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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACEC6D it is the complementary color #531392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACEC6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACEC6D shade: #B1EC68, #C2FE7B, #D3FF8E, #E4FFA1 and #F5FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACEC6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACEC6D shade: #ACEC6D, #9BDA5A, #8AC847, #79B634 and #68A421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACEC6D shade: #ADEC6F, #CFEC6F, #ECE86F, #ECC66F and #ECA46F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACEC6D shade: #ADEC6F, #8BEC6F, #6FEC74, #6FEC96 and #6FECB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACEC6D shade matches the following richer shades: #ADEC6F and #ADF961

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACEC6D shade: #ADEC6F, #ADDF7C, #ADD289, #ADC596 and #ADB7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACEC6D shade: #ECE86F, #CFEC6F, #ADEC6F, #8CEC6F and #6FEC73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACEC6D shade: #83E326, #98E74A, #ADEC6F, #C2F193 and #D6F6B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACEC6D shade: #ACEC6D, #6FECC7 and #EC6FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACEC6D shade: #ACEC6D, #6FADEC and #EC6FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACEC6D shade: #ACEC6D, #6FECC7, #AD6FEC and #EC6F94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACEC6D shade: #ACEC6D, #6FECEC, #AD6FEC and #EC6F6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 54 / 7

HEX #ACEC6D

RGB 172 236 109

HSL 90.24, 0.77%, 0.68%

LAB 86.93, -40.66, 54.46

 

Complementary color

CMYK 43 / 87 / 0 / 43

HEX #531392

RGB 83 19 146

HSL 270.24, 0.77%, 0.32%

LAB 24.89, 51.55, -56.02

 

CMYK 25 / 0 / 56 / 7

HEX #B1EC68

RGB 177 236 104

HSL 86.82, 0.78%, 0.67%

LAB 87.16, -39.36, 57.04

 

CMYK 24 / 0 / 52 / 0

HEX #C2FE7B

RGB 194 254 123

HSL 87.48, 0.98%, 0.74%

LAB 93.36, -39.45, 56.02

 

CMYK 17 / 0 / 44 / 0

HEX #D3FF8E

RGB 211 255 142

HSL 83.36, 1%, 0.78%

LAB 94.87, -31.8, 49.26

 

CMYK 11 / 0 / 37 / 0

HEX #E4FFA1

RGB 228 255 161

HSL 77.23, 1%, 0.82%

LAB 96.24, -23.43, 42.05

 

CMYK 4 / 0 / 29 / 0

HEX #F5FFB4

RGB 245 255 180

HSL 68, 1%, 0.85%

LAB 97.72, -14.87, 34.83

 

CMYK 27 / 0 / 54 / 7

HEX #ACEC6D

RGB 172 236 109

HSL 90.24, 0.77%, 0.68%

LAB 86.93, -40.66, 54.46

 

CMYK 29 / 0 / 59 / 15

HEX #9BDA5A

RGB 155 218 90

HSL 89.53, 0.63%, 0.6%

LAB 80.66, -40.57, 55.46

 

CMYK 31 / 0 / 65 / 22

HEX #8AC847

RGB 138 200 71

HSL 88.84, 0.54%, 0.53%

LAB 74.3, -40.39, 56.29

 

CMYK 34 / 0 / 71 / 29

HEX #79B634

RGB 121 182 52

HSL 88.15, 0.56%, 0.46%

LAB 67.85, -40.07, 56.78

 

CMYK 37 / 0 / 80 / 36

HEX #68A421

RGB 104 164 33

HSL 87.48, 0.66%, 0.39%

LAB 61.31, -39.56, 56.61

 

CMYK 27 / 0 / 53 / 7

HEX #ADEC6F

RGB 173 236 111

HSL 90.24, 0.77%, 0.68%

LAB 87.01, -40.11, 53.66

 

CMYK 12 / 0 / 53 / 7

HEX #CFEC6F

RGB 207 236 111

HSL 73.92, 0.77%, 0.68%

LAB 89.11, -27.53, 56.66

 

