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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACEB57 it is the complementary color #5314A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACEB57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACEB57 shade: #B1EB52, #C2FD65, #D3FF78, #E4FF8B and #F5FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACEB57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACEB57 shade: #ACEB57, #9BD944, #8AC731, #79B51E and #68A30B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACEB57 shade: #ACEB56, #D4EB56, #EBDA56, #EBB256 and #EB8A56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACEB57 shade: #ACEB56, #84EB56, #5BEB56, #56EB79 and #56EBA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACEB57 shade matches the following richer shades: #ACEB56 and #AEFA47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACEB57 shade: #ACEB56, #A9DC65, #A7CD75, #A5BD84 and #A3AE93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACEB57 shade: #EBDA56, #D5EB56, #ADEB56, #85EB56 and #5EEB56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACEB57 shade: #85D619, #9AE731, #ACEB56, #BEF07B and #D0F4A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACEB57 shade: #ACEB57, #56EBB2 and #EB56E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACEB57 shade: #ACEB57, #56ADEB and #EB56AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACEB57 shade: #ACEB57, #56EBB2, #9456EB and #EB568F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACEB57 shade: #ACEB57, #56EBDF, #9456EB and #EB5663

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 63 / 8

HEX #ACEB57

RGB 172 235 87

HSL 85.54, 0.79%, 0.63%

LAB 86.44, -42.17, 63.4

 

Complementary color

CMYK 51 / 88 / 0 / 34

HEX #5314A8

RGB 83 20 168

HSL 265.54, 0.79%, 0.37%

LAB 27.2, 56.59, -65.66

 

CMYK 25 / 0 / 65 / 8

HEX #B1EB52

RGB 177 235 82

HSL 82.75, 0.79%, 0.62%

LAB 86.69, -40.72, 65.74

 

CMYK 23 / 0 / 60 / 1

HEX #C2FD65

RGB 194 253 101

HSL 83.29, 0.97%, 0.69%

LAB 92.87, -40.99, 65.04

 

CMYK 17 / 0 / 53 / 0

HEX #D3FF78

RGB 211 255 120

HSL 79.56, 1%, 0.74%

LAB 94.62, -34.02, 59.11

 

CMYK 11 / 0 / 45 / 0

HEX #E4FF8B

RGB 228 255 139

HSL 73.97, 1%, 0.77%

LAB 95.95, -25.86, 52.25

 

CMYK 4 / 0 / 38 / 0

HEX #F5FF9E

RGB 245 255 158

HSL 66.19, 1%, 0.81%

LAB 97.39, -17.48, 45.23

 

CMYK 27 / 0 / 63 / 8

HEX #ACEB57

RGB 172 235 87

HSL 85.54, 0.79%, 0.63%

LAB 86.44, -42.17, 63.4

 

CMYK 29 / 0 / 69 / 15

HEX #9BD944

RGB 155 217 68

HSL 84.97, 0.66%, 0.56%

LAB 80.19, -41.87, 63.95

 

CMYK 31 / 0 / 75 / 22

HEX #8AC731

RGB 138 199 49

HSL 84.4, 0.6%, 0.49%

LAB 73.85, -41.42, 64.03

 

CMYK 33 / 0 / 83 / 29

HEX #79B51E

RGB 121 181 30

HSL 83.84, 0.72%, 0.41%

LAB 67.43, -40.79, 63.31

 

CMYK 36 / 0 / 93 / 36

HEX #68A30B

RGB 104 163 11

HSL 83.29, 0.87%, 0.34%

LAB 60.92, -39.9, 61.24

 

CMYK 27 / 0 / 63 / 8

HEX #ACEB56

RGB 172 235 86

HSL 85.37, 0.79%, 0.63%

LAB 86.43, -42.25, 63.79

 

CMYK 10 / 0 / 63 / 8

HEX #D4EB56

RGB 212 235 86

HSL 69.26, 0.79%, 0.63%

LAB 88.96, -27.02, 67.25

 

