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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACEBEF it is the complementary color #531410. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACEBEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACEBEF shade: #B1EBEA, #C2FDFD, #D3FFFF, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACEBEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACEBEF shade: #ACEBEF, #9BD9DC, #8AC7C9, #79B5B6 and #68A3A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACEBEF shade: #AEECEF, #AEDAEF, #AEC8EF, #AEB6EF and #B7AEEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACEBEF shade: #AEECEF, #AEDAEF, #AEC8EF, #AEB6EF and #AEAEEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACEBEF shade matches the following richer shades: #AEECEF and #A6F2F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACEBEF shade: #AEECEF, #B5E5E8, #BDDEE0, #C5D7D8 and #CDD0D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACEBEF shade: #AEEFD0, #AEEFE1, #AEECEF, #AEDBEF and #AEC9EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACEBEF shade: #68DBE2, #8BE3E9, #AEECEF, #D0F4F6 and #F3FCFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACEBEF shade: #ACEBEF, #BEAEEF and #EFD8AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACEBEF shade: #ACEBEF, #EFAEEC and #ECEFAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACEBEF shade: #ACEBEF, #BEAEEF, #EFB1AE and #DFEFAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACEBEF shade: #ACEBEF, #D2AEEF, #EFB1AE and #CBEFAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 2 / 0 / 6

HEX #ACEBEF

RGB 172 235 239

HSL 183.58, 0.68%, 0.81%

LAB 89.12, -18.77, -8.34

 

Complementary color

CMYK 0 / 76 / 81 / 67

HEX #531410

RGB 83 20 16

HSL 3.58, 0.68%, 0.19%

LAB 17.35, 28.86, 19.29

 

CMYK 25 / 0 / 0 / 8

HEX #B1EBEA

RGB 177 235 234

HSL 178.97, 0.59%, 0.81%

LAB 89.25, -18.45, -5.5

 

CMYK 23 / 0 / 0 / 1

HEX #C2FDFD

RGB 194 253 253

HSL 180, 0.94%, 0.88%

LAB 95.5, -18.36, -6.04

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 28 / 2 / 0 / 6

HEX #ACEBEF

RGB 172 235 239

HSL 183.58, 0.68%, 0.81%

LAB 89.12, -18.77, -8.34

 

CMYK 30 / 1 / 0 / 14

HEX #9BD9DC

RGB 155 217 220

HSL 182.77, 0.48%, 0.74%

LAB 82.79, -18.84, -7.81

 

CMYK 31 / 1 / 0 / 21

HEX #8AC7C9

RGB 138 199 201

HSL 181.9, 0.37%, 0.66%

LAB 76.36, -18.92, -7.26

 

CMYK 34 / 1 / 0 / 29

HEX #79B5B6

RGB 121 181 182

HSL 180.98, 0.29%, 0.59%

LAB 69.82, -19, -6.69

 

CMYK 36 / 0 / 0 / 36

HEX #68A3A3

RGB 104 163 163

HSL 180, 0.24%, 0.52%

LAB 63.16, -19.09, -6.09

 

CMYK 27 / 1 / 0 / 6

HEX #AEECEF

RGB 174 236 239

HSL 182.77, 0.67%, 0.81%

LAB 89.5, -18.7, -7.77

 

CMYK 27 / 9 / 0 / 6

HEX #AEDAEF

RGB 174 218 239

HSL 199.38, 0.67%, 0.81%

LAB 84.68, -9.59, -14.96

 

CMYK 27 / 16 / 0 / 6

HEX #AEC8EF

RGB 174 200 239

HSL 216, 0.67%, 0.81%

LAB 79.92, -0.13, -22.14

 

CMYK 27 / 24 / 0 / 6

HEX #AEB6EF

RGB 174 182 239

HSL 232.62, 0.67%, 0.81%

LAB 75.26, 9.65, -29.27

 

CMYK 23 / 27 / 0 / 6

HEX #B7AEEF

RGB 183 174 239

HSL 248.31, 0.67%, 0.81%

LAB 73.91, 16.72, -31.27

 

CMYK 27 / 1 / 0 / 6

HEX #AEECEF

RGB 174 236 239

HSL 182.77, 0.67%, 0.81%

LAB 89.5, -18.7, -7.77

 

CMYK 27 / 9 / 0 / 6

HEX #AEDAEF

RGB 174 218 239

HSL 199.38, 0.67%, 0.81%

LAB 84.68, -9.59, -14.96

 

CMYK 27 / 16 / 0 / 6

HEX #AEC8EF

RGB 174 200 239

HSL 216, 0.67%, 0.81%

LAB 79.92, -0.13, -22.14

 

CMYK 27 / 24 / 0 / 6

HEX #AEB6EF

RGB 174 182 239

HSL 232.62, 0.67%, 0.81%

LAB 75.26, 9.65, -29.27

 

CMYK 27 / 27 / 0 / 6

HEX #AEAEEF

RGB 174 174 239

HSL 240, 0.67%, 0.81%

LAB 73.22, 14.07, -32.4

 

CMYK 27 / 1 / 0 / 6

HEX #AEECEF

RGB 174 236 239

HSL 182.77, 0.67%, 0.81%

LAB 89.5, -18.7, -7.77

 

CMYK 33 / 2 / 0 / 3

HEX #A6F2F7

RGB 166 242 247

HSL 183.7, 0.84%, 0.81%

LAB 90.93, -22.05, -9.87

 

CMYK 27 / 1 / 0 / 6

HEX #AEECEF

RGB 174 236 239

HSL 182.77, 0.67%, 0.81%

LAB 89.5, -18.7, -7.77

 

