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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE464 it is the complementary color #531B9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE464. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE464 shade: #B1E45F, #C2F672, #D3FF85, #E4FF98 and #F5FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE464. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE464 shade: #ACE464, #9BD251, #8AC03E, #79AE2B and #689C18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE464 shade: #ABE363, #CEE363, #E3D663, #E3B463 and #E39163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE464 shade: #ABE363, #89E363, #66E363, #63E383 and #63E3A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE464 shade matches the following richer shades: #ABE363 and #ADF254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE464 shade: #ABE363, #A9D572, #A8C681, #A6B78F and #A4A89E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE464 shade: #E3D763, #CEE363, #ACE363, #89E363 and #67E363

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE464 shade: #85CF25, #98DD40, #ABE363, #BEEA86 and #D1F0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE464 shade: #ACE464, #63E3B4 and #E363DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE464 shade: #ACE464, #63ACE3 and #E363AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE464 shade: #ACE464, #63E3B4, #9B63E3 and #E36392

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE464 shade: #ACE464, #63E3DB, #9B63E3 and #E3636C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 56 / 11

HEX #ACE464

RGB 172 228 100

HSL 86.25, 0.7%, 0.64%

LAB 84.58, -37.97, 55.77

 

Complementary color

CMYK 46 / 83 / 0 / 39

HEX #531B9B

RGB 83 27 155

HSL 266.25, 0.7%, 0.36%

LAB 26.7, 50.99, -58.58

 

CMYK 22 / 0 / 58 / 11

HEX #B1E45F

RGB 177 228 95

HSL 83.01, 0.71%, 0.63%

LAB 84.82, -36.57, 58.33

 

CMYK 21 / 0 / 54 / 4

HEX #C2F672

RGB 194 246 114

HSL 83.64, 0.88%, 0.71%

LAB 91.05, -36.74, 57.36

 

CMYK 17 / 0 / 48 / 0

HEX #D3FF85

RGB 211 255 133

HSL 81.64, 1%, 0.76%

LAB 94.76, -32.76, 53.36

 

CMYK 11 / 0 / 40 / 0

HEX #E4FF98

RGB 228 255 152

HSL 75.73, 1%, 0.8%

LAB 96.11, -24.47, 46.27

 

CMYK 4 / 0 / 33 / 0

HEX #F5FFAB

RGB 245 255 171

HSL 67.14, 1%, 0.84%

LAB 97.58, -15.98, 39.11

 

CMYK 25 / 0 / 56 / 11

HEX #ACE464

RGB 172 228 100

HSL 86.25, 0.7%, 0.64%

LAB 84.58, -37.97, 55.77

 

CMYK 26 / 0 / 61 / 18

HEX #9BD251

RGB 155 210 81

HSL 85.58, 0.59%, 0.57%

LAB 78.26, -37.79, 56.68

 

CMYK 28 / 0 / 68 / 25

HEX #8AC03E

RGB 138 192 62

HSL 84.92, 0.51%, 0.5%

LAB 71.86, -37.52, 57.35

 

CMYK 30 / 0 / 75 / 32

HEX #79AE2B

RGB 121 174 43

HSL 84.27, 0.6%, 0.43%

LAB 65.37, -37.09, 57.54

 

CMYK 33 / 0 / 85 / 39

HEX #689C18

RGB 104 156 24

HSL 83.64, 0.73%, 0.35%

LAB 58.78, -36.45, 56.84

 

CMYK 25 / 0 / 56 / 11

HEX #ABE363

RGB 171 227 99

HSL 86.25, 0.7%, 0.64%

LAB 84.22, -37.97, 55.79

 

CMYK 9 / 0 / 56 / 11

HEX #CEE363

RGB 206 227 99

HSL 69.84, 0.7%, 0.64%

LAB 86.48, -24.65, 58.97

 

CMYK 0 / 6 / 56 / 11

HEX #E3D663

RGB 227 214 99

HSL 53.91, 0.7%, 0.64%

LAB 84.65, -9.8, 57.33

 

CMYK 0 / 21 / 56 / 11

HEX #E3B463

RGB 227 180 99

HSL 37.97, 0.7%, 0.64%

LAB 75.99, 7.79, 47.27

 

CMYK 0 / 36 / 56 / 11

HEX #E39163

RGB 227 145 99

HSL 21.56, 0.7%, 0.64%

LAB 67.64, 26.45, 37.11

 

CMYK 25 / 0 / 56 / 11

HEX #ABE363

RGB 171 227 99

HSL 86.25, 0.7%, 0.64%

LAB 84.22, -37.97, 55.79

 

CMYK 40 / 0 / 56 / 11

HEX #89E363

RGB 137 227 99

HSL 102.19, 0.7%, 0.64%

LAB 82.46, -49.6, 53.3

 

CMYK 55 / 0 / 56 / 11

HEX #66E363

RGB 102 227 99

HSL 118.59, 0.7%, 0.64%

LAB 81.11, -59.5, 51.37

 

CMYK 56 / 0 / 42 / 11

HEX #63E383

RGB 99 227 131

HSL 135, 0.7%, 0.64%

LAB 81.42, -55.77, 36.43

 

CMYK 56 / 0 / 27 / 11

HEX #63E3A5

RGB 99 227 165

HSL 150.94, 0.7%, 0.64%

LAB 82.01, -49.6, 19.82

 

CMYK 25 / 0 / 56 / 11

HEX #ABE363

RGB 171 227 99

HSL 86.25, 0.7%, 0.64%

LAB 84.22, -37.97, 55.79

 

CMYK 29 / 0 / 65 / 5

HEX #ADF254

RGB 173 242 84

HSL 86.2, 0.86%, 0.64%

LAB 88.46, -45.07, 66.76

 

