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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE005 it is the complementary color #531FFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE005. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE005 shade: #B1E000, #C2F213, #D3FF26, #E4FF39 and #F5FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE005. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE005 shade: #ACE005, #9BCE00, #8ABC00, #79AA00 and #689800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE005 shade: #ADE105, #E1DA05, #E19E05, #E16305 and #E12805

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE005 shade: #ADE105, #71E105, #36E105, #05E10F and #05E14A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE005 shade matches the following richer shades: #ADE105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE005 shade: #ADE105, #A3CE17, #99BC2A, #8FA93C and #86974F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE005 shade: #E19F05, #E1DA05, #AEE105, #73E105 and #38E105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE005 shade: #6F9003, #8EB804, #ADE105, #C4FA15 and #CEFB3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE005 shade: #ACE005, #05E164 and #BC05E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE005 shade: #ACE005, #05AEE1 and #E105AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE005 shade: #ACE005, #05E164, #3805E1 and #E10581

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE005 shade: #ACE005, #05E1A6, #3805E1 and #E1053F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 98 / 12

HEX #ACE005

RGB 172 224 5

HSL 74.25, 0.96%, 0.45%

LAB 82.96, -40.67, 80.92

 

Complementary color

CMYK 67 / 88 / 0 / 2

HEX #531FFA

RGB 83 31 250

HSL 254.25, 0.96%, 0.55%

LAB 37.34, 73.86, -96.56

 

CMYK 21 / 0 / 100 / 12

HEX #B1E000

RGB 177 224 0

HSL 72.59, 1%, 0.44%

LAB 83.26, -38.77, 81.71

 

CMYK 20 / 0 / 92 / 5

HEX #C2F213

RGB 194 242 19

HSL 72.91, 0.9%, 0.51%

LAB 89.4, -39.91, 85.19

 

CMYK 17 / 0 / 85 / 0

HEX #D3FF26

RGB 211 255 38

HSL 72.17, 1%, 0.57%

LAB 94.1, -38.69, 86.49

 

CMYK 11 / 0 / 78 / 0

HEX #E4FF39

RGB 228 255 57

HSL 68.18, 1%, 0.61%

LAB 95.29, -31.43, 83.54

 

CMYK 4 / 0 / 70 / 0

HEX #F5FF4C

RGB 245 255 76

HSL 63.35, 1%, 0.65%

LAB 96.6, -23.87, 79.41

 

CMYK 23 / 0 / 98 / 12

HEX #ACE005

RGB 172 224 5

HSL 74.25, 0.96%, 0.45%

LAB 82.96, -40.67, 80.92

 

CMYK 25 / 0 / 100 / 19

HEX #9BCE00

RGB 155 206 0

HSL 74.85, 1%, 0.4%

LAB 76.75, -39.39, 76.18

 

CMYK 27 / 0 / 100 / 26

HEX #8ABC00

RGB 138 188 0

HSL 75.96, 1%, 0.37%

LAB 70.43, -38.04, 70.92

 

CMYK 29 / 0 / 100 / 33

HEX #79AA00

RGB 121 170 0

HSL 77.29, 1%, 0.33%

LAB 64.01, -36.67, 65.57

 

CMYK 32 / 0 / 100 / 40

HEX #689800

RGB 104 152 0

HSL 78.95, 1%, 0.3%

LAB 57.46, -35.28, 60.12

 

CMYK 23 / 0 / 98 / 12

HEX #ADE105

RGB 173 225 5

HSL 74.18, 0.96%, 0.45%

LAB 83.31, -40.72, 81.21

 

CMYK 0 / 3 / 98 / 12

HEX #E1DA05

RGB 225 218 5

HSL 58.09, 0.96%, 0.45%

LAB 85.08, -16.14, 84.18

 

CMYK 0 / 30 / 98 / 12

HEX #E19E05

RGB 225 158 5

HSL 41.73, 0.96%, 0.45%

LAB 69.8, 14.9, 73.24

 

CMYK 0 / 56 / 98 / 12

HEX #E16305

RGB 225 99 5

HSL 25.64, 0.96%, 0.45%

LAB 57.02, 45.48, 64.93

 

CMYK 0 / 82 / 98 / 12

HEX #E12805

RGB 225 40 5

HSL 9.55, 0.96%, 0.45%

LAB 48.93, 67.38, 60.53

 

CMYK 23 / 0 / 98 / 12

HEX #ADE105

RGB 173 225 5

HSL 74.18, 0.96%, 0.45%

LAB 83.31, -40.72, 81.21

 

CMYK 50 / 0 / 98 / 12

HEX #71E105

RGB 113 225 5

HSL 90.55, 0.96%, 0.45%

LAB 80.39, -61.36, 77.67

 

CMYK 76 / 0 / 98 / 12

HEX #36E105

RGB 54 225 5

HSL 106.64, 0.96%, 0.45%

LAB 78.84, -74.22, 75.78

 

CMYK 98 / 0 / 93 / 12

HEX #05E10F

RGB 5 225 15

HSL 122.73, 0.96%, 0.45%

LAB 78.41, -77.97, 74.29

 

CMYK 98 / 0 / 67 / 12

HEX #05E14A

RGB 5 225 74

HSL 138.82, 0.96%, 0.45%

LAB 78.68, -74.53, 58.84

 

CMYK 23 / 0 / 98 / 12

HEX #ADE105

RGB 173 225 5

HSL 74.18, 0.96%, 0.45%

LAB 83.31, -40.72, 81.21

 

CMYK 23 / 0 / 98 / 12

HEX #ADE105

RGB 173 225 5

HSL 74.18, 0.96%, 0.45%

LAB 83.31, -40.72, 81.21

 

