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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACDB2C it is the complementary color #5324D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACDB2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACDB2C shade: #B1DB27, #C2ED3A, #D3FF4D, #E4FF60 and #F5FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACDB2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACDB2C shade: #ACDB2C, #9BC919, #8AB706, #79A500 and #689300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACDB2C shade: #ADDC2E, #DCDB2E, #DCAC2E, #DC7E2E and #DC4F2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACDB2C shade: #ADDC2E, #7EDC2E, #4FDC2E, #2EDC3B and #2EDC6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACDB2C shade matches the following richer shades: #ADDC2E and #B6EF1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACDB2C shade: #ADDC2E, #A4C842, #9AB455, #91A069 and #888C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACDB2C shade: #DCAD2E, #DCDC2E, #ADDC2E, #7FDC2E and #50DC2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACDB2C shade: #799C1A, #95BF20, #ADDC2E, #BBE151 and #C9E774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACDB2C shade: #ACDB2C, #2EDC7F and #C42EDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACDB2C shade: #ACDB2C, #2EADDC and #DC2EAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACDB2C shade: #ACDB2C, #2EDC7F, #5C2EDC and #DC2E8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACDB2C shade: #ACDB2C, #2EDCB3, #5C2EDC and #DC2E56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 80 / 14

HEX #ACDB2C

RGB 172 219 44

HSL 76.11, 0.71%, 0.52%

LAB 81.63, -37.57, 73.42

 

Complementary color

CMYK 61 / 83 / 0 / 17

HEX #5324D3

RGB 83 36 211

HSL 256.11, 0.71%, 0.48%

LAB 33.57, 62.16, -80.56

 

CMYK 19 / 0 / 82 / 14

HEX #B1DB27

RGB 177 219 39

HSL 74, 0.71%, 0.51%

LAB 81.92, -35.79, 75.07

 

CMYK 18 / 0 / 76 / 7

HEX #C2ED3A

RGB 194 237 58

HSL 74.41, 0.83%, 0.58%

LAB 88.13, -36.54, 75.89

 

CMYK 17 / 0 / 70 / 0

HEX #D3FF4D

RGB 211 255 77

HSL 74.83, 1%, 0.65%

LAB 94.27, -37.15, 76

 

CMYK 11 / 0 / 62 / 0

HEX #E4FF60

RGB 228 255 96

HSL 70.19, 1%, 0.69%

LAB 95.52, -29.45, 70.57

 

CMYK 4 / 0 / 55 / 0

HEX #F5FF73

RGB 245 255 115

HSL 64.29, 1%, 0.73%

LAB 96.89, -21.47, 64.53

 

CMYK 21 / 0 / 80 / 14

HEX #ACDB2C

RGB 172 219 44

HSL 76.11, 0.71%, 0.52%

LAB 81.63, -37.57, 73.42

 

CMYK 23 / 0 / 88 / 21

HEX #9BC919

RGB 155 201 25

HSL 75.68, 0.78%, 0.44%

LAB 75.33, -36.74, 71.93

 

CMYK 25 / 0 / 97 / 28

HEX #8AB706

RGB 138 183 6

HSL 75.25, 0.94%, 0.37%

LAB 68.96, -35.7, 69.09

 

CMYK 27 / 0 / 100 / 35

HEX #79A500

RGB 121 165 0

HSL 76, 1%, 0.32%

LAB 62.49, -34.41, 64.41

 

CMYK 29 / 0 / 100 / 42

HEX #689300

RGB 104 147 0

HSL 77.55, 1%, 0.29%

LAB 55.9, -33.01, 58.92

 

CMYK 21 / 0 / 79 / 14

HEX #ADDC2E

RGB 173 220 46

HSL 76.21, 0.71%, 0.52%

LAB 81.98, -37.56, 73.22

 

CMYK 0 / 0 / 79 / 14

HEX #DCDB2E

RGB 220 219 46

HSL 59.66, 0.71%, 0.52%

LAB 85.04, -17.98, 77.2

 

