HEX #C9F477

RGB 201 244 119

HSL 80.64, 0.85%, 0.71%

LAB 90.99, -32.78, 55.12

 

CMYK 28 / 0 / 81 / 7

HEX #ACEE2D

RGB 172 238 45

HSL 80.52, 0.85%, 0.55%

LAB 87.05, -45.84, 77.99

 

CMYK 82 / 0 / 38 / 7

HEX #2BEE93

RGB 43 238 147

HSL 152, 0.85%, 0.55%

LAB 83.85, -65.82, 31.37

 

CMYK 5 / 82 / 0 / 7

HEX #E12BEE

RGB 225 43 238

HSL 296, 0.85%, 0.55%

LAB 56, 86.03, -58.57

 

CMYK 28 / 0 / 81 / 7

HEX #ACEE2D

RGB 172 238 45

HSL 80.52, 0.85%, 0.55%

LAB 87.05, -45.84, 77.99

 

CMYK 82 / 27 / 0 / 7

HEX #2BADEE

RGB 43 173 238

HSL 200, 0.85%, 0.55%

LAB 66.96, -12.02, -42.06

 

CMYK 0 / 82 / 27 / 7

HEX #EE2BAD

RGB 238 43 173

HSL 320, 0.85%, 0.55%

LAB 54.99, 79.81, -22.79

 

CMYK 28 / 0 / 81 / 7

HEX #ACEE2D

RGB 172 238 45

HSL 80.52, 0.85%, 0.55%

LAB 87.05, -45.84, 77.99

 

CMYK 82 / 0 / 38 / 7

HEX #2BEE93

RGB 43 238 147

HSL 152, 0.85%, 0.55%

LAB 83.85, -65.82, 31.37

 

CMYK 55 / 82 / 0 / 7

HEX #6C2BEE

RGB 108 43 238

HSL 260, 0.85%, 0.55%

LAB 39.73, 69, -85.76

 

CMYK 0 / 82 / 44 / 7

HEX #EE2B86

RGB 238 43 134

HSL 332, 0.85%, 0.55%

LAB 53.63, 75.9, -1.76

 

CMYK 28 / 0 / 81 / 7

HEX #ACEE2D

RGB 172 238 45

HSL 80.52, 0.85%, 0.55%

LAB 87.05, -45.84, 77.99

 

CMYK 82 / 0 / 14 / 7

HEX #2BEECD

RGB 43 238 205

HSL 169.85, 0.85%, 0.55%

LAB 85.03, -52.87, 3.02

 

CMYK 55 / 82 / 0 / 7

HEX #6C2BEE

RGB 108 43 238

HSL 260, 0.85%, 0.55%

LAB 39.73, 69, -85.76

 

CMYK 0 / 82 / 68 / 7

HEX #EE2B4B

RGB 238 43 75

HSL 350.15, 0.85%, 0.55%

LAB 52.3, 71.97, 31.86

 

Description

Color code: HEX #ACEE2D | qconv.com Color code: HEX #ACEE2D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 238 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 238 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 81 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 81% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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