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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE65B it is the complementary color #5319A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE65B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE65B shade: #B1E656, #C2F869, #D3FF7C, #E4FF8F and #F5FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE65B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE65B shade: #ACE65B, #9BD448, #8AC235, #79B022 and #689E0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE65B shade: #ACE65A, #D1E65A, #E6D55A, #E6AF5A and #E68A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE65B shade: #ACE65A, #86E65A, #60E65A, #5AE67A and #5AE6A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE65B shade matches the following richer shades: #ACE65A and #AEF54B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE65B shade: #ACE65A, #A9D76A, #A7C779, #A4B888 and #A2A997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE65B shade: #E6D65A, #D1E65A, #ACE65A, #87E65A and #61E65A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE65B shade: #85CF1F, #9AE136, #ACE65A, #BEEB7E and #D0F1A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE65B shade: #ACE65B, #5AE6B0 and #E65AE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE65B shade: #ACE65B, #5AACE6 and #E65AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE65B shade: #ACE65B, #5AE6B0, #955AE6 and #E65A90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE65B shade: #ACE65B, #5AE6DA, #955AE6 and #E65A66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 60 / 10

HEX #ACE65B

RGB 172 230 91

HSL 85.04, 0.74%, 0.63%

LAB 85.06, -39.65, 60.22

 

Complementary color

CMYK 49 / 85 / 0 / 36

HEX #5319A4

RGB 83 25 164

HSL 265.04, 0.74%, 0.37%

LAB 27.34, 53.99, -63.02

 

CMYK 23 / 0 / 63 / 10

HEX #B1E656

RGB 177 230 86

HSL 82.08, 0.74%, 0.62%

LAB 85.31, -38.2, 62.66

 

CMYK 22 / 0 / 58 / 3

HEX #C2F869

RGB 194 248 105

HSL 82.66, 0.91%, 0.69%

LAB 91.52, -38.44, 61.84

 

CMYK 17 / 0 / 51 / 0

HEX #D3FF7C

RGB 211 255 124

HSL 80.15, 1%, 0.74%

LAB 94.66, -33.65, 57.36

 

CMYK 11 / 0 / 44 / 0

HEX #E4FF8F

RGB 228 255 143

HSL 74.46, 1%, 0.78%

LAB 96, -25.45, 50.42

 

CMYK 4 / 0 / 36 / 0

HEX #F5FFA2

RGB 245 255 162

HSL 66.45, 1%, 0.82%

LAB 97.45, -17.03, 43.36

 

CMYK 25 / 0 / 60 / 10

HEX #ACE65B

RGB 172 230 91

HSL 85.04, 0.74%, 0.63%

LAB 85.06, -39.65, 60.22

 

CMYK 27 / 0 / 66 / 17

HEX #9BD448

RGB 155 212 72

HSL 84.43, 0.62%, 0.56%

LAB 78.77, -39.39, 60.93

 

CMYK 29 / 0 / 73 / 24

HEX #8AC235

RGB 138 194 53

HSL 83.83, 0.57%, 0.48%

LAB 72.39, -39, 61.26

 

CMYK 31 / 0 / 81 / 31

HEX #79B022

RGB 121 176 34

HSL 83.24, 0.68%, 0.41%

LAB 65.93, -38.44, 60.89

 

CMYK 34 / 0 / 91 / 38

HEX #689E0F

RGB 104 158 15

HSL 82.66, 0.83%, 0.34%

LAB 59.37, -37.63, 59.31

 

CMYK 25 / 0 / 61 / 10

HEX #ACE65A

RGB 172 230 90

HSL 84.86, 0.74%, 0.63%

LAB 85.05, -39.73, 60.63

 

CMYK 9 / 0 / 61 / 10

HEX #D1E65A

RGB 209 230 90

HSL 69, 0.74%, 0.63%

LAB 87.43, -25.57, 63.92

 