CMYK 21 / 0 / 89 / 19

HEX #A3CE17

RGB 163 206 23

HSL 74.1, 0.8%, 0.45%

LAB 77.28, -35.88, 74.09

 

CMYK 19 / 0 / 78 / 26

HEX #99BC2A

RGB 153 188 42

HSL 74.38, 0.63%, 0.45%

LAB 71.49, -30.96, 64.34

 

CMYK 15 / 0 / 64 / 34

HEX #8FA93C

RGB 143 169 60

HSL 74.31, 0.48%, 0.45%

LAB 65.39, -24.87, 51.45

 

CMYK 11 / 0 / 48 / 41

HEX #86974F

RGB 134 151 79

HSL 74.17, 0.31%, 0.45%

LAB 59.68, -17.77, 35.72

 

CMYK 0 / 29 / 98 / 12

HEX #E19F05

RGB 225 159 5

HSL 42, 0.96%, 0.45%

LAB 70.05, 14.36, 73.41

 

CMYK 0 / 3 / 98 / 12

HEX #E1DA05

RGB 225 218 5

HSL 58.09, 0.96%, 0.45%

LAB 85.08, -16.14, 84.18

 

CMYK 23 / 0 / 98 / 12

HEX #AEE105

RGB 174 225 5

HSL 73.91, 0.96%, 0.45%

LAB 83.37, -40.33, 81.28

 

CMYK 49 / 0 / 98 / 12

HEX #73E105

RGB 115 225 5

HSL 90, 0.96%, 0.45%

LAB 80.46, -60.78, 77.77

 

CMYK 75 / 0 / 98 / 12

HEX #38E105

RGB 56 225 5

HSL 106.09, 0.96%, 0.45%

LAB 78.87, -73.93, 75.82

 

CMYK 23 / 0 / 98 / 44

HEX #6F9003

RGB 111 144 3

HSL 74.04, 0.96%, 0.29%

LAB 55.41, -28.64, 58.24

 

CMYK 23 / 0 / 98 / 28

HEX #8EB804

RGB 142 184 4

HSL 74, 0.96%, 0.37%

LAB 69.5, -34.58, 69.85

 

CMYK 23 / 0 / 98 / 12

HEX #ADE105

RGB 173 225 5

HSL 74.18, 0.96%, 0.45%

LAB 83.31, -40.72, 81.21

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA15

RGB 196 250 21

HSL 74.15, 0.96%, 0.53%

LAB 91.76, -42.61, 86.87

 

CMYK 18 / 0 / 76 / 2

HEX #CEFB3D

RGB 206 251 61

HSL 74.21, 0.96%, 0.61%

LAB 92.77, -38.06, 79.58

 

CMYK 23 / 0 / 98 / 12

HEX #ACE005

RGB 172 224 5

HSL 74.25, 0.96%, 0.45%

LAB 82.96, -40.67, 80.92

 

CMYK 98 / 0 / 56 / 12

HEX #05E164

RGB 5 225 100

HSL 145.91, 0.96%, 0.45%

LAB 78.93, -71.45, 47.95

 

CMYK 16 / 98 / 0 / 12

HEX #BC05E1

RGB 188 5 225

HSL 289.91, 0.96%, 0.45%

LAB 47.28, 83.5, -65.58

 

CMYK 23 / 0 / 98 / 12

HEX #ACE005

RGB 172 224 5

HSL 74.25, 0.96%, 0.45%

LAB 82.96, -40.67, 80.92

 

CMYK 98 / 23 / 0 / 12

HEX #05AEE1

RGB 5 174 225

HSL 193.91, 0.96%, 0.45%

LAB 66.32, -19.04, -35.96

 

CMYK 0 / 98 / 23 / 12

HEX #E105AE

RGB 225 5 174

HSL 313.91, 0.96%, 0.45%

LAB 50.89, 82.43, -29.92

 

CMYK 23 / 0 / 98 / 12

HEX #ACE005

RGB 172 224 5

HSL 74.25, 0.96%, 0.45%

LAB 82.96, -40.67, 80.92

 

CMYK 98 / 0 / 56 / 12

HEX #05E164

RGB 5 225 100

HSL 145.91, 0.96%, 0.45%

LAB 78.93, -71.45, 47.95

 

CMYK 75 / 98 / 0 / 12

HEX #3805E1

RGB 56 5 225

HSL 253.91, 0.96%, 0.45%

LAB 30.37, 72, -94.03

 

CMYK 0 / 98 / 43 / 12

HEX #E10581

RGB 225 5 129

HSL 326.18, 0.96%, 0.45%

LAB 49.13, 77.88, -5.66

 

CMYK 23 / 0 / 98 / 12

HEX #ACE005

RGB 172 224 5

HSL 74.25, 0.96%, 0.45%

LAB 82.96, -40.67, 80.92

 

CMYK 98 / 0 / 26 / 12

HEX #05E1A6

RGB 5 225 166

HSL 163.91, 0.96%, 0.45%

LAB 79.97, -59.2, 16.25

 

CMYK 75 / 98 / 0 / 12

HEX #3805E1

RGB 56 5 225

HSL 253.91, 0.96%, 0.45%

LAB 30.37, 72, -94.03

 

CMYK 0 / 98 / 72 / 12

HEX #E1053F

RGB 225 5 63

HSL 344.18, 0.96%, 0.45%

LAB 47.59, 73.74, 32.71

 

Description

Color code: HEX #ACE005 | qconv.com Color code: HEX #ACE005 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 224 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 224 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 98 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 98% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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