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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACEAE6 it is the complementary color #531519. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACEAE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACEAE6 shade: #B1EAE1, #C2FCF4, #D3FFFF, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACEAE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACEAE6 shade: #ACEAE6, #9BD8D3, #8AC6C0, #79B4AD and #68A29A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACEAE6 shade: #ADEAE6, #ADEAD6, #ADEAC5, #ADEAB5 and #B6EAAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACEAE6 shade: #ADEAE6, #ADDEEA, #ADCDEA, #ADBDEA and #ADADEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACEAE6 shade matches the following richer shades: #ADEAE6, #A5F2ED and #9CFBF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACEAE6 shade: #ADEAE6, #B5E2DF, #BDDAD8, #C6D1D1 and #CEC9C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACEAE6 shade: #ADEAC5, #ADEAD6, #ADEAE6, #ADDEEA and #ADCEEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACEAE6 shade: #6BDAD2, #8CE2DC, #ADEAE6, #CEF2F0 and #EFFBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACEAE6 shade: #ACEAE6, #B5ADEA and #EACEAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACEAE6 shade: #ACEAE6, #E6ADEA and #EAE6AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACEAE6 shade: #ACEAE6, #B5ADEA, #EAADB1 and #E2EAAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACEAE6 shade: #ACEAE6, #C7ADEA, #EAADB1 and #D0EAAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 2 / 8

HEX #ACEAE6

RGB 172 234 230

HSL 176.13, 0.6%, 0.8%

LAB 88.6, -20.26, -4.39

 

Complementary color

CMYK 0 / 75 / 70 / 67

HEX #531519

RGB 83 21 25

HSL 356.13, 0.6%, 0.2%

LAB 17.67, 28.94, 13.79

 

CMYK 24 / 0 / 4 / 8

HEX #B1EAE1

RGB 177 234 225

HSL 170.53, 0.58%, 0.81%

LAB 88.75, -19.87, -1.53

 

CMYK 23 / 0 / 3 / 1

HEX #C2FCF4

RGB 194 252 244

HSL 171.72, 0.91%, 0.87%

LAB 95, -19.75, -2.13

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 26 / 0 / 2 / 8

HEX #ACEAE6

RGB 172 234 230

HSL 176.13, 0.6%, 0.8%

LAB 88.6, -20.26, -4.39

 

CMYK 28 / 0 / 2 / 15

HEX #9BD8D3

RGB 155 216 211

HSL 175.08, 0.44%, 0.73%

LAB 82.26, -20.37, -3.8

 

CMYK 30 / 0 / 3 / 22

HEX #8AC6C0

RGB 138 198 192

HSL 174, 0.34%, 0.66%

LAB 75.82, -20.5, -3.18

 

CMYK 33 / 0 / 4 / 29

HEX #79B4AD

RGB 121 180 173

HSL 172.88, 0.28%, 0.59%

LAB 69.27, -20.63, -2.53

 

CMYK 36 / 0 / 5 / 36

HEX #68A29A

RGB 104 162 154

HSL 171.72, 0.24%, 0.52%

LAB 62.61, -20.78, -1.85

 

CMYK 26 / 0 / 2 / 8

HEX #ADEAE6

RGB 173 234 230

HSL 176.07, 0.59%, 0.8%

LAB 88.66, -19.97, -4.3

 

CMYK 26 / 0 / 9 / 8

HEX #ADEAD6

RGB 173 234 214

HSL 160.33, 0.59%, 0.8%

LAB 88.25, -23.33, 3.48

 

CMYK 26 / 0 / 16 / 8

HEX #ADEAC5

RGB 173 234 197

HSL 143.61, 0.59%, 0.8%

LAB 87.85, -26.65, 11.8

 

CMYK 26 / 0 / 23 / 8

HEX #ADEAB5

RGB 173 234 181

HSL 127.87, 0.59%, 0.8%

LAB 87.52, -29.55, 19.65

 

CMYK 22 / 0 / 26 / 8

HEX #B6EAAD

RGB 182 234 173

HSL 111.15, 0.59%, 0.8%

LAB 87.88, -27.93, 24.35

 

CMYK 26 / 0 / 2 / 8

HEX #ADEAE6

RGB 173 234 230

HSL 176.07, 0.59%, 0.8%

LAB 88.66, -19.97, -4.3

 

CMYK 26 / 5 / 0 / 8

HEX #ADDEEA

RGB 173 222 234

HSL 191.8, 0.59%, 0.8%

LAB 85.54, -13.06, -11.03

 

CMYK 26 / 12 / 0 / 8

HEX #ADCDEA

RGB 173 205 234

HSL 208.52, 0.59%, 0.8%

LAB 81.01, -4.24, -17.82

 

CMYK 26 / 19 / 0 / 8

HEX #ADBDEA

RGB 173 189 234

HSL 224.26, 0.59%, 0.8%

LAB 76.81, 4.33, -24.19

 

CMYK 26 / 26 / 0 / 8

HEX #ADADEA

RGB 173 173 234

HSL 240, 0.59%, 0.8%

LAB 72.7, 13.13, -30.49

 

CMYK 26 / 0 / 2 / 8

HEX #ADEAE6

RGB 173 234 230

HSL 176.07, 0.59%, 0.8%

LAB 88.66, -19.97, -4.3

 

CMYK 32 / 0 / 2 / 5

HEX #A5F2ED

RGB 165 242 237

HSL 176.1, 0.75%, 0.8%

LAB 90.61, -24.58, -5.14

 

CMYK 38 / 0 / 2 / 2

HEX #9CFBF5

RGB 156 251 245

HSL 176.21, 0.92%, 0.8%

LAB 92.86, -29.43, -6.02

 

