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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACEB53 it is the complementary color #5314AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACEB53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACEB53 shade: #B1EB4E, #C2FD61, #D3FF74, #E4FF87 and #F5FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACEB53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACEB53 shade: #ACEB53, #9BD940, #8AC72D, #79B51A and #68A307

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACEB53 shade: #ABEB52, #D4EB52, #EBD852, #EBAE52 and #EB8552

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACEB53 shade: #ABEB52, #82EB52, #59EB52, #52EB74 and #52EB9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACEB53 shade matches the following richer shades: #ABEB52 and #AEFA42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACEB53 shade: #ABEB52, #A9DB61, #A6CB71, #A3BC81 and #A0AC90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACEB53 shade: #EBD652, #D6EB52, #ADEB52, #85EB52 and #5CEB52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACEB53 shade: #85D119, #99E62D, #ABEB52, #BDEF76 and #CFF39B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACEB53 shade: #ACEB53, #52EBAD and #EB52EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACEB53 shade: #ACEB53, #52ADEB and #EB52AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACEB53 shade: #ACEB53, #52EBAD, #8F52EB and #EB528F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACEB53 shade: #ACEB53, #52EBDB, #8F52EB and #EB5261

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 65 / 8

HEX #ACEB53

RGB 172 235 83

HSL 84.87, 0.79%, 0.62%

LAB 86.41, -42.47, 64.96

 

Complementary color

CMYK 52 / 88 / 0 / 33

HEX #5314AC

RGB 83 20 172

HSL 264.87, 0.79%, 0.38%

LAB 27.62, 57.57, -67.39

 

CMYK 25 / 0 / 67 / 8

HEX #B1EB4E

RGB 177 235 78

HSL 82.17, 0.8%, 0.61%

LAB 86.66, -40.99, 67.25

 

CMYK 23 / 0 / 62 / 1

HEX #C2FD61

RGB 194 253 97

HSL 82.69, 0.98%, 0.69%

LAB 92.83, -41.3, 66.64

 

CMYK 17 / 0 / 55 / 0

HEX #D3FF74

RGB 211 255 116

HSL 78.99, 1%, 0.73%

LAB 94.58, -34.38, 60.84

 

CMYK 11 / 0 / 47 / 0

HEX #E4FF87

RGB 228 255 135

HSL 73.5, 1%, 0.76%

LAB 95.9, -26.26, 54.06

 

CMYK 4 / 0 / 40 / 0

HEX #F5FF9A

RGB 245 255 154

HSL 65.94, 1%, 0.8%

LAB 97.34, -17.91, 47.1

 

CMYK 27 / 0 / 65 / 8

HEX #ACEB53

RGB 172 235 83

HSL 84.87, 0.79%, 0.62%

LAB 86.41, -42.47, 64.96

 

CMYK 29 / 0 / 71 / 15

HEX #9BD940

RGB 155 217 64

HSL 84.31, 0.67%, 0.55%

LAB 80.16, -42.12, 65.39

 

CMYK 31 / 0 / 77 / 22

HEX #8AC72D

RGB 138 199 45

HSL 83.77, 0.63%, 0.48%

LAB 73.83, -41.63, 65.27

 

CMYK 33 / 0 / 86 / 29

HEX #79B51A

RGB 121 181 26

HSL 83.23, 0.75%, 0.41%

LAB 67.42, -40.94, 64.24

 

CMYK 36 / 0 / 96 / 36

HEX #68A307

RGB 104 163 7

HSL 82.69, 0.92%, 0.33%

LAB 60.92, -39.98, 61.79

 

CMYK 27 / 0 / 65 / 8

HEX #ABEB52

RGB 171 235 82

HSL 85.1, 0.79%, 0.62%

LAB 86.35, -42.91, 65.27

 

CMYK 10 / 0 / 65 / 8

HEX #D4EB52

RGB 212 235 82

HSL 69.02, 0.79%, 0.62%

LAB 88.93, -27.27, 68.78

 

