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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE0FF7F it is the complementary color #531F007F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE0FF7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE0FF7F shade: #B1E0FA7F, #C2F2FF7F, #D3FFFF7F, #E4FFFF7F and #F5FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE0FF7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE0FF7F shade: #ACE0FF7F, #9BCEEC7F, #8ABCD97F, #79AAC67F and #6898B37F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE0FF7F shade: #ADE1FF, #ADCBFF, #ADB5FF, #BCADFF and #D2ADFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE0FF7F shade: #ADE1FF, #ADCBFF, #ADB5FF and #ADADFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE0FF7F shade matches the following richer shades: #ADE1FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE0FF7F shade: #ADE1FF, #B4DFF8, #BBDDF2, #C1DCEB and #C8DAE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE0FF7F shade: #ADFFF1, #ADF7FF, #ADE1FF, #ADCBFF and #ADB6FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE0FF7F shade: #5BC2FF, #84D1FF, #ADE1FF, #D7F0FF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE0FF7F shade: #ACE0FF, #DCADFF and #FFFCAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE0FF7F shade: #ACE0FF, #FFADE1 and #E1FFAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE0FF7F shade: #ACE0FF, #DCADFF, #FFCBAD and #D1FFAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE0FF7F shade: #ACE0FF, #F4ADFF, #FFCBAD and #B8FFAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 6 / 0 / 0

HEX #ACE0FF7F

RGBA 172 224 255 0.5

HSLA 202.41, 1%, 0.84%, 0.5

LABA 86.65, -9.5, -20.44, 0.5

 

Complementary color

CMYK 0 / 31 / 50 / 34

HEX #531F007F

RGBA 83 31 0 0.5

HSLA 22.41, 1%, 0.16%, 0.5

LABA 19.3, 22.57, 28.56, 0.5

 

CMYK 15 / 5 / 0 / 1

HEX #B1E0FA7F

RGBA 177 224 250 0.5

HSLA 201.37, 0.88%, 0.84%, 0.5

LABA 86.78, -9.29, -17.59, 0.5

 

CMYK 12 / 3 / 0 / 0

HEX #C2F2FF7F

RGBA 194 242 255 0.5

HSLA 192.79, 1%, 0.88%, 0.5

LABA 92.66, -12.46, -11.29, 0.5

 

CMYK 9 / 0 / 0 / 0

HEX #D3FFFF7F

RGBA 211 255 255 0.5

HSLA 180, 1%, 0.91%, 0.5

LABA 97.06, -13.92, -4.67, 0.5

 

CMYK 5 / 0 / 0 / 0

HEX #E4FFFF7F

RGBA 228 255 255 0.5

HSLA 180, 1%, 0.95%, 0.5

LABA 98.13, -8.69, -2.97, 0.5

 

CMYK 2 / 0 / 0 / 0

HEX #F5FFFF7F

RGBA 245 255 255 0.5

HSLA 180, 1%, 0.98%, 0.5

LABA 99.28, -3.26, -1.15, 0.5

 

CMYK 16 / 6 / 0 / 0

HEX #ACE0FF7F

RGBA 172 224 255 0.5

HSLA 202.41, 1%, 0.84%, 0.5

LABA 86.65, -9.5, -20.44, 0.5

 

CMYK 17 / 6 / 0 / 4

HEX #9BCEEC7F

RGBA 155 206 236 0.5

HSLA 202.22, 0.68%, 0.77%, 0.5

LABA 80.27, -9.39, -20.11, 0.5

 

CMYK 18 / 7 / 0 / 7

HEX #8ABCD97F

RGBA 138 188 217 0.5

HSLA 202.03, 0.51%, 0.7%, 0.5

LABA 73.79, -9.27, -19.78, 0.5

 

CMYK 19 / 7 / 0 / 11

HEX #79AAC67F

RGBA 121 170 198 0.5

HSLA 201.82, 0.4%, 0.63%, 0.5

LABA 67.2, -9.13, -19.46, 0.5

 

