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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE776 it is the complementary color #531889. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE776. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE776 shade: #B1E771, #C2F984, #D3FF97, #E4FFAA and #F5FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE776. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE776 shade: #ACE776, #9BD563, #8AC350, #79B13D and #689F2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE776 shade: #ABE774, #CAE774, #E7E574, #E7C674 and #E7A774

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE776 shade: #ABE774, #8CE774, #74E77B, #74E79A and #74E7B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE776 shade matches the following richer shades: #ABE774 and #AAF467

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE776 shade: #ABE774, #ABD981, #ACCC8F, #ADBF9C and #ADB2A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE776 shade: #E7E574, #CAE774, #ABE774, #8DE774 and #74E77A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE776 shade: #80DA2E, #96E051, #ABE774, #C0ED97 and #D5F3BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE776 shade: #ACE776, #74E7C6 and #E774D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE776 shade: #ACE776, #74ABE7 and #E774AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE776 shade: #ACE776, #74E7C6, #AF74E7 and #E77495

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE776 shade: #ACE776, #74E5E7, #AF74E7 and #E77674

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 49 / 9

HEX #ACE776

RGB 172 231 118

HSL 91.33, 0.7%, 0.68%

LAB 85.62, -37.48, 48.72

 

Complementary color

CMYK 39 / 82 / 0 / 46

HEX #531889

RGB 83 24 137

HSL 271.33, 0.7%, 0.32%

LAB 24.63, 47.65, -50.84

 

CMYK 23 / 0 / 51 / 9

HEX #B1E771

RGB 177 231 113

HSL 87.46, 0.71%, 0.67%

LAB 85.85, -36.23, 51.42

 

CMYK 22 / 0 / 47 / 2

HEX #C2F984

RGB 194 249 132

HSL 88.21, 0.91%, 0.75%

LAB 92.08, -36.26, 50.31

 

CMYK 17 / 0 / 41 / 0

HEX #D3FF97

RGB 211 255 151

HSL 85.38, 1%, 0.8%

LAB 94.99, -30.77, 45.1

 

CMYK 11 / 0 / 33 / 0

HEX #E4FFAA

RGB 228 255 170

HSL 79.06, 1%, 0.83%

LAB 96.38, -22.32, 37.8

 

CMYK 4 / 0 / 26 / 0

HEX #F5FFBD

RGB 245 255 189

HSL 69.09, 1%, 0.87%

LAB 97.88, -13.7, 30.52

 

CMYK 26 / 0 / 49 / 9

HEX #ACE776

RGB 172 231 118

HSL 91.33, 0.7%, 0.68%

LAB 85.62, -37.48, 48.72

 

CMYK 27 / 0 / 54 / 16

HEX #9BD563

RGB 155 213 99

HSL 90.53, 0.58%, 0.61%

LAB 79.3, -37.47, 49.83

 

CMYK 29 / 0 / 59 / 24

HEX #8AC350

RGB 138 195 80

HSL 89.74, 0.49%, 0.54%

LAB 72.9, -37.38, 50.86

 

CMYK 32 / 0 / 66 / 31

HEX #79B13D

RGB 121 177 61

HSL 88.97, 0.49%, 0.47%

LAB 66.4, -37.19, 51.7

 

CMYK 35 / 0 / 74 / 38

HEX #689F2A

RGB 104 159 42

HSL 88.21, 0.58%, 0.39%

LAB 59.8, -36.85, 52.13

 

CMYK 26 / 0 / 50 / 9

HEX #ABE774

RGB 171 231 116

HSL 91.3, 0.71%, 0.68%

LAB 85.54, -38.06, 49.56

 

CMYK 13 / 0 / 50 / 9

HEX #CAE774

RGB 202 231 116

HSL 75.13, 0.71%, 0.68%

LAB 87.47, -26.61, 52.34

 

