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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE0F7 it is the complementary color #531F08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE0F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE0F7 shade: #B1E0F2, #C2F2FF, #D3FFFF, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE0F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE0F7 shade: #ACE0F7, #9BCEE4, #8ABCD1, #79AABE and #6898AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE0F7 shade: #ABE0F7, #ABCBF7, #ABB7F7, #B4ABF7 and #C8ABF7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE0F7 shade: #ABE0F7, #ABCBF7, #ABB7F7 and #ABABF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE0F7 shade matches the following richer shades: #ABE0F7 and #A4E3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE0F7 shade: #ABE0F7, #B3DDEF, #BADAE8, #C2D7E0 and #C9D4D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE0F7 shade: #ABF7E5, #ABF4F7, #ABE0F7, #ABCCF7 and #ABB8F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE0F7 shade: #60C3EF, #86D2F3, #ABE0F7, #D1EEFA and #F7FCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE0F7 shade: #ACE0F7, #D1ABF7 and #F7EFAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE0F7 shade: #ACE0F7, #F7ABE0 and #E0F7AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE0F7 shade: #ACE0F7, #D1ABF7, #F7C2AB and #D1F7AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE0F7 shade: #ACE0F7, #E8ABF7, #F7C2AB and #BBF7AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 9 / 0 / 3

HEX #ACE0F7

RGB 172 224 247

HSL 198.4, 0.82%, 0.82%

LAB 86.4, -11.39, -16.6

 

Complementary color

CMYK 0 / 63 / 90 / 67

HEX #531F08

RGB 83 31 8

HSL 18.4, 0.82%, 0.18%

LAB 19.38, 22.88, 25.38

 

CMYK 27 / 7 / 0 / 5

HEX #B1E0F2

RGB 177 224 242

HSL 196.62, 0.71%, 0.82%

LAB 86.54, -11.13, -13.74

 

CMYK 24 / 5 / 0 / 0

HEX #C2F2FF

RGB 194 242 255

HSL 192.79, 1%, 0.88%

LAB 92.66, -12.46, -11.29

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 30 / 9 / 0 / 3

HEX #ACE0F7

RGB 172 224 247

HSL 198.4, 0.82%, 0.82%

LAB 86.4, -11.39, -16.6

 

CMYK 32 / 10 / 0 / 11

HEX #9BCEE4

RGB 155 206 228

HSL 198.08, 0.57%, 0.75%

LAB 80.02, -11.34, -16.22

 

CMYK 34 / 10 / 0 / 18

HEX #8ABCD1

RGB 138 188 209

HSL 197.75, 0.44%, 0.68%

LAB 73.53, -11.29, -15.83

 

CMYK 36 / 11 / 0 / 25

HEX #79AABE

RGB 121 170 190

HSL 197.39, 0.35%, 0.61%

LAB 66.92, -11.22, -15.44

 

CMYK 39 / 11 / 0 / 33

HEX #6898AB

RGB 104 152 171

HSL 197.01, 0.29%, 0.54%

LAB 60.19, -11.14, -15.04

 

CMYK 31 / 9 / 0 / 3

HEX #ABE0F7

RGB 171 224 247

HSL 198.16, 0.83%, 0.82%

LAB 86.35, -11.67, -16.69

 

CMYK 31 / 18 / 0 / 3

HEX #ABCBF7

RGB 171 203 247

HSL 214.74, 0.83%, 0.82%

LAB 80.79, -0.68, -25.11

 

CMYK 31 / 26 / 0 / 3

HEX #ABB7F7

RGB 171 183 247

HSL 230.53, 0.83%, 0.82%

LAB 75.6, 10.18, -33.07

 

CMYK 27 / 31 / 0 / 3

HEX #B4ABF7

RGB 180 171 247

HSL 247.11, 0.83%, 0.82%

LAB 73.25, 19.4, -36.66

 

CMYK 19 / 31 / 0 / 3

HEX #C8ABF7

RGB 200 171 247

HSL 262.89, 0.83%, 0.82%

LAB 74.9, 25.27, -33.97

 

CMYK 31 / 9 / 0 / 3

HEX #ABE0F7

RGB 171 224 247

HSL 198.16, 0.83%, 0.82%

LAB 86.35, -11.67, -16.69

 

CMYK 31 / 18 / 0 / 3

HEX #ABCBF7

RGB 171 203 247

HSL 214.74, 0.83%, 0.82%

LAB 80.79, -0.68, -25.11

 

CMYK 31 / 26 / 0 / 3

HEX #ABB7F7

RGB 171 183 247

HSL 230.53, 0.83%, 0.82%

LAB 75.6, 10.18, -33.07

 

CMYK 31 / 31 / 0 / 3

HEX #ABABF7

RGB 171 171 247

HSL 240, 0.83%, 0.82%

LAB 72.56, 16.85, -37.78

 

CMYK 31 / 9 / 0 / 3

HEX #ABE0F7

RGB 171 224 247

HSL 198.16, 0.83%, 0.82%

LAB 86.35, -11.67, -16.69

 

CMYK 35 / 11 / 0 / 0

HEX #A4E3FE

RGB 164 227 254

HSL 198, 0.98%, 0.82%

LAB 86.99, -13.42, -19.44

 

CMYK 31 / 9 / 0 / 3

HEX #ABE0F7

RGB 171 224 247

HSL 198.16, 0.83%, 0.82%

LAB 86.35, -11.67, -16.69

 

CMYK 25 / 8 / 0 / 6

HEX #B3DDEF

RGB 179 221 239

HSL 198, 0.65%, 0.82%

LAB 85.77, -9.68, -13.29

 

