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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACDE64 it is the complementary color #53219B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACDE64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACDE64 shade: #B1DE5F, #C2F072, #D3FF85, #E4FF98 and #F5FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACDE64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACDE64 shade: #ACDE64, #9BCC51, #8ABA3E, #79A82B and #689618

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACDE64 shade: #ACDE63, #CDDE63, #DECE63, #DEAD63 and #DE8C63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACDE64 shade: #ACDE63, #8BDE63, #6ADE63, #63DE7E and #63DE9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACDE64 shade matches the following richer shades: #ACDE63, #AEED54 and #B1FD45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACDE64 shade: #ACDE63, #A9CF73, #A6BF82, #A3B091 and #A1A1A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACDE64 shade: #DECE63, #CEDE63, #ADDE63, #8CDE63 and #6BDE63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACDE64 shade: #85C52A, #99D741, #ACDE63, #BEE585 and #D0ECA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACDE64 shade: #ACDE64, #63DEAD and #DE63DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACDE64 shade: #ACDE64, #63ADDE and #DE63AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACDE64 shade: #ACDE64, #63DEAD, #9463DE and #DE6394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACDE64 shade: #ACDE64, #63DED2, #9463DE and #DE6370

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 55 / 13

HEX #ACDE64

RGB 172 222 100

HSL 84.59, 0.65%, 0.63%

LAB 82.88, -35.25, 53.81

 

Complementary color

CMYK 46 / 79 / 0 / 39

HEX #53219B

RGB 83 33 155

HSL 264.59, 0.65%, 0.37%

LAB 27.55, 48.52, -57.19

 

CMYK 20 / 0 / 57 / 13

HEX #B1DE5F

RGB 177 222 95

HSL 81.26, 0.66%, 0.62%

LAB 83.13, -33.84, 56.42

 

CMYK 19 / 0 / 53 / 6

HEX #C2F072

RGB 194 240 114

HSL 81.9, 0.81%, 0.69%

LAB 89.4, -34.01, 55.41

 

CMYK 17 / 0 / 48 / 0

HEX #D3FF85

RGB 211 255 133

HSL 81.64, 1%, 0.76%

LAB 94.76, -32.76, 53.36

 

CMYK 11 / 0 / 40 / 0

HEX #E4FF98

RGB 228 255 152

HSL 75.73, 1%, 0.8%

LAB 96.11, -24.47, 46.27

 

CMYK 4 / 0 / 33 / 0

HEX #F5FFAB

RGB 245 255 171

HSL 67.14, 1%, 0.84%

LAB 97.58, -15.98, 39.11

 

CMYK 23 / 0 / 55 / 13

HEX #ACDE64

RGB 172 222 100

HSL 84.59, 0.65%, 0.63%

LAB 82.88, -35.25, 53.81

 

CMYK 24 / 0 / 60 / 20

HEX #9BCC51

RGB 155 204 81

HSL 83.9, 0.55%, 0.56%

LAB 76.53, -35.07, 54.76

 

CMYK 26 / 0 / 67 / 27

HEX #8ABA3E

RGB 138 186 62

HSL 83.23, 0.5%, 0.49%

LAB 70.08, -34.79, 55.49

 

CMYK 28 / 0 / 74 / 34

HEX #79A82B

RGB 121 168 43

HSL 82.56, 0.59%, 0.41%

LAB 63.54, -34.37, 55.78

 

CMYK 31 / 0 / 84 / 41

HEX #689618

RGB 104 150 24

HSL 81.9, 0.72%, 0.34%

LAB 56.9, -33.74, 55.18

 

CMYK 23 / 0 / 55 / 13

HEX #ACDE63

RGB 172 222 99

HSL 84.39, 0.65%, 0.63%

LAB 82.87, -35.34, 54.25

 

CMYK 8 / 0 / 55 / 13

HEX #CDDE63

RGB 205 222 99

HSL 68.29, 0.65%, 0.63%

LAB 85.06, -22.64, 57.34

 

