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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE767 it is the complementary color #531898. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE767. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE767 shade: #B1E762, #C2F975, #D3FF88, #E4FF9B and #F5FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE767. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE767 shade: #ACE767, #9BD554, #8AC341, #79B12E and #689F1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE767 shade: #ABE765, #CEE765, #E7DD65, #E7BA65 and #E79665

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE767 shade: #ABE765, #88E765, #65E765, #65E788 and #65E7AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE767 shade matches the following richer shades: #ABE765 and #ACF556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE767 shade: #ABE765, #AAD873, #A9CA81, #A7BC90 and #A6AD9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE767 shade: #E7DC65, #CFE765, #ACE765, #8AE765 and #67E765

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE767 shade: #84D722, #97E141, #ABE765, #BEEC88 and #D2F2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE767 shade: #ACE767, #65E7B9 and #E765E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE767 shade: #ACE767, #65ACE7 and #E765AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE767 shade: #ACE767, #65E7B9, #9F65E7 and #E76592

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE767 shade: #ACE767, #65E7E0, #9F65E7 and #E7656B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 55 / 9

HEX #ACE767

RGB 172 231 103

HSL 87.66, 0.73%, 0.65%

LAB 85.45, -39.03, 55.44

 

Complementary color

CMYK 45 / 84 / 0 / 40

HEX #531898

RGB 83 24 152

HSL 267.66, 0.73%, 0.35%

LAB 26.04, 51.34, -57.84

 

CMYK 23 / 0 / 58 / 9

HEX #B1E762

RGB 177 231 98

HSL 84.36, 0.73%, 0.65%

LAB 85.7, -37.67, 58.01

 

CMYK 22 / 0 / 53 / 2

HEX #C2F975

RGB 194 249 117

HSL 85, 0.92%, 0.72%

LAB 91.91, -37.81, 57.02

 

CMYK 17 / 0 / 47 / 0

HEX #D3FF88

RGB 211 255 136

HSL 82.18, 1%, 0.77%

LAB 94.8, -32.45, 52

 

CMYK 11 / 0 / 39 / 0

HEX #E4FF9B

RGB 228 255 155

HSL 76.2, 1%, 0.8%

LAB 96.15, -24.13, 44.87

 

CMYK 4 / 0 / 32 / 0

HEX #F5FFAE

RGB 245 255 174

HSL 67.41, 1%, 0.84%

LAB 97.63, -15.62, 37.68

 

CMYK 26 / 0 / 55 / 9

HEX #ACE767

RGB 172 231 103

HSL 87.66, 0.73%, 0.65%

LAB 85.45, -39.03, 55.44

 

CMYK 27 / 0 / 61 / 16

HEX #9BD554

RGB 155 213 84

HSL 86.98, 0.61%, 0.58%

LAB 79.15, -38.88, 56.39

 

CMYK 29 / 0 / 67 / 24

HEX #8AC341

RGB 138 195 65

HSL 86.31, 0.52%, 0.51%

LAB 72.77, -38.64, 57.11

 

CMYK 32 / 0 / 74 / 31

HEX #79B12E

RGB 121 177 46

HSL 85.65, 0.59%, 0.44%

LAB 66.3, -38.25, 57.41

 

CMYK 35 / 0 / 83 / 38

HEX #689F1B

RGB 104 159 27

HSL 85, 0.71%, 0.36%

LAB 59.72, -37.65, 56.89

 

CMYK 26 / 0 / 56 / 9

HEX #ABE765

RGB 171 231 101

HSL 87.69, 0.73%, 0.65%

LAB 85.38, -39.58, 56.23

 

CMYK 11 / 0 / 56 / 9

HEX #CEE765

RGB 206 231 101

HSL 71.54, 0.73%, 0.65%

LAB 87.59, -26.39, 59.34

 

CMYK 0 / 4 / 56 / 9

HEX #E7DD65

RGB 231 221 101

HSL 55.38, 0.73%, 0.65%

LAB 86.82, -11.53, 58.98

 

CMYK 0 / 19 / 56 / 9

HEX #E7BA65

RGB 231 186 101

HSL 39.23, 0.73%, 0.65%

LAB 77.9, 6.44, 48.66

 

CMYK 0 / 35 / 56 / 9

HEX #E79665

RGB 231 150 101

HSL 22.62, 0.73%, 0.65%

LAB 69.28, 25.55, 38.21

 

CMYK 26 / 0 / 56 / 9

HEX #ABE765

RGB 171 231 101

HSL 87.69, 0.73%, 0.65%

LAB 85.38, -39.58, 56.23

 

CMYK 41 / 0 / 56 / 9

HEX #88E765

RGB 136 231 101

HSL 103.85, 0.73%, 0.65%

LAB 83.61, -51.34, 53.73

 

CMYK 56 / 0 / 56 / 9

HEX #65E765

RGB 101 231 101

HSL 120, 0.73%, 0.65%

LAB 82.3, -60.98, 51.87

 

CMYK 56 / 0 / 41 / 9

HEX #65E788

RGB 101 231 136

HSL 136.15, 0.73%, 0.65%

LAB 82.75, -56.07, 35.68

 

CMYK 56 / 0 / 26 / 9

HEX #65E7AB

RGB 101 231 171

HSL 152.31, 0.73%, 0.65%

LAB 83.37, -49.62, 18.6

 

CMYK 26 / 0 / 56 / 9

HEX #ABE765

RGB 171 231 101

HSL 87.69, 0.73%, 0.65%

LAB 85.38, -39.58, 56.23

 

CMYK 30 / 0 / 65 / 4

HEX #ACF556

RGB 172 245 86

HSL 87.55, 0.89%, 0.65%

LAB 89.27, -46.55, 66.83

 