CMYK 20 / 6 / 0 / 9

HEX #BADAE8

RGB 186 218 232

HSL 198.26, 0.5%, 0.82%

LAB 85.2, -7.58, -10.39

 

CMYK 13 / 4 / 0 / 12

HEX #C2D7E0

RGB 194 215 224

HSL 198, 0.33%, 0.82%

LAB 84.72, -5.2, -6.82

 

CMYK 7 / 2 / 0 / 15

HEX #C9D4D9

RGB 201 212 217

HSL 198.75, 0.17%, 0.82%

LAB 84.23, -2.75, -3.76

 

CMYK 31 / 0 / 7 / 3

HEX #ABF7E5

RGB 171 247 229

HSL 165.79, 0.83%, 0.82%

LAB 92.06, -27.07, 1.19

 

CMYK 31 / 1 / 0 / 3

HEX #ABF4F7

RGB 171 244 247

HSL 182.37, 0.83%, 0.82%

LAB 91.72, -21.69, -8.67

 

CMYK 31 / 9 / 0 / 3

HEX #ABE0F7

RGB 171 224 247

HSL 198.16, 0.83%, 0.82%

LAB 86.35, -11.67, -16.69

 

CMYK 31 / 17 / 0 / 3

HEX #ABCCF7

RGB 171 204 247

HSL 213.95, 0.83%, 0.82%

LAB 81.05, -1.21, -24.71

 

CMYK 31 / 26 / 0 / 3

HEX #ABB8F7

RGB 171 184 247

HSL 229.74, 0.83%, 0.82%

LAB 75.86, 9.63, -32.67

 

CMYK 60 / 18 / 0 / 6

HEX #60C3EF

RGB 96 195 239

HSL 198.46, 0.82%, 0.66%

LAB 74.67, -16.36, -30.52

 

CMYK 45 / 14 / 0 / 5

HEX #86D2F3

RGB 134 210 243

HSL 198.17, 0.82%, 0.74%

LAB 80.53, -15.02, -23.55

 

CMYK 31 / 9 / 0 / 3

HEX #ABE0F7

RGB 171 224 247

HSL 198.16, 0.83%, 0.82%

LAB 86.35, -11.67, -16.69

 

CMYK 16 / 5 / 0 / 2

HEX #D1EEFA

RGB 209 238 250

HSL 197.56, 0.8%, 0.9%

LAB 92.4, -7.01, -8.98

 

CMYK 3 / 1 / 0 / 0

HEX #F7FCFE

RGB 247 252 254

HSL 197.14, 0.78%, 0.98%

LAB 98.65, -1.28, -1.54

 

CMYK 30 / 9 / 0 / 3

HEX #ACE0F7

RGB 172 224 247

HSL 198.4, 0.82%, 0.82%

LAB 86.4, -11.39, -16.6

 

CMYK 15 / 31 / 0 / 3

HEX #D1ABF7

RGB 209 171 247

HSL 270, 0.83%, 0.82%

LAB 75.7, 27.99, -32.67

 

CMYK 0 / 3 / 31 / 3

HEX #F7EFAB

RGB 247 239 171

HSL 53.68, 0.83%, 0.82%

LAB 93.64, -7.36, 33.93

 

CMYK 30 / 9 / 0 / 3

HEX #ACE0F7

RGB 172 224 247

HSL 198.4, 0.82%, 0.82%

LAB 86.4, -11.39, -16.6

 

CMYK 0 / 31 / 9 / 3

HEX #F7ABE0

RGB 247 171 224

HSL 318.16, 0.83%, 0.82%

LAB 78.63, 35.73, -15.42

 

CMYK 9 / 0 / 31 / 3

HEX #E0F7AB

RGB 224 247 171

HSL 78.16, 0.83%, 0.82%

LAB 94.02, -19.79, 34.12

 

CMYK 30 / 9 / 0 / 3

HEX #ACE0F7

RGB 172 224 247

HSL 198.4, 0.82%, 0.82%

LAB 86.4, -11.39, -16.6

 

CMYK 15 / 31 / 0 / 3

HEX #D1ABF7

RGB 209 171 247

HSL 270, 0.83%, 0.82%

LAB 75.7, 27.99, -32.67

 

CMYK 0 / 21 / 31 / 3

HEX #F7C2AB

RGB 247 194 171

HSL 18.16, 0.83%, 0.82%

LAB 82.54, 15.78, 18.81

 

CMYK 15 / 0 / 31 / 3

HEX #D1F7AB

RGB 209 247 171

HSL 90, 0.83%, 0.82%

LAB 93.02, -25.14, 32.62

 

CMYK 30 / 9 / 0 / 3

HEX #ACE0F7

RGB 172 224 247

HSL 198.4, 0.82%, 0.82%

LAB 86.4, -11.39, -16.6

 

CMYK 6 / 31 / 0 / 3

HEX #E8ABF7

RGB 232 171 247

HSL 288.16, 0.83%, 0.82%

LAB 77.87, 35.05, -29.14

 

CMYK 0 / 21 / 31 / 3

HEX #F7C2AB

RGB 247 194 171

HSL 18.16, 0.83%, 0.82%

LAB 82.54, 15.78, 18.81

 

CMYK 24 / 0 / 31 / 3

HEX #BBF7AB

RGB 187 247 171

HSL 107.37, 0.83%, 0.82%

LAB 91.7, -32.68, 30.61

 

Description

Color code: HEX #ACE0F7 | qconv.com Color code: HEX #ACE0F7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 224 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 224 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 9 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 9% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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