CMYK 0 / 7 / 55 / 13

HEX #DECE63

RGB 222 206 99

HSL 52.2, 0.65%, 0.63%

LAB 82.15, -7.8, 54.36

 

CMYK 0 / 22 / 55 / 13

HEX #DEAD63

RGB 222 173 99

HSL 36.1, 0.65%, 0.63%

LAB 73.75, 9.42, 44.47

 

CMYK 0 / 37 / 55 / 13

HEX #DE8C63

RGB 222 140 99

HSL 20, 0.65%, 0.63%

LAB 65.89, 27.1, 34.79

 

CMYK 23 / 0 / 55 / 13

HEX #ACDE63

RGB 172 222 99

HSL 84.39, 0.65%, 0.63%

LAB 82.87, -35.34, 54.25

 

CMYK 37 / 0 / 55 / 13

HEX #8BDE63

RGB 139 222 99

HSL 100.49, 0.65%, 0.63%

LAB 81.09, -46.88, 51.72

 

CMYK 52 / 0 / 55 / 13

HEX #6ADE63

RGB 106 222 99

HSL 116.59, 0.65%, 0.63%

LAB 79.73, -56.6, 49.79

 

CMYK 55 / 0 / 43 / 13

HEX #63DE7E

RGB 99 222 126

HSL 133.17, 0.65%, 0.63%

LAB 79.84, -54.62, 36.89

 

CMYK 55 / 0 / 28 / 13

HEX #63DE9F

RGB 99 222 159

HSL 149.27, 0.65%, 0.63%

LAB 80.4, -48.73, 20.74

 

CMYK 23 / 0 / 55 / 13

HEX #ACDE63

RGB 172 222 99

HSL 84.39, 0.65%, 0.63%

LAB 82.87, -35.34, 54.25

 

CMYK 27 / 0 / 65 / 7

HEX #AEED54

RGB 174 237 84

HSL 84.71, 0.81%, 0.63%

LAB 87.1, -42.55, 65.33

 

CMYK 30 / 0 / 73 / 1

HEX #B1FD45

RGB 177 253 69

HSL 84.78, 0.98%, 0.63%

LAB 91.7, -49.25, 75.49

 

CMYK 23 / 0 / 55 / 13

HEX #ACDE63

RGB 172 222 99

HSL 84.39, 0.65%, 0.63%

LAB 82.87, -35.34, 54.25

 

CMYK 18 / 0 / 44 / 19

HEX #A9CF73

RGB 169 207 115

HSL 84.78, 0.49%, 0.63%

LAB 78.64, -27.77, 41.52

 

CMYK 13 / 0 / 32 / 25

HEX #A6BF82

RGB 166 191 130

HSL 84.59, 0.32%, 0.63%

LAB 74.18, -19.11, 28.05

 

CMYK 7 / 0 / 18 / 31

HEX #A3B091

RGB 163 176 145

HSL 85.16, 0.16%, 0.63%

LAB 70.09, -10.2, 14.37

 

CMYK 0 / 0 / 1 / 37

HEX #A1A1A0

RGB 161 161 160

HSL 60, 0.01%, 0.63%

LAB 66.22, -0.19, 0.51

HEX #A1A1A0

CMYK 0 / 7 / 55 / 13

HEX #DECE63

RGB 222 206 99

HSL 52.2, 0.65%, 0.63%

LAB 82.15, -7.8, 54.36

 

CMYK 7 / 0 / 55 / 13

HEX #CEDE63

RGB 206 222 99

HSL 67.8, 0.65%, 0.63%

LAB 85.13, -22.24, 57.44

 

CMYK 22 / 0 / 55 / 13

HEX #ADDE63

RGB 173 222 99

HSL 83.9, 0.65%, 0.63%

LAB 82.93, -34.97, 54.33

 

CMYK 37 / 0 / 55 / 13

HEX #8CDE63

RGB 140 222 99

HSL 100, 0.65%, 0.63%

LAB 81.14, -46.55, 51.79

 