CMYK 0 / 7 / 61 / 10

HEX #E6D55A

RGB 230 213 90

HSL 52.71, 0.74%, 0.63%

LAB 84.56, -8.69, 61.27

 

CMYK 0 / 24 / 61 / 10

HEX #E6AF5A

RGB 230 175 90

HSL 36.43, 0.74%, 0.63%

LAB 74.96, 11.02, 50.52

 

CMYK 0 / 40 / 61 / 10

HEX #E68A5A

RGB 230 138 90

HSL 20.57, 0.74%, 0.63%

LAB 66.32, 30.69, 40.33

 

CMYK 25 / 0 / 61 / 10

HEX #ACE65A

RGB 172 230 90

HSL 84.86, 0.74%, 0.63%

LAB 85.05, -39.73, 60.63

 

CMYK 42 / 0 / 61 / 10

HEX #86E65A

RGB 134 230 90

HSL 101.14, 0.74%, 0.63%

LAB 83.13, -52.65, 57.96

 

CMYK 58 / 0 / 61 / 10

HEX #60E65A

RGB 96 230 90

HSL 117.43, 0.74%, 0.63%

LAB 81.74, -63.02, 56.02

 

CMYK 61 / 0 / 47 / 10

HEX #5AE67A

RGB 90 230 122

HSL 133.71, 0.74%, 0.63%

LAB 81.93, -60.27, 41.47

 

CMYK 61 / 0 / 30 / 10

HEX #5AE6A0

RGB 90 230 160

HSL 150, 0.74%, 0.63%

LAB 82.54, -53.66, 23.12

 

CMYK 25 / 0 / 61 / 10

HEX #ACE65A

RGB 172 230 90

HSL 84.86, 0.74%, 0.63%

LAB 85.05, -39.73, 60.63

 

CMYK 29 / 0 / 69 / 4

HEX #AEF54B

RGB 174 245 75

HSL 85.06, 0.89%, 0.63%

LAB 89.3, -46.6, 71.01

 

CMYK 25 / 0 / 61 / 10

HEX #ACE65A

RGB 172 230 90

HSL 84.86, 0.74%, 0.63%

LAB 85.05, -39.73, 60.63

 

CMYK 21 / 0 / 51 / 16

HEX #A9D76A

RGB 169 215 106

HSL 85.32, 0.58%, 0.63%

LAB 80.78, -32.54, 48.51

 

CMYK 16 / 0 / 39 / 22

HEX #A7C779

RGB 167 199 121

HSL 84.62, 0.41%, 0.63%

LAB 76.34, -23.92, 35.56

 

CMYK 11 / 0 / 26 / 28

HEX #A4B888

RGB 164 184 136

HSL 85, 0.25%, 0.63%

LAB 72.2, -15.42, 22.16

 

CMYK 4 / 0 / 11 / 34

HEX #A2A997

RGB 162 169 151

HSL 83.33, 0.09%, 0.63%

LAB 68.24, -5.82, 8.44

 

CMYK 0 / 7 / 61 / 10

HEX #E6D65A

RGB 230 214 90

HSL 53.14, 0.74%, 0.63%

LAB 84.82, -9.19, 61.56

 

CMYK 9 / 0 / 61 / 10

HEX #D1E65A

RGB 209 230 90

HSL 69, 0.74%, 0.63%

LAB 87.43, -25.57, 63.92

 

CMYK 25 / 0 / 61 / 10

HEX #ACE65A

RGB 172 230 90

HSL 84.86, 0.74%, 0.63%

LAB 85.05, -39.73, 60.63

 

CMYK 41 / 0 / 61 / 10

HEX #87E65A

RGB 135 230 90

HSL 100.71, 0.74%, 0.63%

LAB 83.17, -52.34, 58.02

 

CMYK 58 / 0 / 61 / 10

HEX #61E65A

RGB 97 230 90

HSL 117, 0.74%, 0.63%

LAB 81.77, -62.79, 56.06

 

