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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE617 it is the complementary color #5319E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE617. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE617 shade: #B1E612, #C2F825, #D3FF38, #E4FF4B and #F5FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE617. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE617 shade: #ACE617, #9BD404, #8AC200, #79B000 and #689E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE617 shade: #ADE817, #E6E817, #E8B217, #E87917 and #E84117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE617 shade: #ADE817, #75E817, #3DE817, #17E82A and #17E862

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE617 shade matches the following richer shades: #ADE817 and #B7FD02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE617 shade: #ADE817, #A4D32C, #9BBF40, #92AA55 and #899669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE617 shade: #E8B017, #E8E817, #B0E817, #79E817 and #41E817

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE617 shade: #759D10, #91C313, #ADE817, #BBEC3C and #C8EF62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE617 shade: #ACE617, #17E879 and #CC17E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE617 shade: #ACE617, #17B0E8 and #E817B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE617 shade: #ACE617, #17E879, #4F17E8 and #E81786

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE617 shade: #ACE617, #17E8B7, #4F17E8 and #E81748

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 90 / 10

HEX #ACE617

RGB 172 230 23

HSL 76.81, 0.82%, 0.5%

LAB 84.7, -43.03, 80.36

 

Complementary color

CMYK 64 / 89 / 0 / 9

HEX #5319E8

RGB 83 25 232

HSL 256.81, 0.82%, 0.5%

LAB 34.72, 71.03, -90.72

 

CMYK 23 / 0 / 92 / 10

HEX #B1E612

RGB 177 230 18

HSL 75, 0.85%, 0.49%

LAB 84.99, -41.21, 81.38

 

CMYK 22 / 0 / 85 / 3

HEX #C2F825

RGB 194 248 37

HSL 75.36, 0.94%, 0.56%

LAB 91.12, -42.17, 83.76

 

CMYK 17 / 0 / 78 / 0

HEX #D3FF38

RGB 211 255 56

HSL 73.27, 1%, 0.61%

LAB 94.16, -38.12, 82.38

 

CMYK 11 / 0 / 71 / 0

HEX #E4FF4B

RGB 228 255 75

HSL 69, 1%, 0.65%

LAB 95.38, -30.66, 78.15

 

CMYK 4 / 0 / 63 / 0

HEX #F5FF5E

RGB 245 255 94

HSL 63.73, 1%, 0.68%

LAB 96.71, -22.9, 72.98

 

CMYK 25 / 0 / 90 / 10

HEX #ACE617

RGB 172 230 23

HSL 76.81, 0.82%, 0.5%

LAB 84.7, -43.03, 80.36

 

CMYK 27 / 0 / 98 / 17

HEX #9BD404

RGB 155 212 4

HSL 76.44, 0.96%, 0.42%

LAB 78.5, -41.97, 77.13

 

CMYK 29 / 0 / 100 / 24

HEX #8AC200

RGB 138 194 0

HSL 77.32, 1%, 0.38%

LAB 72.22, -40.69, 72.28

 

CMYK 31 / 0 / 100 / 31

HEX #79B000

RGB 121 176 0

HSL 78.75, 1%, 0.35%

LAB 65.84, -39.33, 66.97

 

CMYK 34 / 0 / 100 / 38

HEX #689E00

RGB 104 158 0

HSL 80.51, 1%, 0.31%

LAB 59.34, -37.95, 61.56

 

CMYK 25 / 0 / 90 / 9

HEX #ADE817

RGB 173 232 23

HSL 76.94, 0.82%, 0.5%

LAB 85.33, -43.52, 80.89

 

CMYK 1 / 0 / 90 / 9

HEX #E6E817

RGB 230 232 23

HSL 60.57, 0.82%, 0.5%

LAB 89.2, -20.67, 85.6

 

CMYK 0 / 23 / 90 / 9

HEX #E8B217

RGB 232 178 23

HSL 44.5, 0.82%, 0.5%

LAB 75.49, 7.54, 75.11

 

CMYK 0 / 48 / 90 / 9

HEX #E87917

RGB 232 121 23

HSL 28.13, 0.82%, 0.5%

LAB 62.42, 37.53, 65.29

 

CMYK 0 / 72 / 90 / 9

HEX #E84117

RGB 232 65 23

HSL 12.06, 0.82%, 0.5%

LAB 52.95, 62.3, 58.46

 

CMYK 25 / 0 / 90 / 9

HEX #ADE817

RGB 173 232 23

HSL 76.94, 0.82%, 0.5%

LAB 85.33, -43.52, 80.89

 

CMYK 50 / 0 / 90 / 9

HEX #75E817

RGB 117 232 23

HSL 93.01, 0.82%, 0.5%

LAB 82.68, -62.41, 77.62

 

CMYK 74 / 0 / 90 / 9

HEX #3DE817

RGB 61 232 23

HSL 109.09, 0.82%, 0.5%

LAB 81.16, -74.87, 75.74

 

CMYK 90 / 0 / 82 / 9

HEX #17E82A

RGB 23 232 42

HSL 125.45, 0.82%, 0.5%

LAB 80.77, -78.11, 71.4

 

CMYK 90 / 0 / 58 / 9

HEX #17E862

RGB 23 232 98

HSL 141.53, 0.82%, 0.5%

LAB 81.17, -73.13, 51.53

 

CMYK 25 / 0 / 90 / 9

HEX #ADE817

RGB 173 232 23

HSL 76.94, 0.82%, 0.5%

LAB 85.33, -43.52, 80.89

 

CMYK 28 / 0 / 99 / 1

HEX #B7FD02

RGB 183 253 2

HSL 76.73, 0.98%, 0.5%

LAB 91.83, -48.97, 88.24

 

