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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE178 it is the complementary color #531E87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE178 shade: #B1E173, #C2F386, #D3FF99, #E4FFAC and #F5FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE178 shade: #ACE178, #9BCF65, #8ABD52, #79AB3F and #68992C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE178 shade: #ADE279, #C9E279, #E2DE79, #E2C279 and #E2A679

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE178 shade: #ADE279, #91E279, #79E27E, #79E29A and #79E2B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE178 shade matches the following richer shades: #ADE279, #ADEF6C and #ADFC5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE178 shade: #ADE279, #ADD486, #ADC794, #ADBAA1 and #ADADAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE178 shade: #E2DE79, #C9E279, #ADE279, #92E279 and #79E27D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE178 shade: #83D336, #98DA57, #ADE279, #C2E99B and #D6F0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE178 shade: #ACE178, #79E2C2 and #E279D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE178 shade: #ACE178, #79ADE2 and #E279AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE178 shade: #ACE178, #79E2C2, #AD79E2 and #E27999

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE178 shade: #ACE178, #79E2E2, #AD79E2 and #E27979

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 47 / 12

HEX #ACE178

RGB 172 225 120

HSL 90.29, 0.64%, 0.68%

LAB 83.95, -34.53, 45.72

 

Complementary color

CMYK 39 / 78 / 0 / 47

HEX #531E87

RGB 83 30 135

HSL 270.29, 0.64%, 0.32%

LAB 25.31, 44.69, -48.49

 

CMYK 21 / 0 / 49 / 12

HEX #B1E173

RGB 177 225 115

HSL 86.18, 0.65%, 0.67%

LAB 84.19, -33.27, 48.48

 

CMYK 20 / 0 / 45 / 5

HEX #C2F386

RGB 194 243 134

HSL 86.97, 0.82%, 0.74%

LAB 90.46, -33.3, 47.35

 

CMYK 17 / 0 / 40 / 0

HEX #D3FF99

RGB 211 255 153

HSL 85.88, 1%, 0.8%

LAB 95.02, -30.53, 44.17

 

CMYK 11 / 0 / 33 / 0

HEX #E4FFAC

RGB 228 255 172

HSL 79.52, 1%, 0.84%

LAB 96.41, -22.06, 36.85

 

CMYK 4 / 0 / 25 / 0

HEX #F5FFBF

RGB 245 255 191

HSL 69.38, 1%, 0.87%

LAB 97.91, -13.43, 29.56

 

CMYK 24 / 0 / 47 / 12

HEX #ACE178

RGB 172 225 120

HSL 90.29, 0.64%, 0.68%

LAB 83.95, -34.53, 45.72

 

CMYK 25 / 0 / 51 / 19

HEX #9BCF65

RGB 155 207 101

HSL 89.43, 0.52%, 0.6%

LAB 77.6, -34.52, 46.86

 

CMYK 27 / 0 / 57 / 26

HEX #8ABD52

RGB 138 189 82

HSL 88.6, 0.45%, 0.53%

LAB 71.15, -34.46, 47.95

 

CMYK 29 / 0 / 63 / 33

HEX #79AB3F

RGB 121 171 63

HSL 87.78, 0.46%, 0.46%

LAB 64.6, -34.3, 48.89

 

CMYK 32 / 0 / 71 / 40

HEX #68992C

RGB 104 153 44

HSL 86.97, 0.55%, 0.39%

LAB 57.95, -34, 49.5

 

CMYK 23 / 0 / 46 / 11

HEX #ADE279

RGB 173 226 121

HSL 90.29, 0.64%, 0.68%

LAB 84.31, -34.51, 45.69

 

CMYK 11 / 0 / 46 / 11

HEX #C9E279

RGB 201 226 121

HSL 74.29, 0.64%, 0.68%

LAB 86.1, -24.11, 48.3

 

CMYK 0 / 2 / 46 / 11

HEX #E2DE79

RGB 226 222 121

HSL 57.71, 0.64%, 0.68%

LAB 86.89, -12.37, 49.7

 