CMYK 22 / 1 / 0 / 9

HEX #B5E5E8

RGB 181 229 232

HSL 183.53, 0.53%, 0.81%

LAB 87.82, -14.7, -6.54

 

CMYK 16 / 1 / 0 / 12

HEX #BDDEE0

RGB 189 222 224

HSL 183.43, 0.36%, 0.81%

LAB 86.23, -10.38, -4.62

 

CMYK 9 / 0 / 0 / 15

HEX #C5D7D8

RGB 197 215 216

HSL 183.16, 0.2%, 0.81%

LAB 84.7, -5.82, -2.57

 

CMYK 1 / 0 / 0 / 18

HEX #CDD0D0

RGB 205 208 208

HSL 180, 0.03%, 0.81%

LAB 83.26, -1.02, -0.37

 

CMYK 27 / 0 / 13 / 6

HEX #AEEFD0

RGB 174 239 208

HSL 151.38, 0.67%, 0.81%

LAB 89.53, -26.64, 8.46

 

CMYK 27 / 0 / 6 / 6

HEX #AEEFE1

RGB 174 239 225

HSL 167.08, 0.67%, 0.81%

LAB 89.94, -23.2, 0.19

 

CMYK 27 / 1 / 0 / 6

HEX #AEECEF

RGB 174 236 239

HSL 182.77, 0.67%, 0.81%

LAB 89.5, -18.7, -7.77

 

CMYK 27 / 8 / 0 / 6

HEX #AEDBEF

RGB 174 219 239

HSL 198.46, 0.67%, 0.81%

LAB 84.94, -10.1, -14.56

 

CMYK 27 / 16 / 0 / 6

HEX #AEC9EF

RGB 174 201 239

HSL 215.08, 0.67%, 0.81%

LAB 80.18, -0.66, -21.74

 

CMYK 54 / 3 / 0 / 11

HEX #68DBE2

RGB 104 219 226

HSL 183.44, 0.68%, 0.65%

LAB 81.34, -30.56, -13.38

 

CMYK 40 / 3 / 0 / 9

HEX #8BE3E9

RGB 139 227 233

HSL 183.83, 0.68%, 0.73%

LAB 85.15, -24.92, -11.26

 

CMYK 27 / 1 / 0 / 6

HEX #AEECEF

RGB 174 236 239

HSL 182.77, 0.67%, 0.81%

LAB 89.5, -18.7, -7.77

 

CMYK 15 / 1 / 0 / 4

HEX #D0F4F6

RGB 208 244 246

HSL 183.16, 0.68%, 0.89%

LAB 93.78, -11.16, -4.87

 

CMYK 4 / 0 / 0 / 1

HEX #F3FCFD

RGB 243 252 253

HSL 186, 0.71%, 0.97%

LAB 98.34, -2.76, -1.51

 

CMYK 28 / 2 / 0 / 6

HEX #ACEBEF

RGB 172 235 239

HSL 183.58, 0.68%, 0.81%

LAB 89.12, -18.77, -8.34

 

CMYK 21 / 27 / 0 / 6

HEX #BEAEEF

RGB 190 174 239

HSL 254.77, 0.67%, 0.81%

LAB 74.48, 18.82, -30.36

 

CMYK 0 / 10 / 27 / 6

HEX #EFD8AE

RGB 239 216 174

HSL 38.77, 0.67%, 0.81%

LAB 87.25, 1.69, 23.63

 

CMYK 28 / 2 / 0 / 6

HEX #ACEBEF

RGB 172 235 239

HSL 183.58, 0.68%, 0.81%

LAB 89.12, -18.77, -8.34

 

CMYK 0 / 27 / 1 / 6

HEX #EFAEEC

RGB 239 174 236

HSL 302.77, 0.67%, 0.81%

LAB 78.86, 33.62, -21.64

 

CMYK 1 / 0 / 27 / 6

HEX #ECEFAE

RGB 236 239 174

HSL 62.77, 0.67%, 0.81%

LAB 92.85, -11.08, 31.2

 

CMYK 28 / 2 / 0 / 6

HEX #ACEBEF

RGB 172 235 239

HSL 183.58, 0.68%, 0.81%

LAB 89.12, -18.77, -8.34

 

CMYK 21 / 27 / 0 / 6

HEX #BEAEEF

RGB 190 174 239

HSL 254.77, 0.67%, 0.81%

LAB 74.48, 18.82, -30.36

 

CMYK 0 / 26 / 27 / 6

HEX #EFB1AE

RGB 239 177 174

HSL 2.77, 0.67%, 0.81%

LAB 77.79, 22.17, 10.4

 

CMYK 7 / 0 / 27 / 6

HEX #DFEFAE

RGB 223 239 174

HSL 74.77, 0.67%, 0.81%

LAB 91.9, -15.84, 29.76

 

CMYK 28 / 2 / 0 / 6

HEX #ACEBEF

RGB 172 235 239

HSL 183.58, 0.68%, 0.81%

LAB 89.12, -18.77, -8.34

 

CMYK 12 / 27 / 0 / 6

HEX #D2AEEF

RGB 210 174 239

HSL 273.23, 0.67%, 0.81%

LAB 76.2, 24.98, -27.57

 

CMYK 0 / 26 / 27 / 6

HEX #EFB1AE

RGB 239 177 174

HSL 2.77, 0.67%, 0.81%

LAB 77.79, 22.17, 10.4

 

CMYK 15 / 0 / 27 / 6

HEX #CBEFAE

RGB 203 239 174

HSL 93.23, 0.67%, 0.81%

LAB 90.54, -22.98, 27.7

 

Description

Color code: HEX #ACEBEF | qconv.com Color code: HEX #ACEBEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 235 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 235 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 2 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 2% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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