CMYK 25 / 0 / 56 / 11

HEX #ABE363

RGB 171 227 99

HSL 86.25, 0.7%, 0.64%

LAB 84.22, -37.97, 55.79

 

CMYK 21 / 0 / 46 / 16

HEX #A9D572

RGB 169 213 114

HSL 86.67, 0.54%, 0.64%

LAB 80.31, -30.73, 44.1

 

CMYK 15 / 0 / 35 / 22

HEX #A8C681

RGB 168 198 129

HSL 86.09, 0.38%, 0.64%

LAB 76.25, -21.99, 31.34

 

CMYK 9 / 0 / 22 / 28

HEX #A6B78F

RGB 166 183 143

HSL 85.5, 0.22%, 0.64%

LAB 72.2, -13.07, 18.42

 

CMYK 2 / 0 / 6 / 34

HEX #A4A89E

RGB 164 168 158

HSL 84, 0.05%, 0.64%

LAB 68.29, -3.29, 4.66

 

CMYK 0 / 5 / 56 / 11

HEX #E3D763

RGB 227 215 99

HSL 54.38, 0.7%, 0.64%

LAB 84.91, -10.3, 57.63

 

CMYK 9 / 0 / 56 / 11

HEX #CEE363

RGB 206 227 99

HSL 69.84, 0.7%, 0.64%

LAB 86.48, -24.65, 58.97

 

CMYK 24 / 0 / 56 / 11

HEX #ACE363

RGB 172 227 99

HSL 85.78, 0.7%, 0.64%

LAB 84.28, -37.61, 55.88

 

CMYK 40 / 0 / 56 / 11

HEX #89E363

RGB 137 227 99

HSL 102.19, 0.7%, 0.64%

LAB 82.46, -49.6, 53.3

 

CMYK 55 / 0 / 56 / 11

HEX #67E363

RGB 103 227 99

HSL 118.13, 0.7%, 0.64%

LAB 81.14, -59.25, 51.42

 

CMYK 36 / 0 / 82 / 19

HEX #85CF25

RGB 133 207 37

HSL 86.12, 0.7%, 0.48%

LAB 75.91, -47.19, 69.3

 

CMYK 31 / 0 / 71 / 13

HEX #98DD40

RGB 152 221 64

HSL 86.37, 0.7%, 0.56%

LAB 81.16, -44.94, 66.33

 

CMYK 25 / 0 / 56 / 11

HEX #ABE363

RGB 171 227 99

HSL 86.25, 0.7%, 0.64%

LAB 84.22, -37.97, 55.79

 

CMYK 19 / 0 / 43 / 8

HEX #BEEA86

RGB 190 234 134

HSL 86.4, 0.7%, 0.72%

LAB 87.73, -30.57, 43.89

 

CMYK 13 / 0 / 30 / 6

HEX #D1F0A9

RGB 209 240 169

HSL 86.2, 0.7%, 0.8%

LAB 91.12, -22.06, 31.08

 

CMYK 25 / 0 / 56 / 11

HEX #ACE464

RGB 172 228 100

HSL 86.25, 0.7%, 0.64%

LAB 84.58, -37.97, 55.77

 

CMYK 56 / 0 / 21 / 11

HEX #63E3B4

RGB 99 227 180

HSL 157.97, 0.7%, 0.64%

LAB 82.32, -46.44, 12.41

 

CMYK 0 / 56 / 2 / 11

HEX #E363DF

RGB 227 99 223

HSL 301.88, 0.7%, 0.64%

LAB 62.15, 65.3, -40.38

 

CMYK 25 / 0 / 56 / 11

HEX #ACE464

RGB 172 228 100

HSL 86.25, 0.7%, 0.64%

LAB 84.58, -37.97, 55.77

 

CMYK 56 / 24 / 0 / 11

HEX #63ACE3

RGB 99 172 227

HSL 205.78, 0.7%, 0.64%

LAB 67.8, -7.1, -34.6

 

CMYK 0 / 56 / 24 / 11

HEX #E363AC

RGB 227 99 172

HSL 325.78, 0.7%, 0.64%

LAB 60.1, 57.56, -14.59

 

CMYK 25 / 0 / 56 / 11

HEX #ACE464

RGB 172 228 100

HSL 86.25, 0.7%, 0.64%

LAB 84.58, -37.97, 55.77

 

CMYK 56 / 0 / 21 / 11

HEX #63E3B4

RGB 99 227 180

HSL 157.97, 0.7%, 0.64%

LAB 82.32, -46.44, 12.41

 

CMYK 32 / 56 / 0 / 11

HEX #9B63E3

RGB 155 99 227

HSL 266.25, 0.7%, 0.64%

LAB 53.43, 48.02, -57.03

 

CMYK 0 / 56 / 36 / 11

HEX #E36392

RGB 227 99 146

HSL 337.97, 0.7%, 0.64%

LAB 59.28, 54.32, -0.77

 

CMYK 25 / 0 / 56 / 11

HEX #ACE464

RGB 172 228 100

HSL 86.25, 0.7%, 0.64%

LAB 84.58, -37.97, 55.77

 

CMYK 56 / 0 / 4 / 11

HEX #63E3DB

RGB 99 227 219

HSL 176.25, 0.7%, 0.64%

LAB 83.29, -37.11, -6.79

 

CMYK 32 / 56 / 0 / 11

HEX #9B63E3

RGB 155 99 227

HSL 266.25, 0.7%, 0.64%

LAB 53.43, 48.02, -57.03

 

CMYK 0 / 56 / 52 / 11

HEX #E3636C

RGB 227 99 108

HSL 355.78, 0.7%, 0.64%

LAB 58.36, 50.56, 20.04

 

Description

Color code: HEX #ACE464 | qconv.com Color code: HEX #ACE464 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 228 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 228 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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