CMYK 21 / 8 / 0 / 15

HEX #6898B37F

RGBA 104 152 179 0.5

HSLA 201.6, 0.33%, 0.55%, 0.5

LABA 60.48, -8.96, -19.14, 0.5

 

CMYK 32 / 12 / 0 / 0

HEX #ADE1FF

RGB 173 225 255

HSL 201.95, 1%, 0.84%

LAB 86.97, -9.74, -19.95

 

CMYK 32 / 20 / 0 / 0

HEX #ADCBFF

RGB 173 203 255

HSL 218.05, 1%, 0.84%

LAB 81.19, 1.83, -28.75

 

CMYK 32 / 29 / 0 / 0

HEX #ADB5FF

RGB 173 181 255

HSL 234.15, 1%, 0.84%

LAB 75.55, 13.84, -37.45

 

CMYK 26 / 32 / 0 / 0

HEX #BCADFF

RGB 188 173 255

HSL 250.98, 1%, 0.84%

LAB 74.7, 22.49, -38.68

 

CMYK 18 / 32 / 0 / 0

HEX #D2ADFF

RGB 210 173 255

HSL 267.07, 1%, 0.84%

LAB 76.56, 28.92, -35.64

 

CMYK 32 / 12 / 0 / 0

HEX #ADE1FF

RGB 173 225 255

HSL 201.95, 1%, 0.84%

LAB 86.97, -9.74, -19.95

 

CMYK 32 / 20 / 0 / 0

HEX #ADCBFF

RGB 173 203 255

HSL 218.05, 1%, 0.84%

LAB 81.19, 1.83, -28.75

 

CMYK 32 / 29 / 0 / 0

HEX #ADB5FF

RGB 173 181 255

HSL 234.15, 1%, 0.84%

LAB 75.55, 13.84, -37.45

 

CMYK 32 / 32 / 0 / 0

HEX #ADADFF

RGB 173 173 255

HSL 240, 1%, 0.84%

LAB 73.54, 18.29, -40.57

 

CMYK 32 / 12 / 0 / 0

HEX #ADE1FF

RGB 173 225 255

HSL 201.95, 1%, 0.84%

LAB 86.97, -9.74, -19.95

 

CMYK 32 / 12 / 0 / 0

HEX #ADE1FF

RGB 173 225 255

HSL 201.95, 1%, 0.84%

LAB 86.97, -9.74, -19.95

 

CMYK 27 / 10 / 0 / 3

HEX #B4DFF8

RGB 180 223 248

HSL 202.06, 0.83%, 0.84%

LAB 86.63, -8.38, -16.74

 

CMYK 23 / 9 / 0 / 5

HEX #BBDDF2

RGB 187 221 242

HSL 202.91, 0.68%, 0.84%

LAB 86.35, -6.65, -13.96

 

CMYK 18 / 6 / 0 / 8

HEX #C1DCEB

RGB 193 220 235

HSL 201.43, 0.51%, 0.84%

LAB 86.27, -5.82, -10.34

 

CMYK 13 / 5 / 0 / 10

HEX #C8DAE5

RGB 200 218 229

HSL 202.76, 0.36%, 0.84%

LAB 86.05, -3.83, -7.45

 

CMYK 32 / 0 / 5 / 0

HEX #ADFFF1

RGB 173 255 241

HSL 169.76, 1%, 0.84%

LAB 94.63, -27.78, -1.25

 

CMYK 32 / 3 / 0 / 0

HEX #ADF7FF

RGB 173 247 255

HSL 185.85, 1%, 0.84%

LAB 92.85, -20.8, -11.13

 

CMYK 32 / 12 / 0 / 0

HEX #ADE1FF

RGB 173 225 255

HSL 201.95, 1%, 0.84%

LAB 86.97, -9.74, -19.95

 

CMYK 32 / 20 / 0 / 0

HEX #ADCBFF

RGB 173 203 255

HSL 218.05, 1%, 0.84%

LAB 81.19, 1.83, -28.75

 

