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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE625 it is the complementary color #5319DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE625. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE625 shade: #B1E620, #C2F833, #D3FF46, #E4FF59 and #F5FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE625. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE625 shade: #ACE625, #9BD412, #8AC200, #79B000 and #689E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE625 shade: #ABE524, #DFE524, #E5B724, #E58324 and #E54F24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE625 shade: #ABE524, #77E524, #43E524, #24E539 and #24E56D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE625 shade matches the following richer shades: #ABE524 and #B3F910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE625 shade: #ABE524, #A3D138, #9BBE4C, #93AA5F and #8C9673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE625 shade: #E5B824, #DFE524, #ABE524, #78E524 and #44E524

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE625 shade: #78A413, #93C818, #ABE524, #B9EA49 and #C7EE6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE625 shade: #ACE625, #24E585 and #D224E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE625 shade: #ACE625, #24ABE5 and #E524AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE625 shade: #ACE625, #24E585, #5E24E5 and #E52485

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE625 shade: #ACE625, #24E5BF, #5E24E5 and #E5244B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 84 / 10

HEX #ACE625

RGB 172 230 37

HSL 78.03, 0.79%, 0.52%

LAB 84.74, -42.67, 77.83

 

Complementary color

CMYK 62 / 89 / 0 / 15

HEX #5319DA

RGB 83 25 218

HSL 258.03, 0.79%, 0.48%

LAB 33.13, 67.56, -85.34

 

CMYK 23 / 0 / 86 / 10

HEX #B1E620

RGB 177 230 32

HSL 76.06, 0.8%, 0.51%

LAB 85.02, -40.91, 79.21

 

CMYK 22 / 0 / 79 / 3

HEX #C2F833

RGB 194 248 51

HSL 76.45, 0.93%, 0.59%

LAB 91.16, -41.72, 80.61

 

CMYK 17 / 0 / 73 / 0

HEX #D3FF46

RGB 211 255 70

HSL 74.27, 1%, 0.64%

LAB 94.23, -37.51, 78.29

 

CMYK 11 / 0 / 65 / 0

HEX #E4FF59

RGB 228 255 89

HSL 69.76, 1%, 0.67%

LAB 95.47, -29.89, 73.23

 

CMYK 4 / 0 / 58 / 0

HEX #F5FF6C

RGB 245 255 108

HSL 64.08, 1%, 0.71%

LAB 96.83, -21.99, 67.44

 

CMYK 25 / 0 / 84 / 10

HEX #ACE625

RGB 172 230 37

HSL 78.03, 0.79%, 0.52%

LAB 84.74, -42.67, 77.83

 

CMYK 27 / 0 / 92 / 17

HEX #9BD412

RGB 155 212 18

HSL 77.63, 0.84%, 0.45%

LAB 78.52, -41.77, 75.67

 

CMYK 29 / 0 / 100 / 24

HEX #8AC200

RGB 138 194 0

HSL 77.32, 1%, 0.38%

LAB 72.22, -40.69, 72.28

 

CMYK 31 / 0 / 100 / 31

HEX #79B000

RGB 121 176 0

HSL 78.75, 1%, 0.35%

LAB 65.84, -39.33, 66.97

 

CMYK 34 / 0 / 100 / 38

HEX #689E00

RGB 104 158 0

HSL 80.51, 1%, 0.31%

LAB 59.34, -37.95, 61.56

 

CMYK 25 / 0 / 84 / 10

HEX #ABE524

RGB 171 229 36

HSL 78.03, 0.79%, 0.52%

LAB 84.39, -42.65, 77.73

 

CMYK 3 / 0 / 84 / 10

HEX #DFE524

RGB 223 229 36

HSL 61.87, 0.79%, 0.52%

LAB 87.9, -21.87, 82.09

 

CMYK 0 / 20 / 84 / 10

HEX #E5B724

RGB 229 183 36

HSL 45.7, 0.79%, 0.52%

LAB 76.47, 3.88, 72.85

 

CMYK 0 / 43 / 84 / 10

HEX #E58324

RGB 229 131 36

HSL 29.53, 0.79%, 0.52%

LAB 64.18, 31.43, 62.57

 

CMYK 0 / 66 / 84 / 10

HEX #E54F24

RGB 229 79 36

HSL 13.37, 0.79%, 0.52%

LAB 54.43, 56.28, 54.27

 

CMYK 25 / 0 / 84 / 10

HEX #ABE524

RGB 171 229 36

HSL 78.03, 0.79%, 0.52%

LAB 84.39, -42.65, 77.73

 

CMYK 48 / 0 / 84 / 10

HEX #77E524

RGB 119 229 36

HSL 94.2, 0.79%, 0.52%

LAB 81.89, -60.34, 74.58

 

CMYK 71 / 0 / 84 / 10

HEX #43E524

RGB 67 229 36

HSL 110.36, 0.79%, 0.52%

LAB 80.38, -72.55, 72.68

 

CMYK 84 / 0 / 75 / 10

HEX #24E539

RGB 36 229 57

HSL 126.53, 0.79%, 0.52%

LAB 80.02, -75.39, 66.4

 

CMYK 84 / 0 / 52 / 10

HEX #24E56D

RGB 36 229 109

HSL 142.69, 0.79%, 0.52%

LAB 80.47, -69.78, 45.67

 

CMYK 25 / 0 / 84 / 10

HEX #ABE524

RGB 171 229 36

HSL 78.03, 0.79%, 0.52%

LAB 84.39, -42.65, 77.73

 

CMYK 28 / 0 / 94 / 2

HEX #B3F910

RGB 179 249 16

HSL 78.03, 0.95%, 0.52%

LAB 90.49, -48.62, 86.01

 