CMYK 26 / 0 / 56 / 9

HEX #ABE765

RGB 171 231 101

HSL 87.69, 0.73%, 0.65%

LAB 85.38, -39.58, 56.23

 

CMYK 21 / 0 / 47 / 15

HEX #AAD873

RGB 170 216 115

HSL 87.33, 0.56%, 0.65%

LAB 81.23, -31.66, 44.76

 

CMYK 16 / 0 / 36 / 21

HEX #A9CA81

RGB 169 202 129

HSL 87.12, 0.41%, 0.65%

LAB 77.44, -23.59, 32.91

 

CMYK 11 / 0 / 23 / 26

HEX #A7BC90

RGB 167 188 144

HSL 88.64, 0.25%, 0.65%

LAB 73.67, -15.12, 19.93

 

CMYK 4 / 0 / 9 / 32

HEX #A6AD9E

RGB 166 173 158

HSL 88, 0.08%, 0.65%

LAB 69.8, -5.26, 6.85

 

CMYK 0 / 5 / 56 / 9

HEX #E7DC65

RGB 231 220 101

HSL 54.92, 0.73%, 0.65%

LAB 86.56, -11.03, 58.69

 

CMYK 10 / 0 / 56 / 9

HEX #CFE765

RGB 207 231 101

HSL 71.08, 0.73%, 0.65%

LAB 87.66, -26, 59.44

 

CMYK 26 / 0 / 56 / 9

HEX #ACE765

RGB 172 231 101

HSL 87.23, 0.73%, 0.65%

LAB 85.43, -39.22, 56.31

 

CMYK 40 / 0 / 56 / 9

HEX #8AE765

RGB 138 231 101

HSL 102.92, 0.73%, 0.65%

LAB 83.7, -50.72, 53.86

 

CMYK 55 / 0 / 56 / 9

HEX #67E765

RGB 103 231 101

HSL 119.08, 0.73%, 0.65%

LAB 82.37, -60.5, 51.96

 

CMYK 39 / 0 / 84 / 16

HEX #84D722

RGB 132 215 34

HSL 87.51, 0.73%, 0.49%

LAB 78.24, -50.91, 72.05

 

CMYK 33 / 0 / 71 / 12

HEX #97E141

RGB 151 225 65

HSL 87.75, 0.73%, 0.57%

LAB 82.28, -46.92, 67.08

 

CMYK 26 / 0 / 56 / 9

HEX #ABE765

RGB 171 231 101

HSL 87.69, 0.73%, 0.65%

LAB 85.38, -39.58, 56.23

 

CMYK 19 / 0 / 42 / 7

HEX #BEEC88

RGB 190 236 136

HSL 87.6, 0.72%, 0.73%

LAB 88.31, -31.27, 43.64

 

CMYK 13 / 0 / 29 / 5

HEX #D2F2AC

RGB 210 242 172

HSL 87.43, 0.73%, 0.81%

LAB 91.77, -22.25, 30.44

 

CMYK 26 / 0 / 55 / 9

HEX #ACE767

RGB 172 231 103

HSL 87.66, 0.73%, 0.65%

LAB 85.45, -39.03, 55.44

 

CMYK 56 / 0 / 20 / 9

HEX #65E7B9

RGB 101 231 185

HSL 158.77, 0.73%, 0.65%

LAB 83.66, -46.64, 11.7

 

CMYK 0 / 56 / 3 / 9

HEX #E765E0

RGB 231 101 224

HSL 303.23, 0.73%, 0.65%

LAB 63.08, 65.62, -39.46

 

CMYK 26 / 0 / 55 / 9

HEX #ACE767

RGB 172 231 103

HSL 87.66, 0.73%, 0.65%

LAB 85.45, -39.03, 55.44

 

CMYK 56 / 26 / 0 / 9

HEX #65ACE7

RGB 101 172 231

HSL 207.23, 0.73%, 0.65%

LAB 68.05, -5.47, -36.4

 

CMYK 0 / 56 / 26 / 9

HEX #E765AC

RGB 231 101 172

HSL 327.23, 0.73%, 0.65%

LAB 61.02, 57.86, -13.14

 

CMYK 26 / 0 / 55 / 9

HEX #ACE767

RGB 172 231 103

HSL 87.66, 0.73%, 0.65%

LAB 85.45, -39.03, 55.44

 

CMYK 56 / 0 / 20 / 9

HEX #65E7B9

RGB 101 231 185

HSL 158.77, 0.73%, 0.65%

LAB 83.66, -46.64, 11.7

 

CMYK 31 / 56 / 0 / 9

HEX #9F65E7

RGB 159 101 231

HSL 266.77, 0.73%, 0.65%

LAB 54.5, 48.87, -57.54

 

CMYK 0 / 56 / 37 / 9

HEX #E76592

RGB 231 101 146

HSL 339.23, 0.73%, 0.65%

LAB 60.22, 54.68, 0.68

 

CMYK 26 / 0 / 55 / 9

HEX #ACE767

RGB 172 231 103

HSL 87.66, 0.73%, 0.65%

LAB 85.45, -39.03, 55.44

 

CMYK 56 / 0 / 3 / 9

HEX #65E7E0

RGB 101 231 224

HSL 176.77, 0.73%, 0.65%

LAB 84.64, -37.29, -7.43

 

CMYK 31 / 56 / 0 / 9

HEX #9F65E7

RGB 159 101 231

HSL 266.77, 0.73%, 0.65%

LAB 54.5, 48.87, -57.54

 

CMYK 0 / 56 / 54 / 9

HEX #E7656B

RGB 231 101 107

HSL 357.23, 0.73%, 0.65%

LAB 59.3, 50.93, 22

 

Description

Color code: HEX #ACE767 | qconv.com Color code: HEX #ACE767 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 231 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 231 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 55 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 55% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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