CMYK 0 / 2 / 53 / 7

HEX #ECE86F

RGB 236 232 111

HSL 58.08, 0.77%, 0.68%

LAB 90.18, -14.2, 58.44

 

CMYK 0 / 16 / 53 / 7

HEX #ECC66F

RGB 236 198 111

HSL 41.76, 0.77%, 0.68%

LAB 81.49, 3.02, 48.19

 

CMYK 0 / 31 / 53 / 7

HEX #ECA46F

RGB 236 164 111

HSL 25.44, 0.77%, 0.68%

LAB 73.24, 20.94, 38.03

 

CMYK 27 / 0 / 53 / 7

HEX #ADEC6F

RGB 173 236 111

HSL 90.24, 0.77%, 0.68%

LAB 87.01, -40.11, 53.66

 

CMYK 41 / 0 / 53 / 7

HEX #8BEC6F

RGB 139 236 111

HSL 106.56, 0.77%, 0.68%

LAB 85.32, -51.35, 51.23

 

CMYK 53 / 0 / 51 / 7

HEX #6FEC74

RGB 111 236 116

HSL 122.4, 0.77%, 0.68%

LAB 84.29, -58.53, 47.42

 

CMYK 53 / 0 / 36 / 7

HEX #6FEC96

RGB 111 236 150

HSL 138.72, 0.77%, 0.68%

LAB 84.78, -53.38, 31.36

 

CMYK 53 / 0 / 22 / 7

HEX #6FECB8

RGB 111 236 184

HSL 155.04, 0.77%, 0.68%

LAB 85.42, -46.87, 14.75

 

CMYK 27 / 0 / 53 / 7

HEX #ADEC6F

RGB 173 236 111

HSL 90.24, 0.77%, 0.68%

LAB 87.01, -40.11, 53.66

 

CMYK 31 / 0 / 61 / 2

HEX #ADF961

RGB 173 249 97

HSL 90, 0.93%, 0.68%

LAB 90.55, -47.04, 63.81

 

CMYK 27 / 0 / 53 / 7

HEX #ADEC6F

RGB 173 236 111

HSL 90.24, 0.77%, 0.68%

LAB 87.01, -40.11, 53.66

 

CMYK 22 / 0 / 44 / 13

HEX #ADDF7C

RGB 173 223 124

HSL 90.3, 0.61%, 0.68%

LAB 83.5, -32.78, 43.23

 

CMYK 18 / 0 / 35 / 18

HEX #ADD289

RGB 173 210 137

HSL 90.41, 0.45%, 0.68%

LAB 80.06, -24.94, 32.28

 

CMYK 12 / 0 / 24 / 23

HEX #ADC596

RGB 173 197 150

HSL 90.64, 0.29%, 0.68%

LAB 76.69, -16.57, 20.94

 

CMYK 5 / 0 / 11 / 28

HEX #ADB7A3

RGB 173 183 163

HSL 90, 0.12%, 0.68%

LAB 73.15, -7.17, 8.98

 

CMYK 0 / 2 / 53 / 7

HEX #ECE86F

RGB 236 232 111

HSL 58.08, 0.77%, 0.68%

LAB 90.18, -14.2, 58.44

 

CMYK 12 / 0 / 53 / 7

HEX #CFEC6F

RGB 207 236 111

HSL 73.92, 0.77%, 0.68%

LAB 89.11, -27.53, 56.66

 

CMYK 27 / 0 / 53 / 7

HEX #ADEC6F

RGB 173 236 111

HSL 90.24, 0.77%, 0.68%

LAB 87.01, -40.11, 53.66

 

CMYK 41 / 0 / 53 / 7

HEX #8CEC6F

RGB 140 236 111

HSL 106.08, 0.77%, 0.68%

LAB 85.36, -51.04, 51.3

 

CMYK 53 / 0 / 51 / 7

HEX #6FEC73

RGB 111 236 115

HSL 121.92, 0.77%, 0.68%

LAB 84.28, -58.66, 47.87

 