CMYK 0 / 22 / 79 / 14

HEX #DCAC2E

RGB 220 172 46

HSL 43.45, 0.71%, 0.52%

LAB 72.84, 6.08, 66.39

 

CMYK 0 / 43 / 79 / 14

HEX #DC7E2E

RGB 220 126 46

HSL 27.59, 0.71%, 0.52%

LAB 61.94, 30.66, 56.36

 

CMYK 0 / 64 / 79 / 14

HEX #DC4F2E

RGB 220 79 46

HSL 11.38, 0.71%, 0.52%

LAB 52.95, 53.51, 47.7

 

CMYK 21 / 0 / 79 / 14

HEX #ADDC2E

RGB 173 220 46

HSL 76.21, 0.71%, 0.52%

LAB 81.98, -37.56, 73.22

 

CMYK 43 / 0 / 79 / 14

HEX #7EDC2E

RGB 126 220 46

HSL 92.41, 0.71%, 0.52%

LAB 79.51, -54.36, 70.05

 

CMYK 64 / 0 / 79 / 14

HEX #4FDC2E

RGB 79 220 46

HSL 108.62, 0.71%, 0.52%

LAB 77.9, -66.95, 67.97

 

CMYK 79 / 0 / 73 / 14

HEX #2EDC3B

RGB 46 220 59

HSL 124.48, 0.71%, 0.52%

LAB 77.33, -71.55, 63.09

 

CMYK 79 / 0 / 52 / 14

HEX #2EDC6A

RGB 46 220 106

HSL 140.69, 0.71%, 0.52%

LAB 77.76, -66.3, 43.8

 

CMYK 21 / 0 / 79 / 14

HEX #ADDC2E

RGB 173 220 46

HSL 76.21, 0.71%, 0.52%

LAB 81.98, -37.56, 73.22

 

CMYK 24 / 0 / 89 / 6

HEX #B6EF1A

RGB 182 239 26

HSL 76.06, 0.87%, 0.52%

LAB 87.85, -43.07, 82.7

 

CMYK 21 / 0 / 79 / 14

HEX #ADDC2E

RGB 173 220 46

HSL 76.21, 0.71%, 0.52%

LAB 81.98, -37.56, 73.22

 

CMYK 18 / 0 / 67 / 22

HEX #A4C842

RGB 164 200 66

HSL 76.12, 0.55%, 0.52%

LAB 75.82, -30.86, 60.39

 

CMYK 14 / 0 / 53 / 29

HEX #9AB455

RGB 154 180 85

HSL 76.42, 0.39%, 0.52%

LAB 69.59, -23.69, 44.97

 

CMYK 9 / 0 / 34 / 37

HEX #91A069

RGB 145 160 105

HSL 76.36, 0.22%, 0.52%

LAB 63.49, -14.78, 26.96

 

CMYK 3 / 0 / 11 / 45

HEX #888C7D

RGB 136 140 125

HSL 76, 0.06%, 0.52%

LAB 57.53, -4.32, 7.51

 

CMYK 0 / 21 / 79 / 14

HEX #DCAD2E

RGB 220 173 46

HSL 43.79, 0.71%, 0.52%

LAB 73.09, 5.55, 66.61

 

CMYK 0 / 0 / 79 / 14

HEX #DCDC2E

RGB 220 220 46

HSL 60, 0.71%, 0.52%

LAB 85.3, -18.47, 77.43

 

CMYK 21 / 0 / 79 / 14

HEX #ADDC2E

RGB 173 220 46

HSL 76.21, 0.71%, 0.52%

LAB 81.98, -37.56, 73.22

 

CMYK 42 / 0 / 79 / 14

HEX #7FDC2E

RGB 127 220 46

HSL 92.07, 0.71%, 0.52%

LAB 79.55, -54.04, 70.11

 

CMYK 64 / 0 / 79 / 14

HEX #50DC2E

RGB 80 220 46

HSL 108.28, 0.71%, 0.52%

LAB 77.93, -66.73, 68

 