CMYK 0 / 8 / 65 / 8

HEX #EBD852

RGB 235 216 82

HSL 52.55, 0.79%, 0.62%

LAB 85.7, -8.62, 65.96

 

CMYK 0 / 26 / 65 / 8

HEX #EBAE52

RGB 235 174 82

HSL 36.08, 0.79%, 0.62%

LAB 75.17, 13.13, 54.66

 

CMYK 0 / 43 / 65 / 8

HEX #EB8552

RGB 235 133 82

HSL 20, 0.79%, 0.62%

LAB 65.78, 34.77, 44.02

 

CMYK 27 / 0 / 65 / 8

HEX #ABEB52

RGB 171 235 82

HSL 85.1, 0.79%, 0.62%

LAB 86.35, -42.91, 65.27

 

CMYK 45 / 0 / 65 / 8

HEX #82EB52

RGB 130 235 82

HSL 101.18, 0.79%, 0.62%

LAB 84.37, -56.56, 62.56

 

CMYK 62 / 0 / 65 / 8

HEX #59EB52

RGB 89 235 82

HSL 117.25, 0.79%, 0.62%

LAB 82.99, -67.12, 60.68

 

CMYK 65 / 0 / 51 / 8

HEX #52EB74

RGB 82 235 116

HSL 133.33, 0.79%, 0.62%

LAB 83.16, -64.53, 45.84

 

CMYK 65 / 0 / 33 / 8

HEX #52EB9D

RGB 82 235 157

HSL 149.41, 0.79%, 0.62%

LAB 83.78, -57.68, 26.32

 

CMYK 27 / 0 / 65 / 8

HEX #ABEB52

RGB 171 235 82

HSL 85.1, 0.79%, 0.62%

LAB 86.35, -42.91, 65.27

 

CMYK 30 / 0 / 74 / 2

HEX #AEFA42

RGB 174 250 66

HSL 84.78, 0.95%, 0.62%

LAB 90.67, -49.22, 75.4

 

CMYK 27 / 0 / 65 / 8

HEX #ABEB52

RGB 171 235 82

HSL 85.1, 0.79%, 0.62%

LAB 86.35, -42.91, 65.27

 

CMYK 23 / 0 / 56 / 14

HEX #A9DB61

RGB 169 219 97

HSL 84.59, 0.63%, 0.62%

LAB 81.82, -35.27, 53.89

 

CMYK 18 / 0 / 44 / 20

HEX #A6CB71

RGB 166 203 113

HSL 84.67, 0.46%, 0.62%

LAB 77.29, -27.21, 40.79

 

CMYK 13 / 0 / 31 / 26

HEX #A3BC81

RGB 163 188 129

HSL 85.42, 0.31%, 0.62%

LAB 73.11, -18.86, 27.12

 

CMYK 7 / 0 / 16 / 33

HEX #A0AC90

RGB 160 172 144

HSL 85.71, 0.14%, 0.62%

LAB 68.75, -9.36, 13

 

CMYK 0 / 9 / 65 / 8

HEX #EBD652

RGB 235 214 82

HSL 51.76, 0.79%, 0.62%

LAB 85.18, -7.62, 65.42

 

CMYK 9 / 0 / 65 / 8

HEX #D6EB52

RGB 214 235 82

HSL 68.24, 0.79%, 0.62%

LAB 89.07, -26.47, 68.97

 

CMYK 26 / 0 / 65 / 8

HEX #ADEB52

RGB 173 235 82

HSL 84.31, 0.79%, 0.62%

LAB 86.46, -42.18, 65.43

 

CMYK 43 / 0 / 65 / 8

HEX #85EB52

RGB 133 235 82

HSL 100, 0.79%, 0.62%

LAB 84.49, -55.65, 62.74

 

CMYK 61 / 0 / 65 / 8

HEX #5CEB52

RGB 92 235 82

HSL 116.08, 0.79%, 0.62%

LAB 83.07, -66.47, 60.79

 