CMYK 52 / 0 / 55 / 13

HEX #6BDE63

RGB 107 222 99

HSL 116.1, 0.65%, 0.63%

LAB 79.77, -56.34, 49.84

 

CMYK 32 / 0 / 79 / 23

HEX #85C52A

RGB 133 197 42

HSL 84.77, 0.65%, 0.47%

LAB 72.95, -42.75, 65.25

 

CMYK 29 / 0 / 70 / 16

HEX #99D741

RGB 153 215 65

HSL 84.8, 0.65%, 0.55%

LAB 79.47, -41.92, 64.3

 

CMYK 23 / 0 / 55 / 13

HEX #ACDE63

RGB 172 222 99

HSL 84.39, 0.65%, 0.63%

LAB 82.87, -35.34, 54.25

 

CMYK 17 / 0 / 42 / 10

HEX #BEE585

RGB 190 229 133

HSL 84.38, 0.65%, 0.71%

LAB 86.34, -28.34, 42.62

 

CMYK 12 / 0 / 29 / 7

HEX #D0ECA7

RGB 208 236 167

HSL 84.35, 0.64%, 0.79%

LAB 89.95, -20.76, 30.51

 

CMYK 23 / 0 / 55 / 13

HEX #ACDE64

RGB 172 222 100

HSL 84.59, 0.65%, 0.63%

LAB 82.88, -35.25, 53.81

 

CMYK 55 / 0 / 22 / 13

HEX #63DEAD

RGB 99 222 173

HSL 156.1, 0.65%, 0.63%

LAB 80.69, -45.83, 13.79

 

CMYK 0 / 55 / 0 / 13

HEX #DE63DE

RGB 222 99 222

HSL 300, 0.65%, 0.63%

LAB 61.42, 63.84, -41.03

 

CMYK 23 / 0 / 55 / 13

HEX #ACDE64

RGB 172 222 100

HSL 84.59, 0.65%, 0.63%

LAB 82.88, -35.25, 53.81

 

CMYK 55 / 22 / 0 / 13

HEX #63ADDE

RGB 99 173 222

HSL 203.9, 0.65%, 0.63%

LAB 67.88, -9.17, -31.73

 

CMYK 0 / 55 / 22 / 13

HEX #DE63AD

RGB 222 99 173

HSL 323.9, 0.65%, 0.63%

LAB 59.41, 56.2, -16.29

 

CMYK 23 / 0 / 55 / 13

HEX #ACDE64

RGB 172 222 100

HSL 84.59, 0.65%, 0.63%

LAB 82.88, -35.25, 53.81

 

CMYK 55 / 0 / 22 / 13

HEX #63DEAD

RGB 99 222 173

HSL 156.1, 0.65%, 0.63%

LAB 80.69, -45.83, 13.79

 

CMYK 33 / 55 / 0 / 13

HEX #9463DE

RGB 148 99 222

HSL 263.9, 0.65%, 0.63%

LAB 52.39, 45.11, -55.91

 

CMYK 0 / 55 / 33 / 13

HEX #DE6394

RGB 222 99 148

HSL 336.1, 0.65%, 0.63%

LAB 58.59, 52.95, -3.03

 

CMYK 23 / 0 / 55 / 13

HEX #ACDE64

RGB 172 222 100

HSL 84.59, 0.65%, 0.63%

LAB 82.88, -35.25, 53.81

 

CMYK 55 / 0 / 5 / 13

HEX #63DED2

RGB 99 222 210

HSL 174.15, 0.65%, 0.63%

LAB 81.59, -37.12, -4.52

 

CMYK 33 / 55 / 0 / 13

HEX #9463DE

RGB 148 99 222

HSL 263.9, 0.65%, 0.63%

LAB 52.39, 45.11, -55.91

 

CMYK 0 / 55 / 50 / 13

HEX #DE6370

RGB 222 99 112

HSL 353.66, 0.65%, 0.63%

LAB 57.68, 49.18, 16.66

 

Description

Color code: HEX #ACDE64 | qconv.com Color code: HEX #ACDE64 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 222 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 222 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 55 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 55% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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