CMYK 0 / 7 / 63 / 8

HEX #EBDA56

RGB 235 218 86

HSL 53.15, 0.79%, 0.63%

LAB 86.24, -9.39, 64.9

 

CMYK 0 / 24 / 63 / 8

HEX #EBB256

RGB 235 178 86

HSL 37.05, 0.79%, 0.63%

LAB 76.18, 11.26, 53.93

 

CMYK 0 / 41 / 63 / 8

HEX #EB8A56

RGB 235 138 86

HSL 20.94, 0.79%, 0.63%

LAB 66.91, 32.42, 43.27

 

CMYK 27 / 0 / 63 / 8

HEX #ACEB56

RGB 172 235 86

HSL 85.37, 0.79%, 0.63%

LAB 86.43, -42.25, 63.79

 

CMYK 44 / 0 / 63 / 8

HEX #84EB56

RGB 132 235 86

HSL 101.48, 0.79%, 0.63%

LAB 84.48, -55.61, 61.1

 

CMYK 61 / 0 / 63 / 8

HEX #5BEB56

RGB 91 235 86

HSL 117.99, 0.79%, 0.63%

LAB 83.08, -66.3, 59.16

 

CMYK 63 / 0 / 49 / 8

HEX #56EB79

RGB 86 235 121

HSL 134.09, 0.79%, 0.63%

LAB 83.32, -63.05, 43.68

 

CMYK 63 / 0 / 31 / 8

HEX #56EBA1

RGB 86 235 161

HSL 150.2, 0.79%, 0.63%

LAB 83.95, -56.19, 24.51

 

CMYK 27 / 0 / 63 / 8

HEX #ACEB56

RGB 172 235 86

HSL 85.37, 0.79%, 0.63%

LAB 86.43, -42.25, 63.79

 

CMYK 30 / 0 / 72 / 2

HEX #AEFA47

RGB 174 250 71

HSL 85.47, 0.95%, 0.63%

LAB 90.7, -48.94, 73.79

 

CMYK 27 / 0 / 63 / 8

HEX #ACEB56

RGB 172 235 86

HSL 85.37, 0.79%, 0.63%

LAB 86.43, -42.25, 63.79

 

CMYK 23 / 0 / 54 / 14

HEX #A9DC65

RGB 169 220 101

HSL 85.71, 0.63%, 0.63%

LAB 82.14, -35.35, 52.45

 

CMYK 19 / 0 / 43 / 20

HEX #A7CD75

RGB 167 205 117

HSL 85.91, 0.47%, 0.63%

LAB 77.97, -27.32, 39.66

 

CMYK 13 / 0 / 30 / 26

HEX #A5BD84

RGB 165 189 132

HSL 85.26, 0.3%, 0.63%

LAB 73.58, -18.19, 26.19

 

CMYK 6 / 0 / 16 / 32

HEX #A3AE93

RGB 163 174 147

HSL 84.44, 0.14%, 0.63%

LAB 69.59, -8.81, 12.57

 

CMYK 0 / 7 / 63 / 8

HEX #EBDA56

RGB 235 218 86

HSL 53.15, 0.79%, 0.63%

LAB 86.24, -9.39, 64.9

 

CMYK 9 / 0 / 63 / 8

HEX #D5EB56

RGB 213 235 86

HSL 68.86, 0.79%, 0.63%

LAB 89.03, -26.62, 67.34

 

CMYK 26 / 0 / 63 / 8

HEX #ADEB56

RGB 173 235 86

HSL 84.97, 0.79%, 0.63%

LAB 86.49, -41.89, 63.87

 

CMYK 43 / 0 / 63 / 8

HEX #85EB56

RGB 133 235 86

HSL 101.07, 0.79%, 0.63%

LAB 84.52, -55.31, 61.16

 

CMYK 60 / 0 / 63 / 8

HEX #5EEB56

RGB 94 235 86

HSL 116.78, 0.79%, 0.63%

LAB 83.16, -65.64, 59.28

 

