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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE055 it is the complementary color #531FAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE055. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE055 shade: #B1E050, #C2F263, #D3FF76, #E4FF89 and #F5FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE055. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE055 shade: #ACE055, #9BCE42, #8ABC2F, #79AA1C and #689809

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE055 shade: #ADE057, #D2E057, #E0CA57, #E0A457 and #E07F57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE055 shade: #ADE057, #88E057, #63E057, #57E070 and #57E095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE055 shade matches the following richer shades: #ADE057 and #B1F047

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE055 shade: #ADE057, #A9D067, #A5C077, #A1B087 and #9DA097

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE055 shade: #E0C957, #D2E057, #AEE057, #89E057 and #65E057

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE055 shade: #86C123, #9CDA34, #ADE057, #BEE77A and #CFED9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE055 shade: #ACE055, #57E0A5 and #DC57E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE055 shade: #ACE055, #57AEE0 and #E057AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE055 shade: #ACE055, #57E0A5, #8957E0 and #E05792

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE055 shade: #ACE055, #57E0CE, #8957E0 and #E05769

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 62 / 12

HEX #ACE055

RGB 172 224 85

HSL 82.45, 0.69%, 0.61%

LAB 83.3, -37.45, 60.81

 

Complementary color

CMYK 51 / 82 / 0 / 33

HEX #531FAA

RGB 83 31 170

HSL 262.45, 0.69%, 0.39%

LAB 28.7, 53.29, -64.41

 

CMYK 21 / 0 / 64 / 12

HEX #B1E050

RGB 177 224 80

HSL 79.58, 0.7%, 0.6%

LAB 83.57, -35.94, 63.22

 

CMYK 20 / 0 / 59 / 5

HEX #C2F263

RGB 194 242 99

HSL 80.14, 0.85%, 0.67%

LAB 89.8, -36.24, 62.47

 

CMYK 17 / 0 / 54 / 0

HEX #D3FF76

RGB 211 255 118

HSL 79.27, 1%, 0.73%

LAB 94.6, -34.2, 59.98

 

CMYK 11 / 0 / 46 / 0

HEX #E4FF89

RGB 228 255 137

HSL 73.73, 1%, 0.77%

LAB 95.92, -26.06, 53.16

 

CMYK 4 / 0 / 39 / 0

HEX #F5FF9C

RGB 245 255 156

HSL 66.06, 1%, 0.81%

LAB 97.36, -17.7, 46.17

 

CMYK 23 / 0 / 62 / 12

HEX #ACE055

RGB 172 224 85

HSL 82.45, 0.69%, 0.61%

LAB 83.3, -37.45, 60.81

 

CMYK 25 / 0 / 68 / 19

HEX #9BCE42

RGB 155 206 66

HSL 81.86, 0.59%, 0.53%

LAB 76.98, -37.12, 61.41

 

CMYK 27 / 0 / 75 / 26

HEX #8ABC2F

RGB 138 188 47

HSL 81.28, 0.6%, 0.46%

LAB 70.58, -36.66, 61.55

 

CMYK 29 / 0 / 84 / 33

HEX #79AA1C

RGB 121 170 28

HSL 80.7, 0.72%, 0.39%

LAB 64.08, -36, 60.86

 

CMYK 32 / 0 / 94 / 40

HEX #689809

RGB 104 152 9

HSL 80.14, 0.89%, 0.32%

LAB 57.48, -35.09, 58.75

 

CMYK 23 / 0 / 61 / 12

HEX #ADE057

RGB 173 224 87

HSL 82.34, 0.69%, 0.61%

LAB 83.38, -36.92, 60.08

 

CMYK 6 / 0 / 61 / 12

HEX #D2E057

RGB 210 224 87

HSL 66.13, 0.69%, 0.61%

LAB 85.86, -22.5, 63.49

 

CMYK 0 / 10 / 61 / 12

HEX #E0CA57

RGB 224 202 87

HSL 50.36, 0.69%, 0.61%

LAB 81.17, -5.79, 58.71

 

CMYK 0 / 27 / 61 / 12

HEX #E0A457

RGB 224 164 87

HSL 33.72, 0.69%, 0.61%

LAB 71.61, 14.17, 47.94

 

CMYK 0 / 43 / 61 / 12

HEX #E07F57

RGB 224 127 87

HSL 17.52, 0.69%, 0.61%

LAB 63.11, 33.88, 37.84

 

CMYK 23 / 0 / 61 / 12

HEX #ADE057

RGB 173 224 87

HSL 82.34, 0.69%, 0.61%

LAB 83.38, -36.92, 60.08

 

CMYK 39 / 0 / 61 / 12

HEX #88E057

RGB 136 224 87

HSL 98.54, 0.69%, 0.61%

LAB 81.42, -49.87, 57.35

 

CMYK 56 / 0 / 61 / 12

HEX #63E057

RGB 99 224 87

HSL 114.74, 0.69%, 0.61%

LAB 79.98, -60.46, 55.35

 

CMYK 61 / 0 / 50 / 12

HEX #57E070

RGB 87 224 112

HSL 130.95, 0.69%, 0.61%

LAB 79.9, -60.14, 43.75

 

CMYK 61 / 0 / 33 / 12

HEX #57E095

RGB 87 224 149

HSL 147.15, 0.69%, 0.61%

LAB 80.46, -53.99, 25.96

 

CMYK 23 / 0 / 61 / 12

HEX #ADE057

RGB 173 224 87

HSL 82.34, 0.69%, 0.61%

LAB 83.38, -36.92, 60.08

 

CMYK 26 / 0 / 70 / 6

HEX #B1F047

RGB 177 240 71

HSL 82.37, 0.85%, 0.61%

LAB 88.03, -43.62, 71.19

 