CMYK 25 / 0 / 90 / 9

HEX #ADE817

RGB 173 232 23

HSL 76.94, 0.82%, 0.5%

LAB 85.33, -43.52, 80.89

 

CMYK 22 / 0 / 79 / 17

HEX #A4D32C

RGB 164 211 44

HSL 76.89, 0.65%, 0.5%

LAB 78.85, -37.09, 70.73

 

CMYK 19 / 0 / 66 / 25

HEX #9BBF40

RGB 155 191 64

HSL 77.01, 0.5%, 0.5%

LAB 72.63, -30.33, 57.68

 

CMYK 14 / 0 / 50 / 33

HEX #92AA55

RGB 146 170 85

HSL 76.94, 0.33%, 0.5%

LAB 66.15, -21.92, 40.74

 

CMYK 9 / 0 / 30 / 41

HEX #899669

RGB 137 150 105

HSL 77.33, 0.18%, 0.5%

LAB 60.02, -12.66, 22.24

 

CMYK 0 / 24 / 90 / 9

HEX #E8B017

RGB 232 176 23

HSL 43.92, 0.82%, 0.5%

LAB 74.99, 8.59, 74.73

 

CMYK 0 / 0 / 90 / 9

HEX #E8E817

RGB 232 232 23

HSL 60, 0.82%, 0.5%

LAB 89.36, -19.83, 85.79

 

CMYK 24 / 0 / 90 / 9

HEX #B0E817

RGB 176 232 23

HSL 76.08, 0.82%, 0.5%

LAB 85.51, -42.38, 81.1

 

CMYK 48 / 0 / 90 / 9

HEX #79E817

RGB 121 232 23

HSL 91.87, 0.82%, 0.5%

LAB 82.83, -61.24, 77.81

 

CMYK 72 / 0 / 90 / 9

HEX #41E817

RGB 65 232 23

HSL 107.94, 0.82%, 0.5%

LAB 81.24, -74.24, 75.83

 

CMYK 25 / 0 / 90 / 38

HEX #759D10

RGB 117 157 16

HSL 77.02, 0.82%, 0.34%

LAB 59.83, -32.02, 59.82

 

CMYK 26 / 0 / 90 / 24

HEX #91C313

RGB 145 195 19

HSL 77.05, 0.82%, 0.42%

LAB 72.96, -38.11, 70.77

 

CMYK 25 / 0 / 90 / 9

HEX #ADE817

RGB 173 232 23

HSL 76.94, 0.82%, 0.5%

LAB 85.33, -43.52, 80.89

 

CMYK 21 / 0 / 75 / 7

HEX #BBEC3C

RGB 187 236 60

HSL 76.7, 0.82%, 0.58%

LAB 87.43, -38.7, 74.45

 

CMYK 16 / 0 / 59 / 6

HEX #C8EF62

RGB 200 239 98

HSL 76.6, 0.82%, 0.66%

LAB 89.34, -32.69, 62.49

 

CMYK 25 / 0 / 90 / 10

HEX #ACE617

RGB 172 230 23

HSL 76.81, 0.82%, 0.5%

LAB 84.7, -43.03, 80.36

 

CMYK 90 / 0 / 48 / 9

HEX #17E879

RGB 23 232 121

HSL 148.13, 0.82%, 0.5%

LAB 81.44, -69.8, 41.11

 

CMYK 12 / 90 / 0 / 9

HEX #CC17E8

RGB 204 23 232

HSL 291.96, 0.82%, 0.5%

LAB 51.01, 85.15, -63.4

 

CMYK 25 / 0 / 90 / 10

HEX #ACE617

RGB 172 230 23

HSL 76.81, 0.82%, 0.5%

LAB 84.7, -43.03, 80.36

 

CMYK 90 / 24 / 0 / 9

HEX #17B0E8

RGB 23 176 232

HSL 196.08, 0.82%, 0.5%

LAB 67.32, -17.04, -38.23

 

CMYK 0 / 90 / 24 / 9

HEX #E817B0

RGB 232 23 176

HSL 316.08, 0.82%, 0.5%

LAB 52.84, 82.34, -27.95

 

CMYK 25 / 0 / 90 / 10

HEX #ACE617

RGB 172 230 23

HSL 76.81, 0.82%, 0.5%

LAB 84.7, -43.03, 80.36

 

CMYK 90 / 0 / 48 / 9

HEX #17E879

RGB 23 232 121

HSL 148.13, 0.82%, 0.5%

LAB 81.44, -69.8, 41.11

 

CMYK 66 / 90 / 0 / 9

HEX #4F17E8

RGB 79 23 232

HSL 256.08, 0.82%, 0.5%

LAB 34.19, 71.29, -91.61

 

CMYK 0 / 90 / 42 / 9

HEX #E81786

RGB 232 23 134

HSL 328.13, 0.82%, 0.5%

LAB 51.26, 78.09, -5.39

 

CMYK 25 / 0 / 90 / 10

HEX #ACE617

RGB 172 230 23

HSL 76.81, 0.82%, 0.5%

LAB 84.7, -43.03, 80.36

 

CMYK 90 / 0 / 21 / 9

HEX #17E8B7

RGB 23 232 183

HSL 165.93, 0.82%, 0.5%

LAB 82.55, -57.22, 10.97

 

CMYK 66 / 90 / 0 / 9

HEX #4F17E8

RGB 79 23 232

HSL 256.08, 0.82%, 0.5%

LAB 34.19, 71.29, -91.61

 

CMYK 0 / 90 / 69 / 9

HEX #E81748

RGB 232 23 72

HSL 345.93, 0.82%, 0.5%

LAB 49.78, 74, 30.29

 

Description

Color code: HEX #ACE617 | qconv.com Color code: HEX #ACE617 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 230 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 230 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 90 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 90% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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