CMYK 0 / 1 / 50 / 9

HEX #E7E574

RGB 231 229 116

HSL 58.96, 0.71%, 0.68%

LAB 89.06, -14.3, 54.74

 

CMYK 0 / 14 / 50 / 9

HEX #E7C674

RGB 231 198 116

HSL 42.78, 0.71%, 0.68%

LAB 81.09, 1.42, 45.14

 

CMYK 0 / 28 / 50 / 9

HEX #E7A774

RGB 231 167 116

HSL 26.61, 0.71%, 0.68%

LAB 73.47, 17.77, 35.59

 

CMYK 26 / 0 / 50 / 9

HEX #ABE774

RGB 171 231 116

HSL 91.3, 0.71%, 0.68%

LAB 85.54, -38.06, 49.56

 

CMYK 39 / 0 / 50 / 9

HEX #8CE774

RGB 140 231 116

HSL 107.48, 0.71%, 0.68%

LAB 83.96, -48.39, 47.27

 

CMYK 50 / 0 / 47 / 9

HEX #74E77B

RGB 116 231 123

HSL 123.65, 0.71%, 0.68%

LAB 83.07, -54.36, 42.59

 

CMYK 50 / 0 / 33 / 9

HEX #74E79A

RGB 116 231 154

HSL 139.83, 0.71%, 0.68%

LAB 83.55, -49.42, 27.71

 

CMYK 50 / 0 / 20 / 9

HEX #74E7B9

RGB 116 231 185

HSL 156, 0.71%, 0.68%

LAB 84.16, -43.36, 12.47

 

CMYK 26 / 0 / 50 / 9

HEX #ABE774

RGB 171 231 116

HSL 91.3, 0.71%, 0.68%

LAB 85.54, -38.06, 49.56

 

CMYK 30 / 0 / 58 / 4

HEX #AAF467

RGB 170 244 103

HSL 91.49, 0.87%, 0.68%

LAB 89.03, -45.42, 59.52

 

CMYK 26 / 0 / 50 / 9

HEX #ABE774

RGB 171 231 116

HSL 91.3, 0.71%, 0.68%

LAB 85.54, -38.06, 49.56

 

CMYK 21 / 0 / 41 / 15

HEX #ABD981

RGB 171 217 129

HSL 91.36, 0.54%, 0.68%

LAB 81.77, -30.07, 38.53

 

CMYK 16 / 0 / 30 / 20

HEX #ACCC8F

RGB 172 204 143

HSL 91.48, 0.37%, 0.68%

LAB 78.43, -21.5, 26.98

 

CMYK 9 / 0 / 18 / 25

HEX #ADBF9C

RGB 173 191 156

HSL 90.86, 0.21%, 0.68%

LAB 75.17, -12.54, 15.62

 

CMYK 3 / 0 / 5 / 30

HEX #ADB2A9

RGB 173 178 169

HSL 93.33, 0.06%, 0.68%

LAB 71.95, -3.43, 3.98

 

CMYK 0 / 1 / 50 / 9

HEX #E7E574

RGB 231 229 116

HSL 58.96, 0.71%, 0.68%

LAB 89.06, -14.3, 54.74

 

CMYK 13 / 0 / 50 / 9

HEX #CAE774

RGB 202 231 116

HSL 75.13, 0.71%, 0.68%

LAB 87.47, -26.61, 52.34

 

CMYK 26 / 0 / 50 / 9

HEX #ABE774

RGB 171 231 116

HSL 91.3, 0.71%, 0.68%

LAB 85.54, -38.06, 49.56

 

CMYK 39 / 0 / 50 / 9

HEX #8DE774

RGB 141 231 116

HSL 106.96, 0.71%, 0.68%

LAB 84.01, -48.08, 47.33

 

CMYK 50 / 0 / 47 / 9

HEX #74E77A

RGB 116 231 122

HSL 123.13, 0.71%, 0.68%

LAB 83.06, -54.5, 43.06

 