CMYK 36 / 0 / 88 / 18

HEX #85D119

RGB 133 209 25

HSL 84.78, 0.79%, 0.46%

LAB 76.47, -48.41, 72.39

 

CMYK 33 / 0 / 80 / 10

HEX #99E62D

RGB 153 230 45

HSL 84.97, 0.79%, 0.54%

LAB 83.73, -49.33, 74.64

 

CMYK 27 / 0 / 65 / 8

HEX #ABEB52

RGB 171 235 82

HSL 85.1, 0.79%, 0.62%

LAB 86.35, -42.91, 65.27

 

CMYK 21 / 0 / 51 / 6

HEX #BDEF76

RGB 189 239 118

HSL 84.79, 0.79%, 0.7%

LAB 88.86, -35, 52.86

 

CMYK 15 / 0 / 36 / 5

HEX #CFF39B

RGB 207 243 155

HSL 84.55, 0.79%, 0.78%

LAB 91.56, -26.08, 38.67

 

CMYK 27 / 0 / 65 / 8

HEX #ACEB53

RGB 172 235 83

HSL 84.87, 0.79%, 0.62%

LAB 86.41, -42.47, 64.96

 

CMYK 65 / 0 / 26 / 8

HEX #52EBAD

RGB 82 235 173

HSL 155.69, 0.79%, 0.62%

LAB 84.08, -54.43, 18.48

 

CMYK 0 / 65 / 0 / 8

HEX #EB52EB

RGB 235 82 235

HSL 300, 0.79%, 0.62%

LAB 61.39, 76.08, -48.22

 

CMYK 27 / 0 / 65 / 8

HEX #ACEB53

RGB 172 235 83

HSL 84.87, 0.79%, 0.62%

LAB 86.41, -42.47, 64.96

 

CMYK 65 / 26 / 0 / 8

HEX #52ADEB

RGB 82 173 235

HSL 204.31, 0.79%, 0.62%

LAB 67.78, -8.23, -39.05

 

CMYK 0 / 65 / 26 / 8

HEX #EB52AD

RGB 235 82 173

HSL 324.31, 0.79%, 0.62%

LAB 58.71, 67.16, -17.16

 

CMYK 27 / 0 / 65 / 8

HEX #ACEB53

RGB 172 235 83

HSL 84.87, 0.79%, 0.62%

LAB 86.41, -42.47, 64.96

 

CMYK 65 / 0 / 26 / 8

HEX #52EBAD

RGB 82 235 173

HSL 155.69, 0.79%, 0.62%

LAB 84.08, -54.43, 18.48

 

CMYK 39 / 65 / 0 / 8

HEX #8F52EB

RGB 143 82 235

HSL 263.92, 0.79%, 0.62%

LAB 49.34, 56.28, -68.19

 

CMYK 0 / 65 / 39 / 8

HEX #EB528F

RGB 235 82 143

HSL 336.08, 0.79%, 0.62%

LAB 57.73, 63.74, -1.14

 

CMYK 27 / 0 / 65 / 8

HEX #ACEB53

RGB 172 235 83

HSL 84.87, 0.79%, 0.62%

LAB 86.41, -42.47, 64.96

 

CMYK 65 / 0 / 7 / 8

HEX #52EBDB

RGB 82 235 219

HSL 173.73, 0.79%, 0.62%

LAB 85.16, -43.55, -4.07

 

CMYK 39 / 65 / 0 / 8

HEX #8F52EB

RGB 143 82 235

HSL 263.92, 0.79%, 0.62%

LAB 49.34, 56.28, -68.19

 

CMYK 0 / 65 / 59 / 8

HEX #EB5261

RGB 235 82 97

HSL 354.12, 0.79%, 0.62%

LAB 56.64, 59.8, 24.37

 

Description

Color code: HEX #ACEB53 | qconv.com Color code: HEX #ACEB53 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 235 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 235 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 65% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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