CMYK 25 / 0 / 84 / 10

HEX #ABE524

RGB 171 229 36

HSL 78.03, 0.79%, 0.52%

LAB 84.39, -42.65, 77.73

 

CMYK 22 / 0 / 73 / 18

HEX #A3D138

RGB 163 209 56

HSL 78.04, 0.62%, 0.52%

LAB 78.27, -36.01, 66.47

 

CMYK 18 / 0 / 60 / 25

HEX #9BBE4C

RGB 155 190 76

HSL 78.42, 0.47%, 0.52%

LAB 72.44, -28.95, 52.41

 

CMYK 14 / 0 / 44 / 33

HEX #93AA5F

RGB 147 170 95

HSL 78.4, 0.31%, 0.52%

LAB 66.35, -20.4, 35.94

 

CMYK 7 / 0 / 23 / 41

HEX #8C9673

RGB 140 150 115

HSL 77.14, 0.14%, 0.52%

LAB 60.45, -9.95, 17.3

 

CMYK 0 / 20 / 84 / 10

HEX #E5B824

RGB 229 184 36

HSL 46.01, 0.79%, 0.52%

LAB 76.72, 3.36, 73.05

 

CMYK 3 / 0 / 84 / 10

HEX #DFE524

RGB 223 229 36

HSL 61.87, 0.79%, 0.52%

LAB 87.9, -21.87, 82.09

 

CMYK 25 / 0 / 84 / 10

HEX #ABE524

RGB 171 229 36

HSL 78.03, 0.79%, 0.52%

LAB 84.39, -42.65, 77.73

 

CMYK 48 / 0 / 84 / 10

HEX #78E524

RGB 120 229 36

HSL 93.89, 0.79%, 0.52%

LAB 81.92, -60.05, 74.63

 

CMYK 70 / 0 / 84 / 10

HEX #44E524

RGB 68 229 36

HSL 110.05, 0.79%, 0.52%

LAB 80.4, -72.38, 72.7

 

CMYK 27 / 0 / 88 / 36

HEX #78A413

RGB 120 164 19

HSL 78.21, 0.79%, 0.36%

LAB 62.16, -33.96, 61.25

 

CMYK 27 / 0 / 88 / 22

HEX #93C818

RGB 147 200 24

HSL 78.07, 0.79%, 0.44%

LAB 74.56, -39.44, 71.28

 

CMYK 25 / 0 / 84 / 10

HEX #ABE524

RGB 171 229 36

HSL 78.03, 0.79%, 0.52%

LAB 84.39, -42.65, 77.73

 

CMYK 21 / 0 / 69 / 8

HEX #B9EA49

RGB 185 234 73

HSL 78.26, 0.79%, 0.6%

LAB 86.82, -37.87, 69.42

 

CMYK 16 / 0 / 54 / 7

HEX #C7EE6E

RGB 199 238 110

HSL 78.28, 0.79%, 0.68%

LAB 89.12, -31.6, 56.98

 

CMYK 25 / 0 / 84 / 10

HEX #ACE625

RGB 172 230 37

HSL 78.03, 0.79%, 0.52%

LAB 84.74, -42.67, 77.83

 

CMYK 84 / 0 / 42 / 10

HEX #24E585

RGB 36 229 133

HSL 150.16, 0.79%, 0.52%

LAB 80.8, -65.88, 34.38

 

CMYK 8 / 84 / 0 / 10

HEX #D224E5

RGB 210 36 229

HSL 294.09, 0.79%, 0.52%

LAB 52.53, 83.47, -59.2

 

CMYK 25 / 0 / 84 / 10

HEX #ACE625

RGB 172 230 37

HSL 78.03, 0.79%, 0.52%

LAB 84.74, -42.67, 77.83

 

CMYK 84 / 25 / 0 / 10

HEX #24ABE5

RGB 36 171 229

HSL 198.03, 0.79%, 0.52%

LAB 65.87, -14.62, -38.83

 

CMYK 0 / 84 / 25 / 10

HEX #E524AB

RGB 229 36 171

HSL 318.03, 0.79%, 0.52%

LAB 52.8, 79.08, -25.14

 

CMYK 25 / 0 / 84 / 10

HEX #ACE625

RGB 172 230 37

HSL 78.03, 0.79%, 0.52%

LAB 84.74, -42.67, 77.83

 

CMYK 84 / 0 / 42 / 10

HEX #24E585

RGB 36 229 133

HSL 150.16, 0.79%, 0.52%

LAB 80.8, -65.88, 34.38

 

CMYK 59 / 84 / 0 / 10

HEX #5E24E5

RGB 94 36 229

HSL 258.03, 0.79%, 0.52%

LAB 36.55, 67.82, -85.94

 

CMYK 0 / 84 / 42 / 10

HEX #E52485

RGB 229 36 133

HSL 329.84, 0.79%, 0.52%

LAB 51.4, 75.16, -4.64

 

CMYK 25 / 0 / 84 / 10

HEX #ACE625

RGB 172 230 37

HSL 78.03, 0.79%, 0.52%

LAB 84.74, -42.67, 77.83

 

CMYK 84 / 0 / 17 / 10

HEX #24E5BF

RGB 36 229 191

HSL 168.19, 0.79%, 0.52%

LAB 81.93, -53.3, 5.9

 

CMYK 59 / 84 / 0 / 10

HEX #5E24E5

RGB 94 36 229

HSL 258.03, 0.79%, 0.52%

LAB 36.55, 67.82, -85.94

 

CMYK 0 / 84 / 67 / 10

HEX #E5244B

RGB 229 36 75

HSL 347.88, 0.79%, 0.52%

LAB 50.01, 71.15, 28.64

 

Description

Color code: HEX #ACE625 | qconv.com Color code: HEX #ACE625 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 230 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 230 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 84 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 84% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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