CMYK 23 / 0 / 61 / 12

HEX #ADE057

RGB 173 224 87

HSL 82.34, 0.69%, 0.61%

LAB 83.38, -36.92, 60.08

 

CMYK 19 / 0 / 50 / 18

HEX #A9D067

RGB 169 208 103

HSL 82.29, 0.53%, 0.61%

LAB 78.77, -29.57, 47.52

 

CMYK 14 / 0 / 38 / 25

HEX #A5C077

RGB 165 192 119

HSL 82.19, 0.37%, 0.61%

LAB 74.21, -21.47, 33.81

 

CMYK 9 / 0 / 23 / 31

HEX #A1B087

RGB 161 176 135

HSL 81.95, 0.21%, 0.61%

LAB 69.74, -12.56, 19.3

 

CMYK 2 / 0 / 6 / 37

HEX #9DA097

RGB 157 160 151

HSL 80, 0.05%, 0.61%

LAB 65.39, -2.77, 4.31

 

CMYK 0 / 10 / 61 / 12

HEX #E0C957

RGB 224 201 87

HSL 49.93, 0.69%, 0.61%

LAB 80.91, -5.28, 58.43

 

CMYK 6 / 0 / 61 / 12

HEX #D2E057

RGB 210 224 87

HSL 66.13, 0.69%, 0.61%

LAB 85.86, -22.5, 63.49

 

CMYK 22 / 0 / 61 / 12

HEX #AEE057

RGB 174 224 87

HSL 81.9, 0.69%, 0.61%

LAB 83.44, -36.54, 60.16

 

CMYK 39 / 0 / 61 / 12

HEX #89E057

RGB 137 224 87

HSL 98.1, 0.69%, 0.61%

LAB 81.47, -49.55, 57.42

 

CMYK 55 / 0 / 61 / 12

HEX #65E057

RGB 101 224 87

HSL 113.87, 0.69%, 0.61%

LAB 80.05, -59.96, 55.44

 

CMYK 31 / 0 / 82 / 24

HEX #86C123

RGB 134 193 35

HSL 82.41, 0.69%, 0.45%

LAB 71.78, -40.96, 66.15

 

CMYK 28 / 0 / 76 / 15

HEX #9CDA34

RGB 156 218 52

HSL 82.41, 0.69%, 0.53%

LAB 80.44, -42.86, 69.69

 

CMYK 23 / 0 / 61 / 12

HEX #ADE057

RGB 173 224 87

HSL 82.34, 0.69%, 0.61%

LAB 83.38, -36.92, 60.08

 

CMYK 18 / 0 / 47 / 9

HEX #BEE77A

RGB 190 231 122

HSL 82.57, 0.69%, 0.69%

LAB 86.75, -30.52, 48.46

 

CMYK 13 / 0 / 34 / 7

HEX #CFED9D

RGB 207 237 157

HSL 82.5, 0.69%, 0.77%

LAB 89.98, -22.96, 35.6

 

CMYK 23 / 0 / 62 / 12

HEX #ACE055

RGB 172 224 85

HSL 82.45, 0.69%, 0.61%

LAB 83.3, -37.45, 60.81

 

CMYK 61 / 0 / 26 / 12

HEX #57E0A5

RGB 87 224 165

HSL 154.16, 0.69%, 0.61%

LAB 80.77, -50.79, 18.05

 

CMYK 2 / 61 / 0 / 12

HEX #DC57E0

RGB 220 87 224

HSL 298.25, 0.69%, 0.61%

LAB 59.36, 68.83, -45.42

 

CMYK 23 / 0 / 62 / 12

HEX #ACE055

RGB 172 224 85

HSL 82.45, 0.69%, 0.61%

LAB 83.3, -37.45, 60.81

 

CMYK 61 / 22 / 0 / 12

HEX #57AEE0

RGB 87 174 224

HSL 201.9, 0.69%, 0.61%

LAB 67.78, -11.43, -33.02

 

CMYK 0 / 61 / 22 / 12

HEX #E057AE

RGB 224 87 174

HSL 321.9, 0.69%, 0.61%

LAB 57.77, 62.22, -19.32

 

CMYK 23 / 0 / 62 / 12

HEX #ACE055

RGB 172 224 85

HSL 82.45, 0.69%, 0.61%

LAB 83.3, -37.45, 60.81

 

CMYK 61 / 0 / 26 / 12

HEX #57E0A5

RGB 87 224 165

HSL 154.16, 0.69%, 0.61%

LAB 80.77, -50.79, 18.05

 

CMYK 39 / 61 / 0 / 12

HEX #8957E0

RGB 137 87 224

HSL 261.9, 0.69%, 0.61%

LAB 48.9, 49.65, -62.72

 

CMYK 0 / 61 / 35 / 12

HEX #E05792

RGB 224 87 146

HSL 334.16, 0.69%, 0.61%

LAB 56.82, 58.73, -4.44

 

CMYK 23 / 0 / 62 / 12

HEX #ACE055

RGB 172 224 85

HSL 82.45, 0.69%, 0.61%

LAB 83.3, -37.45, 60.81

 

CMYK 61 / 0 / 8 / 12

HEX #57E0CE

RGB 87 224 206

HSL 172.12, 0.69%, 0.61%

LAB 81.73, -41.22, -2.24

 

CMYK 39 / 61 / 0 / 12

HEX #8957E0

RGB 137 87 224

HSL 261.9, 0.69%, 0.61%

LAB 48.9, 49.65, -62.72

 

CMYK 0 / 61 / 53 / 12

HEX #E05769

RGB 224 87 105

HSL 352.12, 0.69%, 0.61%

LAB 55.77, 54.74, 18.2

 

Description

Color code: HEX #ACE055 | qconv.com Color code: HEX #ACE055 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 224 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 224 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 62% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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