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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACED6D it is the complementary color #531292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACED6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACED6D shade: #B1ED68, #C2FF7B, #D3FF8E, #E4FFA1 and #F5FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACED6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACED6D shade: #ACED6D, #9BDB5A, #8AC947, #79B734 and #68A521

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACED6D shade: #ACED6E, #CFED6E, #EDE96E, #EDC76E and #EDA46E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACED6D shade: #ACED6E, #8AED6E, #6EED74, #6EED96 and #6EEDB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACED6D shade matches the following richer shades: #ACED6E and #ACFA61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACED6D shade: #ACED6E, #ADE07B, #ADD388, #ADC595 and #ADB8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACED6D shade: #EDE96E, #CFED6E, #ADED6E, #8BED6E and #6EED72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACED6D shade: #83E424, #98E949, #ACED6E, #C1F292 and #D6F6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACED6D shade: #ACED6D, #6EEDC7 and #ED6EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACED6D shade: #ACED6D, #6EADED and #ED6EAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACED6D shade: #ACED6D, #6EEDC7, #AD6EED and #ED6E94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACED6D shade: #ACED6D, #6EEDED, #AD6EED and #ED6E6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 54 / 7

HEX #ACED6D

RGB 172 237 109

HSL 90.47, 0.78%, 0.68%

LAB 87.21, -41.1, 54.79

 

Complementary color

CMYK 43 / 88 / 0 / 43

HEX #531292

RGB 83 18 146

HSL 270.47, 0.78%, 0.32%

LAB 24.79, 51.85, -56.19

 

CMYK 25 / 0 / 56 / 7

HEX #B1ED68

RGB 177 237 104

HSL 87.07, 0.79%, 0.67%

LAB 87.44, -39.81, 57.37

 

CMYK 24 / 0 / 52 / 0

HEX #C2FF7B

RGB 194 255 123

HSL 87.73, 1%, 0.74%

LAB 93.63, -39.9, 56.34

 

CMYK 17 / 0 / 44 / 0

HEX #D3FF8E

RGB 211 255 142

HSL 83.36, 1%, 0.78%

LAB 94.87, -31.8, 49.26

 

CMYK 11 / 0 / 37 / 0

HEX #E4FFA1

RGB 228 255 161

HSL 77.23, 1%, 0.82%

LAB 96.24, -23.43, 42.05

 

CMYK 4 / 0 / 29 / 0

HEX #F5FFB4

RGB 245 255 180

HSL 68, 1%, 0.85%

LAB 97.72, -14.87, 34.83

 

CMYK 27 / 0 / 54 / 7

HEX #ACED6D

RGB 172 237 109

HSL 90.47, 0.78%, 0.68%

LAB 87.21, -41.1, 54.79

 

CMYK 29 / 0 / 59 / 14

HEX #9BDB5A

RGB 155 219 90

HSL 89.77, 0.64%, 0.61%

LAB 80.94, -41.01, 55.79

 

CMYK 31 / 0 / 65 / 21

HEX #8AC947

RGB 138 201 71

HSL 89.08, 0.55%, 0.53%

LAB 74.59, -40.83, 56.61

 

CMYK 34 / 0 / 72 / 28

HEX #79B734

RGB 121 183 52

HSL 88.4, 0.56%, 0.46%

LAB 68.15, -40.51, 57.08

 

CMYK 37 / 0 / 80 / 35

HEX #68A521

RGB 104 165 33

HSL 87.73, 0.67%, 0.39%

LAB 61.62, -39.99, 56.9

 

CMYK 27 / 0 / 54 / 7

HEX #ACED6E

RGB 172 237 110

HSL 90.71, 0.78%, 0.68%

LAB 87.22, -41, 54.35

 

CMYK 13 / 0 / 54 / 7

HEX #CFED6E

RGB 207 237 110

HSL 74.17, 0.78%, 0.68%

LAB 89.37, -28.08, 57.41

 