CMYK 42 / 0 / 83 / 11

HEX #83E326

RGB 131 227 38

HSL 90.48, 0.77%, 0.52%

LAB 81.79, -55.82, 74.23

 

CMYK 34 / 0 / 68 / 9

HEX #98E74A

RGB 152 231 74

HSL 90.19, 0.77%, 0.6%

LAB 84.13, -48.48, 65.71

 

CMYK 27 / 0 / 53 / 7

HEX #ADEC6F

RGB 173 236 111

HSL 90.24, 0.77%, 0.68%

LAB 87.01, -40.11, 53.66

 

CMYK 20 / 0 / 39 / 5

HEX #C2F193

RGB 194 241 147

HSL 90, 0.77%, 0.76%

LAB 90.08, -30.81, 40.55

 

CMYK 13 / 0 / 25 / 4

HEX #D6F6B8

RGB 214 246 184

HSL 90.97, 0.78%, 0.84%

LAB 93.31, -21.04, 26.48

 

CMYK 27 / 0 / 54 / 7

HEX #ACEC6D

RGB 172 236 109

HSL 90.24, 0.77%, 0.68%

LAB 86.93, -40.66, 54.46

 

CMYK 53 / 0 / 16 / 7

HEX #6FECC7

RGB 111 236 199

HSL 162.24, 0.77%, 0.68%

LAB 85.75, -43.6, 7.39

 

CMYK 0 / 53 / 5 / 7

HEX #EC6FE0

RGB 236 111 224

HSL 305.76, 0.77%, 0.68%

LAB 65.42, 62.47, -35.74

 

CMYK 27 / 0 / 54 / 7

HEX #ACEC6D

RGB 172 236 109

HSL 90.24, 0.77%, 0.68%

LAB 86.93, -40.66, 54.46

 

CMYK 53 / 27 / 0 / 7

HEX #6FADEC

RGB 111 173 236

HSL 210.24, 0.77%, 0.68%

LAB 68.98, -2.42, -37.64

 

CMYK 0 / 53 / 27 / 7

HEX #EC6FAD

RGB 236 111 173

HSL 330.24, 0.77%, 0.68%

LAB 63.52, 54.9, -9.89

 

CMYK 27 / 0 / 54 / 7

HEX #ACEC6D

RGB 172 236 109

HSL 90.24, 0.77%, 0.68%

LAB 86.93, -40.66, 54.46

 

CMYK 53 / 0 / 16 / 7

HEX #6FECC7

RGB 111 236 199

HSL 162.24, 0.77%, 0.68%

LAB 85.75, -43.6, 7.39

 

CMYK 27 / 53 / 0 / 7

HEX #AD6FEC

RGB 173 111 236

HSL 269.76, 0.77%, 0.68%

LAB 58.33, 48.15, -54.12

 

CMYK 0 / 53 / 37 / 7

HEX #EC6F94

RGB 236 111 148

HSL 342.24, 0.77%, 0.68%

LAB 62.79, 51.86, 3.35

 

CMYK 27 / 0 / 54 / 7

HEX #ACEC6D

RGB 172 236 109

HSL 90.24, 0.77%, 0.68%

LAB 86.93, -40.66, 54.46

 

CMYK 53 / 0 / 0 / 7

HEX #6FECEC

RGB 111 236 236

HSL 180, 0.77%, 0.68%

LAB 86.71, -34.61, -10.63

 

CMYK 27 / 53 / 0 / 7

HEX #AD6FEC

RGB 173 111 236

HSL 269.76, 0.77%, 0.68%

LAB 58.33, 48.15, -54.12

 

CMYK 0 / 53 / 53 / 7

HEX #EC6F6F

RGB 236 111 111

HSL 0, 0.77%, 0.68%

LAB 61.95, 48.26, 23.39

 

Description

Color code: HEX #ACEC6D | qconv.com Color code: HEX #ACEC6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 236 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 236 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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