CMYK 26 / 0 / 2 / 8

HEX #ADEAE6

RGB 173 234 230

HSL 176.07, 0.59%, 0.8%

LAB 88.66, -19.97, -4.3

 

CMYK 20 / 0 / 1 / 11

HEX #B5E2DF

RGB 181 226 223

HSL 176, 0.44%, 0.8%

LAB 86.77, -15.09, -3.35

 

CMYK 13 / 0 / 1 / 15

HEX #BDDAD8

RGB 189 218 216

HSL 175.86, 0.28%, 0.8%

LAB 84.96, -9.95, -2.26

 

CMYK 5 / 0 / 0 / 18

HEX #C6D1D1

RGB 198 209 209

HSL 180, 0.11%, 0.8%

LAB 83.03, -3.72, -1.3

 

CMYK 0 / 2 / 2 / 19

HEX #CEC9C9

RGB 206 201 201

HSL 0, 0.05%, 0.8%

LAB 81.35, 1.73, 0.6

 

CMYK 26 / 0 / 16 / 8

HEX #ADEAC5

RGB 173 234 197

HSL 143.61, 0.59%, 0.8%

LAB 87.85, -26.65, 11.8

 

CMYK 26 / 0 / 9 / 8

HEX #ADEAD6

RGB 173 234 214

HSL 160.33, 0.59%, 0.8%

LAB 88.25, -23.33, 3.48

 

CMYK 26 / 0 / 2 / 8

HEX #ADEAE6

RGB 173 234 230

HSL 176.07, 0.59%, 0.8%

LAB 88.66, -19.97, -4.3

 

CMYK 26 / 5 / 0 / 8

HEX #ADDEEA

RGB 173 222 234

HSL 191.8, 0.59%, 0.8%

LAB 85.54, -13.06, -11.03

 

CMYK 26 / 12 / 0 / 8

HEX #ADCEEA

RGB 173 206 234

HSL 207.54, 0.59%, 0.8%

LAB 81.27, -4.77, -17.43

 

CMYK 51 / 0 / 4 / 15

HEX #6BDAD2

RGB 107 218 210

HSL 175.68, 0.6%, 0.64%

LAB 80.7, -33.65, -5.81

 

CMYK 38 / 0 / 3 / 11

HEX #8CE2DC

RGB 140 226 220

HSL 175.81, 0.6%, 0.72%

LAB 84.55, -27.31, -5.28

 

CMYK 26 / 0 / 2 / 8

HEX #ADEAE6

RGB 173 234 230

HSL 176.07, 0.59%, 0.8%

LAB 88.66, -19.97, -4.3

 

CMYK 15 / 0 / 1 / 5

HEX #CEF2F0

RGB 206 242 240

HSL 176.67, 0.58%, 0.88%

LAB 92.98, -11.98, -2.95

 

CMYK 5 / 0 / 0 / 2

HEX #EFFBFA

RGB 239 251 250

HSL 175, 0.6%, 0.96%

LAB 97.73, -4.1, -0.89

 

CMYK 26 / 0 / 2 / 8

HEX #ACEAE6

RGB 172 234 230

HSL 176.13, 0.6%, 0.8%

LAB 88.6, -20.26, -4.39

 

CMYK 23 / 26 / 0 / 8

HEX #B5ADEA

RGB 181 173 234

HSL 247.87, 0.59%, 0.8%

LAB 73.32, 15.52, -29.49

 

CMYK 0 / 12 / 26 / 8

HEX #EACEAD

RGB 234 206 173

HSL 32.46, 0.59%, 0.8%

LAB 84.3, 4.86, 20.02

 

CMYK 26 / 0 / 2 / 8

HEX #ACEAE6

RGB 172 234 230

HSL 176.13, 0.6%, 0.8%

LAB 88.6, -20.26, -4.39

 

CMYK 2 / 26 / 0 / 8

HEX #E6ADEA

RGB 230 173 234

HSL 296.07, 0.59%, 0.8%

LAB 77.67, 30.88, -22.45

 

CMYK 0 / 2 / 26 / 8

HEX #EAE6AD

RGB 234 230 173

HSL 56.07, 0.59%, 0.8%

LAB 90.37, -7.45, 28.34

 

CMYK 26 / 0 / 2 / 8

HEX #ACEAE6

RGB 172 234 230

HSL 176.13, 0.6%, 0.8%

LAB 88.6, -20.26, -4.39

 

CMYK 23 / 26 / 0 / 8

HEX #B5ADEA

RGB 181 173 234

HSL 247.87, 0.59%, 0.8%

LAB 73.32, 15.52, -29.49

 

CMYK 0 / 26 / 24 / 8

HEX #EAADB1

RGB 234 173 177

HSL 356.07, 0.59%, 0.8%

LAB 76.41, 22.87, 6.73

 

CMYK 3 / 0 / 26 / 8

HEX #E2EAAD

RGB 226 234 173

HSL 67.87, 0.59%, 0.8%

LAB 90.79, -12.41, 28.81

 

CMYK 26 / 0 / 2 / 8

HEX #ACEAE6

RGB 172 234 230

HSL 176.13, 0.6%, 0.8%

LAB 88.6, -20.26, -4.39

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEA

RGB 199 173 234

HSL 265.57, 0.59%, 0.8%

LAB 74.81, 21.04, -27.08

 

CMYK 0 / 26 / 24 / 8

HEX #EAADB1

RGB 234 173 177

HSL 356.07, 0.59%, 0.8%

LAB 76.41, 22.87, 6.73

 

CMYK 11 / 0 / 26 / 8

HEX #D0EAAD

RGB 208 234 173

HSL 85.57, 0.59%, 0.8%

LAB 89.52, -18.93, 26.87

 

Description

Color code: HEX #ACEAE6 | qconv.com Color code: HEX #ACEAE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 234 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 234 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 2 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 2% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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