CMYK 0 / 2 / 54 / 7

HEX #EDE96E

RGB 237 233 110

HSL 58.11, 0.78%, 0.68%

LAB 90.51, -14.37, 59.29

 

CMYK 0 / 16 / 54 / 7

HEX #EDC76E

RGB 237 199 110

HSL 42.05, 0.78%, 0.68%

LAB 81.83, 2.83, 49.1

 

CMYK 0 / 31 / 54 / 7

HEX #EDA46E

RGB 237 164 110

HSL 25.51, 0.78%, 0.68%

LAB 73.34, 21.26, 38.7

 

CMYK 27 / 0 / 54 / 7

HEX #ACED6E

RGB 172 237 110

HSL 90.71, 0.78%, 0.68%

LAB 87.22, -41, 54.35

 

CMYK 42 / 0 / 54 / 7

HEX #8AED6E

RGB 138 237 110

HSL 106.77, 0.78%, 0.68%

LAB 85.55, -52.17, 51.96

 

CMYK 54 / 0 / 51 / 7

HEX #6EED74

RGB 110 237 116

HSL 122.83, 0.78%, 0.68%

LAB 84.56, -59.16, 47.73

 

CMYK 54 / 0 / 37 / 7

HEX #6EED96

RGB 110 237 150

HSL 138.9, 0.78%, 0.68%

LAB 85.04, -54.02, 31.71

 

CMYK 54 / 0 / 22 / 7

HEX #6EEDB8

RGB 110 237 184

HSL 154.96, 0.78%, 0.68%

LAB 85.68, -47.51, 15.11

 

CMYK 27 / 0 / 54 / 7

HEX #ACED6E

RGB 172 237 110

HSL 90.71, 0.78%, 0.68%

LAB 87.22, -41, 54.35

 

CMYK 31 / 0 / 61 / 2

HEX #ACFA61

RGB 172 250 97

HSL 90.59, 0.94%, 0.68%

LAB 90.78, -47.8, 64.05

 

CMYK 27 / 0 / 54 / 7

HEX #ACED6E

RGB 172 237 110

HSL 90.71, 0.78%, 0.68%

LAB 87.22, -41, 54.35

 

CMYK 23 / 0 / 45 / 12

HEX #ADE07B

RGB 173 224 123

HSL 90.3, 0.62%, 0.68%

LAB 83.77, -33.36, 44.06

 

CMYK 18 / 0 / 36 / 17

HEX #ADD388

RGB 173 211 136

HSL 90.4, 0.46%, 0.68%

LAB 80.32, -25.56, 33.14

 

CMYK 12 / 0 / 24 / 23

HEX #ADC595

RGB 173 197 149

HSL 90, 0.29%, 0.68%

LAB 76.67, -16.73, 21.44

 

CMYK 6 / 0 / 11 / 28

HEX #ADB8A3

RGB 173 184 163

HSL 91.43, 0.13%, 0.68%

LAB 73.42, -7.69, 9.36

 

CMYK 0 / 2 / 54 / 7

HEX #EDE96E

RGB 237 233 110

HSL 58.11, 0.78%, 0.68%

LAB 90.51, -14.37, 59.29

 

CMYK 13 / 0 / 54 / 7

HEX #CFED6E

RGB 207 237 110

HSL 74.17, 0.78%, 0.68%

LAB 89.37, -28.08, 57.41

 

CMYK 27 / 0 / 54 / 7

HEX #ADED6E

RGB 173 237 110

HSL 90.24, 0.78%, 0.68%

LAB 87.28, -40.65, 54.43

 

CMYK 41 / 0 / 54 / 7

HEX #8BED6E

RGB 139 237 110

HSL 106.3, 0.78%, 0.68%

LAB 85.6, -51.87, 52.03

 

CMYK 54 / 0 / 52 / 7

HEX #6EED72

RGB 110 237 114

HSL 121.89, 0.78%, 0.68%

LAB 84.53, -59.42, 48.64

 