CMYK 0 / 14 / 46 / 11

HEX #E2C279

RGB 226 194 121

HSL 41.71, 0.64%, 0.68%

LAB 79.69, 1.94, 40.79

 

CMYK 0 / 27 / 46 / 11

HEX #E2A679

RGB 226 166 121

HSL 25.71, 0.64%, 0.68%

LAB 72.77, 16.77, 31.93

 

CMYK 23 / 0 / 46 / 11

HEX #ADE279

RGB 173 226 121

HSL 90.29, 0.64%, 0.68%

LAB 84.31, -34.51, 45.69

 

CMYK 36 / 0 / 46 / 11

HEX #91E279

RGB 145 226 121

HSL 106.29, 0.64%, 0.68%

LAB 82.8, -44.06, 43.49

 

CMYK 46 / 0 / 44 / 11

HEX #79E27E

RGB 121 226 126

HSL 122.86, 0.64%, 0.68%

LAB 81.82, -50.57, 39.58

 

CMYK 46 / 0 / 32 / 11

HEX #79E29A

RGB 121 226 154

HSL 138.86, 0.64%, 0.68%

LAB 82.27, -46.03, 26.01

 

CMYK 46 / 0 / 19 / 11

HEX #79E2B6

RGB 121 226 182

HSL 154.86, 0.64%, 0.68%

LAB 82.83, -40.58, 12.18

 

CMYK 23 / 0 / 46 / 11

HEX #ADE279

RGB 173 226 121

HSL 90.29, 0.64%, 0.68%

LAB 84.31, -34.51, 45.69

 

CMYK 28 / 0 / 55 / 6

HEX #ADEF6C

RGB 173 239 108

HSL 90.23, 0.8%, 0.68%

LAB 87.82, -41.73, 55.97

 

CMYK 31 / 0 / 62 / 1

HEX #ADFC5F

RGB 173 252 95

HSL 90.19, 0.96%, 0.68%

LAB 91.38, -48.47, 65.54

 

CMYK 23 / 0 / 46 / 11

HEX #ADE279

RGB 173 226 121

HSL 90.29, 0.64%, 0.68%

LAB 84.31, -34.51, 45.69

 

CMYK 18 / 0 / 37 / 17

HEX #ADD486

RGB 173 212 134

HSL 90, 0.48%, 0.68%

LAB 80.57, -26.31, 34.48

 

CMYK 13 / 0 / 26 / 22

HEX #ADC794

RGB 173 199 148

HSL 90.59, 0.31%, 0.68%

LAB 77.2, -17.89, 22.7

 

CMYK 7 / 0 / 13 / 27

HEX #ADBAA1

RGB 173 186 161

HSL 91.2, 0.15%, 0.68%

LAB 73.92, -9.09, 11.15

 

CMYK 1 / 1 / 0 / 32

HEX #ADADAE

RGB 173 173 174

HSL 240, 0.01%, 0.68%

LAB 70.75, 0.19, -0.52

 

CMYK 0 / 2 / 46 / 11

HEX #E2DE79

RGB 226 222 121

HSL 57.71, 0.64%, 0.68%

LAB 86.89, -12.37, 49.7

 

CMYK 11 / 0 / 46 / 11

HEX #C9E279

RGB 201 226 121

HSL 74.29, 0.64%, 0.68%

LAB 86.1, -24.11, 48.3

 

CMYK 23 / 0 / 46 / 11

HEX #ADE279

RGB 173 226 121

HSL 90.29, 0.64%, 0.68%

LAB 84.31, -34.51, 45.69

 

CMYK 35 / 0 / 46 / 11

HEX #92E279

RGB 146 226 121

HSL 105.71, 0.64%, 0.68%

LAB 82.85, -43.74, 43.56

 

CMYK 46 / 0 / 45 / 11

HEX #79E27D

RGB 121 226 125

HSL 122.29, 0.64%, 0.68%

LAB 81.8, -50.72, 40.06

 