CMYK 36 / 0 / 85 / 19

HEX #85CF1F

RGB 133 207 31

HSL 85.23, 0.74%, 0.47%

LAB 75.89, -47.41, 70.7

 

CMYK 32 / 0 / 76 / 12

HEX #9AE136

RGB 154 225 54

HSL 84.91, 0.74%, 0.55%

LAB 82.37, -46.48, 70.86

 

CMYK 25 / 0 / 61 / 10

HEX #ACE65A

RGB 172 230 90

HSL 84.86, 0.74%, 0.63%

LAB 85.05, -39.73, 60.63

 

CMYK 19 / 0 / 46 / 8

HEX #BEEB7E

RGB 190 235 126

HSL 84.77, 0.73%, 0.71%

LAB 87.91, -31.95, 47.96

 

CMYK 14 / 0 / 33 / 5

HEX #D0F1A2

RGB 208 241 162

HSL 85.06, 0.74%, 0.79%

LAB 91.2, -23.86, 34.71

 

CMYK 25 / 0 / 60 / 10

HEX #ACE65B

RGB 172 230 91

HSL 85.04, 0.74%, 0.63%

LAB 85.06, -39.65, 60.22

 

CMYK 61 / 0 / 23 / 10

HEX #5AE6B0

RGB 90 230 176

HSL 156.86, 0.74%, 0.63%

LAB 82.86, -50.34, 15.23

 

CMYK 0 / 61 / 1 / 10

HEX #E65AE4

RGB 230 90 228

HSL 300.86, 0.74%, 0.63%

LAB 61.43, 70.68, -44.3

 

CMYK 25 / 0 / 60 / 10

HEX #ACE65B

RGB 172 230 91

HSL 85.04, 0.74%, 0.63%

LAB 85.06, -39.65, 60.22

 

CMYK 61 / 25 / 0 / 10

HEX #5AACE6

RGB 90 172 230

HSL 204.86, 0.74%, 0.63%

LAB 67.57, -7.9, -36.63

 

CMYK 0 / 61 / 25 / 10

HEX #E65AAC

RGB 230 90 172

HSL 324.86, 0.74%, 0.63%

LAB 59.08, 62.39, -16.09

 

CMYK 25 / 0 / 60 / 10

HEX #ACE65B

RGB 172 230 91

HSL 85.04, 0.74%, 0.63%

LAB 85.06, -39.65, 60.22

 

CMYK 61 / 0 / 23 / 10

HEX #5AE6B0

RGB 90 230 176

HSL 156.86, 0.74%, 0.63%

LAB 82.86, -50.34, 15.23

 

CMYK 35 / 61 / 0 / 10

HEX #955AE6

RGB 149 90 230

HSL 265.29, 0.74%, 0.63%

LAB 51.17, 52.17, -62.39

 

CMYK 0 / 61 / 37 / 10

HEX #E65A90

RGB 230 90 144

HSL 336.86, 0.74%, 0.63%

LAB 58.18, 59.05, -1.16

 

CMYK 25 / 0 / 60 / 10

HEX #ACE65B

RGB 172 230 91

HSL 85.04, 0.74%, 0.63%

LAB 85.06, -39.65, 60.22

 

CMYK 61 / 0 / 5 / 10

HEX #5AE6DA

RGB 90 230 218

HSL 174.86, 0.74%, 0.63%

LAB 83.88, -40.32, -5.42

 

CMYK 35 / 61 / 0 / 10

HEX #955AE6

RGB 149 90 230

HSL 265.29, 0.74%, 0.63%

LAB 51.17, 52.17, -62.39

 

CMYK 0 / 61 / 56 / 10

HEX #E65A66

RGB 230 90 102

HSL 354.86, 0.74%, 0.63%

LAB 57.17, 55.17, 22

 

Description

Color code: HEX #ACE65B | qconv.com Color code: HEX #ACE65B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 230 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 230 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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