CMYK 43 / 0 / 84 / 11

HEX #83E424

RGB 131 228 36

HSL 90.31, 0.78%, 0.52%

LAB 82.08, -56.28, 74.94

 

CMYK 35 / 0 / 69 / 9

HEX #98E949

RGB 152 233 73

HSL 90.38, 0.78%, 0.6%

LAB 84.71, -49.38, 66.68

 

CMYK 27 / 0 / 54 / 7

HEX #ACED6E

RGB 172 237 110

HSL 90.71, 0.78%, 0.68%

LAB 87.22, -41, 54.35

 

CMYK 20 / 0 / 40 / 5

HEX #C1F292

RGB 193 242 146

HSL 90.63, 0.79%, 0.76%

LAB 90.28, -31.76, 41.29

 

CMYK 13 / 0 / 26 / 4

HEX #D6F6B7

RGB 214 246 183

HSL 90.48, 0.78%, 0.84%

LAB 93.29, -21.19, 26.96

 

CMYK 27 / 0 / 54 / 7

HEX #ACED6D

RGB 172 237 109

HSL 90.47, 0.78%, 0.68%

LAB 87.21, -41.1, 54.79

 

CMYK 54 / 0 / 16 / 7

HEX #6EEDC7

RGB 110 237 199

HSL 162.05, 0.78%, 0.68%

LAB 86.01, -44.24, 7.75

 

CMYK 0 / 54 / 5 / 7

HEX #ED6EE0

RGB 237 110 224

HSL 306.14, 0.78%, 0.68%

LAB 65.39, 63.19, -35.79

 

CMYK 27 / 0 / 54 / 7

HEX #ACED6D

RGB 172 237 109

HSL 90.47, 0.78%, 0.68%

LAB 87.21, -41.1, 54.79

 

CMYK 54 / 27 / 0 / 7

HEX #6EADED

RGB 110 173 237

HSL 210.24, 0.78%, 0.68%

LAB 68.98, -2.33, -38.2

 

CMYK 0 / 54 / 27 / 7

HEX #ED6EAD

RGB 237 110 173

HSL 330.24, 0.78%, 0.68%

LAB 63.49, 55.68, -9.93

 

CMYK 27 / 0 / 54 / 7

HEX #ACED6D

RGB 172 237 109

HSL 90.47, 0.78%, 0.68%

LAB 87.21, -41.1, 54.79

 

CMYK 54 / 0 / 16 / 7

HEX #6EEDC7

RGB 110 237 199

HSL 162.05, 0.78%, 0.68%

LAB 86.01, -44.24, 7.75

 

CMYK 27 / 54 / 0 / 7

HEX #AD6EED

RGB 173 110 237

HSL 269.76, 0.78%, 0.68%

LAB 58.18, 48.91, -54.92

 

CMYK 0 / 54 / 38 / 7

HEX #ED6E94

RGB 237 110 148

HSL 342.05, 0.78%, 0.68%

LAB 62.76, 52.66, 3.31

 

CMYK 27 / 0 / 54 / 7

HEX #ACED6D

RGB 172 237 109

HSL 90.47, 0.78%, 0.68%

LAB 87.21, -41.1, 54.79

 

CMYK 54 / 0 / 0 / 7

HEX #6EEDED

RGB 110 237 237

HSL 180, 0.78%, 0.68%

LAB 87, -35.01, -10.74

 

CMYK 27 / 54 / 0 / 7

HEX #AD6EED

RGB 173 110 237

HSL 269.76, 0.78%, 0.68%

LAB 58.18, 48.91, -54.92

 

CMYK 0 / 54 / 54 / 7

HEX #ED6E6E

RGB 237 110 110

HSL 0, 0.78%, 0.68%

LAB 61.9, 49.01, 23.9

 

Description

Color code: HEX #ACED6D | qconv.com Color code: HEX #ACED6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 237 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 237 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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