CMYK 38 / 0 / 74 / 17

HEX #83D336

RGB 131 211 54

HSL 90.57, 0.64%, 0.52%

LAB 77.09, -48.69, 65.39

 

CMYK 30 / 0 / 60 / 15

HEX #98DA57

RGB 152 218 87

HSL 90.23, 0.64%, 0.6%

LAB 80.46, -41.91, 56.51

 

CMYK 23 / 0 / 46 / 11

HEX #ADE279

RGB 173 226 121

HSL 90.29, 0.64%, 0.68%

LAB 84.31, -34.51, 45.69

 

CMYK 17 / 0 / 33 / 9

HEX #C2E99B

RGB 194 233 155

HSL 90, 0.64%, 0.76%

LAB 88.02, -25.98, 33.87

 

CMYK 11 / 0 / 21 / 6

HEX #D6F0BD

RGB 214 240 189

HSL 90.59, 0.63%, 0.84%

LAB 91.82, -17.36, 21.87

 

CMYK 24 / 0 / 47 / 12

HEX #ACE178

RGB 172 225 120

HSL 90.29, 0.64%, 0.68%

LAB 83.95, -34.53, 45.72

 

CMYK 46 / 0 / 14 / 11

HEX #79E2C2

RGB 121 226 194

HSL 161.71, 0.64%, 0.68%

LAB 83.1, -37.98, 6.25

 

CMYK 0 / 46 / 5 / 11

HEX #E279D7

RGB 226 121 215

HSL 306.29, 0.64%, 0.68%

LAB 65.55, 53.36, -30.63

 

CMYK 24 / 0 / 47 / 12

HEX #ACE178

RGB 172 225 120

HSL 90.29, 0.64%, 0.68%

LAB 83.95, -34.53, 45.72

 

CMYK 46 / 23 / 0 / 11

HEX #79ADE2

RGB 121 173 226

HSL 210.29, 0.64%, 0.68%

LAB 69.07, -3.07, -32

 

CMYK 0 / 46 / 23 / 11

HEX #E279AD

RGB 226 121 173

HSL 330.29, 0.64%, 0.68%

LAB 64.05, 46.8, -9.25

 

CMYK 24 / 0 / 47 / 12

HEX #ACE178

RGB 172 225 120

HSL 90.29, 0.64%, 0.68%

LAB 83.95, -34.53, 45.72

 

CMYK 46 / 0 / 14 / 11

HEX #79E2C2

RGB 121 226 194

HSL 161.71, 0.64%, 0.68%

LAB 83.1, -37.98, 6.25

 

CMYK 23 / 46 / 0 / 11

HEX #AD79E2

RGB 173 121 226

HSL 269.71, 0.64%, 0.68%

LAB 59.93, 40.39, -46

 

CMYK 0 / 46 / 32 / 11

HEX #E27999

RGB 226 121 153

HSL 341.71, 0.64%, 0.68%

LAB 63.46, 44.14, 1.28

 

CMYK 24 / 0 / 47 / 12

HEX #ACE178

RGB 172 225 120

HSL 90.29, 0.64%, 0.68%

LAB 83.95, -34.53, 45.72

 

CMYK 46 / 0 / 0 / 11

HEX #79E2E2

RGB 121 226 226

HSL 180, 0.64%, 0.68%

LAB 83.94, -30.38, -9.45

 

CMYK 23 / 46 / 0 / 11

HEX #AD79E2

RGB 173 121 226

HSL 269.71, 0.64%, 0.68%

LAB 59.93, 40.39, -46

 

CMYK 0 / 46 / 46 / 11

HEX #E27979

RGB 226 121 121

HSL 0, 0.64%, 0.68%

LAB 62.7, 40.58, 18.47

 

Description

Color code: HEX #ACE178 | qconv.com Color code: HEX #ACE178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 225 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 225 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 47 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 47% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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