CMYK 32 / 29 / 0 / 0

HEX #ADB6FF

RGB 173 182 255

HSL 233.41, 1%, 0.84%

LAB 75.8, 13.29, -37.06

 

CMYK 64 / 24 / 0 / 0

HEX #5BC2FF

RGB 91 194 255

HSL 202.32, 1%, 0.68%

LAB 74.84, -11.77, -38.87

 

CMYK 48 / 18 / 0 / 0

HEX #84D1FF

RGB 132 209 255

HSL 202.44, 1%, 0.76%

LAB 80.59, -11.71, -29.86

 

CMYK 32 / 12 / 0 / 0

HEX #ADE1FF

RGB 173 225 255

HSL 201.95, 1%, 0.84%

LAB 86.97, -9.74, -19.95

 

CMYK 16 / 6 / 0 / 0

HEX #D7F0FF

RGB 215 240 255

HSL 202.5, 1%, 0.92%

LAB 93.44, -5.16, -9.99

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 33 / 12 / 0 / 0

HEX #ACE0FF

RGB 172 224 255

HSL 202.41, 1%, 0.84%

LAB 86.65, -9.5, -20.44

 

CMYK 14 / 32 / 0 / 0

HEX #DCADFF

RGB 220 173 255

HSL 274.39, 1%, 0.84%

LAB 77.47, 31.91, -34.16

 

CMYK 0 / 1 / 32 / 0

HEX #FFFCAD

RGB 255 252 173

HSL 57.8, 1%, 0.84%

LAB 97.59, -10.57, 38.27

 

CMYK 33 / 12 / 0 / 0

HEX #ACE0FF

RGB 172 224 255

HSL 202.41, 1%, 0.84%

LAB 86.65, -9.5, -20.44

 

CMYK 0 / 32 / 12 / 0

HEX #FFADE1

RGB 255 173 225

HSL 321.95, 1%, 0.84%

LAB 79.94, 37.49, -13.9

 

CMYK 12 / 0 / 32 / 0

HEX #E1FFAD

RGB 225 255 173

HSL 81.95, 1%, 0.84%

LAB 96.22, -23.01, 36.07

 

CMYK 33 / 12 / 0 / 0

HEX #ACE0FF

RGB 172 224 255

HSL 202.41, 1%, 0.84%

LAB 86.65, -9.5, -20.44

 

CMYK 14 / 32 / 0 / 0

HEX #DCADFF

RGB 220 173 255

HSL 274.39, 1%, 0.84%

LAB 77.47, 31.91, -34.16

 

CMYK 0 / 20 / 32 / 0

HEX #FFCBAD

RGB 255 203 173

HSL 21.95, 1%, 0.84%

LAB 85.5, 14.34, 21.97

 

CMYK 18 / 0 / 32 / 0

HEX #D1FFAD

RGB 209 255 173

HSL 93.66, 1%, 0.84%

LAB 95.2, -28.64, 34.53

 

CMYK 33 / 12 / 0 / 0

HEX #ACE0FF

RGB 172 224 255

HSL 202.41, 1%, 0.84%

LAB 86.65, -9.5, -20.44

 

CMYK 4 / 32 / 0 / 0

HEX #F4ADFF

RGB 244 173 255

HSL 291.95, 1%, 0.84%

LAB 79.81, 39.22, -30.37

 

CMYK 0 / 20 / 32 / 0

HEX #FFCBAD

RGB 255 203 173

HSL 21.95, 1%, 0.84%

LAB 85.5, 14.34, 21.97

 

CMYK 28 / 0 / 32 / 0

HEX #B8FFAD

RGB 184 255 173

HSL 111.95, 1%, 0.84%

LAB 93.77, -37.02, 32.36

 

Description

Color code: HEX #ACE0FF7F | qconv.com Color code: HEX #ACE0FF7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 224 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 224 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 6 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 6% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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