CMYK 22 / 0 / 83 / 39

HEX #799C1A

RGB 121 156 26

HSL 76.15, 0.71%, 0.36%

LAB 59.81, -29.58, 57.63

 

CMYK 22 / 0 / 83 / 25

HEX #95BF20

RGB 149 191 32

HSL 75.85, 0.71%, 0.44%

LAB 72.06, -34.36, 67.5

 

CMYK 21 / 0 / 79 / 14

HEX #ADDC2E

RGB 173 220 46

HSL 76.21, 0.71%, 0.52%

LAB 81.98, -37.56, 73.22

 

CMYK 17 / 0 / 64 / 12

HEX #BBE151

RGB 187 225 81

HSL 75.83, 0.71%, 0.6%

LAB 84.49, -32.48, 63.99

 

CMYK 13 / 0 / 50 / 9

HEX #C9E774

RGB 201 231 116

HSL 75.65, 0.71%, 0.68%

LAB 87.4, -26.99, 52.24

 

CMYK 21 / 0 / 80 / 14

HEX #ACDB2C

RGB 172 219 44

HSL 76.11, 0.71%, 0.52%

LAB 81.63, -37.57, 73.42

 

CMYK 79 / 0 / 42 / 14

HEX #2EDC7F

RGB 46 220 127

HSL 147.93, 0.71%, 0.52%

LAB 78.05, -62.89, 33.84

 

CMYK 11 / 79 / 0 / 14

HEX #C42EDC

RGB 196 46 220

HSL 291.72, 0.71%, 0.52%

LAB 50.52, 77.24, -57.45

 

CMYK 21 / 0 / 80 / 14

HEX #ACDB2C

RGB 172 219 44

HSL 76.11, 0.71%, 0.52%

LAB 81.63, -37.57, 73.42

 

CMYK 79 / 21 / 0 / 14

HEX #2EADDC

RGB 46 173 220

HSL 196.21, 0.71%, 0.52%

LAB 66.24, -17.92, -33.3

 

CMYK 0 / 79 / 21 / 14

HEX #DC2EAD

RGB 220 46 173

HSL 316.21, 0.71%, 0.52%

LAB 52.05, 75.15, -27.6

 

CMYK 21 / 0 / 80 / 14

HEX #ACDB2C

RGB 172 219 44

HSL 76.11, 0.71%, 0.52%

LAB 81.63, -37.57, 73.42

 

CMYK 79 / 0 / 42 / 14

HEX #2EDC7F

RGB 46 220 127

HSL 147.93, 0.71%, 0.52%

LAB 78.05, -62.89, 33.84

 

CMYK 58 / 79 / 0 / 14

HEX #5C2EDC

RGB 92 46 220

HSL 255.86, 0.71%, 0.52%

LAB 36.74, 61.45, -80.5

 

CMYK 0 / 79 / 37 / 14

HEX #DC2E8A

RGB 220 46 138

HSL 328.28, 0.71%, 0.52%

LAB 50.69, 71.19, -8.88

 

CMYK 21 / 0 / 80 / 14

HEX #ACDB2C

RGB 172 219 44

HSL 76.11, 0.71%, 0.52%

LAB 81.63, -37.57, 73.42

 

CMYK 79 / 0 / 19 / 14

HEX #2EDCB3

RGB 46 220 179

HSL 165.86, 0.71%, 0.52%

LAB 79.05, -51.82, 8.13

 

CMYK 58 / 79 / 0 / 14

HEX #5C2EDC

RGB 92 46 220

HSL 255.86, 0.71%, 0.52%

LAB 36.74, 61.45, -80.5

 

CMYK 0 / 79 / 61 / 14

HEX #DC2E56

RGB 220 46 86

HSL 346.21, 0.71%, 0.52%

LAB 49.3, 66.98, 20.73

 

Description

Color code: HEX #ACDB2C | qconv.com Color code: HEX #ACDB2C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 219 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 219 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 80 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 80% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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