CMYK 38 / 0 / 88 / 16

HEX #85D619

RGB 133 214 25

HSL 85.71, 0.79%, 0.47%

LAB 77.96, -50.44, 73.64

 

CMYK 33 / 0 / 79 / 9

HEX #9AE731

RGB 154 231 49

HSL 85.38, 0.79%, 0.55%

LAB 84.09, -49.22, 73.92

 

CMYK 27 / 0 / 63 / 8

HEX #ACEB56

RGB 172 235 86

HSL 85.37, 0.79%, 0.63%

LAB 86.43, -42.25, 63.79

 

CMYK 21 / 0 / 49 / 6

HEX #BEF07B

RGB 190 240 123

HSL 85.64, 0.8%, 0.71%

LAB 89.25, -34.58, 51.03

 

CMYK 15 / 0 / 34 / 4

HEX #D0F4A0

RGB 208 244 160

HSL 85.71, 0.79%, 0.79%

LAB 91.98, -25.56, 36.73

 

CMYK 27 / 0 / 63 / 8

HEX #ACEB57

RGB 172 235 87

HSL 85.54, 0.79%, 0.63%

LAB 86.44, -42.17, 63.4

 

CMYK 63 / 0 / 24 / 8

HEX #56EBB2

RGB 86 235 178

HSL 157.05, 0.79%, 0.63%

LAB 84.28, -52.68, 16.17

 

CMYK 0 / 63 / 1 / 8

HEX #EB56E9

RGB 235 86 233

HSL 300.81, 0.79%, 0.63%

LAB 61.83, 74.25, -46.41

 

CMYK 27 / 0 / 63 / 8

HEX #ACEB57

RGB 172 235 87

HSL 85.54, 0.79%, 0.63%

LAB 86.44, -42.17, 63.4

 

CMYK 63 / 26 / 0 / 8

HEX #56ADEB

RGB 86 173 235

HSL 204.97, 0.79%, 0.63%

LAB 67.92, -7.57, -38.83

 

CMYK 0 / 63 / 26 / 8

HEX #EB56AD

RGB 235 86 173

HSL 324.97, 0.79%, 0.63%

LAB 59.28, 65.58, -16.29

 

CMYK 27 / 0 / 63 / 8

HEX #ACEB57

RGB 172 235 87

HSL 85.54, 0.79%, 0.63%

LAB 86.44, -42.17, 63.4

 

CMYK 63 / 0 / 24 / 8

HEX #56EBB2

RGB 86 235 178

HSL 157.05, 0.79%, 0.63%

LAB 84.28, -52.68, 16.17

 

CMYK 37 / 63 / 0 / 8

HEX #9456EB

RGB 148 86 235

HSL 264.97, 0.79%, 0.63%

LAB 50.63, 55.26, -66.08

 

CMYK 0 / 63 / 39 / 8

HEX #EB568F

RGB 235 86 143

HSL 337.05, 0.79%, 0.63%

LAB 58.32, 62.13, -0.27

 

CMYK 27 / 0 / 63 / 8

HEX #ACEB57

RGB 172 235 87

HSL 85.54, 0.79%, 0.63%

LAB 86.44, -42.17, 63.4

 

CMYK 63 / 0 / 5 / 8

HEX #56EBDF

RGB 86 235 223

HSL 175.17, 0.79%, 0.63%

LAB 85.36, -41.9, -5.87

 

CMYK 37 / 63 / 0 / 8

HEX #9456EB

RGB 148 86 235

HSL 264.97, 0.79%, 0.63%

LAB 50.63, 55.26, -66.08

 

CMYK 0 / 63 / 58 / 8

HEX #EB5663

RGB 235 86 99

HSL 354.77, 0.79%, 0.63%

LAB 57.29, 58.3, 24.06

 

Description

Color code: HEX #ACEB57 | qconv.com Color code: HEX #ACEB57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 235 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 235 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 63% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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