CMYK 41 / 0 / 79 / 15

HEX #80DA2E

RGB 128 218 46

HSL 91.4, 0.7%, 0.52%

LAB 79, -52.93, 69.61

 

CMYK 33 / 0 / 64 / 12

HEX #96E051

RGB 150 224 81

HSL 91.05, 0.7%, 0.6%

LAB 82.05, -45.7, 60.74

 

CMYK 26 / 0 / 50 / 9

HEX #ABE774

RGB 171 231 116

HSL 91.3, 0.71%, 0.68%

LAB 85.54, -38.06, 49.56

 

CMYK 19 / 0 / 36 / 7

HEX #C0ED97

RGB 192 237 151

HSL 91.4, 0.7%, 0.76%

LAB 88.93, -29.13, 37.04

 

CMYK 12 / 0 / 23 / 5

HEX #D5F3BA

RGB 213 243 186

HSL 91.58, 0.7%, 0.84%

LAB 92.48, -19.63, 24.32

 

CMYK 26 / 0 / 49 / 9

HEX #ACE776

RGB 172 231 118

HSL 91.33, 0.7%, 0.68%

LAB 85.62, -37.48, 48.72

 

CMYK 50 / 0 / 14 / 9

HEX #74E7C6

RGB 116 231 198

HSL 162.78, 0.71%, 0.68%

LAB 84.45, -40.51, 6.07

 

CMYK 0 / 50 / 6 / 9

HEX #E774D9

RGB 231 116 217

HSL 307.3, 0.71%, 0.68%

LAB 65.35, 57.57, -32.01

 

CMYK 26 / 0 / 49 / 9

HEX #ACE776

RGB 172 231 118

HSL 91.33, 0.7%, 0.68%

LAB 85.62, -37.48, 48.72

 

CMYK 50 / 26 / 0 / 9

HEX #74ABE7

RGB 116 171 231

HSL 211.3, 0.71%, 0.68%

LAB 68.47, -1.68, -35.7

 

CMYK 0 / 50 / 26 / 9

HEX #E774AB

RGB 231 116 171

HSL 331.3, 0.71%, 0.68%

LAB 63.69, 50.64, -8.58

 

CMYK 26 / 0 / 49 / 9

HEX #ACE776

RGB 172 231 118

HSL 91.33, 0.7%, 0.68%

LAB 85.62, -37.48, 48.72

 

CMYK 50 / 0 / 14 / 9

HEX #74E7C6

RGB 116 231 198

HSL 162.78, 0.71%, 0.68%

LAB 84.45, -40.51, 6.07

 

CMYK 24 / 50 / 0 / 9

HEX #AF74E7

RGB 175 116 231

HSL 270.78, 0.71%, 0.68%

LAB 59.32, 44.81, -49.75

 

CMYK 0 / 50 / 35 / 9

HEX #E77495

RGB 231 116 149

HSL 342.78, 0.71%, 0.68%

LAB 63.05, 47.87, 3.06

 

CMYK 26 / 0 / 49 / 9

HEX #ACE776

RGB 172 231 118

HSL 91.33, 0.7%, 0.68%

LAB 85.62, -37.48, 48.72

 

CMYK 50 / 1 / 0 / 9

HEX #74E5E7

RGB 116 229 231

HSL 181.04, 0.71%, 0.68%

LAB 84.75, -31.6, -10.9

 

CMYK 24 / 50 / 0 / 9

HEX #AF74E7

RGB 175 116 231

HSL 270.78, 0.71%, 0.68%

LAB 59.32, 44.81, -49.75

 

CMYK 0 / 49 / 50 / 9

HEX #E77674

RGB 231 118 116

HSL 1.04, 0.71%, 0.68%

LAB 62.68, 43.45, 21.4

 

Description

Color code: HEX #ACE776 | qconv.com Color code: HEX #ACE776 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 231 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 231 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 49 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 49% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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